Showing posts with label Speculative Fiction. Show all posts
Showing posts with label Speculative Fiction. Show all posts

Thursday, July 16, 2026

CFP Speculative Fiction (8/15/2026; SAMLA Atlanta 11/5-7/2026)

SAMLA 98: Speculative Fiction


deadline for submissions:
August 15, 2026

full name / name of organization:
Lisa Wenger Bro / Middle Georgia State University

contact email:
lisa.bro@mga.edu

source: https://call-for-papers.sas.upenn.edu/cfp/2026/06/05/samla-98-speculative-fiction


Speculative fiction covers a broad range of narrative styles and genres. The cohesive element that pulls works together under the category is that there is some “unrealistic” element, whether it’s magical, supernatural, or a futuristic/technological development: works that fall into the category stray from conventional realism in some way. For this reason, speculative fiction can be quite broad, including everything from fantasy and magical realism to horror and science fiction—from China Miéville to Margaret Atwood to Philip K. Dick. This panel aims to explore those unrealistic elements and all their varied implications about culture, society, politics, economics, and more.This panel also is open to the examination of works from a variety of mediums, including fiction, graphic novels, television, and film.

The Speculative Fiction panel is a traditional panel. Paper presentations should not exceed 15 minutes.

Please submit a 250-300 word abstract, a brief bio, and any A/V needs by August 15, 2026 to https://samla.ballastacademic.com/Home/S/19591

You can email any questions to Lisa Wenger Bro at lisa.bro@mga.edu

SAMLA’s 98th annual conference, Hospitality, will be held at the Wyndham Atlanta Buckhead Hotel & Conference Center in Atlanta, GA this year from November 5-7. Those accepted must be members of SAMLA to present. You can find more information at: https://southatlanticmla.org/


Last updated June 5, 2026


CfP- Speculative Fiction and Criticism in Precarious Times (8/1/2026; Lancaster University 9/18/2026)

CfP- Speculative Fiction and Criticism in Precarious Times


deadline for submissions:
August 1, 2026

full name / name of organization:
Lancaster University

contact email:
precarioustimesconference@gmail.com

source: https://call-for-papers.sas.upenn.edu/cfp/2026/06/17/cfp-speculative-fiction-and-criticism-in-precarious-times


CfP- Speculative Fiction and Criticism in Precarious Times

‘Speculative Fiction and Criticism in Precarious Times’ is a conference celebrating a rich network of postgraduate research students working with speculative fiction and criticism across the United Kingdom. Taking place on Friday 18th September at Lancaster University, the conference will feature an array of diverse papers along with a plenary lecture (tbc) and a roundtable discussion from world-leading academics including Dr. Anna McFarlane and Dr. Oliver Langmead. This event is proudly funded by the NWCDTP Cohort Development Fund.

Speculation has long been associated with the study of arts and humanities. We invite papers that consider how fiction and criticism can speculate about the precarious times that we live in. Particularly, academics across the world face insecurity and instability within their institutions due to systemic discrediting of the arts and humanities. We ask our speakers to consider how the practice of speculation can respond to experiences of precarity, and what potential it has for finding a way through.

This event is FREE for all to attend, including refreshments in the morning and lunch. Additionally, speakers from NWCDTP institutions can have travel fees reimbursed. Speakers must be a postgraduate researcher or early-career researcher, however we warmly invite other academics and students to attend.

We welcome papers that engage with the following topics, among others:
  • Speculative fiction or genre fiction; including, but not limited to, Gothic, horror, fantasy, science fiction and more.
  • Speculative criticism, that uses critical and theoretical approaches to respond to precarity.
  • Speculations on terminology/specificity of genre and criticism
  • Speculative fiction and criticism confronting key sites of precarity; such as housing, employment, poverty, immigration, conflict, education, politics, and environmental concerns.
  • Speculative fiction and criticism and its representations of social issues; such as gender, sexuality, race, disability, and physical and mental health.
  • Digital speculations; social media, AI, misinformation, and anti-truth politics/fake news.
  • Speculation and culture; speculative fiction and criticism’s relationship to fan cultures, music, fashion, and more.
  • Discussions of speculation across different forms of media and culture; literature, film, television, theatre, tabletop and video games, and other media.
  • Interdisciplinary approaches to speculative fiction and criticism from outside of the Arts and Humanities.
  • Creative and/or creative-critical responses.

