Showing posts with label Fiction. Show all posts
Showing posts with label Fiction. Show all posts

Thursday, February 29, 2024

CFP New York Tolkien Conference 2024 (4/30/2024; New York 6/15/2024)

New York Tolkien Conference


deadline for submissions: April 30, 2024

full name / name of organization: New York Tolkien Conference

contact email: christopher.tuthill@baruch.cuny.edu

main site: https://nyctolkienconference.wordpress.com/2024/01/16/call-for-papers-20...



The organizers of the 2024 New York Tolkien Conference are seeking proposals related to the following:

  • Presentations on Tolkien and the Inklings, their literary work, or related issues.
  • Papers on fantastic fiction–this can include anything from books heavily influenced by Middle-earth to other genres of fantasy. Examples of authors we’re interested in include George RR Martin, Octavia Butler, Tad Williams, Ursula K. LeGuin, Gene Wolfe, Susanna Clarke, Terry Pratchett, Tim Powers, J.K. Rowling, and Nnedi Okorafor.
  • Fantasy that preceded Tolkien, or presentations dealing with Tolkien’s influences.
  • Presentations on (or demos of) board and tabletop games dealing with Middle-earth or other fantasy realms.
  • Discussions of Tolkien’s scholarly work

If you are wondering whether your topic might fit with the conference, please ask! We are open to different approaches.

If you are interested in presenting at the conference, please upload your paper proposal at the link below. Proposals are now open, and we will make decisions for scheduling by mid-April. https://baruch.az1.qualtrics.com/jfe/form/SV_8cUCJKsREiLqV0i

For further information about previous conferences and the organizers, please see the conference page and archive below. The conference will take place Saturday, June 15, 2024 at Baruch College in New York.

If you have any other questions, please contact Christopher Tuthill at christopher.tuthill@baruch.cuny.edu


Last updated January 17, 2024
This CFP has been viewed 677 times.


Saturday, April 1, 2023

CFP James Bond Studies Conference 2023 (5/1/2023; London 6/30-7/1/2023)

James Bond Studies Conference, June 30th-July 1st 2023


deadline for submissions:
May 1, 2023

full name / name of organization:
International Journal of James Bond Studies, University of Roehampton

contact email:
ian.kinane@roehampton.ac.uk


source: https://call-for-papers.sas.upenn.edu/cfp/2023/03/22/james-bond-studies-conference-june-30th-july-1st-2023


Call for Papers: James Bond Studies Conference


30th June – 1st July 2023


University of Roehampton, London




In association with the Centre for Literature and Inclusion and the School of Humanities and Social Sciences at the University of Roehampton, the International Journal of James Bond Studies will host a 2-day international conference on the University’s beautiful parkland campus in South West London.

To celebrate the 70th anniversary of the publication of Ian Fleming’s first James Bond novel, Casino Royale, we invite submissions for panels and individual papers on any aspect of the James Bond phenomenon (Ian Fleming’s original novels and short stories; the James Bond continuation novels; the James Bond film franchise and related media, etc.), although we are especially interested in papers and/or panel presentations on the local-global relationship between Marlow, Buckinghamshire, and London (where many Bond films have been produced and filmed), cultural geography, and global cinema tourism.

Suggested topics may include (but are not limited to):
  • James Bond and Marlow, Buckinghamshire, and London
  • James Bond and tourism
  • James Bond and internationalism
  • James Bond, gender, and sexuality
  • James Bond, race, and neocolonialism
  • James Bond and environmental ethics
  • James Bond and political morality
  • James Bond and technocracy
  • James Bond and #MeToo
  • James Bond, “Brexit”, and right-wing nationalism
  • The future of James Bond

Prospective contributors are invited to submit a 300-word abstract along with a brief bio note to Dr. Ian Kinane (ian.kinane@roehampton.ac.uk).

Submission Deadline: 1st May 2023. (Applicants can be assured that they will hear back in good time so as to facilitate travel planning etc.)

Following the conference, contributors will be invited to submit their papers to a special issue of the International Journal of James Bond Studies, pending peer review.

This event is open to academics, casual scholars, and fans alike; and you do not have to present in order to attend. Details of how to register will follow the publication of the conference programme.

Expressions of interest and queries can also be addressed to the above email.



Last updated March 24, 2023

Thursday, March 17, 2022

CFP Forgotten Fantasists: A Companion to Fantastic Literature (10/1/2022)

Forgotten Fantasists

Source: https://call-for-papers.sas.upenn.edu/cfp/2022/03/15/forgotten-fantasists.

deadline for submissions: October 1, 2022

full name / name of organization: Forgotten Fantasists: A Companion to Fantastic Literature

contact email: c.palmerpatel@gmail.com



Who are the unsung heroes of fantastical literature? Who deserves to be recognised for their significant contribution to contemporary Anglophone Fantastika literature but are pushed out of the limelight? This edited companion to fantastical literature hopes to address gaps in research by bringing together considerations of important but underexamined authors and artists. Depending on the number of abstracts received, the collection may be further divided into separate sections – or even individual volumes – taking into consideration different media:

  • Textual (novels, short stories, essays, poems, magazines/fanzines, etc)
  • Artistic (paintings/illustrations, animation, sculptures, etc)
  • Performance (game-playing, plays, opera, ballet, etc)

as well as under-represented voices:

  • Female fantasists
  • POC and/or non-Anglo fantasists
  • LGBTQIA+ fantasists
  • Fantasists with disabilities

The editor Dr. C. Palmer-Patel invites abstracts of 500 words with 100-word bionotes to be submitted to c.palmerpatel@gmail.com by 1 October 2022. Early expressions of interest encouraged. Please include in your bionote details of your primary research interests along with recent and relevant contributions to the field.

The collection has been pitched to Bloomsbury Academic. Abstracts should make a clear defense for the importance of the author’s work. Final chapters will be due in 2025 and must take into consideration any previous or relevant critical works on the author.

Note that this CFP is related-to but distinct from the CFP for Fantasy Literature: A Companion. After receiving a number of submissions for one of the suggested topics – challenges to or considerations of influential writers – it was apparent that there is enough interest in the area to warrant a separate collection. Any submissions made for the Fantasy Literature Companion which fall under the remit of the Forgotten Fantasists CFP will be advised to submit their piece to the latter.


Last updated March 15, 2022

Wednesday, January 5, 2022

CFP There Can Be Only One: Critical Essays on the Highlander Franchise (proposals by 5/31/22)

 Posted on behalf of the editor (and wishing her good luck with the project).

