Showing posts with label Afrofuturism. Show all posts
Showing posts with label Afrofuturism. Show all posts

Thursday, March 2, 2023

CFP The Souths and Science Fiction (6/1/2023; SAMLA Atlanta 11/9-11/2023)

The Souths and Science Fiction


deadline for submissions:
June 1, 2023

full name / name of organization:
The Society for the Study of Southern Literature, SAMLA

contact email:
zhuesing3@gatech.edu

source: https://call-for-papers.sas.upenn.edu/cfp/2023/01/27/the-souths-and-science-fiction.



The Society for the Study of Southern Literature invites papers on the South and science fiction for a panel at the South Atlantic Modern Language Association’s 94th Annual Conference from November 9-11, 2023 in Atlanta, GA.

This conference’s theme of “(In)Security: The Future of Literature and Language Studies” presents a unique opportunity to consider the imagined futures offered within SF works, including their representation of social inequalities and the possibilities of the SF genre to raise awareness to the value of Literature and Language studies.

Papers may discuss any of the sub-genres of science fiction, including Afrofuturism, post-apocalyptic, or alternate history and may focus on any media including video games, novels, poetry, movies, television, or comics. The chosen texts should share the South, “Southern-ness,” or Global Souths as a concern. We welcome presentations that offer to 'expand' the canon of Southern literature and science fiction itself, especially papers that focus on works by BIPOC, AAPI, or LGBTQ+ writers.

Please direct any questions to Cameron Winter and Zita Hüsing at cameron.winter@gatech.edu and zhuesing3@gatech.edu.

Submit 200-500 word abstracts, 50 word bionotes, and A/V requirements via the following Google form: https://docs.google.com/forms/d/e/1FAIpQLSfarFqg-qrrbHkES62aC7Q3W-Za7eIq89o6snqnQ2pKmKR97w/viewform by June 1, 2023.



Last updated February 2, 2023

CFP (Re)Imagining Tomorrow: Agency and Possibility in Literature and Media for Children and Young Adults (grad conference 3/15/2023; Vancouver 6/23-24/2023)

(Re)Imagining Tomorrow: Agency and Possibility in Literature and Media for Children and Young Adults


deadline for submissions:
March 15, 2023

full name / name of organization:
University of British Columbia, Master of Arts in Children's Literature Program

contact email:
ubc.conference.2023@gmail.com

source: https://call-for-papers.sas.upenn.edu/cfp/2023/02/26/reimagining-tomorrow-agency-and-possibility-in-literature-and-media-for-children-and.


(Re)Imagining Tomorrow: Agency and Possibility in Literature and Media for Children and Young Adults


Call for Paper Proposals

Deadline for Submission: 15 March 2023

A peer-reviewed graduate student conference

University of British Columbia | Unceded traditional territory of the xʷməθkʷəy̓əm (Musqueam) Vancouver, Canada | Friday 23 June - Saturday 24 June 2023



What do we think of when we imagine the future? 2001: A Space Odyssey (1968) projected a world in which humanity has spread to the stars, where visiting the moon is as routine as a flight across the country. Back to the Future Part II (1989) famously imagined hoverboards and flying cars by the year 2015. The YA dystopian boom of the late 2000s to 2010s imagined compartmentalized, constrained futures like in The Hunger Games (2008)and Divergent (2011). Today, in the face of impending climate disaster, growing economic disparity, and the lingering effects of a worldwide pandemic, the future still seems not only hard to imagine, but uncertain. How can we imagine a future that we may not live to see? How do children grapple with inheriting a future riddled with the mistakes and problems we are generating in the present? If the children are the future, what is that future going to look like? What agency do children have to create their own future? As we live through times of unprecedented global change–technological, cultural, and environmental–the future is no longer a distant reality. The future is created every day. (Re)Imagining Tomorrow: Agency and Possibility in Literature and Media for Children and Young Adults aims to discuss topics surrounding the future and its presentation in youth literature and media and showcase graduate students’ academic and creative work on the matter.