Please submit an abstract of no more than 250 words for a 15-minute presentation to PrecariousTimesConference@gmail.com. For all submissions, provide a brief bio (50-100 words), any institutional affiliations, and contact details. Please send your submission as an attachment; please do not send your submission within the body of the email or as a link. If you would like to attend without presenting a paper, please get in touch.

The deadline for submissions is August 1st. Send all submissions, or any related questions, to PrecariousTimesConference@gmail.com.


Last updated June 17, 2026


Thursday, March 2, 2023

CFP Current Research in Speculative Fiction 2023 12th Annual Conference (3/25/2023; Livepool UK and remote 6/29-30/2023)


Current Research in Speculative Fiction 2023 12th Annual Conference


deadline for submissions:
March 25, 2023

full name / name of organization:
Current Research in Speculative Fiction

contact email:
crsf.team@gmail.com

source:



Current Research in Speculative Fiction 2023 12th Annual Conference


29th – 30th June 2023, University of Liverpool, In Person and Online, https://crsfhome.home.blog/

“While most people conceptualise thinking as this straightforward linear thing, I see ideas spreading out into alternatives before one is selected. In this place every notion can potentially become reality.” (Tade Thompson, Rosewater)

KEYNOTES: Roz Kaveney (Writer and Independent Researcher) Dr Chris Pak (Swansea University)

AUTHOR ROUNDTABLE: Exploring metamorphosis and change in SF

PUBLISHING ROUNDTABLE: Getting published in academic journals

WORKSHOP: Curating your SF and working across different media

OPEN MIC: Creative Writing Readings

“Then I saw the body descend to the beasts whence it ascended, and that which was on the heights go down to the depths, even to the abyss of all being.” (Arthur Machen, The Great God Pan)

“But in the end, it’s only a passing thing… this shadow. Even darkness must pass.” (J.R.R. Tolkien, The Lord of the Rings)

Whether it is science fiction, fantasy, or horror, speculative fiction allows us to envision transformed worlds full of dread, excitement, and wonder so utterly different from our own. We escape to imagine wizards who unravel reality, men who transform into cockroaches, and spaceships that warp time, all the while uncovering more about our past, present and future than many forms of conventional fiction. For CRSF’s 12th year, this hybrid event (taking place both in person and online) seeks to generate interdisciplinary discussions of metamorphosis in speculative fiction, exploring the transformations the genre allows and how changes both minuscule and grand manifest themselves within textual and visual cultures in the present day.

We welcome papers for the fields of literary studies, creative writing, media studies, philosophy, arts, anthropology, sociology, and political theory that speak to, but are not limited to:
  • The body and its transformations (the posthuman body; the racialised & gendered body; the queer body)
  • Technological metamorphoses, uplift fictions and their alterations of beings
  • Speculative fiction as a vehicle of political critique and social transformation
  • Speculative worlds and how they are changed willingly and unwillingly
  • Representations of transhumanism, augmented or artificial intelligence, robotics, and extra-terrestrial life
  • Interrelationships between power, fantasy, actors, action, forms, and reality
  • Representations of waste (including but not limited to: nuclear waste; bodily matter; humans as waste; natural resources)
  • Forms of alternative kinship made possible (or restricted) by speculative fiction
  • Breaching boundaries in speculative fiction

We welcome proposals for academic and artistic contributions that speak to any of the issues. Abstracts (max. 300 words) and a short biographical note (max. 100 words) should be submitted to crsf.team@gmail.com by Midday, Saturday the 25th of March 2023.