There Can Be Only One: Critical Essays on the Highlander Franchise

Abstract submission deadline: May 31, 2022

Essays of 4,000 – 6,000 words deadline: December 10, 2022

Source: https://michelebrittany.com/?p=31

 

There Can Be Only One.  This phrase was made popular 35 years ago with the release of Highlander, a fantasy action-adventure film directed by Russell Mulcahy and starring Christophe Lambert, Sean Connery, and Clancy Brown.  While it did not turn a profit during its theatrical release, it did become a cult film inspiring several sequels, three television series, original novels, comic books, audio books, video games, a web series, collectibles, musical scores, and a loyal fandom who have successfully organized a number of Highlander fan conventions.  

Over the years, aspects of this franchise become part of popular culture’s lexicon, such as the enduring Queen album, A Kind of Magic with iconic phrases (“Princes of the Universe”/“There Can Be Only One”), and dramatic imagery (electrifying beheadings and portrayals of historic events/places). Since 2008, there have been discussions of remakes and reboots and most recently in May 2021 with Henry Cavill proposed to have a lead role.  

Interestingly, other than franchise retrospectives, soundtrack analysis, and film reviews, there are no singular books of scholarly focus.  This proposed transmedia book will seek to address this gap by collecting a series of essays that provide a focused exploration of the Highlander franchise. 

The editor seeks essays exploring any aspect of the Highlander franchise in films/television, literature, comics, video games, and any other popular culture medium such as: 

  • Films: Highlander (1986, Russell Mulcahy); Highlander II: The Quickening (1991, Russell Mulcahy); Highlander III: The Sorcerer (1995, Andy Morahan); Highlander: Endgame (2000, Doug Aarniokoski); Highlander: The Source (2007, Brett Leonard); Highlander: The Search for Vengeance (2007, Yoshiaki Kawajiri)
  • Television series: Highlander: The Series (1992-1998); Highlander: The Animated Series (1994-1996); Highlander: The Raven (1998-1999)
  • Books:  Highlander: Die Ruckkehr des Unsterblichen (Highlander: The Return of the Immortal, 1994, Martin Eisele and Hans Sommer); Highlander: The Element of Fire (1995, Jason Henderson); Highlander: Scimitar (1996, Ashley McConnell); Highlander: Scotland the Brave (1996, Jennifer Roberson); Highlander: Measure of a Man (1997, Nancy Holder); Highlander: The Path (1997, Rebecca Neason); Highlander: Zealot (1997, Donna Lettow); Highlander: Shadow of Obsession (1998, Rebecca Neason); Highlander: The Captive Soul (1998, Josepha Sherman); Highlander: White Silence (1999, Ginjer Buchanan); Highlander: An Evening at Joe’s (2002, written by cast/crew of Highlander: The Series)
  • Comics: Highlander comic book series (Dynamite Entertainment); Highlander 3030 (Emerald Star Comics)
  • Video games: Highlander (1986, PC); Highlander: The Last of the MacLeods (1995, Atari Jaguar CD)
  • Audio: Highlander: The Original Scores (1995); Queen’s A Kind of Magic (1986); Big Finish Productions’ Highlander audio stories; Highlander: A Celtic Opera
  • Web series: The Methos Chronicles (2001)
  • Collectibles: Highlander: The Card Game (La Montagnard Inc.)
  • Fan derivative works: film, fiction, etc. 

Essays that take an interdisciplinary approach to the subject matter and/or can apply a variety of lenses and frameworks, such as, but not limited to, are encouraged: 

  • Close textual analysis
  • Comparative analysis
  • Cult/secret societies
  • Cultural and ethnic
  • Fandom and fan studies
  • Film studies
  • Folklore
  • Gender/LGBTQIA+ studies
  • Historic analysis
  • Literature studies
  • Media and communications
  • Media Sociology
  • Mythological
  • Psychological
  • Racial studies
  • Semiotics
  • Theoretical

The editor will review multiple abstract submissions to assemble the most cohesive arrangement of entertaining/insightful essays that will provide a well-rounded exploration and representation of this popular franchise.  Additionally, the editor is seeking essays that balance an academic and armchair enthusiast tone to ensure the widest audience appeal. The deadlines are: 

  • 05/31/2022: Abstract of 300 – 500 words, brief CV, and preliminary draft bibliography emailed to the editor. 
  • 06/10/2022: Notification of acceptance/rejection.  Successful essayists will be sent a comprehensive style sheet.
  • 12/10/2022:  Essays of 4,000 – 6,000 words in length are due to the editor.  Earlier submissions are welcomed and encouraged.
  • 12/10/2022 – 05/10/2023: Essays will be edited and returned to each author for review and revision.  
  • 05/11/2023 – 11/11/2023: Manuscript will be peer reviewed.  The editor will work with essayists to address all peer review notes and finalize each essay.
  • 11/30/2023: Final manuscript sent to the publisher. 

IMPORTANT NOTES

  • The editor will be utilizing Microsoft Word’s Track Changes function to record all edits.  It will be the writer’s responsibility to resolve each edit and submit a final clean essay by the deadline noted above. 
  • Contributors will receive a complimentary book copy when published.  Postage will be paid by the editor.
  • For team written essays, keep to a maximum of two co-authors. 
  • The editor encourages the widest possible diverse representation to submit to this call for papers.

Please direct all correspondence to Michele Brittany, Editor, at mcbrittany@gmail.com

 

Sunday, March 15, 2020

CFP PopMeC Conference (4/5/20; Madrid 5/27-28/20)

CFP: PopMeC, Instituto Franklin–UAH (Alcalá de Henares) on May 27–28, 2020
https://www.fantastic-arts.org/2020/cfp-popmec-instituto-franklin-uah-alcala-de-henares-on-may-27-28-2020/
February 11, 2020

PopMeC Conference
Instituto Franklin–UAH (Alcalá de Henares) on May 27–28, 2020

Thanks to the pervasiveness of popular culture in everyday life, its products embody a fundamental driving force in forging the collective imaginary of both national and foreign publics. The timely construction, consolidation, and intrinsic political potential of popular representations—myths, symbols, images, and signs—has undeniably facilitated the shaping of identities, discourses, and communities. The diversity and peculiarities of the American society can therefore be traced through the analysis of popular culture and multimodal cultural expressions, conveyed by means such as film, comics and graphic novels, TV and web series, videogames, music, books, and whatnot.

PopMeC aims at providing a collaborative, engaging, and fair environment for any interested scholar, promoting the sharing of knowledge, experience, and ideas across disciplines and thematic fields. We’re also working to foster a stimulating space for early career researchers and postgraduate students in North American studies, thus we’ll warmly welcome their proposals.

The conference will approach popular media and culture products—as well as their publics and reception—from an intersectional, multidisciplinary standpoint and a diverse range of perspectives. We’re looking for engaging, fresh, interesting papers acknowledging and exploring a variety of images and narratives, their configurations and aims, as well as examining the intersectional connections between identities, politics, and history, traceable in and across cultural products.