Topics may include, but are not limited to:

  • Forms of youth activism and agency in a changing world (e.g., climate change, children’s rights, education, etc.)
  • De-/Anti-/Post-colonialism of the near and far future
  • Afrofuturism and Indigenous Futurism
  • Posthumanism and technology in children's literature
  • Cultural Change, Communication, and the Transformation of Identity
  • Revolution, War, Resistance, and Reimaginings/Retellings
  • Artificial Intelligence
  • Alternate/Virtual worlds
  • Hope, Resilience, and Memory
  • Change, Transformation, and Becoming
  • Utopia, Dystopia, Heterotopia
  • Evolution and Progress
  • The Anthropocene
  • Time Travel
  • The future of the publishing industry and the impact of global crisis
  • The future of local, national, and global children’s literature
  • Cultural, Social, and Economic Change
  • The evolution of children’s literature beyond text: films, sequential art, video games, and other media.



These topics are suggestions, as we are open to proposals on any aspect of the future, agency, and possibility in children’s and young adult literature, media, education, and culture. We welcome submissions from graduate students, scholars, and practitioners from a variety of disciplines, including literary studies, cultural studies, sociology, psychology, anthropology, media studies, and others.



Academic Paper Proposals


Please send a 250-word abstract, including the title of your paper, 5-8 keywords, and 3-5 academic, bibliographic references. Your name should not appear on the proposal. Please attach a separate 50-word biography, including your name, preferred pronouns, student status, university affiliation, home country, and email address. Save the proposal and the biography as two separate Word files (.DOC or .DOCX) and use the format “Academic_Name_PaperTitle” in the email subject line.



Creative Writing Proposals


All creative writing genres and forms are welcome, including novel chapters, poetry, picture books, graphic novels, scripts, amongst others. Please send a sample of your work that is no more than 12 pages long, double-spaced. Include the title, a list of references (if applicable), and a 150-word description identifying the topic, genre, targeted age group, and relevance to the conference themes. Your name should not appear on the sample. Please attach a separate 50-word biography, including your name, student status, preferred pronouns, university affiliation, home country, and email address.

Save the sample and description as one Word file and the biography as a separate Word file (.DOC or .DOCX). Use this format “Creative_Name_SampleTitle” for the email subject line.



Participants are welcome to submit both academic and creative proposals. Each proposal will be adjudicated separately, and you may be accepted for one or both streams. Please follow the guidelines for both submissions above and send them in separate emails.



Dates and Logistics


Deadline for proposal submission: 15 March 2023

A notification of acceptance will be sent by the end of April 2023.

All submissions will be blind reviewed by the members of the Review Committee.



Contact Us

Send all submissions to submit.ubc.conference@gmail.com.


If you have any questions regarding the submission or the conference, please don’t hesitate to contact us at ubc.conference.2023@gmail.com.


Follow us on Twitter @ MACLconferenceand visit our conference website at https://blogs.ubc.ca/reimaginingtomorrow2023/for updates.



About Us

The Master of Arts in Children’s Literature (MACL) at the University of British Columbia (UBC) is the only graduate program in children’s literature in Canada and one of the most multi-disciplinary children’s literature programs in the world. It is offered through the UBC iSchool (Library, Archival, and Information Studies) with joint participation from the Department of English Language and Literatures, the Department of Language and Literacy Education, and the School of Creative Writing. As one of the few venues in Canada that showcases emerging scholarship in children’s and young adult literature, this conference provides a platform for new scholars and writers from different backgrounds, especially for graduate and upper-division undergraduate students, and creates cross-disciplinary associations that may inspire new and innovative connections to support writing and research in this area.



About the Conference

The first Graduate Student Conference in Children’s and Young Adult Literature, Media and Culture took place in 2008. In addition to paper and creative writing presentations, the conference invites renowned scholars and authors as our keynote speakers. Featured keynote speakers from past conferences include Dr. Maria Tatar, Dr. Philip Nel, Dr. Elizabeth Marshall, Dr. S.R. Toliver, Dr. Angel Matos, Dr. Naomi Hamer and best-selling authors Rachel Hartman and Richard Van Camp. This year, students from the Master of Arts in Children’s Literature Program at UBC’s iSchool will come together for the tenth time to host the event.