All queries can be directed to the above email address or message on Twitter @crsfteam



Last updated January 26, 2023

CFP (Re)Imagining Tomorrow: Agency and Possibility in Literature and Media for Children and Young Adults (grad conference 3/15/2023; Vancouver 6/23-24/2023)

(Re)Imagining Tomorrow: Agency and Possibility in Literature and Media for Children and Young Adults


deadline for submissions:
March 15, 2023

full name / name of organization:
University of British Columbia, Master of Arts in Children's Literature Program

contact email:
ubc.conference.2023@gmail.com

source: https://call-for-papers.sas.upenn.edu/cfp/2023/02/26/reimagining-tomorrow-agency-and-possibility-in-literature-and-media-for-children-and.


(Re)Imagining Tomorrow: Agency and Possibility in Literature and Media for Children and Young Adults


Call for Paper Proposals

Deadline for Submission: 15 March 2023

A peer-reviewed graduate student conference

University of British Columbia | Unceded traditional territory of the xʷməθkʷəy̓əm (Musqueam) Vancouver, Canada | Friday 23 June - Saturday 24 June 2023



What do we think of when we imagine the future? 2001: A Space Odyssey (1968) projected a world in which humanity has spread to the stars, where visiting the moon is as routine as a flight across the country. Back to the Future Part II (1989) famously imagined hoverboards and flying cars by the year 2015. The YA dystopian boom of the late 2000s to 2010s imagined compartmentalized, constrained futures like in The Hunger Games (2008)and Divergent (2011). Today, in the face of impending climate disaster, growing economic disparity, and the lingering effects of a worldwide pandemic, the future still seems not only hard to imagine, but uncertain. How can we imagine a future that we may not live to see? How do children grapple with inheriting a future riddled with the mistakes and problems we are generating in the present? If the children are the future, what is that future going to look like? What agency do children have to create their own future? As we live through times of unprecedented global change–technological, cultural, and environmental–the future is no longer a distant reality. The future is created every day. (Re)Imagining Tomorrow: Agency and Possibility in Literature and Media for Children and Young Adults aims to discuss topics surrounding the future and its presentation in youth literature and media and showcase graduate students’ academic and creative work on the matter.



Topics may include, but are not limited to:

  • Forms of youth activism and agency in a changing world (e.g., climate change, children’s rights, education, etc.)
  • De-/Anti-/Post-colonialism of the near and far future
  • Afrofuturism and Indigenous Futurism
  • Posthumanism and technology in children's literature
  • Cultural Change, Communication, and the Transformation of Identity
  • Revolution, War, Resistance, and Reimaginings/Retellings
  • Artificial Intelligence
  • Alternate/Virtual worlds
  • Hope, Resilience, and Memory
  • Change, Transformation, and Becoming
  • Utopia, Dystopia, Heterotopia
  • Evolution and Progress
  • The Anthropocene
  • Time Travel
  • The future of the publishing industry and the impact of global crisis
  • The future of local, national, and global children’s literature
  • Cultural, Social, and Economic Change
  • The evolution of children’s literature beyond text: films, sequential art, video games, and other media.



These topics are suggestions, as we are open to proposals on any aspect of the future, agency, and possibility in children’s and young adult literature, media, education, and culture. We welcome submissions from graduate students, scholars, and practitioners from a variety of disciplines, including literary studies, cultural studies, sociology, psychology, anthropology, media studies, and others.



Academic Paper Proposals


Please send a 250-word abstract, including the title of your paper, 5-8 keywords, and 3-5 academic, bibliographic references. Your name should not appear on the proposal. Please attach a separate 50-word biography, including your name, preferred pronouns, student status, university affiliation, home country, and email address. Save the proposal and the biography as two separate Word files (.DOC or .DOCX) and use the format “Academic_Name_PaperTitle” in the email subject line.



