Showing posts with label Fantasy. Show all posts
Showing posts with label Fantasy. Show all posts

Thursday, July 16, 2026

CFP Gender in Fantasy (8/31/2026 BFS Journal)

Gender in Fantasy


deadline for submissions:
August 31, 2026

full name / name of organization:
Dr Kevan Manwaring/The British Fantasy Society

contact email:
kmanwaring@aub.ac.uk

source: https://call-for-papers.sas.upenn.edu/cfp/2026/06/05/gender-in-fantasy


Fantasy has long explored lifeworlds and paradigms outside of societal norms. Orlando, Virginia Woolf’s gender-fluid protagonist, declares, ‘I'm sick to death of this particular self. I want another.’ World myths, legends, folk tales, and fairy tales are early promoters of gender-fluidity, populated by the likes of Inanna/Ishtar; Hermaphroditus, the offspring of Hermes and Aphrodite; androgynous Dionysus; Ardhanarishvara; Ometeotl; Guanyin; cross-dressing thunder and trickster gods; heartsick seafaring maidens disguised as sailors; and the mercurial ontologies of the Fae. In this issue we will explore how gender is portrayed and explored in Fantasy. Fantasy plays an important role in enlarging what is possible, and creating refugia for the marginalised and other modalities. In an increasingly intolerant, xenophobic, and close-minded world, where Far Right governments roll back hard-won freedoms and civil rights legislation, and undermine, mock or openly attack important principles of equality, diversity, and inclusivity, this function of Fantasy is never more vital, for as Orlando states, ‘He who robs us of our dreams robs us of our life.’



The BFS Journal is seeking original, unpublished, human-authored articles of between 2000-8000 words (including bibliography). 

Possible approaches include:
  • Non-binary identities and challenging binaries.
  • Found families and marginalised identities in YA Fantasy
  • The portrayal of matriarchies and patriarchies in Fantasy worlds.
  • The rise of Romantasy and the female gaze.
  • The performance of gender.
  • Power and gender roles.
  • Queer Fantasy and destabilisations of heteronormativity in Fantasy.
  • The divine masculine and feminine in Fantasy.
  • Masks, disguises, masquerades and carnivals.
  • Friendships and relationships in Fantasy.
  • Flirting, courting, and marriage in Fantasy.



Send the Abstract (200 words), including title, keywords, and a 100-word bio to the Editor (Dr Kevan Manwaring) by 31st August. The BFS Journal Winter issue will be published December 2026. Completed articles, if commissioned, will be due in by 30th September, when they will undergo peer-review. Send to: bfsjournal@britishfantasysociety.org



Last updated June 5, 2026

Monday, March 16, 2026

CFP Santa Claus, Christmas, and Implicit Religion in SFF (3/25/2026)

"I don't know what Christmas is, but Christmas time is here": Santa Claus, Christmas, and Implicit Religion in SFF


deadline for submissions:
March 25, 2026

full name / name of organization:
Maura Ives and Claire Carly-Miles

contact email:
m-ives@tamu.edu

source: https://call-for-papers.sas.upenn.edu/cfp/2026/03/12/i-dont-know-what-christmas-is-but-christmas-time-is-here-santa-claus-christmas-and.


"I don't know what Christmas is, but Christmas time is here": Santa Claus, Christmas, and Implicit Religion in SFF

Abstracts (250 words) are invited for papers exploring Santa Claus and/or the Christmas holiday in science fiction, speculative fiction and fantasy literature, film, and graphic novels. Considerations of the interrelation of secular and religious themes in SFF Christmas, implicit religion, and contemporary ritual welcome.



Deadline: March 25, 2026

Abstracts to m hyphen ives@tamu.edu and c.carly-miles@tamu.edu; please include SFF Christmas in your subject line.


Last updated March 14, 2026


Saturday, May 3, 2025

CFP War in Fantasy (8/31/2025; British Fantasy Society Journal)

 

War in Fantasy

deadline for submissions: 
August 31, 2025
full name / name of organization: 
British Fantasy Society

In this special issue of the BFS (British Fantasy Society) Journal we take a hard look at War in Fantasy. Conflict, from skirmishes to mass battles, tavern brawls to planet-wide apocalypses, is a staple of Fantasy: The Battle of the Five Armies in The Hobbit, The Last Battle in Narnia, The War in Heaven by Charles Williams, and Lyra Belacqua’s fight against death and the consciousness-stifling strictures of the Magisterium, are a few examples. In Warhammer 40K, which expanded the original Fantasy table-top wargame into the far future, we learn ‘in the grim darkness of the far future there is only war.’ There are very few large-scale Fantasy texts that do not acknowledge the impact of war in some way, whether through invasion, siege, massacre, colonisation, spoils of war, legacy, or trauma. Protagonists and places are scarred by it. Narratives are often prominently ante-, para-, or postbellum. Powerful weapons – key to victory or defeat, depending on whose hands they fall into – their acquisition and mastery, are the MacGuffins that drive plot. But does the prevalence of conflict in Fantasy normalise violence and even perpetuate it, or does it offer a useful mirror, allowing us to have a perspective on real-world conflict, narrativize trauma and learn to overcome it? Articles on any of these aspects are welcome. Here are some suggestions:

  • The influence of the First World War on Tolkien’s Middle Earth.
  • Early depictions of war in taproot texts such as Beowulf.
  • Changing depictions of warfare in 21st Century Fantasy.
  • Warfare between the human and the other-than-human.
  • Hidden, supernatural wars.
  • The depiction of non-western cultures in Fantasy warfare.
  • Portrayal of marginal figures in warfare, e.g., scavengers; servants; animals.
  • The impact of warfare on urban and rural settings in Fantasy.
  • Magic in warfare.
  • Historical influences on depictions of warfare in Fantasy, e.g. armour, weaponry, tactics.
  • Parleys, peace treaties, truces, ceasefires, and the cessation of conflict.
  • The aftermath of war in Fantasy texts.
  • Valkyries, Morrigans, and other psychopompic figures in warfare.
  • Visions in conflict and haunted battlefields.

Submissions should be clearly titled as follows: SURNAME_TITLE_BFSJOURNAL_CFP_WINTER2025. A 200-word abstract and 100-word author bio should be included. Work needs to original, previously unpublished, and referenced using the Harvard author/date system. The editor retains the right to edit any submission, and contributors must be willing to address any editorial suggestions within good time. Publication is expected December 2025.


Last updated April 10, 2025

Sunday, February 2, 2025

CFP 2025 Conference of The Incredible Nineteenth Century: Science Fiction, Fantasy, and Fairy Tale (3/28/2025; online 5/2-3/2025)

 

2025 Conference of The Incredible Nineteenth Century: Science Fiction, Fantasy, and Fairy Tale

deadline for submissions: 
March 28, 2025
full name / name of organization: 
The Incredible Nineteenth Century: Science Fiction, Fantasy, and Fairy Tale
contact email: 

Our third annual conference on May 2-3 via Zoom! This online conference is free to attend. Please use this link to register to present or attend: https://docs.google.com/forms/d/e/1FAIpQLSeSiuxTNYFJPUPxF1gAdfH1pQthfjig...

