Showing posts with label Canon Formation. Show all posts
Showing posts with label Canon Formation. Show all posts

Thursday, March 2, 2023

CFP No Longer for Kids: Children’s Literature and Higher Education (3/15/2023; MLA 2024)

No Longer for Kids: Children’s Literature and Higher Education


deadline for submissions:
March 15, 2023

full name / name of organization:
Noah Mullens / University of Florida

contact email:
noahmullens@ufl.edu

source: https://call-for-papers.sas.upenn.edu/cfp/2023/01/17/no-longer-for-kids-children%E2%80%99s-literature-and-higher-education.



Call for Papers: MLA 2024

Co-sponsored by the Children’s Literature Association and MLA Libraries and Research Forum (non-guaranteed)

Deadline Extended: March 15th

In March 2022, Florida Governor Ron DeSantis signed the “Parental Rights in Education” bill— dubbed the ‘Don’t Say Gay’ bill. The policy bars teachers from discussing “sexual orientation or gender identity” with students between kindergarten through the third grade. While LGBTQ+ picture books are not necessarily banned, the implication of the law is that queer literature will no longer be easily accessible to children in elementary schools. The passage of the law is another instance of the trend of banning texts that deal with race, gender, ethnicity, religion, and sexuality. Conversely, other texts are taken out of circulation due to antiquated or harmful depictions of gender, race, and/or sexuality. This process of curation and restriction has happened throughout history. However, this panel addresses the pedagogical questions undergirding these processes.

What happens to these texts? Many are relegated to one specialized area: higher education. But what occurs when a piece of children’s literature can only be taught in a university setting, and how has it occurred in the past? How do curators shape children’s books when archiving them as research objects for scholars? Why are certain texts canonized or applauded in higher education but do not share a similar popularity with parents or elementary educators? What are possible interventions for dealing with book bans in children’s literature?

With the recent publication of the 50th edition of Children’s Literature, the annual journal of the Children’s Literature Association and The Modern Language Association Division on Children’s Literature, this roundtable asks to reflect not only of the study on children’s literature in academia, but to consider the texts that can only be studied in higher educational contexts.

Possible topics include, but are not limited to:

  • Syllabi of children’s literature courses and the tastes, sensibilities, and aesthetics scholars have privileged
  • The various considerations and restrictions public librarians, school librarians, and archivists navigate when curating children’s books
  • Historical examples of literature that was removed from child educational settings but persisted in higher education
  • Policies that reframe particular children’s texts or crossover texts to a strictly adult audience
  • Differences in how scholars in higher education and readers outside of the university perceive the intended audience of children’s literature
  • Texts that make critical contributions to children’s literature scholarship and representation that do not gain traction outside of the academy
  • The multiple qualifiers for when to take a book out of circulation and the controversies surrounding how these texts should be approached, researched, and taught in a higher educational context
  • The differences or similarities between what Michelle Ann Abate calls a “children’s literature for adults” and children’s literature that becomes adult through political agendas

Please send a brief abstract (150-200 words) for short papers suitable for a roundtable discussion to Noah Mullens (noahmullens@ufl.edu) by March 15th, 2023.



Last updated February 27, 2023

Tuesday, August 20, 2019

Panel Call for ICFA 2020: Expanding the Archive (10/11/2019; Orlando 3/2020))

Panel Call for ICFA 2020: Expanding the Archive
July 2, 2019
https://www.fantastic-arts.org/2019/panel-call-for-icfa-2020-expanding-the-archive/


Panel Call for ICFA 2020: Expanding the Archive

In 2019, the fanfiction site Archive of Our Own (AO3) was nominated for a Hugo award. This repository of nearly 5 million original works, representing over 30 thousand fandoms, stands out in the world of Science Fiction and Fantasy awards not only because of the sheer number of authors it represents, but also because it is the first nomination for unpublished fanfiction and many of the authors are young women. This nomination draws attention to what is “archived” and, by extension, what is valued. AO3’s nomination is not the year’s only example of the expanding canon of Speculative Fiction. The documentary film Horror Noire: A History of Black Horror, produced by Tananarive Due, directed by Xavier Burgin, and based on Dr. Robin R. Means Coleman’s book Horror Noire: Blacks in American Horror Films from the 1890s to Present (2011), begins with the assertion that “black history is black horror” and tracks how the genre can engage with questions of race and power. Similarly, Dr. Ebony Thomas’s The Dark Fantastic considers Black female characters Bonnie Bennett (CW’s The Vampire Diaries), Rue (The Hunger Games), Gwen (Merlin), and Angelina Johnson (Harry Potter), and explores how these characters mirror racist violence in the real world. Each of these examples makes a case for expanding the idea of the canon (and what we value enough to archive) to include different types of characters and voices.

In terms of physical archives, a recent open letter on the Reading While White blog called out the lack of context and white-washing of the University of Minnesota’s Children’s Literature Research Collection’s exhibit and corresponding book The ABC of It: Why Children’s Books Matter, demonstrating that even professional archives are not neutral—especially once their materials are extracted and exhibited for public consumption. In the wake of this controversy, curators of archives, whether in libraries, classrooms, or their own scholarly work, must address how the materials presented and their surrounding context represent choices that speak to the curator’s values and priorities.

When archives hold the power to exclude and include, to value and affirm both people and genre, then how do we as scholars decide what belongs and how do we think through the consequences of those choices for ourselves, our students, and our field? We encourage submissions that answer these questions and otherwise critically examine the speculative fiction archive, broadly defined.

Submissions may consider but are not limited to the following topics in relation to archives:


  • Accessibility
  • Materialism
  • The worth/value estimation of collecting
  • Teaching courses in the archives
  • Archival pedagogy- constructing the archives for our courses/ asking students to construct their own archives
  • Controversies and canon
  • Digital collections
  • Internet as archive
  • Fan spaces
  • Race and representation
  • Award winners as archive


Please submit a 300-500 word abstract and preliminary bibliography to Emily Midkiff (midki003@umn.edu) or Sara Austin (austins4@miamioh.edu) by Oct 11, 2019. Abstracts will also be considered for a special issue of the Journal of the Fantastic in the Arts, for which we will be issuing a CFP in November.

Bookmark the Google Doc version of this call to keep on top of any updates: https://docs.google.com/document/d/1i1_izexTPz_vj8hfreDZjqaXc3yNN4zud5ifc6TV9QA/edit?usp=sharing