We welcome proposals for 20 min individual papers or panels constituted of three papers, on topics including (but not limited to):

> the representation of specific ethnic / religious / gender / etc. groups in the US popular media and culture (including mainstream, alternative, and self-representations)
> the articulation of American national ethos, myths, symbols and heroes
> public history and the representation of US history for the non-specialized public
> the reception of popular culture products and their publics
> comparative studies of contrasting / similar representations
> the US society as represented through humor, caricature, and satire
> deconstruction of national storytelling and stereotyped narratives

Please, send your proposal by April 5, 2020 to popmec.call@gmail.com attaching your abstract (200-250 words), inclusive of a short bio (100-120 words), name, affiliation, and email contact in a single file. All proposals (unless differently specified by the author) will be considered for both presentation in the conference and publication on the academic blog. Feel free to check our author guidelines page and to contact us for further information.

The languages of the conference will be English and Spanish. Nonetheless, we strongly recommend limiting the use of Spanish coherently with your chosen topic.

Registration fee:
> Full 45€ for waged scholars
> Reduced 15€ for unwaged scholars (e.g. postgraduate students, independent researchers)
[Coffee breaks and light lunch will be provided]

Key dates:
> April 5 deadline for proposals
> April 14 notification of acceptation and opening of registration
[We plan on doing a first round of evaluations by March 8 so that if your proposal needs a little retouching, we let you know and you can still resubmit it!]

Further details on keynote speakers, venue and registration will be provided shortly.
Organizing committee @ Instituto Franklin–UAH:
> Daniel Bustillo
> Carlos Herrero
> Anna Marta Marini
> Joaquín Saravia

Download the full CFP here: CFP_popmec

https://popmec.hypotheses.org/

Sunday, October 13, 2019

CFP Myth and Fairy Tales Area (10/31/2019; SWPACA 2/19-22/2020)

Call for Papers: Myth and Fairy Tales at Southwest Popular/American Culture Association (SWPACA) 2020
https://call-for-papers.sas.upenn.edu/cfp/2019/09/17/call-for-papers-myth-and-fairy-tales-at-southwest-popularamerican-culture-association


deadline for submissions: October 31, 2019

full name / name of organization: Southwest Popular/American Culture Association

contact email: sheila.dooley@utrgv.edu



Call for Papers

Myth and Fairy Tales

Southwest Popular / American Culture Association (SWPACA)



41st Annual Conference, February 19-22, 2020

Hyatt Regency Hotel & Conference Center

Albuquerque, New Mexico

http://www.southwestpca.org

Proposal submission deadline: October 31, 2019



Proposals for papers and panels are now being accepted for the 41st annual SWPACA conference.  One of the nation’s largest interdisciplinary academic conferences, SWPACA offers nearly 70 subject areas, each typically featuring multiple panels.  For a full list of subject areas, area descriptions, and Area Chairs, please visit http://southwestpca.org/conference/call-for-papers/



All scholars working in the areas of myth and/or fairy tales are invited to submit paper or panel proposals for the upcoming SWPACA Conference. Panels are now forming on topics related to all aspects of myths and fairy tales and their connections to popular culture. To participate in this area, you do not need to present on both myths and fairy tales; one or the other is perfectly fine. Presentations considering both genres are of course welcome and can stimulate interesting discussions. Proposals for forming your own Myth or Fairy Tale-focused panel – especially panels focused on one particular myth/tale – are encouraged.

Paper topics might include (but are certainly not limited to):


  • Where Fairy Tales and Myth Overlap
  • Non-Western Myths and Fairy Tales
  • Revised Fairy Tales
  • Fairy Tales in/as “Children’s Literature”
  • Disney
  • Urban Fairy Tales
  • Ethnic Myths and Fairy Tales
  • Gendered Readings of Myths and Fairy Tales
  • Postcolonial Myths and Fairy Tales
  • Myths and Fairy Tales in Advertising Culture
  • Reading Myths and Fairy Tales in the Popular Culture of Past Centuries
  • Performing Myths and Fairy Tales: Drama and/or Ritual
  • Genres of Myths and/or Fairy Tales: Film, Television, Poetry, Novels, Music, Comic Books, Picture Books, Short Stories, or Graphic Novels



All proposals must be submitted through the conference’s database at http://register.southwestpca.org/southwestpca



For details on using the submission database and on the application process in general, please see the Proposal Submission FAQs and Tips page at http://southwestpca.org/conference/faqs-and-tips/



Individual proposals for 15-minute papers must include an abstract of approximately 200-500 words. Including a brief bio in the body of the proposal form is encouraged, but not required.



For information on how to submit a proposal for a roundtable or a multi-paper panel, please view the above FAQs and Tips page.



The deadline for submissions is October 31, 2019. 

SWPACA offers monetary awards for the best graduate student papers in a variety of categories. Submissions of accepted, full papers are due January 1, 2020.  For more information, visit http://southwestpca.org/conference/graduate-student-awards/



Registration and travel information for the conference is available at http://southwestpca.org/conference/conference-registration-information/



In addition, please check out the organization’s peer-reviewed, scholarly journal, Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy, at http://journaldialogue.org/

If you have any questions about the Myth and Fairy Tales area, please contact its Area Chair, Sheila Dooley, University of Texas Rio Grande Valley (UTRGV), Sheila.dooley@utrgv.edu



We look forward to receiving your submissions!




Last updated September 23, 2019
This CFP has been viewed 213 times.

Sunday, September 23, 2018

CFP: Articles and Reviews on Robert Holdstock’s Writing, Spec. Issue of Gramarye (9/21/2018)

(Apologies if this is a repeated post.)

CFP: Articles and Reviews on Robert Holdstock’s Writing
https://www.fantastic-arts.org/2018/cfp-articles-and-reviews-on-robert-holdstocks-writing/
June 15, 2018

Call for Submissions: Articles and reviews on Robert Holdstock’s writing

Robert Holdstock – a celebration of ‘Mythago Wood’

‘No other author has so successfully captured the magic of the wildwood’, Michael Moorcock

Call for Submissions: Articles and reviews on Robert Holdstock’s writing

With the tenth anniversary of Robert Holdstock’s death approaching, the Sussex Centre for Folklore, Fairy Tales and Fantasy seeks articles and reviews with a focus on the author’s Mythago Wood series for publication in Gramarye, its peer-reviewed journal published by the University of Chichester.

Neil Gaiman considers Mythago Wood to be a ‘classic of the literature of fantasy.’ In this spirit we are looking for scholarly and imaginative submissions that will once more take readers in to the heart of the British mythic landscape.

The deadline for this issue is 21 September 2018, and the Guest Editor will be Dr Steven O’Brien.