Submissions may cover any aspect of literature, film, or art related to science fiction, fantasy, or fairy tale in the Long Nineteenth Century (approximately 1789 to 1918). Also welcome are presentations on tv, film, and video game adaptations of nineteenth-century texts, or on works that re-envision the nineteenth century through science fiction or fantasy. Submissions to present are due by March 28.

Our keynote address will be delivered by Dr. Ann Schmiesing of the University of Colorado. She is the author of the recent book, _The Brothers Grimm: A Biography_.

Saturday, January 18, 2025

CFP The Green Fuse - Nature in Fantasy (2/28/2025; Spec Issue British Fantasy Society Journal)

 

The Green Fuse - Nature in Fantasy

deadline for submissions: 
February 28, 2025
full name / name of organization: 
Dr Kevan Manwaring/British Fantasy Society
contact email: 


In this special issue we will look at environmental aspects of Fantasy. Since its very earliest manifestations, in taproot texts such as the Epic of Gilgamesh, Beowulf, and Sir Gawain and the Green Knight, Fantasy has been entangled with the natural and supernatural world.

‘The force that through the green fuse drives the flower.’
Dylan Thomas

Modern classics of Fantasy such as The Lord of the Rings, The Lion, The Witch, and the Wardrobe, The Book of Earthsea, Mythago Wood, The Broken Earth Trilogy, The Tide Child Trilogy, and others foreground the ‘natural world’ (even if that is in a Secondary World setting), and have environmental aspects that are intrinsic to the plot: the destruction of the forests of Isengard and the March of the Ents; the perpetual winter of Narnia; the shattered land of The Silence; the remnant of ancient woodland of Ryhope Wood; the toxic wastelands of Viriconium, etc. We shall delve into the rich biodiversity of the imagination and examine the symbiotic relationship between the natural world and the creation of Fantasy.

Subjects that could be explored include:
• Changing representations of nature in Fantasy.
• Fantasy and the Anthropocene.
• The super/natural mythscapes of childhood.
• Neo-animism, sentient nature, and the sense of the sacred in Fantasy.
• Indigenous perspectives of our relationship to the natural world as depicted in Fantasy.
• Anthropomorphic nature in Fantasy.
• The flora and fauna of Fantasy.
• The natural landscapes of Fantasy.
• Environmentalism in Fantasy.
• Fantasy sites (real world sites that have inspired Fantasy classics) and the production of Fantasy.
• The enchantment, disenchantment, and re-enchantment of nature through Fantasy.

Also invited are scholarly reviews of contemporary (or classic) Fantasy in novels, TV, film, graphic novels, computer games, etc. Original, human-produced artwork will also be considered.

Submissions should be clearly titled as follows: SURNAME_TITLE_BFSJOURNAL_CFP FEB 25

A 200-word abstract and 100-word author bio should be included. Work needs to be original, previously unpublished, and referenced using the Harvard author/date system. The editor retains the right to edit any submission, and contributors must be willing to address any editorial suggestions within good time. Publication is expected Summer 2025. Send to The Editor: bfsjournal@britishfantasysociety.org

For full submission guidelines please refer to checklist on BFS site.

Deadline for submissions: 28th February 2025

Sunday, March 10, 2024

CFP The Fantastic for Children - Children in the Fantastic Symposium (3/15/2024; Germany 5/3-5/2024)

The Fantastic for Children - Children in the Fantastic


deadline for submissions: March 15, 2024

full name / name of organization: Inklings Society for Literature and Aesthetics e.V.

contact email: 2024-symposium@inklings-symposium.de

source: https://call-for-papers.sas.upenn.edu/cfp/2023/12/13/the-fantastic-for-children-children-in-the-fantastic


“I write, not for children, but for the child-like, whether they be of five, or fifty, or seventy-five.”
― George MacDonald

It is often easier for child characters to cross boundaries between reality and fantasy worlds, which frequently go unnoticed by adult characters. In fantasy stories, whether in literature or media for an adult or child audience, it is mainly children who discover portals into fantastic worlds. These child protagonists become redeemer figures and symbols of hope and overcome personal and global crises in those worlds, into which they are lured or called.

Examples abound: Alice follows the White Rabbit into Wonderland and antagonises the Red Queen, the Pevensie siblings find their way to Narnia through a wardrobe and defeat the White Witch, Frodo saves the world from the dark forces of Sauron. In J.K. Rowling’s Harry Potter series, the young wizard Harry Potter rescues the Muggle and wizarding world from the seemingly invincible power of Voldemort, while a girl named Lyra becomes a key figure in the salvation of a multiverse in Philip Pullman’s His Dark Materials trilogy. In Michael Ende’s The Neverending Story, it is up to Bastian to save the human imagination, while in J.M. Barrie’s Peter and Wendy childhood imagination manifests spatially in the world of Neverland.

In many narratives, the intuitive entry into fantastic worlds is a privilege and burden of the child characters, a pattern which is also continued in film and series, for instance in the Netflix series Stranger Things. Here, the protagonist Eleven and other child characters fall victim to the Upside Down, vanish into the parallel world and continue to return to it in order to save the frequently clueless adult world from its dark powers.

These fantastic worlds do not only pose danger but are also places of longing for these child characters. Moreover, both adult and child readers want to experience adventures, explore the world with curiosity and pick up courage on the way. They harbour desires, dreams, hopes, develop goals and expectations, which are also reflected in fantasy. Thus, many of these fantastic stories, which fascinate readers, also reflect those topics they deal with in everyday life: the pursuit of familiarity, fellowship, friendship or love. The fantastic accompanies these children on their journey towards adulthood, helps them discovering their true self and hence illuminates a fundamental process of human life.

George MacDonald’s initial quote indicates that the fantastic is neither childish nor exclusively for children, but rather for the child-like of all ages. His fairy tales and fantasy novels also (but not exclusively) inspired the Inklings, predominantly J.R.R. Tolkien and C.S. Lewis. Accordingly, the upcoming symposium takes MacDonald’s 200th birthday as a cue to explore the role of children and childhood in fantasy. We invite contributions investigating the connection between children and the fantastic, including but not limited to the following possible topics:

  • the role of the fantastic in the work of the Inklings
  • the fantastic in the work of George MacDonald, Lewis Carroll, Edith Nesbit or Lord Dunsany
  • Child characters as redeemer figures, (anti-)heroes and antagonists in fantasy, science fiction, horror, animal stories or children’s and young adult literature
  • Fantasy and its role in identity formation
  • modern retellings of fantastic narratives
  • diversity and representation in fantasy
  • fantastic narratives as coming-of-age story
  • critical discussions of fantasy as escapism
  • fantasy and (re-)enchantment
  • ethical, philosophical and religious readings of fantastic narratives
  • coping and coming to terms with trauma through fantasy
  • emotional security, love and friendship in fantastic narratives
  • childhood and heroism in fantasy
  • fantasy and games, especially tabletop role-playing game

Please send proposals (300–500 words, either in German or English) as well as a short bio to 2024-symposium@inklings-symposium.de. Please use the subject line “Inklings Symposium 2024”. The deadline is 15 March 2024. Presentations at the symposium should be 20 minutes long and a selection of them will be published in the Inklings Yearbook.

