Showing posts with label Conference Session. Show all posts
Showing posts with label Conference Session. Show all posts

Thursday, July 16, 2026

CFP Speculative Fiction (8/15/2026; SAMLA Atlanta 11/5-7/2026)

SAMLA 98: Speculative Fiction


deadline for submissions:
August 15, 2026

full name / name of organization:
Lisa Wenger Bro / Middle Georgia State University

contact email:
lisa.bro@mga.edu

source: https://call-for-papers.sas.upenn.edu/cfp/2026/06/05/samla-98-speculative-fiction


Speculative fiction covers a broad range of narrative styles and genres. The cohesive element that pulls works together under the category is that there is some “unrealistic” element, whether it’s magical, supernatural, or a futuristic/technological development: works that fall into the category stray from conventional realism in some way. For this reason, speculative fiction can be quite broad, including everything from fantasy and magical realism to horror and science fiction—from China Miéville to Margaret Atwood to Philip K. Dick. This panel aims to explore those unrealistic elements and all their varied implications about culture, society, politics, economics, and more.This panel also is open to the examination of works from a variety of mediums, including fiction, graphic novels, television, and film.

The Speculative Fiction panel is a traditional panel. Paper presentations should not exceed 15 minutes.

Please submit a 250-300 word abstract, a brief bio, and any A/V needs by August 15, 2026 to https://samla.ballastacademic.com/Home/S/19591

You can email any questions to Lisa Wenger Bro at lisa.bro@mga.edu

SAMLA’s 98th annual conference, Hospitality, will be held at the Wyndham Atlanta Buckhead Hotel & Conference Center in Atlanta, GA this year from November 5-7. Those accepted must be members of SAMLA to present. You can find more information at: https://southatlanticmla.org/


Last updated June 5, 2026


Saturday, January 17, 2026

CFP Entangled Futures: Interstitial Fantasies from the Periphery (1/31/2026; Montreal 6/8-10/2026)

“Entangled Futures: Interstitial Fantasies from the Periphery”


deadline for submissions:
January 31, 2026

full name / name of organization:
Canadian Comparative Literature Association

contact email:
jillplanche@gmail.com

source: https://call-for-papers.sas.upenn.edu/cfp/2025/12/18/%E2%80%9Centangled-futures-interstitial-fantasies-from-the-periphery%E2%80%9D



CCLA – Fantastical Constellation Working Group Call for Proposals

CCLA Annual Conference / Colloque annuel de l’ACLC

The Fantastical Constellation Working Group invites proposals for a panel or round table topic, “Entangled Futures: Interstitial Fantasies from the Periphery,” as part of the Canadian Comparative Literature Association Annual Conference, 8-10 June 2026, hosted by the Department of Languages, Literatures, and Cultures at McGill University in Montréal.

The Fantastical Constellation Working Group proposes an all-encompassing engagement with current issues in postmagical realism studies to explore the process of worlding; examine howspeculative modes blend scientific and magical elements to create new forms of expression that move beyond traditional magical realism in our complex post-truth era of developing new technologies and unsettlement of global orders.

“Entangled Futures: Interstitial Fantasies from the Periphery” draws on physicist and feminist theorist Karen Barad’s concept of agential realism, rooted in quantum physics. Barad proposes that entities do not exist as separate, independent beings that later interact, but are mutually constituted through “intra-actions” between human and non-human forces—an approach that reframes how scientific and political practices are intertwined. Building on this sense of dynamic interconnectedness, the panel explores how speculative and fantastical narratives emerging from the peripheries—whether geopolitical, cultural, or aesthetic—reconfigure relations among science, technology, and imagination. Here, the “periphery” extends beyond geography to include cultural and political margins, as well as hybrid artistic formats such as performance, film, and digital art, to name a few, where experimental practices unsettle conventional boundaries between genres and media. “Entangled futures,” then, imagines divergent pathways shaped by dystopian, utopian, and speculative tropes, while the term “interstitial” foregrounds the generative spaces between borders, bodies, and identities where new forms of posthuman and postmagical expression emerge.

Such theorization might look to Mads Rosendahl Thomsen’s contention that posthumanism is an important focus for all forms of artistic expression, going beyond non-human and machinic representations, and Premesh Lalu’s argument for magical realism’s capacity to “eke out a more generous form of life through an affirmation of humanity,” combining “science with the specifically human attributes of memory, judgment, and imagination to withstand the speed of machines.”

We propose, then, a theme with a strong theoretical anchor while remaining broad enough to attract diverse proposals from scholars working across different disciplines and literary traditions. We invite proposals that explore how fantastical literature from the margins—be it geographical, cultural, or aesthetic—challenges traditional boundaries.

Proposals might engage such topics as:

Bodies, Technologies, and PosthumanismPosthumanism and the body: how do texts from marginalized perspectives reimagine the human body and its relationship with technology, particularly as the blurring of boundaries between the biological and the technological raises profound ontological and ethical questions concerning personhood and agency.Cultural and political: subcultures and political margins. (It is known that Silicon Valley tech-moguls read science-fiction, as well as view films like The Matrix, and use them in marketing their technological ideas.) Are there science fiction or broadly fantastical narratives, ideas, or imaginaries (dystopias, utopias, revolutionary and evolutionary ideas) that influence, or are used in the (political) margins?

Translation and Cross-Linguistic EstrangementTranslation through the margins: How does translation, as a practice and concept, figure in rearticulating the fantastic? How is the estrangement function of science fiction and fantasy in overlooked languages kept alive or smoothed out through translation into English?

Decolonial and Queer FuturesPostmagical realism and peripheral decolonized futures: How do contemporary works blend scientific and magical elements to create new forms of expression that move beyond traditional magical realism?Queer and decolonized futures: Histories have been rewritten as herstories, decolonial histories, and queer histories. Can categories of identity constructed within power relations—like temporality and space—subvert linear projects of progress imposed on them by the world and higher powers and, through queer practices, become a space of constant negotiation of difference and resistance; become an antagonist in relation to their own microcosm, critical and judgemental (Mendlesohn).The other: Fantasy of the other; other forms of oppression.

Temporalities and RetrofuturismRetrofuturism: In the field of international politics and strategy, ‘scenario methodology’ has gained traction in recent years — creating hypothetical and alternative models of the future based on an analysis of the current geopolitical situation. Given the tendency to focus on the world’s most liminal geographical areas, how do post-magical realism and science fiction expand our horizons by giving voice to the most marginal geographical realities?Temporality: understandings of time in speculative fiction.

War, Ruins, and ReconstructionWar as subject and the future: War is a common theme or background in science fiction narratives. Most current digital technologies depend, or are generated in, the military context of WWII or Cold War. Benjamin points to Italian Futurism’s aestheticization of war as foundational to the fascist political aesthetic. Is war in science fiction’s visions of the future presented as an aesthetic—such as ruins, postapocalyptic or heroic and action-packed aesthetic—as a way of pushing certain ideologies/agendas, or is war an unavoidable part of interstitial fantasies inevitably entangled with technological/scientific progressive fantasies?

Eco-critical Imaginaries

Eco-criticism: the climate crisis in speculative fiction.

Theatrical and Performative Fantasies

Theatricality and performance: How do ideas of entanglement and alterity manifest in fantastical theatre or performance art, beyond “spectacle and the fantastic . . . to connect to the audience’s imagination, their beliefs, and their hopes in the fantastic for a better world or at least a way to make it better” (Magoffin).