General Gramarye submissions information

Gramarye is an international, multidisciplinary, peer-reviewed academic journal examining folk narratives, fairy tales and fantasy works, both as independent genres and also in terms of the resonances and dissonances between them and other cultural forms.

There is no charge or fee for submitting an article or abstract.

Articles should be 5,000 – 7,000 words, book reviews c.1,000 words, and submitted as a Word .doc or .rtf attachment to the editor (Email: info@sussexfolktalecentre.org).

All submissions should be accompanied by a 100-word abstract and 100-word biographical note.

Relevant colour image files, along with copyright permission, must also be supplied by the deadline.

For contributions that include any copyrighted materials, the author must secure written permission (specifying “non-exclusive world rights and electronic rights”) to reproduce them. The author must submit these written permissions with their final manuscript. Permission fees are the responsibility of the author.

The deadlines are always 21 March for the summer issue and 21 September for the winter issue. If you would like to receive a complimentary e-book of the most recent issue to check content and style, please request one from assistant Heather Robbins (h.robbins@chi.ac.uk).

Only original articles that are not simultaneously under consideration by another journal will be considered. Unrevised student essays or theses cannot be considered.

Submissions must include all quotations, endnotes, and the list of works cited. References should follow the Chicago Manual of Style.

The copyright for a submission remains with the author at all times.

The peer-review process for Gramarye is as follows:

The paper, edited to fit Gramarye’s house style, will first be sent to the editorial board to approve it for peer review if they find it to be original, interesting, and of value to Gramarye’s readers.
One or two experts in the field of the paper will then be chosen as peer reviewers, in a double-blind process in which neither reviewer nor author identity will be made available to the other.
The reviewers will ascertain the relative strengths and weaknesses of the paper, including but not limited to:

a. whether it is properly referenced,

b.whether any opinion or evidence is presented clearly and is relevant to the overall argument,

c. and whether the language and purpose of the paper and its conclusion are clear and comprehensible.

This takes one to two weeks.

The reviewers’ comments will be returned to the editor, who will ensure the reviewers’ anonymity and return them to the author if any revisions are necessary.
If the author resubmits their revised article to the editor after peer-review and some queries haven’t been addressed, the editorial board will make the final decision on whether the article should be returned to the author to address the remaining issues, or whether it should be published or discarded. The author will be informed about this decision as soon as possible.

CFP Food and Drink in Science Fiction, Edited Volume (proposals by 11/15/2018)

CFP: Food and Drink in Science Fiction, Edited Volume
https://www.fantastic-arts.org/2018/cfp-food-and-drink-in-science-fiction-edited-volume/
August 7, 2018

CFP, edited volume: Food and Drink in Science Fiction

“But now, we must eat!”
Food and Drink in Science Fiction

Deadline for abstracts: November 15, 2018

Edited by Cindy Miller, Steve Rabitsch, and Michael Fuchs this volume will discuss food and drink in science fiction across media—movies, television shows, literature, video games, comics, etc. Of course, as forms of sustenance, food and drink are among the essential elements of life. But this is also precisely why representations of food and drink are always ripe with meaning. As this book will show, science fiction uses food and drink to explore pertinent issues ranging from the homogenization of food in a globalized economy to the exploitation of our natural resources and the attendant phenomena of water, air, and soil pollution, deforestation, and the scarcification of food.

If you are interested in contributing to this volume, please submit a 500-word proposal to science.fiction.food@gmail.com. All submissions will be acknowledged. If you do not receive a confirmation of receipt within 48 hours, you may assume that your email hasn’t reached us for some reason. In that case, please re-submit. Please also direct any questions you might have to the email address indicated above.
We will most likely first approach European university presses with this project, as they generally move ahead faster than their American counterparts.

Please check out this attached CFP for more details, and do not hesitate to drop us a line if you have any questions.

Tuesday, July 3, 2018

CFP Americana: The Journal of American Popular Culture, 1900 to present for Fall 2018 (10/01/2018)


Americana: The Journal of American Popular Culture, 1900 to present
https://call-for-papers.sas.upenn.edu/cfp/2018/05/30/americana-the-journal-of-american-popular-culture-1900-to-present

deadline for submissions: October 1, 2018

full name / name of organization: Americana

contact email: editor@americanpopularculture.com



Americana at americanpopularculture.com invites submissions in Media Studies, Cultural Studies, American Studies, and American history -- especially as it pertains to Americana popular culture, 1900 to present

DEADLINE: 1 October 2018 for the Fall 2018 edition of Americana: The Journal of American Popular Culture, 1900 to present -- published late December 2018

We welcome a variety of critical approaches on subject matter such as film, television, streaming shows, YouTube shows/channels, sports, bestsellers, venues, fashion, emerging popular culture trends, pop culture and technology, music, politics, style, and other related pop culture topics.

All work is peer reviewed by our Advisory Board readers: http://www.americanpopularculture.com/journal/advisory_board.htm

Please do keep your name off the submission itself as we use the double blind peer review process.

We encourage you to read past issues as well as the current issue if you would like to get a sense of the kind of work we have published: http://www.americanpopularculture.com/journal/index.htm

Guidelines for submission are here: http://www.americanpopularculture.com/journal/call_for_papers.htm

Email submissions to editor@americanpopularculture.com

Thank you. We look forward to reading your research and writing.

CFP Interwar Mysteries: The Golden Age and Beyond (Spec Issue of Clues: A Journal of Detection) (10/12/2018)


Interwar Mysteries: The Golden Age and Beyond (theme issue of Clues: A Journal of Detection)
https://call-for-papers.sas.upenn.edu/cfp/2018/06/07/interwar-mysteries-the-golden-age-and-beyond-theme-issue-of-clues-a-journal-of

deadline for submissions: October 12, 2018

full name / name of organization: Elizabeth Foxwell / Clues: A Journal of Detection

contact email: clues@elizabethfoxwell.com


Interwar Mysteries: The Golden Age and Beyond (theme issue of Clues: A Journal of Detection)
Guest editor: Victoria Stewart (University of Leicester)


“These things never happened before the War.”
—Mr. Wetheridge, The Unpleasantness at the Bellona Club (1928), by Dorothy L. Sayers


Although the period between the World Wars is known as the Golden Age of traditional mystery fiction, other new forms such as the hard-boiled subgenre, true crime, and noir also emerged, often reflecting a grimmer reality. This theme issue of Clues will feature articles that examine this important crossroads in mystery, detective, and crime fiction.
Potential topics of interest include the following:

  • Country house and village mysteries
  • Twists to the traditional cozy
  • True crime and mystery
  • Serials, short stories, and anthologies
  • Debates, controversies, and causes célèbres
  • Hard-boiled mystery in the pulps
  • Presence/effects of World War I in mysteries of the period
  • Theater and film adaptations that reflect new approaches


Submissions should include a 50-word abstract and 4–5 keywords, and be between 15 to 20 double-spaced, typed pages (approximately 3,300 to 6,000 words) in Times or Times Roman font with minimal formatting. Manuscripts should follow the MLA Handbook (8th ed., 2016), including parenthetical citations in text and an alphabetized Works Cited list.