Location: Schloss Malberg, Kylltal (https://www.schloss-malberg.de/)
Date: 3 to 5 Mai 2024
Travel Allowance: There will be a small allowance available to speakers for accommodation and travel expenses.
Further information on the Inklings symposium 2024 see https://inklings-gesellschaft.de/symposium-2024/


Last updated February 25, 2024

Thursday, February 29, 2024

CFP New York Tolkien Conference 2024 (4/30/2024; New York 6/15/2024)

New York Tolkien Conference


deadline for submissions: April 30, 2024

full name / name of organization: New York Tolkien Conference

contact email: christopher.tuthill@baruch.cuny.edu

main site: https://nyctolkienconference.wordpress.com/2024/01/16/call-for-papers-20...



The organizers of the 2024 New York Tolkien Conference are seeking proposals related to the following:

  • Presentations on Tolkien and the Inklings, their literary work, or related issues.
  • Papers on fantastic fiction–this can include anything from books heavily influenced by Middle-earth to other genres of fantasy. Examples of authors we’re interested in include George RR Martin, Octavia Butler, Tad Williams, Ursula K. LeGuin, Gene Wolfe, Susanna Clarke, Terry Pratchett, Tim Powers, J.K. Rowling, and Nnedi Okorafor.
  • Fantasy that preceded Tolkien, or presentations dealing with Tolkien’s influences.
  • Presentations on (or demos of) board and tabletop games dealing with Middle-earth or other fantasy realms.
  • Discussions of Tolkien’s scholarly work

If you are wondering whether your topic might fit with the conference, please ask! We are open to different approaches.

If you are interested in presenting at the conference, please upload your paper proposal at the link below. Proposals are now open, and we will make decisions for scheduling by mid-April. https://baruch.az1.qualtrics.com/jfe/form/SV_8cUCJKsREiLqV0i

For further information about previous conferences and the organizers, please see the conference page and archive below. The conference will take place Saturday, June 15, 2024 at Baruch College in New York.

If you have any other questions, please contact Christopher Tuthill at christopher.tuthill@baruch.cuny.edu


Last updated January 17, 2024
This CFP has been viewed 677 times.


Sunday, November 6, 2022

Mythlore for Fall/Winter 2022


The Fall/Winter 2022 issue of Mythlore is now available. I've provided the full content below. Ordering information can be found on the Mythopoeic Society's website at this link.



Mythlore 141 Volume 41, Issue 1
Fall/Winter 2022



Table of Contents


Editorial
— Janet Brennan Croft

Notes of an Inklings Scholar: Musings on Myth and History, Promises and Secrecy, Ethical Reviewing, and the Limits of Authorial Intent
— David Bratman

David Lindsay’s The Violet Apple
— Eric Wills

History in the Margins: Epigraphs and Negative Space in Robin Hobb’s Assassin’s Apprentice
— Matthew Oliver

Echoing Ecopoetics: Fantasy Literature’s Background Sounds
— Catherine Olver

“Read this Book, and You Will Find All the Grand and Marvelous Things to be Found”: A Song of Ice and Fire and Medieval Travelogues
— Elisabeth Brander

Haunted Manikins and the Hero(es) Within: The Modern Romantic Hero as the Divinely Inspired Person Inside the Personality
— Mikaela von Kursell

“Delight in Horror”: Charles Williams and Russell Kirk on Hell and the Supernatural
— Camilo Peralta

Tellers of Dark Fairy Tales: Common Themes in the Works of Terence Fisher and C.S. Lewis
— G. Connor Salter

“What Happened to Battles are Ugly Affairs?”: Fighting Girls in the Films The Chronicles of Narnia, Chapters 1, 2, and 3
— Anne-Frédérique Mochel-Caballero

“The Evil Side of Heroic Life”: Monsters and Heroes in Beowulf and The Hobbit
— Catherine Hall

Goddess and Mortal: The Celtic and the French Morgan Le Fay in Tolkien’s Silmarillion
— Clare Moore

“Well, I’m Back”: Samwise Gamgee and the Future of Tolkien’s Literary Pastoral
— MG Prezioso


Notes

The Nurse of Elfland: Lizzie Endicott and C.S. Lewis — Reggie Weems
What Sam Said — David Bratman

Reviews

Tolkien, Race, and Racism in Middle-earth by Robert Stuart — Robert T. Tally, Jr.
Queering Faith in Fantasy Literature: Fantastic Incarnations and the Deconstruction of Theology by Taylor Driggers — C. Palmer-Patel
Friendship in The Lord of the Rings by Cristina Casagrande — Mark A. Brians II
Charles Williams and C.S. Lewis: Friends in Co-Inherence by Paul S. Fiddes — Tiffany Brooke Martin
The Writer’s Map: An Atlas of Imaginary Lands by Huw Lewis-Jones — Susan M. Moore
Dante’s Dream: A Jungian Psychoanalytical Approach by Gwenyth E. Hood — Liam Butchart
The Modern Myths: Adventures in the Machinery of the Popular Imagination by Phillip Ball — Janet Brennan Croft
Tolkien as a Literary Artist: Exploring Rhetoric, Language and Style in The Lord Of The Rings by Thomas Kullmann and Dirk Siepmann — Sharon L. Bolding
Two Sagas of Mythical Heroes: Hervor and Heidrek and Hrolf Kraki and His Companions translated and edited by Jackson Crawford, and Norse Mythology by Jackson Crawford — Phillip Fitzsimmons

Briefly Noted:

Is Superman Circumcised? The Complete Jewish History of the World’s Greatest Hero by Roy Schwartz — G. Connor Salter
Flying Snakes and Griffin Claws: And Other Classical Myths, Historical Oddities, and Scientific Curiosities by Adrienne Mayor — Janet Brennan Croft

Saturday, April 23, 2022

CFP Specificity of Fantasy (Spec Issue of Literature) (8/31/2022)

Special Issue "The Specificity of Fantasy"

source: https://www.mdpi.com/journal/literature/special_issues/fantasy

Special Issue Editors
Special Issue Information
Keywords
Published Papers

A special issue of Literature (ISSN 2410-9789).

Deadline for manuscript submissions: 31 August 2022.