Instructions for proposals:

All sessions will be in hybrid format. For participation in (a) Paper Panel (papers of 20 minutes); or (b) Roundtable (5-minute introductions to be followed by discussion).

Please submit a proposal of no more than 250 words.

Include a brief bio (max 100 words) with contact information.

Also, please indicate:

- whether you will present in person or online.

- any technical requirements for your presentation.

- the forum in which you wish to participate

Deadline for submissions: January 31, 2026.

Please submit your proposal to:

Jill Planche – Email: jillplanche@gmail.com

Agata Mergler – Email: agatamer@yorku.ca

Elisa Leonzio – Email: elisa.leonzio@gmail.com



References

Barad, Karen. Meeting the Universe Halfway. Quantum Physics and the Entanglement of Matter and Meaning. Durham, NC: Duke University Press. 2007.

Collins, John. “Interweaving with Premesh Lalu: The Long Global Shadow of Apartheid. Interview with Premesh Lalu. Voices, 28 Feb 2025. https://www.weavenews.org/stories/2025/2/28/interweaving-with-premesh-lalu-the-long-global-shadow-of-apartheid

Magoffin, Ashley. “Magical Realism: From Concept to Stage. Part 2.” Struggling Artist. Blog. 29 Jan 2021. https://thestrugglingartist1996.wordpress.com/2021/01/29/magical-realism-concept-to-stage-part-2/

Mendlesohn, Farah. Rhetorics of Fantasy, Wesleyan University Press, Middletown 2008.

Thomsen, Mads Rosendahl. “TheNonhuman, the Posthuman, and the Universal,” Part IX – The Worldly and the Planetary, The Cambridge History of World Literature, edited by Debjani Ganguly. 17 August 2021.



Last updated December 18, 2025

Thursday, March 2, 2023

CFP The Souths and Science Fiction (6/1/2023; SAMLA Atlanta 11/9-11/2023)

The Souths and Science Fiction


deadline for submissions:
June 1, 2023

full name / name of organization:
The Society for the Study of Southern Literature, SAMLA

contact email:
zhuesing3@gatech.edu

source: https://call-for-papers.sas.upenn.edu/cfp/2023/01/27/the-souths-and-science-fiction.



The Society for the Study of Southern Literature invites papers on the South and science fiction for a panel at the South Atlantic Modern Language Association’s 94th Annual Conference from November 9-11, 2023 in Atlanta, GA.

This conference’s theme of “(In)Security: The Future of Literature and Language Studies” presents a unique opportunity to consider the imagined futures offered within SF works, including their representation of social inequalities and the possibilities of the SF genre to raise awareness to the value of Literature and Language studies.

Papers may discuss any of the sub-genres of science fiction, including Afrofuturism, post-apocalyptic, or alternate history and may focus on any media including video games, novels, poetry, movies, television, or comics. The chosen texts should share the South, “Southern-ness,” or Global Souths as a concern. We welcome presentations that offer to 'expand' the canon of Southern literature and science fiction itself, especially papers that focus on works by BIPOC, AAPI, or LGBTQ+ writers.

Please direct any questions to Cameron Winter and Zita Hüsing at cameron.winter@gatech.edu and zhuesing3@gatech.edu.

Submit 200-500 word abstracts, 50 word bionotes, and A/V requirements via the following Google form: https://docs.google.com/forms/d/e/1FAIpQLSfarFqg-qrrbHkES62aC7Q3W-Za7eIq89o6snqnQ2pKmKR97w/viewform by June 1, 2023.



Last updated February 2, 2023

CFP No Longer for Kids: Children’s Literature and Higher Education (3/15/2023; MLA 2024)

No Longer for Kids: Children’s Literature and Higher Education


deadline for submissions:
March 15, 2023

full name / name of organization:
Noah Mullens / University of Florida

contact email:
noahmullens@ufl.edu

source: https://call-for-papers.sas.upenn.edu/cfp/2023/01/17/no-longer-for-kids-children%E2%80%99s-literature-and-higher-education.



Call for Papers: MLA 2024

Co-sponsored by the Children’s Literature Association and MLA Libraries and Research Forum (non-guaranteed)

Deadline Extended: March 15th

In March 2022, Florida Governor Ron DeSantis signed the “Parental Rights in Education” bill— dubbed the ‘Don’t Say Gay’ bill. The policy bars teachers from discussing “sexual orientation or gender identity” with students between kindergarten through the third grade. While LGBTQ+ picture books are not necessarily banned, the implication of the law is that queer literature will no longer be easily accessible to children in elementary schools. The passage of the law is another instance of the trend of banning texts that deal with race, gender, ethnicity, religion, and sexuality. Conversely, other texts are taken out of circulation due to antiquated or harmful depictions of gender, race, and/or sexuality. This process of curation and restriction has happened throughout history. However, this panel addresses the pedagogical questions undergirding these processes.

What happens to these texts? Many are relegated to one specialized area: higher education. But what occurs when a piece of children’s literature can only be taught in a university setting, and how has it occurred in the past? How do curators shape children’s books when archiving them as research objects for scholars? Why are certain texts canonized or applauded in higher education but do not share a similar popularity with parents or elementary educators? What are possible interventions for dealing with book bans in children’s literature?

With the recent publication of the 50th edition of Children’s Literature, the annual journal of the Children’s Literature Association and The Modern Language Association Division on Children’s Literature, this roundtable asks to reflect not only of the study on children’s literature in academia, but to consider the texts that can only be studied in higher educational contexts.

Possible topics include, but are not limited to:

  • Syllabi of children’s literature courses and the tastes, sensibilities, and aesthetics scholars have privileged
  • The various considerations and restrictions public librarians, school librarians, and archivists navigate when curating children’s books
  • Historical examples of literature that was removed from child educational settings but persisted in higher education
  • Policies that reframe particular children’s texts or crossover texts to a strictly adult audience
  • Differences in how scholars in higher education and readers outside of the university perceive the intended audience of children’s literature
  • Texts that make critical contributions to children’s literature scholarship and representation that do not gain traction outside of the academy
  • The multiple qualifiers for when to take a book out of circulation and the controversies surrounding how these texts should be approached, researched, and taught in a higher educational context
  • The differences or similarities between what Michelle Ann Abate calls a “children’s literature for adults” and children’s literature that becomes adult through political agendas

Please send a brief abstract (150-200 words) for short papers suitable for a roundtable discussion to Noah Mullens (noahmullens@ufl.edu) by March 15th, 2023.