Submit manuscripts to:
Janice M. Allan, Clues executive editor, University of Salford, email: J.M.Allan at salford.ac.uk


Address questions to:
Elizabeth Foxwell, Clues managing editor, email: clues at elizabethfoxwell.com


Connect with Clues on Facebook, or visit the Clues Web site at
https://sites.google.com/site/cluesjournal
 

CFP International Journal of James Bond Studies (11/30/2018)

An interesting call from a new open-access journal:

International Journal of James Bond Studies 2(1)
https://call-for-papers.sas.upenn.edu/cfp/2018/06/08/international-journal-of-james-bond-studies-21

deadline for submissions: November 30, 2018

full name / name of organization: International Journal of James Bond Studies

contact email: ian.kinane@roehampton.ac.uk



The International Journal of James Bond Studies is now accepting submissions for Volume 2.


The International Journal of James Bond Studies is an academic peer-reviewed journal dedicated to publishing interdisciplinary scholarship on all aspects of Ian Fleming’s James Bond franchise. The journal aims to develop contemporary critical readings of Ian Fleming’s James Bond across literary, filmic, and cultural history, and offers broader criticism of the popular appeal of Fleming’s creation and its relation to the spy genre. The journal will appeal to scholars, academics, and cultural critics whose work focuses on Ian Fleming and James Bond, as well as to fans of the James Bond franchise who wish to supplement their knowledge in this area.


Possible topics include, but are not limited to:

  • the James Bond novels (both original and continuation);
  • the James Bond films;
  • the music of James Bond;
  • James Bond computer games;
  • television, radio, and comic adaptations;
  • James Bond parodies and/or spin-offs;
  • James Bond merchandise;
  • the cultural impact of James Bond;
  • James Bond and spy fiction;
  • other academic works on James Bond


Articles of 6,000-8,000 words and reviews of 2,000 words will be considered.


For full details on the style guide and journal conventions, please see our submissions page: http://jamesbondstudies.roehampton.ac.uk/about/submissions/



You can also connect with the International Journal of James Bond Studies on Facebook (@JamesBondStudies) and Twitter (@IJJBS).

Wednesday, September 27, 2017

CFP Essays on Gone with the Wind (Spec Issue of The Southern Quarterly) (12/1/2017)

Of potential interest:

Call for papers: Gone with the Wind
Discussion published by Diane DeCesare Ross on Saturday, September 23, 2017
Reposted this from H-Announce. The byline reflects the original authorship.
https://networks.h-net.org/node/13784/discussions/296398/call-papers-gone-wind

Type: Call for Papers
Date: December 1, 2017


Call for papers: Gone with the Wind. Submission deadline: December 1, 2017.

The Southern Quarterly invites submissions for a special issue that explore this iconic film: responses to the film from reviewers and famous writers in non-English speaking countries; the film and World War II; the ways the film has been reinterpreted in other media; recasting gender/racial roles; etc. Submit manuscripts online at www.usm.edu/soq, where guidelines and the full call for papers can also be found. The Southern Quarterly is an internationally-known scholarly journal devoted to the interdisciplinary study of Southern arts and culture, including the Caribbean and Latin America.

Contact Email:
SouthernQuarterly@gmail.com
URL:
http://www.usm.edu/soq

Monday, August 14, 2017

New Book--Gothic Landscapes: Changing Eras, Changing Cultures, Changing Anxieties

A new book from members of the area:

Gothic Landscapes: Changing Eras, Changing Cultures, Changing Anxieties
Editors: Yang, Sharon Rose, Healey, Kathleen (Eds.)
http://www.palgrave.com/us/book/9783319331645

Hardcover $99.99
price for USA
ISBN 978-3-319-33164-5

eBook $79.99
price for USA (gross)
ISBN 978-3-319-33165-2
Digitally watermarked, DRM-free
Included format: PDF, EPUB
ebooks can be used on all reading devices


About this book:

  • Looks at the role of landscapes in Gothic Fiction - an under-examined area
  • Broad historical sweep, from 18th century to 20th century
  • Examines other media including film

This book is about the ways that Gothic literature has been transformed since the 18th century across cultures and across genres. In a series of essays written by scholars in the field, the book focuses on landscape in the Gothic and the ways landscape both reflects and reveals the dark elements of culture and humanity. It goes beyond traditional approaches to the Gothic by pushing the limits of the definition of the genre. From landscape painting to movies and video games, from memoir to fiction, and from works of different cultural origins and perspectives, this volume traverses the geography of the Gothic revealing the anxieties that still haunt humanity into the twenty-first century.



Table of contents (13 chapters)

Introduction: Haunted Landscapes and Fearful Spaces—Expanding Views on the Geography of the Gothic
Yang, Sharon Rose (et al.) / Pages 1-18

Dark Shadows in the Promised Land: Landscapes of Terror and the Visual Arts in Charles Brockden Brown’s Edgar Huntly
Healey, Kathleen / Pages 21-46

Haunting Landscapes in “Female Gothic” Thriller Films: From Alfred Hitchcock to Orson Welles
Biesen, Sheri Chinen / Pages 47-69

“Beauty Sleeping in the Lap of Horror”: Landscape Aesthetics and Gothic Pleasures, from The Castle of Otranto to Video Games
Davenport, Alice / Pages 71-103

What the Green Grass Hides: Denial and Deception in Suburban Detroit
Vayo, Amber B. / Pages 107-124

“Go Steady, Undine!”: The Horror of Ambition in Edith Wharton’s The Custom of the Country
Drizou, Myrto / Pages 125-145

The Convent as Coven: Gothic Implications of Women-Centered Illness and Healing Narratives in Toni Morrison’s Paradise
Waller-Peterson, Belinda M. / Pages 147-168

Haunting Memories: Gothic and Memoir
Moore, Erica / Pages 169-198

The Indian Gothic
Pai, Nalini / Pages 201-223

St. Bernard’s: Terrors of the Light in the Gothic Hospital
Rieger, Christy / Pages 225-238

Nature Selects the Horla: How the Concept of Natural Selection Influences Guy de Maupassant’s Horror Tale
Yang, Sharon Rose / Pages 239-269

Ruins of Empire: Refashioning the Gothic in J. G. Ballard’s Empire of the Sun (1984)
Watson, Alex / Pages 271-291

Gothic Landscapes in Mary Butts’s Ashe of Rings
Foy, Roslyn Reso / Pages 293-305



About the editors:

Sharon Rose Yang is Professor of English at Worcester State University, USA. She both teaches and writes on the Gothic and nineteenth-century literature. She has published in nineteenth-century literature and is the author of Goddesses, Mages, and Wise Women: The Female Pastoral Guide in Sixteenth-and Seventeenth-Century English Drama.