Special Issue Editor

Dr. Geoff M. Boucher E-Mail Website SciProfiles
Guest Editor


Faculty of Arts and Education, School of Communication and Creative Arts, Deakin University, Geelong, VIC 3216, Australia
Interests: Frankfurt school critical theory; psychoanalysis; postmarxism; fantasy literature; anti-authoritarianism


Special Issue Information



Dear Colleagues,

It is now a decade since Edward James and Farah Mendlesohn noted, in The Cambridge Companion to Fantasy Literature, that, by contrast with science fiction, “the study of fantasy has only just moved on from attempting to define the form”. Since then, against the background of an emergent scholarly consensus on fantasy as the “literature of the impossible,” new research has explored marvellous settings, gothic monsters, children’s fantasy, invented myth, race in fantasy, high adventure and epic fantasy, and fantastic modernism. At the same time, we have seen an explosion of fantasy subgenres, innovative fantasy works celebrated internationally, cultural controversies and the politicization of awards, and a scholarly boom around writers such as JK Rowling, George RR Martin, and Phillip Pullman. In light of all of this, and of the constantly increasing popularity of fantasy literature, together with the global impact of the work of figures such as NK Jemisin, Brandon Sanderson, and Nnedi Okorafor, it is high time to sum up where it is that we think the study of fantasy has moved on to, and where it should go to next.

The aim of this Special Issue of Literature is to map this “where to?” by surveying the new diversity, mapping theoretical developments, and inviting provocative proposals for new research. We are especially interested in thinking about what is specific to fantasy, that is, how the literature of the impossible facilitates particular kinds of literary intervention or catalyzes particular sorts of imaginative response. The literature of the impossible, it must be supposed, meets some human need, makes some cultural contribution, performs some social role, or has some political implication that is specific to the form or particular to its characteristic themes and motifs. But what is it? And what do individual writers or particular works illuminate about how fantasy matters to the wider culture?

This Special Issue of Literature invites contributions around these questions, which may address the contemporary space of reflection on fantasy through theoretical arguments, general surveys, close readings of particular works, or innovative approaches to popular fiction. Responses might, but do not have to, zero in on themes such as:
  • How does fantasy fit within the wider field of speculative fiction, and does it do anything that other kinds of speculation cannot do?
  • What might be the formal features or substantive themes that determine the political orientation, social implications, or cultural role of a fantasy work?
  • What is known about magical systems or monstrous ontologies in fantasy literature, and how might this affect the implications of fantasy?
  • Are there particular genres of fantasy, or rhetorical modes, that are more likely than others to intervene culturally?
  • How do innovative kinds of crossover fantasy disturb established literary boundaries and make new sorts of intervention possible?
  • Is it possible to connect the politics of the reception of fantasy, especially in controversial contexts, to any formal or substantive features of fantasy?
  • Do fantasy works express cultural conjectures, “what if” scenarios, and how do these relate to social reality or the natural world?
  • Is there any such thing as emancipatory fantasy, or authoritarian fantasy?

Please send proposals to Dr. Geoff M. Boucher at boucher@deakin.edu.au by 31 May 2022; completed essays are due 31 August 2022.

Dr. Geoff M. Boucher
Guest Editor



Manuscript Submission Information




Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a double-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Literature is an international peer-reviewed open access quarterly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 1000 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.


Keywords


fantasy literature
speculative fiction
popular fiction
fantasy genres
literature of the impossible
the imaginary
literary conjectures
utopian fiction

Published Papers

This special issue is now open for submission.

Thursday, March 17, 2022

CFP Fantasy Literature: A Companion (6/1/2022)

One more cfp for today:


Fantasy Literature: A Companion

source: https://call-for-papers.sas.upenn.edu/cfp/2022/01/03/fantasy-literature-a-companion

deadline for submissions:
June 1, 2022

full name / name of organization:
Editor Dr. Charul ("Chuckie") Palmer-Patel

contact email:
c.palmerpatel@gmail.com



While fantasy fiction has become incredibly popular and prolific in these last few decades, the appeal of fantastical literature dates back to antiquity, as mythologies, legends, and encounters with the supernatural have formed a large part of narrative traditions in every culture and language. This companion seeks to update and address underexamined areas of fantasy fiction, with the chief aim to provide a global introduction to English-language and English-translation fantasy fiction. This collection will focus on the contemporary written word (narrative prose) produced in late 20th and early 21st century. However, given the range and scope of fantasy (poetry, paintings, sculptures, plays, ballets, operas, films, television shows, graphic novels, animation, video games, tabletop games, etc), the editor will consider proposals which incorporate other mediums as comparisons, adaptations, or lineages, so long as the focus on the written word is apparent.



The companion will be divided into 3 sections:



Historical Influences and Lineage, including (but not limited to) considerations of:

- Mythological or oral roots (evolution, transmission, and/or dissemination,)

- Legends and representations of heroic ideals

- Considerations of influential writers, past and present (note that this topic previously read "challenges to and considerations of influential writers," but based on the responses to the section, I have taken the first steps in creating a companion that focuses on this topic. Please see the CFP for Forgotten Fantasists for details



Poetics and Aesthetics of Genre, including (but not limited to) considerations of:

- Discussions of significant tropes or common images (either across the fantasy genre, specific to a subgenre)

- Adaptations and movement between mediums

- Development of the genre/genre boundaries



Current Social Concerns, including (but not limited to):

- Challenges to or affirmations of gender binaries and heteronormative relationships

- Issues of decolonization, including unpacking the villain as Other or dissolving the binary of good and evil

- Global anxieties such as climate change or late-stage capitalism



The editor Dr. C. Palmer-Patel invites abstracts of 500 words with 100-word bionotes to be submitted to c.palmerpatel@gmail.com by 1 June 2022. Early expressions of interest encouraged. Abstracts will be considered with emphasis on the primary objective of the collection as a whole (as an updated first-stop introduction to fantasy criticism to be used by teachers, students, and scholars), alongside the fit of the proposed chapter for each section. Bionotes should include details of primary research interests along with recent and relevant contributions to the field.



The collection has been pitched to Peter Lang's Genre Fiction and Film Companions series. Final chapters will be 4000 words (including bibliography) and will be due 2023/2024.




Last updated March 15, 2022

CFP Young Adult Literature and Culture (In-Person panel) (5/15/2022; PAMLA 11/2022)

Young Adult Literature and Culture (In-Person panel)

Source: https://call-for-papers.sas.upenn.edu/cfp/2022/03/05/young-adult-literature-and-culture-in-person-panel

deadline for submissions:
May 15, 2022

full name / name of organization:
Pacific and Ancient Modern Language Association (PAMLA)

contact email:
melaniemarotta@yahoo.com



This session is open to all papers that explore some aspect of Young Adult literature and/or culture. The panel is particularly interested in papers attuned to some facet of the conference theme, " Geographies of the Fantastic and the Quotidian.” How does space impact YA literature and/or culture? How is the Anthropocene represented in YA fantasy? Further, presentations that examine diverse voices in media are encouraged. This panel welcomes submissions about young adult literature, film, television, etc. Feel free to submit an abstract pertaining to the conference theme or otherwise. If you have any questions, please email.



