Showing posts with label Digital Media. Show all posts
Showing posts with label Digital Media. Show all posts

Monday, July 20, 2015

CFP Identity and the Fragmented Self in the Age of Social Media (9/30/15; NeMLA 2016)

Note mention of cyborgs below:

CFP: Body, Voice, and Being: Identity and the Fragmented Self in the Age of Social Media (47th Annual NeMLA)
https://networks.h-net.org/node/73374/announcements/74234/cfp-body-voice-and-being-identity-and-fragmented-self-age-social
Announcement published by Bofang Li on Sunday, July 5, 2015

Type: 
Call for Papers
Date: 
March 17, 2016 to March 20, 2016
Location: 
Connecticut, United States
Subject Fields: 
Digital Humanities, Humanities, Sociology

CALL FOR PAPERS, Northeast MLA Convention, Hartford CT, March 17-20th 2016.

In June 2015, the former Olympic decathlete formerly known as Bruce Jenner unveiled his new trans-identity. Caitlyn Jenner’s first public act was to tweet her Vanity Fair cover, with its headline "Call me Caitlyn," from her new Twitter account. This declarative move allowed her supporters to tweet messages that, in their address to her new username, @Caitlyn_Jenner, at once fulfilled her headline request while reinforcing her new identity. The tweet marks Jenner’s rebirth on social media, signalling her (re)entrance into a mode of identity formation/presentation in which the majority of adult Americans now engage. What renders Jenner’s situation remarkable is the way in which her new identity positions her as an adult digital native, without a digital media history. Where social media accounts are often also repositories of past lives, hosting evidence of a contiguous identity at times in conflict with self-presentation, Jenner’s (so far) lack this archontic function. Caitlyn Jenner is, in many ways, born digital, and her acts of self-definition on social media mark the genesis of a media-inflected existence while highlighting the interplay between lived, performative, and representational identities online and in "real life."

    In our increasingly digitized world, social media is understood as a tool of communication and community as well as a way for users to revel in the potential of self-definition. As the choice of social networking sites proliferates, so too does the possibility of multiple identities, with 75% of online adults managing multiple social networking profiles. This panel calls for papers to explore the implications of multiple identity creation. Potential topics include: the cyborg in the digital age; identity and platform; the unified/diffuse self; identity as performance; the self and the digital other; following, friending, trolling; internality/externality and digital identity. Abstracts of 350 words welcome at the submission URL (http://www.cfplist.com//nemla/Home/S/15944) by 30th September deadline.


Contact Info: 
Bofang Li, Yale University

Contact Email: 
bofang.li@yale.edu
URL: 

Tuesday, May 13, 2014

CFP Digital Culture (Spec. Issue of The Projector) (6/30/14)

Another head's up from the NEPCA blog:

CFP Special Issue on Digital Culture
full name / name of organization:
The Projector: A Journal on Film, Media, and Culture
contact email:
cbaron@bgsu.edu

The Projector: A Journal on Film, Media, and Culture is seeking submissions for a special issue on digital culture. We are interested in essays that critically explore digital texts, the digital distribution and consumption of media, and various forms of online communication and cultural practices. Potential topics include (but are not limited to):

•Convergence Culture
•Remix Culture
•Web 2.0, new forms of media texts, and new forms of media consumption
•YouTube, Netflix, Hulu and other streaming services as distribution venues for independent and experimental cinema
•Web series as an evolution of or alternative to television broadcasting
•Netflix, Hulu, and amazon.com as producers of media content
•Online film and television fandom
•The use of social networking sites for the marketing of films and TV shows
•Dual screen media consumption
•Live Tweets as a part of TV broadcasts
•Fan-produced texts
•Internet fan communities and/or fandom practices

Essays should be approximately 25 pages and follow MLA guidelines for formatting and citation. The deadline for submission is June 30, 2014. Submissions should be emailed to both rsibiel@bgsu.edu and cbaron@bgsu.edu as Word or Open Office files.

The Projector is an open access, peer reviewed journal that is published twice annually. For more information, please visit our journal at https://sites.google.com/site/projectorjournal/.

By web submission at 04/27/2014 - 01:26