We look forward to hearing from you!



Last updated February 27, 2023

Sunday, March 15, 2020

CFP SFRA Conference (3/31/20; Bloomington 7/8-11/20)


CFP: SFRA 2020
https://www.fantastic-arts.org/2020/cfp-sfra-2020/
February 19, 2020


DEADLINE EXTENDED TO 3/31/20 (details at http://www.sfra.org/Coronavirus-News)


SFRA 2020
Wednesday, July 8th – Saturday July 11th
Indiana University, Bloomington IN
Conference Theme: Forms of Fabulation

Keynote Speakers:
Tavia Nyong’o
Kate Marshall
Special Guest: John Crowley (author of Little, Big)

The Science Fiction Research Association invites proposals for its 2020 annual conference, to be held on the campus of Indiana University in Bloomington, Indiana.

The SFRA is the oldest scholarly association for the study of science fiction and related genres. It brings together important writers of speculative fiction with premiere scholars of speculative fiction to discuss and debate timely and relevant themes. The annual conference also recognizes important contributions to the field through the Pioneer and Pilgrim Awards for excellence in scholarship.

This year we take FABULATION as our key term. Fabulation is a potent political force as well as an emerging genre convention. Ranging from fantasy fiction and the New Weird to fictional sciences and prefigurative politics, fabulation centers the importance of imagining otherwise in the construction of reality as a scholarly as well as a fictional action.

Fabulation is a future-oriented practice that draws from the energies of the past and the perspectives of the oppressed. Keynote speaker Tavia Nyong’o writes that Afro-fabulation resurfaces from the historical archive those untimely ideas that were “never meant to appear” (3) in majoratian culture and so could only be articulated by way of minor genres and obscure gestures—in performance art, speculative fiction, gossip and legend. Building on the critique of imperial sciences by Indigenous scholars and imaginative writers that were the focus of the 2019 conference, this year’s conference asks what subjugated knowledges can be found in the speculative fiction archives and how they might be surfaced in the present toward multispecies thriving and antiracist worlding. At the same time, reality-production as a form of fictionality has become the principle characteristic of politics in the 21st-century. In addition to asking how we can make fabulations, the conference theme also asks participants to consider the ethics of fiction in the post-truth era.

Topics related to the conference theme include:

● prefigurative politics, visionary fiction, & speculative futurisms
● the weird and the New Weird
● fantasy fiction, fairy stories, magic
● Afro-futurism, indigenous futurisms, and related genres
● post-truth politics and fabulation
● fabulation and Afro-fabulation
● insurgent research, fictional sciences, and related methods
● decolonial speculative fiction
● fabulation and the occult
● aesthetic warfare, feminist witchcraft, meme magic
● aesthetics as a technology of resistance
● European mythology and the problem of white supremacism
● fabulation, environmental ethics, and eco-eroticism
● fabulation and the nonhuman
● fabulation in games, videos, and other non-print media
● fabulation, cosplay, cons, and fan cultures
● science fiction, fantasy and the Midwest
● African, Afro-caribbean, and Indigenous cosmologies
● technology and magic
● children’s literature and magic
● Posthumanism, speculative realism, and fabulation

We also welcome papers on topics relevant to science fiction research broadly conceived that are not specifically related to the conference theme, including proposals for preconstituted panels & roundtables.

300-500 word abstracts should be sent to SFRA2020IU@gmail.com by March 15 2020. Acceptance notices will be returned by April 1.

Questions concerning this call for papers, preconstituted panels, & roundtables can be directed to SFRA2020IU@gmail.com with the subject line “CFP QUESTION,” or to the conference’s local organizers, Rebekah Sheldon (rsheldon@indiana.edu) and De Witt Douglas Kilgore (dkilgore@indiana.edu).

Graduate students are encouraged to submit abstracts & to attend, regardless of whether they plan to present.

Some conference travel grants will be made available. Applications will be posted soon and due on 15 April 2020.