Please submit abstracts via the PAMLA submission portal: PAMLA CFP (ballastacademic.com)

Conference site: https://www.pamla.org/conference/2022-conference-theme/

Location of conference: UCLA Luskin Conference Center and Hotel



Last updated March 8, 2022

CFP SAMLA 2022: Speculative Fiction (5/31/2022; SAMLA Jacksonville 11/11-13/2022)

SAMLA 2022: Speculative Fiction

source: https://call-for-papers.sas.upenn.edu/cfp/2022/03/14/samla-2022-speculative-fiction

deadline for submissions: May 31, 2022

full name / name of organization: Mary Ann Gareis / Middle Georgia State University

contact email: mary.gareis@mga.edu



Speculative fiction covers a broad range of narrative styles and genres. The cohesive element that pulls works together under the category is that there is some “unrealistic” element, whether it’s magical, supernatural, or a futuristic/technological development: works that fall into the category stray from conventional realism in some way. For this reason, speculative fiction can be quite broad, including everything from fantasy and magical realism to horror and science fiction—from China Miéville to Margaret Atwood to Philip K. Dick. This panel aims to explore those unrealistic elements and all their varied implications about society, politics, economics, and more.



Please submit a 250-300 word abstract, a brief bio, and any A/V needs by May 31, 2022 to Mary Ann Gareis, Middle Georgia State University, at mary.gareis@mga.edu.

SAMLA’s 94th annual conference, Change, will be held at the Hyatt Regency Jacksonville Riverfront Hotel in Jacksonville, FL this year from November 11-13. Those accepted must be members of SAMLA to present.




Last updated March 14, 2022

CFP Forgotten Fantasists: A Companion to Fantastic Literature (10/1/2022)

Forgotten Fantasists

Source: https://call-for-papers.sas.upenn.edu/cfp/2022/03/15/forgotten-fantasists.

deadline for submissions: October 1, 2022

full name / name of organization: Forgotten Fantasists: A Companion to Fantastic Literature

contact email: c.palmerpatel@gmail.com



Who are the unsung heroes of fantastical literature? Who deserves to be recognised for their significant contribution to contemporary Anglophone Fantastika literature but are pushed out of the limelight? This edited companion to fantastical literature hopes to address gaps in research by bringing together considerations of important but underexamined authors and artists. Depending on the number of abstracts received, the collection may be further divided into separate sections – or even individual volumes – taking into consideration different media:

  • Textual (novels, short stories, essays, poems, magazines/fanzines, etc)
  • Artistic (paintings/illustrations, animation, sculptures, etc)
  • Performance (game-playing, plays, opera, ballet, etc)

as well as under-represented voices:

  • Female fantasists
  • POC and/or non-Anglo fantasists
  • LGBTQIA+ fantasists
  • Fantasists with disabilities

The editor Dr. C. Palmer-Patel invites abstracts of 500 words with 100-word bionotes to be submitted to c.palmerpatel@gmail.com by 1 October 2022. Early expressions of interest encouraged. Please include in your bionote details of your primary research interests along with recent and relevant contributions to the field.

The collection has been pitched to Bloomsbury Academic. Abstracts should make a clear defense for the importance of the author’s work. Final chapters will be due in 2025 and must take into consideration any previous or relevant critical works on the author.

Note that this CFP is related-to but distinct from the CFP for Fantasy Literature: A Companion. After receiving a number of submissions for one of the suggested topics – challenges to or considerations of influential writers – it was apparent that there is enough interest in the area to warrant a separate collection. Any submissions made for the Fantasy Literature Companion which fall under the remit of the Forgotten Fantasists CFP will be advised to submit their piece to the latter.


Last updated March 15, 2022

CFP Gardeners of the Galaxies: How Imaginary Worlds Teach Us to Care for This One (5/15/2022)

CFP: Gardeners of the Galaxies: How Imaginary Worlds Teach Us to Care for This One, co-edited by Dr. Sørina Higgins and Dr. Brenton Dickieson



PDF version at https://drive.google.com/file/d/1lmX9M3LgVzap0j7UjVAvLb0Wlun8bTa7/view. 

As the climate crisis worsens, our home planet and our conversations about it are heating up–and creative writers both reflect and anticipate such concerns. Thanks to the recent ethical turn in science fiction and fantasy, many speculative works offer readers a mirror in which to view our own world. Its beauties and vulnerabilities take on special clarity through the page or the screen. A tale of terraforming another planet reminds us how precious and fragile our home world is. The perennial conflict between nature and technology comes alive when trees march to war. We find insights into healthy, diverse communities by spending time with characters in a fellowship–or on a starship.

Gardeners of the Galaxies: How Imaginary Worlds Teach Us to Care for This One will be an academic, peer-reviewed collection of interdisciplinary essays, co-edited by Dr. Brenton Dickieson and Dr. Sørina Higgins. This volume will explore literature, film, the visual arts, and other creative works (especially Cli-Fi, genre fiction, and speculative lit) that imagine, invent, and embody environmental concerns. Rather than coercing texts to conform to our analyses, however, we want to approach our subjects humbly and earnestly, listening to what they say about creation care, biodiversity, or neighborliness; immersing ourselves in their stories of ecological harmony and disharmony; mourning the disasters they depict; and celebrating the solutions they imagine. In particular, we would love analyses of works that envision ingenious alternatives to large-scale planetary depredation.

Chapter proposals might consider questions such as the following (although this list is by no means comprehensive nor intended to limit lines of inquiry): What kinds of environmental disasters are depicted in contemporary literature, film, and other media? How does a certain genre or medium represent nature, and how have those portrayals evolved over time? Do certain metaphors for land or diction choices about earth impact how people treat the soil, landscapes, or ecosystems with which and in which they live? In a given work, is nature empowered or oppressed, and how do characters respond? What is the significance or impact of the anthropomorphism of animals, plants, landscape features, or celestial bodies? When stories blur the line between the human and the nonhuman, what implications does such destabilization have for our living in community with our nonhuman neighbors? What lessons are conveyed through encounters with extraterrestrial species? What do stories of interplanetary colonization suggest about imperialist urges, their ecological impacts on earth, and strategies for integrating with the Other rather than obliterating or oppressing them? Are there tales in which technology plays an essential role in preserving nature or reinforcing what makes us human? What techniques do creators use to entertain us and draw us into moral considerations without compromising artistic excellence or devolving into propaganda?

Submission Information:

As this volume will be interdisciplinary, we welcome scholars working in literature, film, popular culture, the fine arts, ecology, history, the social sciences, religion, and related fields. While aimed at a scholarly audience, chapters should be written in a lively, accessible tone, avoiding jargon while employing rigorous theoretical and critical frameworks and engaging deeply with existing research. Interested authors should consider trying out their ideas at TexMoot, Signum University’s Annual Texas Literature & Language Symposium (held in Austin, TX, and online; CFP deadline March 1st), which explores the overlapping theme of “Starships, Stewards, and Storytellers: How Imaginary Worlds Teach Us to Care for This One.”