Creative Writing Proposals


All creative writing genres and forms are welcome, including novel chapters, poetry, picture books, graphic novels, scripts, amongst others. Please send a sample of your work that is no more than 12 pages long, double-spaced. Include the title, a list of references (if applicable), and a 150-word description identifying the topic, genre, targeted age group, and relevance to the conference themes. Your name should not appear on the sample. Please attach a separate 50-word biography, including your name, student status, preferred pronouns, university affiliation, home country, and email address.

Save the sample and description as one Word file and the biography as a separate Word file (.DOC or .DOCX). Use this format “Creative_Name_SampleTitle” for the email subject line.



Participants are welcome to submit both academic and creative proposals. Each proposal will be adjudicated separately, and you may be accepted for one or both streams. Please follow the guidelines for both submissions above and send them in separate emails.



Dates and Logistics


Deadline for proposal submission: 15 March 2023

A notification of acceptance will be sent by the end of April 2023.

All submissions will be blind reviewed by the members of the Review Committee.



Contact Us

Send all submissions to submit.ubc.conference@gmail.com.


If you have any questions regarding the submission or the conference, please don’t hesitate to contact us at ubc.conference.2023@gmail.com.


Follow us on Twitter @ MACLconferenceand visit our conference website at https://blogs.ubc.ca/reimaginingtomorrow2023/for updates.



About Us

The Master of Arts in Children’s Literature (MACL) at the University of British Columbia (UBC) is the only graduate program in children’s literature in Canada and one of the most multi-disciplinary children’s literature programs in the world. It is offered through the UBC iSchool (Library, Archival, and Information Studies) with joint participation from the Department of English Language and Literatures, the Department of Language and Literacy Education, and the School of Creative Writing. As one of the few venues in Canada that showcases emerging scholarship in children’s and young adult literature, this conference provides a platform for new scholars and writers from different backgrounds, especially for graduate and upper-division undergraduate students, and creates cross-disciplinary associations that may inspire new and innovative connections to support writing and research in this area.



About the Conference

The first Graduate Student Conference in Children’s and Young Adult Literature, Media and Culture took place in 2008. In addition to paper and creative writing presentations, the conference invites renowned scholars and authors as our keynote speakers. Featured keynote speakers from past conferences include Dr. Maria Tatar, Dr. Philip Nel, Dr. Elizabeth Marshall, Dr. S.R. Toliver, Dr. Angel Matos, Dr. Naomi Hamer and best-selling authors Rachel Hartman and Richard Van Camp. This year, students from the Master of Arts in Children’s Literature Program at UBC’s iSchool will come together for the tenth time to host the event.



We look forward to hearing from you!



Last updated February 27, 2023

Thursday, March 17, 2022

CFP SAMLA 2022: Speculative Fiction (5/31/2022; SAMLA Jacksonville 11/11-13/2022)

SAMLA 2022: Speculative Fiction

source: https://call-for-papers.sas.upenn.edu/cfp/2022/03/14/samla-2022-speculative-fiction

deadline for submissions: May 31, 2022

full name / name of organization: Mary Ann Gareis / Middle Georgia State University

contact email: mary.gareis@mga.edu



Speculative fiction covers a broad range of narrative styles and genres. The cohesive element that pulls works together under the category is that there is some “unrealistic” element, whether it’s magical, supernatural, or a futuristic/technological development: works that fall into the category stray from conventional realism in some way. For this reason, speculative fiction can be quite broad, including everything from fantasy and magical realism to horror and science fiction—from China Miéville to Margaret Atwood to Philip K. Dick. This panel aims to explore those unrealistic elements and all their varied implications about society, politics, economics, and more.



Please submit a 250-300 word abstract, a brief bio, and any A/V needs by May 31, 2022 to Mary Ann Gareis, Middle Georgia State University, at mary.gareis@mga.edu.