Kathleen Healey is Visiting Assistant Professor of English at Worcester State University, USA. Her research includes literature and the visual arts, Gothic Literature, and American Literature.

Monday, April 18, 2016

CFP Frankenstein and the Fantastic (Themed Session) (6/15/16; NEPCA Keene, NH 10/21-22/16)

FRANKENSTEIN AND THE FANTASTIC
CALL FOR PAPERS FOR A THEMED-SESSION OF THE
FANTASTIC (FANTASY, HORROR, AND SCIENCE FICTION) AREA

Visit us at NEPCA Fantastic: http://nepcafantastic.blogspot.com

2016 Conference of The Northeast Popular Culture/American Culture Association (NEPCA)
Keene State College in Keene, New Hampshire
21 and 22 October 2016
Proposals by 15 June 2016

Michael A. Torregrossa
Fantastic (Fantasy, Horror, and Science Fiction) Area Chair
NEPCAFantastic@gmail.com

Formed in 2008, the Fantastic (Fantasy, Horror, and Science Fiction) Area celebrates its ninth anniversary in 2016, and, this year, we hope to commemorate the 200th-anniversary of the composition of Frankenstein by seeking proposals from scholars of all levels for papers that explore any aspect of Mary Shelley’s novel and its relationship to texts of the ongoing Frankenstein tradition. We are especially interested in papers that explore underrepresented works and media.

Please see our website NEPCA Fantastic (http://nepcafantastic.blogspot.com) for further details and ideas. Presentations will be limited to 15-20 minutes in length (depending on final panel size).

Potential presenters should be aware that studies of Frankenstein in popular culture do not exist in a vacuum, and, in pitching their ideas, will be expected to be familiar with previous discussions of the Frankenstein tradition, including Donald F. Glut’s The Frankenstein Catalog (McFarland, 1984) and The Frankenstein Archive (McFarland, 2002) and Susan Tyler Hitchcock’s Frankenstein: A Cultural History (Norton, 2007).


If you are interested in proposing a paper, please address inquiries and send your biography and paper abstract (each of 500 words) to the Fantastic (Fantasy, Horror, and Science Fiction) Area Chair at nepcafantastic@gmail.com, noting “Frankenstein and the Fantastic Proposal 2016” in your subject line. Do also submit your information, under the “Fantastic (Fantasy, Horror, and Science Fiction) Area,” on NEPCA’s official Paper Proposal Form accessible from https://nepca.wordpress.com/2016-conference/.


Please submit inquiries and/or proposals for complete panels directly to the Fantastic (Fantasy, Horror, and Science Fiction) Area Chair at nepcafantastic@gmail.com.


The Northeast Popular/American Culture Association (a.k.a. NEPCA) was founded in 1974 as a professional organization for scholars living in New England and New York. It is a community of scholars interested in advancing research and promoting interest in the disciplines of popular and/or American culture. NEPCA’s membership consists of university and college faculty members, emeriti faculty, secondary school teachers, museum specialists, graduate students, independent scholars, and interested members of the general public. NEPCA is an independently funded affiliate of the Popular Culture Association/American Culture Association. Membership is open to all interested parties, regardless of profession, rank, or residency. NEPCA holds an annual conference that invites scholars from around the globe to participate. In an effort to keep costs low, it meets on college campuses throughout the region.

Membership in NEPCA is required for participation and annual dues are included in conference registration fees. Further details are available at http://nepca.wordpress.com/membership-information/.

Tuesday, September 1, 2015

CFP Fictional Maps International Conference (10/30/2015; Poland 1/21-23/2016)

Thanks to IAFA-L for the head's up:

Fictional Maps International Conference 2016 ~ January 21st-23rd, Katowice (Poland)
http://fictionalmaps.org/

Mapping the imaginary has always been a challenge for world-building and storytelling alike. Map of the fictional world subverts the very essence of an actual cartography: it represents a territory that cannot be discovered or traversed in a non-fictional realm and yet it delivers much more than a usual map: a promise of the journey into unknown. An exquisitely quotable phrase coined by J. R. R. Tolkien, who claimed to “start writing with a map and [then] make the story fit” is only reprising what have always been evident to cartographers and creators of imaginary worlds: maps precede territories and are inevitably becoming the most essen­tial part of modern and postmodern storyworlds. Ambrosius Holbein’s wood­cut in the first edition of Thomas More’s Utopia, collectors editions map in video games, atlases of fictional universes, animated map routes in online reportages, or even interactive maps outlining the worlds of blockbuster TV shows—these are all indications of a significant shift in contemporary storytelling that looks for creating many and more access points to the fictional storyworld. Hence conference atten­dees will be asked to submit abstracts of presentations or posters’ descriptions revolving around:


  • fictional topography and geopotics;
  • map theory & theorists;
  • the dichotomy of a map and a territory;
  • ways of mapping the imaginary;
  • fictional cartography (maps, atlases, mini-maps, plans, charts, etc.)
  • maps of secondary, imaginary, fictional, possible or impossible worlds;
  • relationship between world-building and map-making;
  • function of maps: between navigating and augmenting the world;
  • navigating the actual and the imaginary: Tim Ingold’s trail-following and wayfaring;
  • case studies in literature;
  • case studies in video games;
  • case studies in movies and TV shows;
  • case studies in comic books, graphic novels and other media;
  • case studies in transmedia storytelling and transmedial franchi­ses;
  • case studies in fictional worlds;


Confirmed keynote speaker:

STEFAN EKMAN (University of Gothenburg, Sweden), author of the book Here Be Dragons. Exploring Fantasy Maps & Settings (Wesleyan UP 2013).

The conference language shall be English. 600-words abstracts of presentations or posters featuring (1) the title of pre­sentation or poster, (2) a concise bio-note, (3) current affiliation, and (4) all necessary contact information should be submitted until October 30th 2015 at fictionalmaps@gmail.com. Notifications on both accepted and rejected submissions shall be sent no sooner than in two weeks from the deadline. Poster presentations will be displayed during the poster session and accompanied by a general discussion with the presenters.

The conference fee will be 150€ (125€ for students) for the full coverage of English editions of printed conference materials and all other essentials. Polish attendees will be kindly asked to transfer the equivalent of the fee in local currency (600 PLN, 400 PLN for students). For more detailed information please follow to “Registration”.

Any further details regarding the venue, accommodation and transportation will be continuously updated at the website http://www.fictionalmaps.org. Organisers are also open to answering all questions and requests at fictional­maps@gmail.com.