Please submit 500-word proposals here by May 15, 2022. Notifications regarding acceptance will be made in June 2022. Full papers (5,000-8,000 words, including notes) will be due by November 30, 2022.

In addition to academic submissions, the editors will carefully curate a small number of creative works for possible inclusion in the volume. Poets, short-story writers, essayists, and visual artists are invited to submit the actual piece of work that they would like to have considered here; note length limits on the submission form. These works can be submitted up until September 1, 2022.

Send questions about academic submissions to Brenton Dickieson (brenton[dot]dickieson[at]signumu[dot]org). Send queries about creative submissions to Sørina Higgins (sorina[dot]higgins[at]signumu[dot].org).

TexMoot 2022 Notice and Schedule for 3/26/2022

Missed posting the call for this last month:


TexMoot 2022: Signum University’s Fifth Annual Texas Literature & Language Symposium


Official site: http://texmoot.org/.

26 March 2022
at the Norris Conference Center
2525 W. Anderson Ln
Austin, TX 78757
and online

Starships, Stewards, and Storytellers: How Imaginary Worlds Teach Us to Care for This One


Signum University is pleased to announce its fifth annual Texas Literature & Language Symposium (aka “TexMoot”) on Saturday, March 26th, 2022, in Austin, Texas. TexMoot will offer a gleeful gallimaufry of lively curated conversations, a keynote presentation, workshops, and lots of fellowship and social time. Plan ahead to enjoy this balanced blend of academic rigor and avid literary fandom. Stay tuned on the Announcements page and in our Facebook group for more information about special guests, optional pre-conference activities, workshop participation, and more. Visit our CFP page for info about how to submit a topic for discussion. The deadline for submissions is Tuesday, March 1, 2022. Email info@texmoot.org with questions.
Registration

Registration for TexMoot 2022 costs $50 for on-site participants, $25 for online attendees, and $15 for students in either mode. To register, please click here.



TexMoot 2022 Schedule!


Here’s our tentative schedule as it currently exists. 

8:30 Registration
9:00 Welcome by Sørina Higgins & the TexMoot Team
I. 9:10 Shawn E. Marchese & Alan Sisto: “For I also am a steward…”
II. 9:30 Utopia vs. Dystopia: A Difference of Priorities?

Panel moderated by Joseph Torres:
1. Joe Ricke, “Teach Us to Care and Not to Care: Attachments, Detachment, and Penultimate Concerns in Out of the Silent Planet”
2. Jules Anderson, “The Death of Pan: Exploring Environmental Conservation in Percy Jackson and The Olympians”
3. Jason Pitruzzello, “Pro-Environmental Strip Mining and Genocide: The Curious Case of Aquatic Species in Stellaris: Aquatics
Open discussion for all:
Paul Fortunato starts off the conversation with “A Wendell Berry Approach to Understanding the Elves and Nature?”
 
III. 11:00 Ecological Care in Japanese Mythologies

Panel moderated by Shawn E. Marchese:
1. Hannah Barton, “The Weathering is Magical: The Mundane Moments in Climate Change”
2. Pilar Barrera Wey, “The Role of Animals in Traditional Japanese Fairy Tales”
3. Joshua Sosa, “Godzilla: From Allegory to Myth”
Open discussion for all:
Jed Bickman starts off the conversation with “Is Cyclonopedia Useful? Sentient Oil as an Autonomous Chemical Weapon”
 
Lunch

Gather in little groups to walk to nearby restaurants and grab some refreshment.
 
IV. 2:00 Gardeners of the Galaxies

Dr. Brenton Dickieson & Dr. Sørina Higgins chat about their forthcoming edited collection on how imaginary worlds teach us to care for this one. You know you want to submit a proposal! Check out https://tinyurl.com/GalaxyGardenersCFP.
 
V. 3:00 Samwise & Shapeshifters & Stewards

Panel moderated by Chad Bornholdt:
Kenton Sena, “Community Greening in The Lord of the Rings: Samwise Gamgee and the power of local care”
Kaelyn Harris, “The Balance of Nature: Beorn as an Ecological Ideal in Middle-earth”
Sara Brown, “Taking Care of the Land: Stewardship in Tolkien’s Middle-earth”
Open discussion for all:
Our contest winner will headline this final conversation!

VI. 4:30 The Tolkien Professor Takes Us To Other Worlds & Back Again

Dr. Corey Olsen provides closing observations on the talks and themes of the day, moderated by Sørina Higgins. And then, vámonos!

6:30 Dinner

Vámonos Tex-Mex
4807 Airport Boulevard
Austin, TX 78751


Sunday, November 28, 2021

CFP The Child of the Future Conference (1/5/2022; Cambridge, Eng. 6/30-7/1/2022)

The Child of the Future, Call for Paper Proposals 

Deadline for submission: January 5th, 2022

deadline for submissions: January 5, 2022

full name / name of organization: University of Cambridge

contact email: thechildofthefuture2022@gmail.com

source: https://call-for-papers.sas.upenn.edu/cfp/2021/11/15/the-child-of-the-future-call-for-paper-proposals-deadline-for-submission-january-5th


The Child of the Future 

Call for Paper Proposals

Deadline for submission: January 5th, 2022 

University of Cambridge, St John's College | Thursday June 30th – Friday July 1st, 2022 

"...the symbiont children developed a complex subjectivity composed of loneliness, intense sociality, intimacy with nonhuman others, specialness, lack of choice, fullness of meaning, and sureness of future purpose." (Haraway, 2016, Staying With The Trouble, p.149)  

After living through a once-in-a-generation pandemic, whilst in the midst of a slowly-evolving climate crisis, our expectations about what the future of humanity will look like have been called into serious question. These disruptions have impacted the world of children perhaps more than that of adults. In the wake of lockdowns and school closures, children’s development, interpersonal connections, and engagement with media, learning and play have become increasingly unstable and unpredictable. More concretely, populations are declining around the world, calling into question how many children of the future there will be and where we might find them.  Correspondingly, the ways in which we conceptualise the child are shifting. In parallel to world events, theoretical discourse in the fields of childhood studies have experimented with viewing children as ontologically fluid. Scholars are increasingly thinking outside of the temporal binary implied by the words “adult” and “child”, instead refiguring childhood and the wider spectrum of age as complex assemblages and entanglements; the child with greater time left (Beauvais, 2018 p.77), the child enfolded in matter and meaning across time (Barad, 2007), the human and the nonhuman inextricably linked (Haraway, 2016). This shift can be seen in children’s literature and media studies’ more recent interest in posthumanism, new materialism, spectrality and other adjacent theories which read childhood through the more abstract complication of animals, plants, objects, texts and technologies.  This conference aims to bring together these burgeoning conversations that are increasingly evident across disciplines at a time where these connections are more relevant than ever before. We are looking to explore the many and varied ways that scholars may conceptualise the idea of ‘the child of the future’. We hope to hear papers that interpret the topic in many different ways, those that consider the ‘child of the future’ as both real and imagined, actual and fictional.  In addition to a focus on the child of the future, proposal topics may include (but are in no means limited to):