SAMLA’s 94th annual conference, Change, will be held at the Hyatt Regency Jacksonville Riverfront Hotel in Jacksonville, FL this year from November 11-13. Those accepted must be members of SAMLA to present.




Last updated March 14, 2022

CFP Gardeners of the Galaxies: How Imaginary Worlds Teach Us to Care for This One (5/15/2022)

CFP: Gardeners of the Galaxies: How Imaginary Worlds Teach Us to Care for This One, co-edited by Dr. Sørina Higgins and Dr. Brenton Dickieson



PDF version at https://drive.google.com/file/d/1lmX9M3LgVzap0j7UjVAvLb0Wlun8bTa7/view. 

As the climate crisis worsens, our home planet and our conversations about it are heating up–and creative writers both reflect and anticipate such concerns. Thanks to the recent ethical turn in science fiction and fantasy, many speculative works offer readers a mirror in which to view our own world. Its beauties and vulnerabilities take on special clarity through the page or the screen. A tale of terraforming another planet reminds us how precious and fragile our home world is. The perennial conflict between nature and technology comes alive when trees march to war. We find insights into healthy, diverse communities by spending time with characters in a fellowship–or on a starship.

Gardeners of the Galaxies: How Imaginary Worlds Teach Us to Care for This One will be an academic, peer-reviewed collection of interdisciplinary essays, co-edited by Dr. Brenton Dickieson and Dr. Sørina Higgins. This volume will explore literature, film, the visual arts, and other creative works (especially Cli-Fi, genre fiction, and speculative lit) that imagine, invent, and embody environmental concerns. Rather than coercing texts to conform to our analyses, however, we want to approach our subjects humbly and earnestly, listening to what they say about creation care, biodiversity, or neighborliness; immersing ourselves in their stories of ecological harmony and disharmony; mourning the disasters they depict; and celebrating the solutions they imagine. In particular, we would love analyses of works that envision ingenious alternatives to large-scale planetary depredation.

Chapter proposals might consider questions such as the following (although this list is by no means comprehensive nor intended to limit lines of inquiry): What kinds of environmental disasters are depicted in contemporary literature, film, and other media? How does a certain genre or medium represent nature, and how have those portrayals evolved over time? Do certain metaphors for land or diction choices about earth impact how people treat the soil, landscapes, or ecosystems with which and in which they live? In a given work, is nature empowered or oppressed, and how do characters respond? What is the significance or impact of the anthropomorphism of animals, plants, landscape features, or celestial bodies? When stories blur the line between the human and the nonhuman, what implications does such destabilization have for our living in community with our nonhuman neighbors? What lessons are conveyed through encounters with extraterrestrial species? What do stories of interplanetary colonization suggest about imperialist urges, their ecological impacts on earth, and strategies for integrating with the Other rather than obliterating or oppressing them? Are there tales in which technology plays an essential role in preserving nature or reinforcing what makes us human? What techniques do creators use to entertain us and draw us into moral considerations without compromising artistic excellence or devolving into propaganda?

Submission Information:

As this volume will be interdisciplinary, we welcome scholars working in literature, film, popular culture, the fine arts, ecology, history, the social sciences, religion, and related fields. While aimed at a scholarly audience, chapters should be written in a lively, accessible tone, avoiding jargon while employing rigorous theoretical and critical frameworks and engaging deeply with existing research. Interested authors should consider trying out their ideas at TexMoot, Signum University’s Annual Texas Literature & Language Symposium (held in Austin, TX, and online; CFP deadline March 1st), which explores the overlapping theme of “Starships, Stewards, and Storytellers: How Imaginary Worlds Teach Us to Care for This One.”

Please submit 500-word proposals here by May 15, 2022. Notifications regarding acceptance will be made in June 2022. Full papers (5,000-8,000 words, including notes) will be due by November 30, 2022.