You will also need to join SFRA (or renew your membership) in order to register for the conference. Conference Registration information will be posted soon.

http://www.sfra.org/

Monday, July 2, 2018

CFP Speculative Souths (1/1/2019)

An intriguing idea for a collection:

Speculative Souths
https://www.theasa.net/jobs-opportunities/cfps/speculative-souths

Deadline: Tuesday, January 1, 2019

Review Begins: Tuesday, January 1, 2019



Speculative Souths

Ed. Amy Clukey, Erich Nunn, & Jon Smith

Edited Collection CFP


In the early years of science fiction, space frequently figured as the American West writ large—the final frontier. In the genre’s darker, grittier reboot era, however, it often looks more like the final plantation, from Blade Runner’s updated slavecatchers to the transnationally and transtemporally exploited Appalachians of William Gibson’s The Peripheral to Atlanta architect John Portman’s abstracted plantation-house columns looming over the Hunger Games films. And even as some white writers, in the twilight of American empire, set their dystopian survivalist fantasies in the region (The Road, The Walking Dead), self-consciously “southern” varieties of Afrofuturism and speculative blackness, ranging from OutKast to novels such as Kiese Laymon’s Long Division and Jesmyn Ward’s Sing, Unburied, Sing, represent it as a site of vibrant black futurity contesting and sometimes transcending both the nation’s plantation past and its carceral present. Meanwhile, cli-fi and ecofiction set in the South, from Barbara Kingsolver’s Flight Behavior to Jeff VanderMeer’s Southern Reach trilogy, is on the rise as the region’s coasts begin to sink.


This collection seeks to make sense of these and other“southern turns” in speculative fiction, broadly defined across multiple media and subgenres, and of earlier southern turns that, because they didn’t fit with dominant models, earlier scholarship may have missed or misread. What happens when speculative fiction goes from western to southern, for example, and/or when our understanding of “the South” shifts its gaze from past to future? How does the speculative allow writers to conceive of the South in ways that transcend the black/white binary that has long shaped how the region is imagined?


Send abstracts by January 1st, 2019 to Amy.Clukey@gmail.com. Final papers of 4000-5000 words will be due by January 1st, 2020.



Possible topics might include

  • Southern Afrofuturisms in literature and music from Sun Ra to Outkast and beyond
  • Speculative Souths in comic and graphic narratives: Swamp Thing, Black Panther, Bitch Planet, Kindred
  • Nineteenth-century literature and speculative Souths: Edgar Allan Poe and lesser known southern innovators/imitators of the genre
  • Southern iconographies that serve as sci-fi prop, backdrop, mood enhancers: architect John Portman
  • Southern retro-futurism, futurity, and future’s futures
  • Transnational, transtemporal, weird, queer, fantastic, or dystopian speculative Appalachias: The Hunger Games, The Peripheral
  • The South and the (Old and/or New) Weird (e.g., Southern Reach)
  • The presence or weird absence of “the South” in theorizations of science fiction, such as the work of Darko Suvin or North Carolinian Fredric Jameson
  • Octavia Butler and the South, beyond Kindred
  • Speculative fictions (e.g., Laymon’s Long Division) as counter-politics
  • Alt-histories: Henry Turtledove’s white nationalist rehashes of the Civil War, more recent treatments like Omar El Akkad’s American War
  • Cli-fi of or in the South
  • Speculative poetry of or in the South
  • Voodoo/hoodoo fantasy
  • Time-traveling revisions of southern temporalities from Kiese Laymon’s Long Division to Diana Gabaldon’s Outlander series
  • Native southern speculative reclamations of space and time
  • Even more Undead Souths
  • Speculative southern modernisms
  • NASA’s ties to Southern cultures or locales (Huntsville, Houston, Cape Canaveral)
  • Southerners in space (e.g., Edgar Rice Burroughs’s A Princess of Mars)
  • The construct of U.S./Global/Planetary “Souths” on Mars, Venus, and beyond (such as the appearance of the Jim Crow South in golden age SF like Ray Bradbury and Robert Heinlein’s work, or the icy southern polar settlements of Kim Stanley Robinson’s Mars Trilogy, the agricultural terrains of The Expanse)
  • Treatments of plantation agriculture, slavery, and incarceration in space
  • Speculative southern camp in 60s and 70s sci-fi television