  • Posthumanism
  • The Anthropocene and/or Chthulucene and/or Capitalocene
  • New Materialism
  • Nonhuman modes of being (animal, plant, microorganism, robot, etc.)
  • Spectrality and hauntology
  • Environments, bodies and spatiality
  • Spirituality/religion
  • Engaging with the past/ theorising the future
  • Adaptation and transformation
  • Memory
  • Sci-fi, fantasy and non-mimetic media
  • Technology and materiality
  • Intergenerationality
  • Pedagogy

We welcome papers of a duration of 20 minutes that will be arranged into thematic panels. Papers that blend the creative and the critical will be considered, and interdisciplinary papers and panel proposals are also encouraged. We particularly wish to offer opportunities for graduate students and other early-career scholars. If you fall into this category, please indicate in your application if you wish to be considered for one of our funded conference bursaries.  Please send an abstract of 300 words, a short biography (100 words) and 5-8 keywords in a Word document to thechildofthefuture2022@gmail.com with the following subject line: ‘The Child of the Future abstract’. Submissions must be received by 5th January 2022. Notification of acceptance will be sent out at the start of February 2022.  In line with COVID-19 guidance and regulations, we anticipate that this conference will go ahead as planned in person at St John’s College, University of Cambridge. However, we are conscious of the safety of all speakers and attendees and as such will update you of any changes should they arise. Thank you for considering this CFP, and we look forward to hearing from you!


Last updated November 15, 2021


Now Available Mythlore 139


Recently received from the Mythopoeic Society was
Mythlore issue 139 for Fall/Winter 2021. The issue can be purchased directly at https://www.mythsoc.org/mythlore/mythlore-139.htm. The contents listed below are from the same site.


Mythlore 139 Volume 40, Issue 1 (Fall/Winter 2021)

Table of Contents

Editorial

— Janet Brennan Croft


All Worthy Things: The Personhood of Nature in J.R.R. Tolkien’s Legendarium

— Sofia Parrila


The Shape of Water in J.R.R. Tolkien’s The Lord of the Rings

— Norbert Schürer


Mirrors to the Underworld: Reflective Portals between Life and Death in the Harry Potter Series

— Trenton J. McNulty


Lewis and Clarke in the Caves: Art and Platonic Worlds in Piranesi

— Julie M. Dugger


Just Reading A Spell for Chameleon: An Appreciation with Caveats, and an Elegy

— Dennis Wilson Wise


Responsibility and Critical Thinking as Markers of Adulthood in Two Coming-of-Age Fantasy Series: Terry Pratchett’s Tiffany Aching Novels and Jonathan Stroud’s Bartimeus Trilogy

— Anna Köhler


The Conscience of Solomon Kane: Robert E. Howard’s Rhetorics of Motive, World, and Race

— Gabriel Mamola


But Where Shall Wisdom be Found? The Lord of the Rings and the Wisdom Literature of the Hebrew Bible

— Mattie E. Gustafson


“Taliessin in the Rose-Garden”: A Symbolic Analysis

— Joseph Thompson


The Enigmatic Loss of Proto-Hobbitic

— Thomas Honegger


How Tolkien Saved His Neck: A lusinghe Proposition to the Oxford Dante Society

— John R. Holmes


Notes and Letters

Keystone or Cornerstone? A Rejoinder to Verlyn Flieger on the Alleged “Conflicting Sides” of Tolkien’s Singular Self — Donald T. Williams

A Holiday by the Sea: In Search of Cair Paravel — Reggie Weems

Jane Austen’s Lady Susan as a Possible Source of Inspiration behind C.S. Lewis’s The Screwtape Letters — Song (Joseph) Cho

Review Essay

Women Tarot Artists Inspired by the Golden Dawn: Recent Publications — Emily E. Auger

Reviews

Tolkien’s Modern Reading by Holly Ordway — Kris Swank

The Flight of the Wild Gander by Joseph Campbell — Phillip Fitzsimmons

God and the Gothic by Alison Milbank — Douglas A. Anderson

The Saga of the Volsungs: With the Saga of Ragnar Lothrok, translated by Jackson Crawford — Phillip Fitzsimmons

Tolkien the Pagan? Reading Middle-earth through a Spiritual Lens, edited by Anna Milon — Alana White

Re-Orienting the Fairy Tale: Contemporary Adaptations across Cultures, edited by Mayako Murai and Luciana Cardi — Nada Kujundžić

George MacDonald’s Children’s Fantasies and the Divine Imagination by Colin Manlove — Tiffany Brooke Martin

The Cards: The Evolution and Power of Tarot by Patrick Maille — Emily E. Auger

Terry Pratchett’s Ethical Worlds, edited by Kristin Noone and Emily Lavin Leverett — Felicity Gilbert

Briefly Noted:

Thanks for Typing, edited by Jukliana Dresvina, and In and Out of Bloomsbury by Martin Ferguson Smith — Janet Brennan Croft

Encyclopedia of Mythical Objects by Theresa Bane — John Zacharias

The Shared Witness of C.S. Lewis and Austin Farrer by Phillip Irving Mitchell — Landon Loftin


Tuesday, May 18, 2021

CFP MMLA Milwaukee 2021 Roundtable: Fantastic Viruses (5/20/21; MMLA 11/4-7/2021)

 MMLA Milwaukee 2021 Roundtable: Fantastic Viruses

Source: https://call-for-papers.sas.upenn.edu/cfp/2021/05/05/mmla-milwaukee-2021-roundtable-fantastic-viruses

Event site: https://www.luc.edu/mmla/convention/

deadline for submissions:
May 14, 2021


full name / name of organization:
Joseph Donica, Noah Jampol, CUNY


contact email:
joseph.donica@bcc.cuny.edu




We seek submissions for an MMLA session on "fantastic viruses" for the November 2021 Milwaukee conference.

Topics can include but are not limited to:

Viruses in sf and fantasy lit and film

​Collectivities of the infected, uninfected, or vaccinated 

Please send 300-500 word proposals to the email addresses below by May 14. We apologize for the quick turnaround, but proposals are due to MMLA by May 20. joseph.donica@bcc.cuny.edu noah.jampol@bcc.cuny.edu.

Last updated May 11, 2021 

Friday, March 19, 2021

CFP Nature and Overnature in SF and Fantasy Discourses (5/28/21; Messengers from the Stars -online 11/25-26/21)

Messengers from the Stars: Episode VI

source: https://call-for-papers.sas.upenn.edu/cfp/2021/03/12/messengers-from-the-stars-episode-vi

deadline for submissions: May 28, 2021


full name / name of organization: School of Arts and Humanities, University of Lisbon/University Lisbon Centre for English Studies


contact email: mensageirosdasestrelas@gmail.com




Messengers from the Stars: Episode VI


Online Conference


School of Arts and Humanities, University of Lisbon


November 25-26, 2021


Nature and Overnature in SF and Fantasy Discourses




Science Fiction and Fantasy are lasting fields of inquiring into today’s world. They have become privileged means to question issues of aesthetic, ethical, political, social, economic, environmental and historical nature with high impact on contemporary societies. They have promoted hot-button issues and rich critical debates in literature as well as in cinema, TV, and videogames among other media.

