Showing posts with label Identity. Show all posts
Showing posts with label Identity. Show all posts

Saturday, May 3, 2025

CFP Metamorphosis - Themed Issue of Femspec - Call for Scholarly and Creative Submissions for Issue 25.2 (8/1/2025)

 

Femspec - Call for Scholarly and Creative Submissions for Issue 25.2

deadline for submissions: 
August 1, 2025
full name / name of organization: 
Femspec

Femspec seeks both scholarly and creative submissions for its upcoming Issue 25.2

Femspec is an interdisciplinary, peer-reviewed feminist academic journal dedicated to science fiction, fantasy, magical realism, surrealism, myth, folklore, and other supernatural genres.  Femspec publishes both academic scholarship and creative writing.

Creative writing submissions could include short fiction, poetry, or experimental forms.

For this issue, we are particularly interested in any material related to the theme of metamorphosis.  Scholarship or creative writing could potentially focus on issues of evolution, change, renewal, the coming out process, or the fluctuations of queer identity and desire.

To submit work for consideration, please review Femspec’s submission guidelines at the following link: SUBMISSION GUIDELINES | Femspec

The submission form is located at the following link: Submission Form | Femspec

Please note that in order to submit work to the journal for publication, you must be subscribed to the journal; please click on the following link for subscription information: Subscribe | Femspec

The deadline for submission for Issue 25.2 is August 1st, 2025


Last updated April 10, 2025

CFP Transformers and SOGIE: Call for Proposals for Edited Collection (5/31/2025)

 

Transformers and SOGIE: Call for Proposals for Edited Collection

deadline for submissions: 
May 31, 2025
full name / name of organization: 
Daniel M. Look

Title: TBD, but potentials include:

  • ‘Til All Are One: Gender, Sex, Sexual Orientation, Gender Identity/Gender Expression (SOGIE) in Transformers

Editors (Collaborators): Elizabeth Sanders, Daniel M. Look

Description / Call for Papers:

We are soliciting chapters/articles for an edited academic book on topics relating to the Transformers franchise and gender, sex, sexual orientation, gender identity, and/or gender expression.Proposals from academics and independent scholars covering official continuity/properties, fanfiction, the fandom, and content creators will be considered. Proposals should be for new essays, not republications of previous works.

Since its inception in 1984, the Transformers property has had a complicated relationship with concepts relating to sex and gender. During the creation of the names and personalities for the original characters, Bob Budiansky proposed that Ratchet, the medical robot, be a female character. Hasbro rejected the idea, reportedly saying "this is a boy toy. We don't wanna have, you know, girl robots."

However, during the Sunbow animated series, we are introduced to (unfortunately, one-dimensional) ‘female Autobots’ in the episode “The Search for Alpha Trion” and, in 1986, Transformers: The Movie introduced the first recurring female transformer in Arcee.

In the US Marvel comics continuity, the transformer Cloudburst states that for transformers “there are no men, no women…no mates!” Female transformers exist in the Marvel UK comic series, but this is primarily a result of that continuity incorporating aspects from the 1986 animated movie.

Starting in the animated series Beast Wars, cast inclusion of one or more female characters became more commonplace, but they were still heavily outnumbered. Likewise, their gender and gender expression and relationships, when they existed, were cisgender and heteronormative.

The 2005 IDW comics continuity changed this landscape and moved gender identity and expression, sexual orientation, and more diverse relationships closer to the spotlight with, we add, Hasbro’s endorsement and support. We see an incredible explosion of topics ranging from homonormative societies, gender without the “biological” concept of sex, transgender robots, and concepts for close, platonic relationships (amica endura) and spouses (conjunx endura).

These topics are complex and not something expected from a ‘toy’ franchise. Further, there was a directed effort to include women and LGBTQIA+ creators and consultants to write these stories in believable and sensitive ways. That effort has continued in follow up cartoon series, including Transformers: Earthspark, which introduced the first non-binary Transformer. Although some of the expected pearl-clutching occurred, the response was, by and large, positive. However, beyond interviews with creators and fan articles, little academic attention has been paid to the Transformers franchise and its relationship to these topics.

To our knowledge, there is no published academic work relating to this material. Our hope is that this edition will not only stand on its own, but also welcome and encourage further scholarship in this field.

Contributions could include, but are not limited to, the following topics:

Potential Sections & Chapter Ideas

Why “Genderless” Means Male

  • Portrayals of Masculinity
  • Boys Toys = Boys: Hasbro specifying only wanted male character ers for G1 cartoon
  • How “Genderless” Appears in Comics: more as “sex less,” but really all monosexed/gendered as male
  • One of Those: Intimacy and emotions not being the focus (traditionally)
  • The Trouble with Gobots: Gobots had many female characters and, for the most part, you could not tell male from female from their body design
  • Monstrous Reproduction
    • Physically monstrous: Budding, Protoforms
    • Ideologically Monstrous: Made to Order, Vehicons
    • Frankenstein Approach: “Firstborn,” Dinobots, Tarantalus, Quintissons
    • Sacred Well: Vector Sigma, Quintus Prime
  • The Problem of Fembots/Femmebots
    • Arcee’s Journey as “The Only One”
    • Toys for Boys: Fembots/Femmebots as Sexual/Romantic Objects
    • All Hail the Queen: Black Arachnia / Airachnid
    • Bringing Balance: Caminus (IDW), Fan Polls (female Megatronous/Victorion) + Windblade, Mairghread Scott (author)
  • Queer Identities
    • Found Family: Conjunx Amica
    • MLM and WLW: Conjunx Endura
    • Trans-Transformers: Anode, Lug, Arcee
    • A Wonderful Experience: Nightshade, Non-binary Transformer
    • Intention vs. Interpretation: Knock Out and Breakdown
    • Frenemy or “Will they/Won’t They?”: Ratchet and Drift as a romantic partnership that would have been predicted had they been perceived as male/female
  • Humans (Fans and Creators)
    • Own Voice: Queer Creators in Transformers (writers, consultants)
    • Importance of seeing yourself in your fiction
    • Unchecked Privilege and complaints about Genderswapping: “If you want more female characters create new characters”
    • Won’t someone think of the children?: Fan reactions to themes related to gender/orientation in fiction for children
    • Fan reactions: “don’t get your politics in my toys”
    • Cultural differences in reactions from international fanbase
  • Misc.
    • Bishojou Figures
    • Kiss Players (tread carefully here)
    • TFs in love with humans, aliens, mermaids, etc. (Seaspray and Powerglide) as explorations of gender identity/sexual identity

To express interest and receive details about submitting a proposal, please contact the editors at esanders5@lamar.edu and dlook@stlawu.edu.

 This edited volume will be organized into thematic sections around these topics and others that emerge from submissions. Prospective authors should contact the editors with any questions, including potential topics not listed above.

Please submit a 300-500 word abstract of your proposed chapter contribution as a Word Document (not PDF) with a brief bio (in the same document), current position and experience with the topic, affiliation (if any), and complete contact information to editors Elizabeth Sanders and Daniel Look by May 31, 2025. Full chapters of 6000-8000 words are likely due December 2025. A publisher has shown preliminary interest.

Please share this announcement with anyone you believe would be interested in contributing to this volume. Proposals from academics and independent scholars covering official continuity/properties, fanfiction, the fandom, and content creators will be considered. 

Note: Acceptance of a proposed abstract does not guarantee the acceptance of the full chapter.


Last updated May 1, 2025

Monday, April 11, 2022

CFP See and Be Seen: An Interdisciplinary Conference on Storytelling and Identity in Popular Culture (6/1/2022; New Zealand 9/13-14/2022)

See and Be Seen: An Interdisciplinary Conference on Storytelling and Identity in Popular Culture

source: https://call-for-papers.sas.upenn.edu/cfp/2022/02/03/see-and-be-seen-an-interdisciplinary-conference-on-storytelling-and-identity-in

deadline for submissions:
June 1, 2022

full name / name of organization:
Popular Culture Research Centre, Auckland University of Technology

contact email:
pop.centre@aut.ac.nz



Popular Culture Research Centre,

Auckland University of Technology

13-14 September 2022

Keynote Speakers:

Professor Katie Ellis (Curtin University, Australia)

Professor Lorna Piatti-Farnell (Auckland University of Technology)

The Popular Culture Research Centre (Auckland University of Technology) welcomes papers for its upcoming interdisciplinary conference on the theme of ‘storytelling and identity’ in popular culture. The conference will be a hybrid event (allowing for both in-person and online presentations), and will be held on 13-14 September 2022 in Auckland, New Zealand.

Practices of storytelling are at the centre of the ways in which popular culture disseminates information. In our Twenty-first century context, we tell stories through the foods we eat, the images we share, the people we follow on social media, the shows we watch, and the music we listen to. From film to television, from Twitter accounts to the latest fandom trend, popular culture provides us with channels through which our narratives of the everyday can transform from immaterial notions to very material and tangible objects of consumption. At the centre of our ways of storytelling lies the formation of our identities. Popular culture is privileged in its ability to both reflect and influence the way we live, how we see ourselves, and how we want to be seen by others. As an event, ‘See and Be Seen’ responds to the important and multifaceted part played by storytelling in popular culture.

The conference invites abstracts for presentations related to the theme of ‘storytelling and identity’ in popular culture. Topics can include, but are not limited to:
  • Fictional narratives (from film to literature, television, comics, and beyond)
  • Popular genres and media
  • Consumerism and (im)materiality
  • Social and online media
  • Sharing cultures and cult followings
  • Fandom and celebrity
  • Popular icons
  • Trends and fads
  • Depicting ‘reality’ in popular media and culture
  • Biographies, autobiographies, and memoirs
  • Practices of remaking and re-adaptation
  • Fashion, design, and culture
  • Aesthetics and desire
  • Food cultures, histories, and representations
  • All matters of taste
  • Cuisine and identity
  • Gender identities and politics
  • Sex and sexualities
  • Family matters (including functions and disjunctions)
  • Spirituality and religion
  • Matters of life and death
  • Gothic and horror (in all their guises, as related to storytelling and identity)
  • Memory, remembering, and mis/remembering
  • Popular performances
  • Environmental matters
  • Stories of love and romance
  • Popular culture and the news
  • Authenticity and accuracy
  • Race, ethnicity, and Indigenous discourses
  • Heritage and historiography
  • National politics and identities
  • Global vs local narratives and identities

Abstracts (of around 250 words) should include your name, affiliation, e-mail address, the title of your proposed paper, and a short bio (100 words max). Please email abstracts to the attention of the conference organisers at: pop.centre@aut.ac.nz

The deadline for submissions is 1 June 2022.




Last updated March 16, 2022