Wednesday, February 17, 2021

CFP Star Wars Conference (2/20/21; Virtual 5/4-7/21)

 I was excited to come across this call today from the SFRA news feed.

Realizing Resistance Episode II: Uncharted Galaxies

https://digital-frontiers.org/rrii/

With the end of the Skywalker era of the Star Wars saga, and the emergence of spin-offs like The Mandalorian, Resistance, and Rebels, aca-fans from all disciplines have an opportunity to engage with nearly half a century of Star Wars media. As with our previous event, this conference aims to bring together scholars from across disciplines to examine Star Wars media as cultural texts. We invite scholarly and creative interventions with an explicit focus on themes of resistance and justice. How do these these films and other media objects contribute to, reflect on, or depart from broader contemporary cultural practices and social discourses?

Since 2019, both the political and media worlds have experienced dramatic shifts and disruptions, including the COVID-19 pandemic, the Black Lives Matter movement, a contentious U.S. presidential election, and an increasing sense of the vulnerability of democratic institutions and processes. Star Wars, as a cultural phenomenon, has also been embroiled in controversies and transitions, from reactions to The Rise of Skywalker and The Mandalorian to the emergence of Disney+ as a principle platform for the continuation of the Star Wars legacy. Star Wars has penetrated into the culture in surprising ways including martial arts classes offering lightsaber training, political protests that feature Star Wars iconography, the co-opting of the Empire and First Order by the alt-right, among many others. We encourage presentations that reflect on these contexts to offer new perspectives and innovative methodological and disciplinary approaches to Star Wars scholarship. 

 


 

Digital Frontiers invites proposals of individual papers, panels, academic posters and infographics, media objects (critical making, comics, video, Twine, or performance), and methodology or other workshops. Topics may include but are by no means limited to:

  • Expanding the Star Wars universe: where do we go from here?
  • Genres far, far away: Star Wars as western, war story, dystopian fiction, caper movie, romance, etc. 
  • The Transmedia Star Wars: memes, video games, board games, RPGs, etc.
  • Fan cultures and participatory practices.
  • Star Wars Style: costume and fashion in the Star Wars universe.
  • Animation as an artform and cultural object.
  • Comics and animated series as canon
  • The material culture of Star Wars: toys, branding, and collectibles
  • Star Wars DH: computational and quantitative approaches to Star Wars scholarship
  • Ahsoka Tano, Rey, Ventress, and other Women Warriors
  • Queering Star Wars
  • The Fall of Skywalker
  • Deus ex Exegol: narrative studies and Star Wars
  • The Star Wars Family: Malignant paternity, missing moms, toxic relationships
  • “Much to learn, you still have.” Star Wars and Pedagogy
  • Pop culture precursors
  • Getting over “The Hero’s Journey”
  • Monsters of Star Wars

Submit 250-word abstracts via this Google Form no later than midnight Central Time (US) on February 20, 2021.

Submit

All submissions will undergo transparent peer review. All participants will have the opportunity to publish their work in the RRII Proceedings in Unbound: A Journal of Digital Scholarship. Every effort will be made to accommodate international and early career and student scholars to facilitate their participation. All interactions are governed by the Digital Frontiers Statement of Inclusion and Accessibility.

This virtual conference will take place May 4-7, 2021.  Registration will be Pay-What-You’re-Able with a recommended contribution of $45. Registration opens March 22, 2021.

Important Dates:

Submission Deadline: February 20, 2021
Notifications & Registration Opens: March 22, 2021
Conference: May 4-7, 2021

Collaborating Institutions

  • The University Library of the University of Illinois at Urbana-Champaign
  • The University of North Texas Libraries
  • The Department of Rhetoric and the Program for Critical Theory at the University of California Berkeley
  • The Departments of English and Environmental Studies at Aurora University
  • The Department of Communication & Media Studies at SUNY Cortland

Organizing Committee

Bridgitte Barclay, Aurora University
Spencer D. C. Keralis, University of Illinois at Urbana-Champaign
Christina Knopf, SUNY Cortland
Samantha Langsdale, University of California Berkeley
John Edward Martin, University of North Texas

Sponsorships

We invite organizations and institutions to sponsor Realizing Resistance Episode II. A $250 sponsorship will add your branding to this page, include coordinated social media announcements, and your branding during the virtual event. Sponsors can share a video or other personal message to be played during the event. To purchase a sponsorship, visit our Square Store, or contact conference@digital-frontiers.org for additional information.

Connect

Follow @RealizeResist on Twitter for updates and conversations. Contact conference@digital-frontiers.org with inquiries.

 

 

Monday, February 1, 2021

Mythlore for Fall/Winter 2020


Here are the details on the most recent issue of
Mythlore.

Purchase information is available on the content page.

 

Mythlore 137 Volume 39, Issue 1 (Fall/Winter 2020)


Table of Contents

Editorial
— Janet Brennan Croft

A Cosmic Shift in The Screwtape Letters
— Brenton D.G. Dickieson

“I woulde be there / Byyonde the water”: Consolation in Pearl and The Silver Chair
— Tiffany E. Schubert

“No Sex Please, We’re Narnians”: Turkish Delight, Twelfth Night, and the Problem of Susan
— Andy Gordon

Useful Little Men: George R.R. Martin’s Dwarfs as Grotesque Realists
— Joseph Rex Young

The Inner Consistency of Mythology: The Mythological Kernel and Adaptation in The Golden Compass
— Douglas A. Barnim

Tom Bombadil and the Spirit of Objectivity
— Dani Inkpen

“Her Enchanted Hair”: Rossetti, “Lady Lilith,” and the Victorian Fascination with Hair as Influences on Tolkien
— Kathryn Colvin

The “Polish Inkling”: Professor Przemysław Mroczkowski as J.R.R. Tolkien’s Friend and Scholar
— Łukasz Neubauer

Tolkien’s Lost Knights
— Ben Reinhard


Reviews

  • Utopian and Dystopian Themes in Tolkien’s Legendarium, by Mark Doyle — Robert T. Tally Jr.
  • Music in Tolkien’s Work and Beyond, edited by Julian Eilmann and Friedhelm Schneidewind — Megan N. Fontenot
  • Hobbit Virtues: Rediscovering Virtue Ethics through J.R.R. Tolkien’s The Hobbit and The Lord of the Rings, by Christopher A. Snyder — Zachary D. Schmoll
  • Michael Moorcock: Fiction, Fantasy and the World’s Pain by Mark Scroggins, and The Law of Chaos: The Multiverse of Michael Moorcock by Jeff Gardiner — David L. Emerson
  • Myth-Building in Modern Media: The Role of the Mytharc in Imagined Worlds, by A.J. Black — Maria Alberto
  • The Nibelungenlied: with The Klage, translated by William T. Whobrey — Larry J. Swain
  • The Worlds of J.R.R. Tolkien: The Places That Inspired Middle-earth, by John Garth — Mike Foster
  • Briefly Noted: A Dictionary of Symbols: Revised and Expanded, by Juan Eduardo Cirlot — Janet Brennan Croft
  • Reality, Magic, and Other Lies: Fairy-Tale Film Truths, by Pauline Greenhill — Alissa Renales