The conference will be followed by a peer-reviewed monograph, published by Facta Ficta Research Centre and licenced under Creative Commons BY-SA 3.0 as an ebook sto­red in a globally accessible repository (CeON Center for Open Science).

We look forward to seeing you in Katowice!

Krzysztof M. Maj
Ksenia Olkusz
on behalf of Organising Committee

CFP Generic Possibilities: Interrogating the Fusion of Genre-Fiction and Literature (Roundtable) (9/25/2015; NeMLA Hartford, CT 3/17-202016)

Generic Possibilities: Interrogating the Fusion of Genre-Fiction and Literature - Roundtable for NeMLA Conf. - Hartford 3/17-3/2
full name / name of organization:
Gavin F. Hurley / Lasell College
contact email:
GHurleyLasell@gmail.com
http://call-for-papers.sas.upenn.edu/node/63427

As elucidated by Tim Lanzendoerfer, et al. within the forthcoming essay collection _The Contemporary Novel and the Politics of Genre_ (Lexington Press, Winter 2015), contemporary writers have been increasingly blending genre fiction tropes (i.e. from horror, fantasy, romance, science fiction, mystery) into literary fiction – and/or blending literary fiction into genre fiction. This technique surfaces in the work of high caliber American authors such as Joyce Carol Oates, Kurt Vonnegut, Bret Easton Ellis, and Cormac McCarthy – as well as more genre focused writers such as William Gibson, George R.R. Martin, Gene Wolfe, Anne Rice, among others.

The upsurge of genre integration warrants close examination from literature scholars. This roundtable provides that close examination. The roundtable revolves around three interdependent operations: (1.) defining genre fiction, (2.) establishing distinctions between genre fiction and literary fiction, and (3.) evaluating the successes and limitations of the hybridity. In sum, the roundtable’s purpose is to clarify and more fully assess the curious functionality and aesthetic interplay within contemporary fiction. We hope to arrive at clarifications and evaluations that better inform our disciplinary research in literary studies – moreover, we hope to arrive at insights that will assist our instruction of late-20th and 21st century literature to university students – students who are often quite familiar with genre conventions.

This roundtable invites diverse perspectives about the contemporary understanding and function of American literature and genre. This diversity includes pedagogical, interdisciplinary, and cultural studies: perspectives that can stimulate multifaceted conversation. Critical engagement with genre fiction is certainly welcome as well. Individual presentations will be reasonably short to allow for organic dialogue and robust discussion.

If you are interested in submitting a presentation to this roundtable, please go to the following link and click on "Submit Abstract": http://www.cfplist.com//nemla/Home/S/15794 . Please note that abstracts can only be accepted through this system. Abstracts should be about 200 words.

By web submission at 08/13/2015 - 17:30

Wednesday, August 19, 2015

CFP Sea Literature, History & Culture Area (10/1/015; PCA Seattle 3/22-25/2015)

Of potential interest:

Call for Proposals, Session, and Panels on SEA LITERATURE, HISTORY & CULTURE

Announcement published by Stephen Curley on Tuesday, August 18, 2015
Type: Call for Papers
Date: March 22, 2016 to March 25, 2016
Location: Washington, United States

For the joint national conference (22-25 March 2016 in Seattle, WA) of the Popular Culture & American Culture Associations (PCA/ACA), we invite proposals of individual papers or special panels.

Presentations related to fresh-water or sea-water may include topics like

 Literature, comics, art, music, television & movies
 History, politics, war & peace
 Culture, anthropology & ecology
 Folklore, mythology, legends & hoaxes
 Ships, boats, etc.
 Aquatic life
 Recreation, travel, tourism & festivals

DEADLINE: 1 Oct. 2015 to submit your 100-250 word proposal or abstract online to http://ncp.pcaaca.org

Contact Info:
Stephen Curley, Area Chair
Sea Literature, History & Culture
Dept. of General Academics
Texas A&M University at Galveston
Galveston, TX 77553-1675
(409) 740-4501
Contact Email:
curleys@tamug.edu
URL:
http://pcaaca.org

Tuesday, July 21, 2015

CFP Fantastic Cities: American Urban Spaces in Science Fiction & Fantasy Collection (deadline 7/15/15)

One final call for the day (though do note the expired deadline):

Call for Contributions
Fantastic Cities: American Urban Spaces in Science Fiction & Fantasy
Editors: Prof. Stefan L. Brandt (Univ. of Graz) Dr. Michael Fuchs (Univ. of Graz) Dr. Stefan Rabitsch (Univ. of Klagenfurt)

Basin City, Caprica City, Coruscant, Gotham City, Mega-City One, Metropolis, Nos Astra, the Sprawl, and so on—SFF teems with iconic urban environments. These cities serve as geographical backdrops, but also provide, as  Vivian Sobchack has argued, the “premises for the possibilities and trajectory of narrative action.” Yet while Sob-chack claims that representations of fantastic urban spaces depict “the failure of modernism’s aspirations in im-ages that speak of urban exhaustion, postmodern exhilaration, and millennial vertigo,” in SFF, cities also embody unlimited possibilities, transcultural ideals, and utopian dreams. Cities thus function both as beacons of progress and freedom and as harbingers of decay and destruction.

In the American context, this duality has repeatedly been expressed in diverse cultural artifacts. After all, John Winthrop famously imagined the New World as a ‘city upon the hill’ and William James, Sr., praised American cities for their “courage, the heaven-scalding audacity … and the great pulses and bounds of progress,” while Thomas Jefferson feared that cities were “pestilential to the morals, the health and the liberties of men.” More recently, texts as different as Thomas Pynchon’s Against the Day  and Steven Spielberg’s blockbuster adaptation Minority Report  have tapped into the ambiguous feelings and meanings connected to the American city.

Our collection seeks to discuss American urban spaces in science fiction & fantasy. We want to embrace SFF’s diversity and welcome chapter proposals on science fiction per se, alternate history, cosmological horror, super-natural and/or paranormal fiction, just to name a few possible (sub-)genres. Likewise, our notion of ‘American’ urban spaces is rather expansive and includes (a) representations (or simulations) of ‘real’ American cities (note: we are especially interested in explorations of cities other than New York City and Los Angeles), (b) fictional cities located in the United States, and (c) cities whose geographical location is unclear or even outside the sov-ereign territory of the United States, but whose representations are enmeshed in the (trans)American urban im-aginary (e.g. Buenos Aires in Starship Troopers.