Last updated February 27, 2023

Friday, June 17, 2022

CFP NEMLA 2023 "The Classics Take Centerstage: Theatrical Adaptations of Ancient Histories and Myths" (9/30/2022)

NEMLA 2023 "The Classics Take Centerstage: Theatrical Adaptations of Ancient Histories and Myths"

source: https://call-for-papers.sas.upenn.edu/cfp/2022/06/15/nemla-2023-the-classics-take-centerstage-theatrical-adaptations-of-ancient-histories

deadline for submissions:
September 30, 2022

full name / name of organization:
Charles Firestone East, Columbia University

contact email:
cfe2107@columbia.edu



In celebration of the off-Broadway début of The Tyrannicides, the first ever full theatrical adaptation of the story as told in Thucydides’ History of the Peloponnesian War, this roundtable calls for a discussion of theatrical and cinematic (re)tellings of classical histories and myths. As The Tyrannicides makes its audience confront the tragic events that eventually led to the foundation of democracy in the West, a larger history set against a more personal story of romance that dissects homoeroticism and pederasty in ancient Greece, the works in discussion at this roundtable will highlight the enduring relevance of these classical stories to the contemporary circumstances of our present — be it for their social, historical, cultural, or other significance. With a very open definition of what counts as “classical” and “modern,” this roundtable welcomes proposals from scholars who come from a variety of backgrounds and who work with various canons (i.e. both classicists who work primarily with the original tellings of these stories and modernists whose expertise lies more in their (re)tellings). Preference will be given to proposals that highlight specifically some aspect of enduring relevance that make their proposed history’s retelling and commentaries pertinent in debates ongoing in contemporary society. Nonetheless, proposals might also treat the very act of adaption, focusing on the shift in cultural norms from antiquity to the present and the particular challenges of reframing those stories for a contemporary audience.


Last updated June 16, 2022

Thursday, March 17, 2022

CFP Geographies of the Fantastic and the Quotidian (5/15/2022; PAMLA Los Angeles 11/11-13/2022)

CFP - Geographies of the Fantastic and the Quotidian - PAMLA Conference



deadline for submissions:
May 15, 2022

full name / name of organization:
Pacific Ancient and Modern Language Association

contact email:
andrkirb@gmail.com



This is a call for papers for the anual PAMLA conference to be held in Los Angeles, California at the UCLA Luskin Conference Center and Hotel between Friday, November 11 and Sunday, November 13, 2022.

The Film Studies session is open to all papers that explore some aspect of film or Film Studies, but we are particularly interested in papers attuned to some facet of the conference theme, "Geographies of the Fantastic and the Quotidian.” For example:

-The role of space and place in genre filmmaking

-World-building in fantasy film and television

-Cinematic cityscapes

-Road movies

-Representations of localized ecologies

-Settler colonialism in film

-Geographical otherness

-Films limited to one setting

-Representations of claustrophobia or agoraphobia

-Landscape in film

-Otherworldy spaces

-Outer space

-Theme parks and the carnival

-The role of satire in constructing places

-Impact of space in residential life

-Transcending real and unreal spaces

Please visit https://pamla.ballastacademic.com/ in order to submit proposals by May 15. The session specifiic information is available at https://pamla.ballastacademic.com/Home/S/18471.




Last updated March 5, 2022

CFP Young Adult Literature and Culture (In-Person panel) (5/15/2022; PAMLA 11/2022)

Young Adult Literature and Culture (In-Person panel)

Source: https://call-for-papers.sas.upenn.edu/cfp/2022/03/05/young-adult-literature-and-culture-in-person-panel

deadline for submissions:
May 15, 2022

full name / name of organization:
Pacific and Ancient Modern Language Association (PAMLA)

contact email:
melaniemarotta@yahoo.com



This session is open to all papers that explore some aspect of Young Adult literature and/or culture. The panel is particularly interested in papers attuned to some facet of the conference theme, " Geographies of the Fantastic and the Quotidian.” How does space impact YA literature and/or culture? How is the Anthropocene represented in YA fantasy? Further, presentations that examine diverse voices in media are encouraged. This panel welcomes submissions about young adult literature, film, television, etc. Feel free to submit an abstract pertaining to the conference theme or otherwise. If you have any questions, please email.



Please submit abstracts via the PAMLA submission portal: PAMLA CFP (ballastacademic.com)

Conference site: https://www.pamla.org/conference/2022-conference-theme/

Location of conference: UCLA Luskin Conference Center and Hotel



Last updated March 8, 2022

CFP SAMLA 2022: Speculative Fiction (5/31/2022; SAMLA Jacksonville 11/11-13/2022)

SAMLA 2022: Speculative Fiction

source: https://call-for-papers.sas.upenn.edu/cfp/2022/03/14/samla-2022-speculative-fiction

deadline for submissions: May 31, 2022

full name / name of organization: Mary Ann Gareis / Middle Georgia State University

contact email: mary.gareis@mga.edu



Speculative fiction covers a broad range of narrative styles and genres. The cohesive element that pulls works together under the category is that there is some “unrealistic” element, whether it’s magical, supernatural, or a futuristic/technological development: works that fall into the category stray from conventional realism in some way. For this reason, speculative fiction can be quite broad, including everything from fantasy and magical realism to horror and science fiction—from China Miéville to Margaret Atwood to Philip K. Dick. This panel aims to explore those unrealistic elements and all their varied implications about society, politics, economics, and more.



Please submit a 250-300 word abstract, a brief bio, and any A/V needs by May 31, 2022 to Mary Ann Gareis, Middle Georgia State University, at mary.gareis@mga.edu.

SAMLA’s 94th annual conference, Change, will be held at the Hyatt Regency Jacksonville Riverfront Hotel in Jacksonville, FL this year from November 11-13. Those accepted must be members of SAMLA to present.




Last updated March 14, 2022

CFP MMLA 2022 Science and Fiction: Posthumanism and the Post-Apocalyptic (proposals by 4/15/2022; Minneapolis 11/16-21/2022)

MMLA 2022 Science and Fiction: Posthumanism and the Post-Apocalyptic

Source: https://call-for-papers.sas.upenn.edu/cfp/2022/03/15/mmla-2022-science-and-fiction-posthumanism-and-the-post-apocalyptic

deadline for submissions: April 15, 2022

full name / name of organization: Andy Harper / Midwest Modern Language Association

contact email: andy.harper@slu.edu



Science and Literature: Posthumanism and the Post-Apocalyptic


The recognition of anthropogenic climate change and the form and figure of apocalypse have intertwined in the U.S. consciousness for at least as far back as George Perkins Marsh’s 1864 contention in Man and Nature that “earth is fast becoming an unfit home for its noblest inhabitant.” For at least so far back, writers and philosophers have contributed to the cultural imagination of humanity’s future: adaptation or extinction. This panel invites contributions which look beyond the “now” of what Marsh calls “climatic excess” to the bodies, minds, and forms of being that emerge in literature that registers environmental collapse or transformation. What human (or posthuman) subjectivities (or intersubjectivities) populate our imaginary future? What other ends are we able to imagine by imagining the end of the world—or simply of human life on it? Such discussions may take up, for instance,
  • The alien body in science fiction
  • Biocultural or bioregional perspectives
  • The climate crisis in literature and film
  • Ecocriticism and/or eco-feminism
  • Geographical collaborations
  • Metamorphoses (cockroach and otherwise)
  • Post-apocalyptic narratives
  • Radiation and radioactivity in popular culture
  • Techno-utopian solutions
  • Zombies

Papers on a variety of literary traditions and literary theory are invited. Please submit an abstract or proposal not exceeding 300 words to andy.harper@slu.edu by 15 April 2022. The Midwest MLA 2022 convention will be held 16-21 November in Minneapolis, Minnesota.



Last updated March 15, 2022

Sunday, October 13, 2019

CFP Good Omens (10/31/2019; SWPACA 2/19-22/2020)

Good Omens--Conference Presentation
https://call-for-papers.sas.upenn.edu/cfp/2019/09/20/good-omens-conference-presentation


deadline for submissions: October 31, 2019

full name / name of organization: Mandy Taylor/Southwest Popular/American Culture Association

contact email: mjhtaylor@gmail.com


This is a one-time special area for the 2020 Southwest Popular/American Culture Association (SWPACA) Conference.