The University of Lisbon Centre for English Studies (ULICES) invites you to take part in the 6th International Conference Messengers from the Stars: On Science Fiction and Fantasy to be held at the School of Arts and Humanities, University of Lisbon, on November 25-26, 2021. This year Episode VI will focus on the theme “Nature and Overnature in SF and Fantasy Discourses”.

Since humankind’s early days, our relationship with nature has undergone different stages and attitudes. From fear and antagonism to deep integration or attempt at subjugation, we humans have tried both to understand our environment and make the most of it. “What is our bond with Nature? Are we part of it or are we its destroyers?”; “What will be the consequences of our former and current actions towards Nature?”; “Are we the dominant species or is this just a human delusion?”; “What is the connection between Nature and social environment?”.

Also, under scrutiny is our inner nature, either as an immaterial everlasting sector or as a mutable human feature: “In distancing ourselves from Nature are we losing our natural humanity?”; “Are we more or less naturally human than our ancestors?”; “How has technology challenged the nature of our humanity?”; “Are we becoming over-natural?”; “Is there a universal human nature or do we embrace plural human natures?”

These are ever-present themes in Fantasy narratives, as masterly explored in Tolkien’s legendarium and C. S. Lewis’ Narnia Chronicles, as well as in many other 20th and 21st century authors, namely Ursula Le Guin’s Earthsea cycle. They are also at the core of many SF visions, since the very beginning of the genre with Mary Shelley’s Frankenstein, H. G. Wells’ The Island of Dr. Moreau and John Wyndham’s The Day of the Triffids, to name just a few.



Inspired by these pioneering texts and fed by advances in technology, such issues have become more and more complex in Fantasy and SF literature, cinema, TV series, comics and graphic novels, music, and other art forms. Moreover, we are witnessing a turning point in our relationship with nature, the most dramatic since our existence, which clearly has raised new doubts and anxieties but also new forms of self-awareness about our role in the world. The COVID-19 pandemic has alerted us to the dangers of our current ways of living as well as to our vulnerabilities. This is the time to find responsible solutions able to open up, for us and for the next generations, a healthier future.

We welcome papers of 20 minutes as well as joint proposals for thematic panels consisting of 3 to 4 participants. Postgraduate and undergraduate students are also welcome to participate.

Topics may include but are not limited to the following:
  • Artificial Intelligence;
  • Ecocriticism;
  • Fantasy, SF and ethics;
  • Human nature and natural environment;
  • Nature/over-nature and the human body;
  • Natural and social environment;
  • Utopias/Dystopias.




Call for pitches 5MP (five-minute pitches)

This year we are also interested in hearing from you if you are an undergraduate student (MA or PhD) and have a great project still in its early stages. The Five-Minute Pitch Call is inspired in the international competition Three-Minute Thesis (3MT). This is a great opportunity to showcase the innovative nature of your proposal even if there are no results yet. Break down your topic and tell us why everyone should be paying attention to your research.

Please, communicate your ideas effectively. Pitches will need to include (though not restricted to) the following: Name, Affiliation and Contact Information; Overview and Aim; Research Question; Material and Methods; and So what? (originality and relevance).

Your pre-recorded pitch should be no longer than 5 minutes and will be available on the conference website.



Deadlines:

Proposals for individual papers, as well as for thematic panels, should have 250 words maximum and be sent to mensageirosdasestrelas@gmail.com along with a short biographical note (100 words maximum) by May 28, 2021.

Notification of acceptance will be sent by July 5, 2021.

Working Languages: Portuguese and English



Registration fees:

Early bird registration: July 6 – September 17

30 € / Students: 10 €

Late bird registration: September 18 – October 19

60 € / Students: 20 €



Notes:
Only after proof of payment is registration effectively considered.
Undergraduate and post-graduate students must send proof of student status with their registration.
The registration fee includes attendance of all sessions, digital conference material, and a certificate of participation.

Last updated March 12, 2021 

 

Friday, July 31, 2020

CFP Ursula K. Le Guin Spec. Issue of Mythlore (updated 12/20/2020)

I couldn't find an updated text, but Mythlore has recently revised its deadline for a special issue commemorating the life and works of Ursula K. Le Guin.

A PDF version of the revised call can be accessed here.


This was the last version of the call:
https://call-for-papers.sas.upenn.edu/cfp/2020/02/12/deadline-extended-honoring-ursula-k-le-guin-citizen-of-mondrath


DEADLINE EXTENDED: Honoring Ursula K. Le Guin: Citizen of Mondrath


deadline for submissions:
May 25, 2020


full name / name of organization:
Mythlore, a journal of C.S. Lewis, J.R.R. Tolkien, Charles Williams, and Mythopoeic Literature


contact email:
mythlore@mythsoc.org

Call for Papers for Special Issue of Mythlore, Fall 2020:

Honoring Ursula K. Le Guin: Citizen of Mondrath

Guest Edited by Melanie A. Rawls



Proposal deadline March 25, Draft deadline June 25, Final paper deadline August 25

PROPOSAL DEADLINE EXTENDED to MAY 25



Mythlore, a journal dedicated to the genres of myth and fantasy (particularly the works of J.R.R. Tolkien and C.S. Lewis), invites article submissions for a special issue focused on Ursula K. Le Guin, grandmaster of mythopoeic fantasy.

We welcome essays on the following topics: Le Guin’s Earthsea series, the three novels of the “Annals of the Western Shore,” namely Gifts, Voices, and Powers, the young adult novel The Beginning Place, and her fantasy short stories.

Le Guin’s masterwork Always Coming Home has a special place in Mythopoeic Society history, as it was the topic of a panel when she was Guest of Honor at Mythcon 19 in 1988. Though this work is not considered strictly fantasy, it clearly has mythopoeic elements, and we welcome articles on this text

Other potential topics for articles include:
  • Good and evil in Le Guin’s worlds
  • Gender
  • Power and its uses and abuses
  • Jungian and Taoist elements in Le Guin’s writing

We also call for articles on her critical essays that examine mythopoeic writing and any of her poetry or non-fantasy writing that has mythopoeic themes and imagery. We welcome articles that explore Le Guin’s influence on the fantasy genre as a whole and on other writers, as well as articles exploring how other writers influenced Le Guin (Le Guin claimed Philip K. Dick and Walter M. Miller as influences in an interview).



To get an idea of the range of topics covered in Mythlore, visit the online archive at https://dc.swosu.edu/mythlore/

and consult the electronic index, which can be downloaded free at http://www.mythsoc.org/press/mythlore-index-plus.htm. Submission guidelines can be found at http://www.mythsoc.org/mythlore/mythlore-submissions.htm.