Chapters may explore different media (literature, movies, video games, comics, visual arts, television, etc.) and address topics including, but by no means limited to:

  • futuristic cities and the American past (and the present)
  • (virtual) embodiment in (futuristic) urban spaces
  • speculative history and the city
  • (post-)apocalyptic urban spaces
  • space stations and star cruisers as urban spaces
  • (invisible) walls in and around the fantastic city


If you are interested in proposing a chapter, please email an abstract of 500–800 words to fantasticcities@fuchsmichael.net. Your abstract should outline your working thesis and briefly sketch the theo-retical framework(s) within which your chapter will be situated. If you propose a chapter on a primary text fre-quently discussed within the context of urbanity (e.g.Blade Runner), please submit a longer abstract in order to clarify what your interpretation will add to the existing literature. All submissions will be acknowledged. If you do not receive a confirmation of receipt within 48 hours, you may assume that your email was lost in the depths of cyberspace. In that case, please re-submit. Please note that we will not include previously published essays in the collection. Feel free to contact us with any questions or concerns you might have at the email indicated above and/or Mi-chael at m.fuchs@uni-graz.at and/or Steve at stefan.rabitsch@aau.at.

Roadmap:
July 15, 2015: abstract deadline
July 31, 2015: notification of acceptance/rejection (Please note: Acceptance of your abstract does not automatically guarantee your chapter’s inclusion in the collection.)
December 15, 2015: first drafts due
February 29, 2016: feedback on first drafts
publication expected in 2017



Monday, July 20, 2015

CFP Popular Culture - Serial Culture: Nineteenth-Century Serial Fictions in Transnational Perspective, 1830s-1830s (9/1/15; Germany 4/28-30/16)

Call for Papers: Popular Culture - Serial Culture: Nineteenth-Century Serial Fictions in Transnational Perspective, 1830s-1830s (deadline Sept. 1, 2015)
https://networks.h-net.org/node/13784/discussions/69799/call-papers-popular-culture-serial-culture-nineteenth-century
Discussion published by Daniel Fandino on Tuesday, May 12, 2015

Popular Culture – Serial Culture: Nineteenth-Century Serial Fictions in Transnational Perspective, 1830s-1860s
University of Siegen, April 28-30, 2016
Conveners: Prof. Dr. Daniel Stein / Lisanna Wiele, M.A.
North American Literary and Cultural Studies
DFG project “Serial Politicization: On the Cultural Work of American City Mysteries, 1844-1860”


Recent publications such as Transnationalism and American Serial Fiction (Okker 2011) and Serialization in Popular Culture (Allen/van den Berg 2014) remind us that serial modes of storytelling, publication, and reception have been among the driving forces of modern culture since the first half of the nineteenth century. Indeed, as studies of Victorian serial fiction, the French feuilleton novel, and American magazine fiction indicate, much of what we take for granted as central features of contemporary serial fictions traces back to a particular period in the nineteenth century between the 1830s and the 1860s. This is the time when new printing techniques allowed for the mass publication of affordable reading materials, when literary authorship became a viable profession, when reading for pleasure became a popular pastime for increasingly literate and socially diverse audiences, and when previously predominantly national print markets became thoroughly international.


These transformations enabled, and, in turn, were enabled by, the emergence of popular serial genres, of which the so-called city mystery novels are a paradigmatic example. In the wake of the success of Eugène Sue’s Les Mystères de Paris (1842-43), a great number of these city mysteries appeared across Europe (especially France, Great Britain, and Germany) and the United States, adapting the narrative formulas and basic storylines of Sue’s roman feuilleton to different cultural, social, economic, and political contexts. These city mystery novels constitute what may be described as the first transnational and multilingual genre of popular serial fiction, and they will serve as one focal point of our conference. We are particularly interested in papers that analyze the evolution of the city mystery novel from a single popular text to a popular serial genre, but we also invite papers on a wide range of issues dealing with all aspects of serial popular culture of the 1830s to 1860s. We explicitly encourage interdisciplinary and transnational approaches within but also beyond our own American Studies focus.


Please send abstracts (max. 250 words) and short bios to stein@anglistik.uni-siegen.de and wiele@anglistik.uni-siegen.de by September 1, 2015.

Prof. Dr. Daniel Stein
Lisanna Wiele, M.A.
Adolf-Reichwein-Str. 2
57068 Siegen
Email: stein@anglistik.uni-siegen.de; wiele@anglistik.uni-siegen.de
Visit the website at http://www.uni-siegen.de/phil/anglistik/news/633570.html

Friday, July 10, 2015

CFP Lesbian Literature and Aesthetic Diversity in the 20th Century (9/30/15)

Three calls for the night.

Of potential interest:

Call for Contributions: Lesbian Literature and Aesthetic Diversity in the 20th Century

Announcement published by Julie R. Enszer on Friday, July 10, 2015
https://networks.h-net.org/node/73374/announcements/74794/call-contributions-lesbian-literature-and-aesthetic-diversity

Type: Call for Papers
Date: September 30, 2015
Location: United States
Subject Fields: Communication, Humanities, Intellectual History, Languages, Literature, Psychology, Rhetoric, Women, Gender, and Sexuality

Please share with your networks!

Call for Contributions

When We Were Modern: Lesbian Literature and Aesthetic Diversity in the 20th Century

Collection edited by Jaime Harker and Julie R. Enszer

How do we locate lesbian writers and lesbian characters in popular, middlebrow, and highbrow fiction in the 20th century? What meanings can we make of lesbian identities and lesbian communities from this fiction across the century?

Considering lesbian writers and lesbian characters across the 20th century challenges the narrative of the closet that emerges in 1970 and continues today. The apparent massive coming out in the 1970s and 1980s was in relationship to a closet that was constructed simultaneously. In the 1950s, Elizabeth Bishop did not live like she was in the closet. During the 1910s and 1920s, Amy Lowell was not in the closet. In 1946, when Jo Sinclair won the Harper & Brothers Prize for her novel, The Wasteland, the lesbian character central to the novel was not excised, nor was she in the closet.

When We Were Modern: Lesbian Literature and Aesthetic Diversity in the 20th Century will explore how literature by lesbians with open lesbian characters circulated widely. The political and material realities for lesbians during the 20th century, including the openness of the 20s and 30s for lesbians and the constriction of the 50s and early 60s, are still largely unmapped for lesbians and lesbian literature.  And the influence of those lesbians on writers of the 70s and beyond has also not been investigated; what happens when we read more contemporary lesbian writers as part of an ongoing, diverse lesbian tradition? This anthology will begin to construct a new genealogy of lesbian literary traditions in the 20th century.

Exploring the historical, biographical, and material aspects of lesbian literature and aesthetic diversity, the editors invite proposals for contributions by September 30th with full papers by January 30th. Email proposals to Jaime Harker, jlharker@olemiss.edu, and Julie R. Enszer, JulieREnszer@gmail.com.

While we are in discussion with editors, this collection is not yet under contract.

Contact Info:
Julie R. Enszer, JulieREnszer@gmail.com