Conference is in Albquerque, New Mexico, February 19-22, 2020.

The Area Chair for Good Omens welcomes and considers any and all proposals related to the book, the series, or both. Proposals are especially encouraged on the following topics:


  • Examining the adaptation from book to series. What’s inferred from the text but not explicit (eg, the use of Queen), what is highlighted, what is excluded.
  • Performance studies; eg, influence of previous roles or Michael Sheen’s (Aziraphale) contention that fanfic informed his interactions with Crowley (David Tennant); casting choices
  • Platform: Do streaming platforms offer greater opportunities? Would it have been released on broadcast or cable?
  • ”Ineffable Husbands”: Queer readings of Crowley/Aziraphale
  • Gender presentation: eg, Pollution, God, Crowley as Nanny, etc.
  • Names/naming: how and why names matter (book or series) (eg, Dog, Adam, Crawley to Crowley, Sister Loquacious)
  • The theology of Good Omens: interpretation, satirization, prophets/prophecy, angels/demons
  • Reception, including the ill-fated petition to Netflix
  • Collaboration (Gaiman/Pratchett; Crowley/Aziraphale, BBC/Amazon)
  • Portrayals of Britishness: Crowley/Aziraphale, the Them, etc as “quintessential” or stereotypical; Easter eggs (eg, Who references, Python-esque opening titles
  • The power of imagination as seen in the book/series
  • Power dynamics in the book/series: e.g. heaven vs. hell, adults vs. kids, humans vs. supernatural beings, etc.
  • Fandom: differences/intersections/contentions between book and series fans
  • Implications of shifting the time in the book from the early 90s to contemporary times
  • Series as tribute to Pratchett (per interviews with Gaiman)
  • Rise in apocalyptic texts: How does Good Omens speak to our current times/fascination with/need for apocalyptic texts? What does it offer?
  • Literary influences on Good Omens
  • Cinematic/filmic influences on the small-screen adaptation



For proposal submissions, visit https://southwestpca.org and select the Conference drop-down menu. Proposals should be submitted directly to the Conference system. Submit any questions to Mandy Taylor at mjhtaylor@gmail.com.


Last updated September 23, 2019
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Tuesday, August 20, 2019

CFP World-Building: Tolkien, His Precursors and Legacies (9/1/19; Kalamazoo 5/7-10/2020)

World-Building: Tolkien, His Precursors and Legacies
https://call-for-papers.sas.upenn.edu/cfp/2019/07/31/world-building-tolkien-his-precursors-and-legacies

deadline for submissions:
September 1, 2019
full name / name of organization:
Fantasy Research Hub, School of Critical Studies, Univ. of Glasgow
contact email:
Dimitra.Fimi@glasgow.ac.uk
Call for Papers:"Medieval World-Building: Tolkien, His Precursors and Legacies”

sponsored by the Fantasy Research Hub, School of Critical Studies, University of Glasgow,

55th International Congress on Medieval Studies (May 7-10, 2020) Kalamazoo, Michigan



The recent volume Sub-creating Arda: World-building in J.R.R. Tolkien’s Works, its Precursors, and Legacies (2019), edited by D. Fimi and T. Honegger, examines the importance of invented story-worlds as spaces for primary-world social commentary, or as means for visualizing times and places not accessible to the reader. Tolkien was one of the foremost proponents of literary world-building, what he called “sub-creation,” and his Middle-earth has had unrivaled influence on subsequent world-building efforts. Yet, Tolkien’s own sub-creations were born from medieval story-worlds such as Beowulf, Kalevala, Volsungasaga, and others. This paper session examines the emergent, interdisciplinary research field of world-building through Tolkien’s Middle-earth, its medieval precursors, and/or its modern legacies.

Papers might be on such topics as mythopoeia, design, systems of magic, geology, geography, cartography, cosmology, ecology, sociology, demographics, cultural anthropology, materiality, religion, philosophy, language—literally anything that goes into world-building—in conjunction with the worlds of J.R.R. Tolkien, or his medieval/medievalist precursors, or his worldbuilding legacy in literature or other fields. Papers on interdisciplinary topics are welcome.

A paper proposal for the International Congress on Medieval Studies comprises a single-page abstract of the proposed paper and a completed Participant Information Form (PIF). (The new PIF will be available on the conference website https://wmich.edu/medievalcongress/submissions in July 2019.)

Please send your proposals with “Tolkien World-Building” in the subject line to:

Dimitra Fimi (Dimitra.Fimi@glasgow.ac.uk) AND Kris Swank (KSwank@pima.edu)

The deadline is September 1, 2019.


Last updated August 1, 2019

CFP Deadscapes: Wastelands, Necropoli, and Other Tolkien-Inspired Places of Death, Decay, and Corruption (9/15/19; Kalamazoo 05/2020)

Deadscapes: Wastelands, Necropoli, and Other Tolkien-Inspired Places of Death, Decay, and Corruption
https://call-for-papers.sas.upenn.edu/cfp/2019/07/29/deadscapes-wastelands-necropoli-and-other-tolkien-inspired-places-of-death-decay-and

deadline for submissions:
September 15, 2019
full name / name of organization:
Tales after Tolkien Society
contact email:
talesaftertolkien@gmail.com

A paper session at the International Congress on Medieval Studies at Western Michigan University (www.wmich.edu/medievalcongress) examining depictions of what comes in the wake of war and death in works in the Tolkienian tradition; Carrie Pagels will preside.

Many of the "standard" fantasy works, ranging from the epics through Arthuriana into Tolkien and beyond, make much of grand wars fought on massive scales. They also, at times, look at what is left behind when the war is done, the graveyards filled and memorials erected. The session looks at how such things are constructed in works in the Tolkienian fantasy tradition and what functions they serve for readers in the late twentieth and early twenty-first centuries.

Short proposals are welcome; please send to talesaftertolkien@gmail.com on or before 15 September 2019. Proposals from graduate students, those outside traditional academe, and traditionally underrepresented groups are especially welcome.


Last updated July 29, 2019


Friday, October 19, 2018

NEPCA Fantastic 2018

Here, belatedly, are the details of our farewell sessions. running this weekend. Full schedule accessible at https://nepca.blog/2018-conference/. (Further apologies for the lack of formatting; Blogger and Word don't get along.)

40th Annual Conference of the Northeast Popular Culture/American Culture Association
Worcester State University (Worcester, Massachusetts)
19-20 October 2018

Friday, 19 October at 2-3:15
Session 2: Frankenstein 1818 to 2018: 200 Years of Mad Scientists and Monsters I (S-205)

Chair: Saraliza Anzaldua (UCLA)

Frankenstein: A Personal History
Daniel Shank Cruz (Utica College)

Daniel Shank Cruz grew up in New York City and Lancaster, Pennsylvania. He is a graduate of Goshen College (B.A.) and Northern Illinois University (M.A., Ph.D.) and is currently an Associate Professor of English at Utica College in upstate New York. Daniel is the author of Queering Mennonite Literature, which is forthcoming from Penn State University Press in spring 2019. He has also published articles on a variety of contemporary North American authors in journals such as Crítica Hispánica, Mennonite Quarterly Review, the Journal of Mennonite Writing, and the Journal of Contemporary Thought, as well as in several book collections. His research interests include the intersections between ethnic minority literatures (especially Mennonite literature and Latinx literature) and queer literatures, archiving, and the role of geographical space in literature.

Looking at Frankenstein: Ten Filmmakers Capture the Monster
James Osborne (College of Saint Rose)

James Osborne teaches writing and film in the Department of English at the College of Saint Rose, Albany, New York. He holds a PhD in English from the University of Arizona, an MA in English from Brooklyn College/CUNY, and a BA in English, with Dramatic Arts as a related field, from the University of Connecticut. His principal area of academic research is in adaptation studies, an interest explored in his dissertation, “Looking at Frankenstein: Ten Film Visions of Mary Shelley’s Novel, 1990-2015.” He lives in Albany, New York, with his wife Denise, a lecturer in Portuguese at the University at Albany.

Frankenstein and Transatlantic Monster Making in Robert J. Myer’s The Cross of Frankenstein (1975)
Matt Grinder (Union Institute and University)

Matt Grinder is a PhD Candidate at Union Institute and University where he studies literature and culture with an emphasis on Native American Literature. He also works as an English and Philosophy adjunct faculty member at Central Maine Community College.


Friday, 19 October at 3:30-4:45
Session 10: Frankenstein 1818 to 2018: 200 Years of Mad Scientists and Monsters II (S-205)

Chair: Marty Norden (University of Massachusetts Amherst)

New Adam, New Eve: The Brides of Frankenstein in Theodore Roszak’s Memoirs of Elizabeth Frankenstein (1986) and John Kessel’s Pride and Prometheus (2018)
Faye Ringel (U. S. Coast Guard Academy, Emerita)

Faye Ringel, the founder of the Fantastic Area, is Professor Emerita of English at the U.S. Coast Guard Academy in New London, CT, having taught in the Department of Humanities for 25 years. She directed the Honors Program and taught the Honors Colloquium, composition and literature. After retiring from CGA, she taught British Literature at UConn Avery Point. Faye holds an A.B. in Comparative Literature from Brandeis University and doctorate in Comparative Literature from Brown University. She is the author of New England's Gothic Literature: History and Folklore of the Supernatural (E. Mellen Press, 1995) and articles in scholarly encyclopedias, collections, and journals, including a chapter in The Cambridge Companion to the American Gothic (2017) edited by Jeffrey Weinstock. Faye is a long-time NEPCA member and presenter, and she has published articles and presented conference papers on (among many other subjects) New England vampires, urban fantasy, demonic cooks, Lovecraft, King, Tolkien, Yiddish folklore, and sea music.

Frankenstein’s Justine Moritz: The Female Monster and Her Body
Saraliza Anzaldua (UCLA)

Saraliza Anzaldua, a frequent presenter in the Fantastic Area, is a teratologist with a B.A. in Sociology from the University of Texas, Dallas and an M.A. in English Literature from National Taiwan University. She is currently a doctoral student with the philosophy department of UCLA. Her work is devoted to promoting teratology as a framework for social theory and moral inquiry. She also studies Chinese social philosophy, and Japanese martial philosophy.


Saturday, 20 October at 8-9:15
Session 18: Fantastic I: Deciphering Disney: Heroes and Villains in Fantastic Films of the Walt Disney Company (S-205)

Chair: Amie Doughty (SUNY Oneonta)

Merlin Knows Best: Patterns of Masculine Identity in Disney’s Animated Fantasies
Michael A Torregrossa (Independent Scholar)

Michael A. Torregrossa is a graduate of the Medieval Studies program at the University of Connecticut (Storrs). He is founder of both the Alliance for the Promotion of Research on the Matter of Britain and the Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture and is the outgoing Fantastic (Fantasy, Science Fiction, and Horror) Area Chair for NEPCA. His research interests include adaptation, Arthuriana, comics and comic art, medievalism, monsters, and wizards, and his presentation builds upon his previous studies on Merlin included in Film & History and The Medieval Hero on Screen: Representations from Beowulf to Buffy.

Girls who are BRAVE: Young Women Warriors of the Spiritual Realm
June-Ann Greeley (Sacred Heart University)

June-Ann Greeley, PhD, is an associate professor of Theology and Religious Studies at Sacred Heart University in Fairfield, Connecticut. She is also a board member of the Women's Studies Program and Director of the Middle Eastern Studies Program at SHU. June-Ann also chairs the “Belief” area of NEPCA.

Horror in Disney: Mob Mentality and Ideology in Beauty and the Beast (1991) and The Hunchback of Notre Dame (1996)
Kellie Deys (Nichols College)

Kellie Deys is an Associate Professor of English at Nichols College. She chairs the English Department and the College’s Writing-Across-the-Curriculum program. She recently launched a Gender and Diversity Studies program. Her teaching and research interests include: Cultural Studies, Composition, Gender and Body Studies, Young Adult Literature, and Victorian Literature. Kellie has published on Margaret Atwood’s The Handmaid’s Tale, celebrity culture, and practical applications of Freire’s problem-posing method.


Saturday, 20 October at 9:30-10:45
Session 21: Fantastic II: Heroes Reborn: New Models of Heroism in Fantastic Fiction (S-205)

Chair: Sharon Yang (Worcester State University)

The Librarians, Flynn Carsen, and the Aesthetics of Heroism
Nova Seals (Salve Regina University)

Nova Seals, a frequent presenter in the Fantastic Area, is a PhD candidate in Humanities at Salve Regina University in Newport, Rhode Island. Nova is the Director of the Library and Archives at St. George’s School, an independent preparatory school in Middletown, Rhode Island where she also teaches philosophy courses. Her academic and research interests are philosophy, technology and aesthetics. Nova is particularly interested in how groups of people use technology, especially social media, to learn and transform artistic knowledge.

A More Feminine Way of Being: Growth and Aging in Ursula K. Le Guin’s Tehanu (1990) and The Other Wind (2001)
Kathleen Healey (Worcester State University)

Kathleen Healey is an Adjunct Professor of English at Worcester State University. She is the editor with Sharon Healy-Yang of Gothic Landscapes: Changing Eras, Changing Cultures, Changing Anxieties. Her interests include Gothic literature, American literature, fantasy, and science fiction, as well as the relationship between literature and the visual arts.

Decentering Monsterhood: John M. Ford’s The Last Hot Time
Angela Gustafsson Wyland (Southern New Hampshire University)

Angela Whyland graduated in 2017, with a MA in English Literature from Southern New Hampshire University, and has past degrees in Fashion Merchandising, Business Administration and Interdisciplinary Studies. In 2017, she was honored to have her MA thesis accepted for presentation by the Minnesota Teaching Conference on Writing and English and a paper on subversive colonial feminine captivity novels accepted for a panel at the annual National Women’s Studies Conference. Also that year, Angela presented a paper on “Spinning Threads: Fantasy and Reality in George MacDonald’s The Princess and Curdie” at the “North American Society for the Study of Romanticism” in Ottawa, CA, and her essay on “Schwab’s Imaginary Ethnographies: A Student’s Wanderings through Familiar Literary Texts and the Development of New Subjectivities” was published in “Dream & Reality”, a special issue of Acta Iassyensia Comparationis, an international journal of comparative literature. Recently, her essay on “The Role of the Fool within Dystopian Spaces,” which looks at the SF/F writer Steven Brust’s novel Vallista, was published in the 2018 volume of St. John’s University Press Humanities Review.

Reluctant Royals: Reading Royalty in YA Fantasy
Amie Doughty (SUNY Oneonta)

Amie Doughty, another veteran of the Fantastic Area, is a professor of English SUNY Oneonta and teaches children’s lit, fantasy, linguistics and composition. She is also Children’s and YA Lit and Culture Area Chair for PCA/ACA. Amie is the author of two monographs and the editor of a collection of essays. She works with both children’s and YA literature and urban fantasy and is currently working on a project about royalty in children’s and YA literature.


Saturday, 20 October at 11-12:15
Session 29: Fantastic III: Horrific Spaces (S-205)

Chair: Faye Ringel (U. S. Coast Guard Academy, Emerita)


A Realm for the Reanimated: The Magnificent Nightmare of Dr. Porter and Prof. Poe and Their Attempts to Raise the Dead in Victorian New England
Michael J. Bielawa (The Barnum Museum)

Award-winning author Michael J. Bielawa’s explorations have taken him to the Northeast's most exotic, and mysterious, places. He is the author of numerous articles and five books, including Wicked Bridgeport (which received the first-ever New England Paranormal Literary Award) and Wicked New Haven. Bielawa has discussed Mary Shelly’s Frankenstein on NPR and brought Connecticut’s unique folklore to light on WABC-TV affiliate programs, Good Morning Connecticut and Connecticut Style. Mike has written for Major League Baseball (about abandoned 19th century ballparks), Connecticut Magazine (“The Lost Treasure of Seaside Park”) and London’s Fortean Times (“Barnum and the World’s Greatest Ghoul”); forthcoming works include an essay in the Autumn 2018 issue of The Edgar Allan Poe Review. Mike has shared his research with radio audiences on WCBS, WABC-AM, and WPLR-FM, and he celebrated New Haven’s 17th century “Phantom Ship” when he created the 4-story-tall illuminated art installation, “The Persistence of Legend.” Mike is an ongoing lecturer and consultant for The Barnum Museum ,and he has lectured about Jackie Robinson for the NEA. His dedication to preserving New England history has been covered by the New York Times, Wall Street Journal, and the Washington Post.

American Mythology and Mythopoeia: Blackwood and Lovecraft
Russell Brickey (Youngstown State University)

Russell Brickey holds an MFA and PhD from Purdue University, and he is currently an instructor at Youngstown State University. Russell’s publications include a number of scholarly, journalistic, and creative works, including a reader’s guide to Sharon Olds and two books of poetry.

Childhood as Landscape in The Village of the Damned (1960)
Heather Flyte (Lehigh University)

A second-year presenter in the Fantastic Area, Heather Flyte joined Lehigh University in 2018 as a doctoral student in English literature. She will be focusing on Victorian literature, print culture, and science fiction. She earned her Master’s Degree in English Literature from Kutztown University, and her thesis investigated the transference of Victorian values in the translation of Japanese fairy tales. She presented at the 2017 Northeastern Popular Culture Association conference at the University of Massachusetts, Amherst, on The Princess Bride and psychoanalytic theory. She is a non-traditional student who has previously worked in journalism and web development

Mash-Ups and Moral Philosophy: An Approach towards Combining Ethics and Zombie Studies
Bryan Hall (St. John’s University)

Dr. Bryan Hall is Professor of Philosophy and Associate Dean of Undergraduate Studies in the College of Liberal Arts and Sciences at St. John’s University. Bryan received his Ph.D. from the University of Colorado, Boulder, in 2005, and he is a two-time Fulbright scholar and author of two books on the German philosopher Immanuel Kant. In a slight departure from his previous research, Bryan is now working at the intersection of Ethics and Zombie Studies and shares some of this work today.


Saturday, 20 October at 1:45-3
Session 37: Fantastic IV: Making Monsters (S-205)

Chair: Don Vescio (Worcester State University)

Gender, Trauma, & the Domestic in Exorcism Novels
Bridgit Keown (Northeastern University)

Bridget Keown is a Ph.D. candidate at Northeastern University (Boston, MA), who received her BA from Smith College and her MA in imperial and commonwealth history from King’s College London. Her work focuses on British and Irish women and their experience of war trauma during the First World War and Irish War of Independence, and Bridgit has been awarded the Larkin Research Fellowship in Irish Studies from the American Conference for Irish Studies to continue this research. During the summer of 2017 she contributed guest blogs for the American Historical Association as one of two AHA Today Blog Contest winners, and you can read her postings at http://blog.historians.org/2017/06/gendered-treatments-trauma-first-world-war/. Bridget is also currently a contributing writer to Nursing Clio; her posts can be accessed at https://nursingclio.org/author/bkeown/.

More Than Human: A Crip Theoretic
Christopher Ketcham (University of Houston Downtown)

Chris Ketcham earned his Ph.D. from the University of Texas at Austin. He teaches risk management and ethics for The University of Houston Downtown. His interests, however, go beyond business and into the philosophy of the uncertain and mysterious through film and popular culture. Chris has explored Ridley Scott’s Insomnia through Emmanuel Levinas’s philosophy of responsibility, and he has analyzed Herman Melville’s Bartleby the Scrivener through the eyes of the American work ethic through the question: do we work to live, or live to work? Chris’s other forays into popular culture include analyses of the television series Downton Abbey, Orange is the New Black, Orphan Black, It’s Always Sunny in Philadelphia, Adventure Time, Mr. Robot, and The Man in the High Castle. He has also written about philosophy and Deadpool, Jurassic Park, Superman and Batman, Dracula, and Frankenstein.

Project Alice: Ultimate Woman Warrior or Frankenstein’s Monster in the Resident Evil Film Series
Kristine Larsen (Central Connecticut State University)

Dr. Kristine Larsen, a veteran of the Fantastic Area, is Professor of Astronomy at Central Connecticut State University. Her teaching and research focus on issues at the boundary between science and society, including science ethics, science and gender, the history of women in science, and scientific motifs in popular media. She is the author of Stephen Hawking: A Biography, Cosmology 101, and the 2017 volume The Women Who Popularized Geology in the 19th Century, as well as the co-editor as The Mythological Dimensions of Doctor Who and The Mythological Dimensions of Neil Gaiman. Her complete CV can be found at http://www.ccsu.edu/astronomy/larsencv.html.


Saturday, 20 October at 3:15-4:30
Session 45: Fantastic V: New Insights into Science Fiction (S-205)

Chair: Kristine Larsen (Central Connecticut State University)

Daddy Issues: David in Prometheus (2012) and Alien: Covenant (2017)
Leslie Stratyner (Mississippi University for Women)

Leslie Stratyner is a full professor of English at Mississippi University for Women. She teaches various ancient and medieval literatures, as well as composition and survey courses.

Indigenous Aliens: Science Fiction and Native America
Meredith James (Eastern Connecticut State University)

Meredith James is an Associate Professor at Eastern Connecticut State University. Her specialties include Indigenous/Native American Studies and American Studies.

Bridging Realities: Time Travel in A Wrinkle in Time
Don Vescio (Worcester State University)

Don Vescio, a frequent presenter in the Fantastic Area, is a faculty member of Worcester State University’s Department of English. After serving ten years as Worcester State’s Chief Information Office/Vice President of Information Technologies and two years as Vice President of Enrollment Management and Marketing, Don now focuses his energies on teaching undergraduate and graduate students in a variety of disciplines. His research interests are in critical theory, narratological analysis, and information design.

Tuesday, July 3, 2018

CFP Greco-Roman Myth in Literature and/or the Arts (9/30/2018; NeMLA 2019)


Greco-Roman Myth in Literature and/or the Arts
https://call-for-papers.sas.upenn.edu/cfp/2018/07/03/greco-roman-myth-in-literature-andor-the-arts

deadline for submissions: September 30, 2018

full name / name of organization: Ronnie Ancona

contact email: rancona@hunter.cuny.edu


The Northeast Modern Language Association (NeMLA) has recently added Classics as a secondary area of inquiry under Comparative Literature. Please consider submitting an abstract for a panel on Greco-Roman Myth in Literature and/or the Arts, which I will be chairing, for the 50th anniversary convention to be held in Washington DC March 21-24, 2019.


Since Classics is a new secondary area of inquiry for NeMLA, this session attempts to cast its net quite broadly. The intention is to appeal to classicists or others dealing with Greco-Roman literature, history, archaeology, and culture and its later reception for abstracts that will have wide appeal to the NeMLA audience.

Myth is a central feature of Greco-Roman studies as well as its legacy. We look for papers addressing any aspect of Greco-Roman myth in its original contexts or in its later reworkings. Papers may be theoretical in nature, addressing various ways of defining and interpreting myth, or may focus on one or more specific instantiations of Greco-Roman myth. Papers addressing the permutations of a single myth over time are welcome, as are discussions of pedagogical issues involving the teaching of Greco-Roman myth, in general, or of a specific myth or type of myth.

All abstracts (and eventual papers) should have in mind the general NeMLA audience and should not be aimed solely at classicists. All papers should be presented in English.

The topic of Greco-Roman myth will allow for a panel that deals with Greco-Roman literature and culture as well as its reception. The aim of the panel will be to demonstrate the contribution of Classics to a living tradition.



For further general information, go to the following links:

https://www.buffalo.edu/nemla.html

https://www.cfplist.com/nemla/Home/S/17374


For submissions (due September 30th), go to the first link above and click on “Submit Your Abstracts.” Then in the search box at the upper right corner, search by “Ancona” or the panel title.



NeMLA membership is not required to submit abstracts but it is required to present at the convention.

CFP Neo-Dickens for a New Audience: Reading, Watching, and Teaching Dickens in the 21st Century (9/30/208; NeMLA 2019)


"Neo-Dickens for a New Audience: Reading, Watching, and Teaching Dickens in the 21st Century" (Dickens Society Sponsored Panel)
https://call-for-papers.sas.upenn.edu/cfp/2018/06/15/neo-dickens-for-a-new-audience-reading-watching-and-teaching-dickens-in-the-21st

deadline for submissions: September 30, 2018

full name / name of organization: Northeast Modern Language Association

contact email: matobin@psu.edu



"Neo-Dickens for a New Audience: Reading, Watching, and Teaching Dickens in the 21st Century" (Dickens Society Sponsored Panel)

Deadline for submissions: September 30, 2018
Name of organization: Northeast Modern Language Association
Contact email: matobin@psu.edu

Call for proposals for the Dickens Society sponsored panel at the Northeast Modern Language Society convention to be held in Washington, DC March 21-24, 2019


"Neo-Dickens for a New Audience: Reading, Watching, and Teaching Dickens in the 21st Century" (Dickens Society Sponsored Panel)

Chair: Mary Ann Tobin, PhD, The Pennsylvania State University

As Jessica Cox defines it, Neo-Victorianism involves "creative works that in some way engage with Victorian literature and culture, and scholarly works that seek to explore the shifting relationship with the Victorian period . . . often through a critical investigation of Neo-Victorian creative works." Charles Dickens's characters, settings, and Boz himself have been re-imagined, appearing in Neo-Vic novels, television shows, films, and videogames, like Lynn Shepherd's "The Solitary House," BBC One's "Dickensian," Ridley Scott's "The Man Who Invented Christmas," and Ubisoft's "Assassin's Creed: Syndicate." This panel will consider what Neo-Dickensian works like these tell us about our current "relationship with the Victorian period" and suggest ways to make productive use of them in the classroom.

The submission deadline is September 30, 2018. All abstracts must be submitted through the NeMLA CFP web site at https://www.cfplist.com/nemla/. Search for panel #17234, "Neo-Dickens for a New Audience: Reading, Watching, and Teaching Dickens in the 21st Century." General guidelines for abstracts can be found at https://www.buffalo.edu/nemla/convention/callforpapers/submit.html. View the conference web site at https://www.buffalo.edu/nemla/convention.html. Send questions regarding the panel to matobin@psu.edu.

Panelists will be notified of acceptance or rejection by October 15, 2018. NeMLA membership is not required to submit abstracts. However, if your abstract is accepted to a session and you agree to present at the convention, you will be required to pay for membership and convention registration.

Saturday, June 23, 2018

CFP Magic and Witchcraft on Stage and Screen (6/27/2018; PAMLA 11/9-11/2018)

I'm doble posting this across our associated blogs. Sounds fun; too bad it is the same week as MAPACA.



Extended deadline: Magic and Witchcraft on Stage and Screen
https://call-for-papers.sas.upenn.edu/cfp/2018/06/01/extended-deadline-magic-and-witchcraft-on-stage-and-screen

deadline for submissions: June 27, 2018

full name / name of organization: Pacific Ancient and Modern Language Association (PAMLA)

contact email: lgreene@ewu.edu



Deadline extended to June 27, 2018



Proposals are invited for a Special Session of PAMLA (Pacific Ancient and Modern Language Association) 2018, which will meet November 9-11, 2018, in Bellingham, Washington. The conference theme is “Acting, Roles, Stages,” and we will be contributing papers on ways in which magic and witchcraft have been represented dramatically over the centuries.



In the 400 years between Macbeth and Harry Potter, the image of the witch has become more appealing and less frightening, more popular culture and less cultural nightmare. Magic has lost its association with conjuring demons and is portrayed as an innate or acquired skill, more mysterious than playing the piano but maybe not essentially different. Witches are not wicked, and magic is not a tool of the devil. This is a huge cultural shift.



This panel invites speakers in the fields of history, anthropology, drama, film, literature, and religious studies, as well as practitioners of magic and witchcraft, to contribute to our understanding of these phenomena and their changing roles in contemporary culture. Topics from film, drama, and literature might include but are not limited to the following:

  • Macbeth
  • Bell, Book, and Candle
  • Bewitched
  • Harry Potter
  • The Craft
  • Practical Magic



Panel participants must join PAMLA BY July 1, 2018, and must register and pay for the conference by October 1, 2018. Please submit proposals through the PAMLA website at www.pamla.org.

Sunday, June 3, 2018

CFP Tolkien Studies Area (10/1/2018; PCA Washington DC 4/17-20/2019)

Here's the second.

 
deadline for submissions: October 1, 2018
full name / name of organization: Tolkien Studies, Popular Culture Association
contact email: robin.reid@tamuc.edu


CFP: Tolkien Studies
2019 Popular Cultural Association National Conference
Wardman Park Marriot, Washington, D.C.
Wednesday, April 17, to Saturday, April 20, 2019
DEADLINE:  OCTOBER 1, 2018

The Tolkien Studies Area welcomes proposals for papers, paper sessions, or roundtables in any area of Tolkien Studies (the Legendarium, adaptations, reader reception and fan studies, source studies, literary studies, cultural studies, tourism studies, medieval and medievalist studies, media and marketing, religious studies) from any disciplinary or interdisciplinary perspective.

We welcome individual paper proposals or proposals for paper sessions or roundtable discussions. All sessions are scheduled in 1.5 hour slots, typically with four presenters per paper session or five-seven per roundtable. Paper presentations should not exceed 15 minutes.

Academic and independent scholars and graduate students are encouraged to submit. For individual papers, please submit contact information (name, institutional affiliation if any, mail and e-mail addresses, and telephone number), a title and 200-300-word abstract plus a working bibliography.

For roundtables or complete paper sessions, please submit:

Session Title
Name and contact information for the session organizer
Titles and abstracts for each presenter
Contact information for each presenter

All presenters must set up an account to submit their proposal electronically, must be members of the PCA, and must register for the conference:

http://pcaaca.org/national-conference/proposing-a-presentation-at-the-conference/

For information on PCA, please go to http://www.pcaaca.org

For conference information, please go to http://www.pcaaca.org/national-conference/

Travel and research grants are available: http://pcaaca.org/grants/


Possible topics include but are not limited to:

Adaptation:  Visual Arts
Adaptation:  Tolkien and Game Studies

Gender Studies: Women in Tolkien
Gender Studies: Gender and Tolkien
Gender Studies: Tolkien’s Queering of Genre

Literary Studies: Tolkien and Genre
Literary Studies: Hemingway and Tolkien
Literary Studies: Romanticism and Tolkien

Fandom Studies: Reparative Fan Fiction (Race) and Tolkien
Fandom Studies: Tolkien and Cosplay
Fandom Studies: History of Tolkien Fandom

Methodology: Digital Humanities Tools for Tolkien Scholarship
Methodology: Ethics in Tolkien Studies

Themes: Environmentalism, Ecology, and Tolkien
Themes: Poststructuralism and Tolkien

Religious Studies: Alternate Mythologies/Pagan Readings and Tolkien
Religious Studies: Spirituality and Tolkien
Religious Studies: Catholic Debates in 20th Century and Tolkien
Religious Studies: Oxford Community and Tolkien


1 July                     Database Opens for Submissions
1 October               Registration Opens
1 October               Deadline for Paper Proposals
15 November          Early Bird Registration Rate Ends
1 December            Preliminary Program Available
15 December          "Drop Dead": Unregistered Participants Removed from Program
3 January 2019       Final Program to the Publisher
17-20 April 2019     Washington, D.C.!

For information on the Tolkien Studies area, please contact:

Robin Anne Reid
Department of Literature and Languages
A&M University-Commerce
Commerce, TX 75429

Or check the Tolkien Studies at Popular Culture Public Group on Facebook.


Last updated May 25, 2018 

CFP Prophecy and Future-telling in Tolkien and Related Authors (10/1/2018; PCA Washington DC 4/17-20/2019)

The first of two Tolkien calls for the night.


deadline for submissions: October 1, 2018
full name / name of organization: Tolkien Studies / Tarot & Other Methods of Divination, Popular Culture Association
contact email: robin.reid@tamuc.edu
Prophecy and Future-telling in Tolkien and Related Authors

Call for Papers
Tolkien Studies / Tarot & Other Methods of Divination
at the
Popular Culture Association / American Culture Association conference
Washington, DC, 17-20 April 2019

And many other things Ilúvatar spoke to the Ainur at that time, and because of their memory of his words, and the knowledge that each has of the music that he himself made, the Ainur know much of what was, and is, and is to come, and few things are unseen by them. Yet some things there are that they cannot see […]  (The Silmarillon)

Future-telling abounds in mythopoeic literature, where it takes on many forms: dreams, intuitions, predictions, premonitions, prophecies, visions, and more. Tolkien made extensive use of future-telling in his writings, particularly The Lord of the Rings. At times, his characters seek knowledge of the future deliberately by studying prophecies, or by the use of tools and special techniques; at others, it comes to them spontaneously through memory and the unconscious.

We are seeking papers on all aspects of future-telling in Tolkien's writings for this co-sponsored session, including, but not limited to, studies of future-telling techniques and effects, relevance to character and plot development, and comparisons to relevant works and characters, such as King Arthur, Merlin, and Macbeth.

We hope to round out the session(s) with papers on future-telling in the works of other Inklings and related authors, notably Charles Williams's The Greater Trumps and C.S. Lewis's Narnia books, and perhaps Madeleine L'Engle's A Wrinkle in Time.

Papers may address any of Tolkien's legendarium and related works and their film adaptations.

Prospective participants in these sessions are asked to submit their papers to the Tolkien Studies area (for tech-related administrative simplicity). Papers addressing other aspects of future-telling should be submitted to the Tarot/Divination area.

Queries are welcomed by both area chairs.

Deadline for Paper Proposals: 1 October 2018

Tolkien Studies Area Chair: Robin Reid Robin.Reid@tamuc.edu
Tarot/Divination Area Chair: Emily E. Auger augeremily@gmail.com

 Last updated May 25, 2018
 

Thursday, September 21, 2017

CFP Celebrating H.G. Wells: Teaching His Literature in the 21st Century (9/29/2017; NeMLA 4/12-15/2018)

Sorry to have missed this:

Celebrating H.G. Wells: Teaching His Literature in the 21st Century
https://www.navsa.org/2017/09/17/cfp-celebrating-h-g-wells-teaching-his-literature-in-the-21st-century-9292017-412-152018/

Roundtable at the 2018 Annual Northeast Modern Language Association Convention

Pittsburgh, PA
April 12-15, 2018

For 152 years, H.G. Wells has been part of our literary cannon in science fiction, criticism and utopian projections. Fiction writers have the latitude to focus on current issues of their time, often in the guise of fictional places and/or unusual characters. H.G. Wells did exactly that in his science fiction as well as his fiction stories. Wells’ vision of an “open conspiracy of intellectuals and willful people” to build Cosmopolis occurs regularly in most of his fiction, and appears prominently in his major prophetic writings before 1914: in Anticipations, in A Modern Utopia, and elsewhere (W. Warren Wagar 40-42). The focus of this roundtable is to discuss the techniques H.G. Wells utilized, to discuss the interface between Wells’ literature and film adaptations, to assess the possible implications as seen in his literature as well as in the film adaptations, and to share pedagogical skills employed to reveal the genius of Wells.

The NeMLA site to submit your proposal is: https://www.cfplist.com/nemla/Home/S/16658.

Please include your name, position, e-mail address and the title of your proposed submission. If you are an independent scholar, please indicate that information. The deadline to submit an abstract is September 29, 2017.

Sunday, September 3, 2017

Frankenstein at PCA

The Fantastic (Fantasy, Horror, and Science Fiction) Area is organizing a session on the Frankenstein story in children's and young adult culture for the 2018 meeting of the Popular Culture Association. Details at https://frankensteinandthefantastic.blogspot.com/2017/09/cfp-frankenstein-story-in-childrens-and.html.