In addition to academic submissions, the editors will carefully curate a small number of creative works for possible inclusion in the volume. Poets, short-story writers, essayists, and visual artists are invited to submit the actual piece of work that they would like to have considered here; note length limits on the submission form. These works can be submitted up until September 1, 2022.

Send questions about academic submissions to Brenton Dickieson (brenton[dot]dickieson[at]signumu[dot]org). Send queries about creative submissions to Sørina Higgins (sorina[dot]higgins[at]signumu[dot].org).

TexMoot 2022 Notice and Schedule for 3/26/2022

Missed posting the call for this last month:


TexMoot 2022: Signum University’s Fifth Annual Texas Literature & Language Symposium


Official site: http://texmoot.org/.

26 March 2022
at the Norris Conference Center
2525 W. Anderson Ln
Austin, TX 78757
and online

Starships, Stewards, and Storytellers: How Imaginary Worlds Teach Us to Care for This One


Signum University is pleased to announce its fifth annual Texas Literature & Language Symposium (aka “TexMoot”) on Saturday, March 26th, 2022, in Austin, Texas. TexMoot will offer a gleeful gallimaufry of lively curated conversations, a keynote presentation, workshops, and lots of fellowship and social time. Plan ahead to enjoy this balanced blend of academic rigor and avid literary fandom. Stay tuned on the Announcements page and in our Facebook group for more information about special guests, optional pre-conference activities, workshop participation, and more. Visit our CFP page for info about how to submit a topic for discussion. The deadline for submissions is Tuesday, March 1, 2022. Email info@texmoot.org with questions.
Registration

Registration for TexMoot 2022 costs $50 for on-site participants, $25 for online attendees, and $15 for students in either mode. To register, please click here.



TexMoot 2022 Schedule!


Here’s our tentative schedule as it currently exists. 

8:30 Registration
9:00 Welcome by Sørina Higgins & the TexMoot Team
I. 9:10 Shawn E. Marchese & Alan Sisto: “For I also am a steward…”
II. 9:30 Utopia vs. Dystopia: A Difference of Priorities?

Panel moderated by Joseph Torres:
1. Joe Ricke, “Teach Us to Care and Not to Care: Attachments, Detachment, and Penultimate Concerns in Out of the Silent Planet”
2. Jules Anderson, “The Death of Pan: Exploring Environmental Conservation in Percy Jackson and The Olympians”
3. Jason Pitruzzello, “Pro-Environmental Strip Mining and Genocide: The Curious Case of Aquatic Species in Stellaris: Aquatics
Open discussion for all:
Paul Fortunato starts off the conversation with “A Wendell Berry Approach to Understanding the Elves and Nature?”
 
III. 11:00 Ecological Care in Japanese Mythologies

Panel moderated by Shawn E. Marchese:
1. Hannah Barton, “The Weathering is Magical: The Mundane Moments in Climate Change”
2. Pilar Barrera Wey, “The Role of Animals in Traditional Japanese Fairy Tales”
3. Joshua Sosa, “Godzilla: From Allegory to Myth”
Open discussion for all:
Jed Bickman starts off the conversation with “Is Cyclonopedia Useful? Sentient Oil as an Autonomous Chemical Weapon”
 
Lunch

Gather in little groups to walk to nearby restaurants and grab some refreshment.
 
IV. 2:00 Gardeners of the Galaxies

Dr. Brenton Dickieson & Dr. Sørina Higgins chat about their forthcoming edited collection on how imaginary worlds teach us to care for this one. You know you want to submit a proposal! Check out https://tinyurl.com/GalaxyGardenersCFP.
 
V. 3:00 Samwise & Shapeshifters & Stewards

Panel moderated by Chad Bornholdt:
Kenton Sena, “Community Greening in The Lord of the Rings: Samwise Gamgee and the power of local care”
Kaelyn Harris, “The Balance of Nature: Beorn as an Ecological Ideal in Middle-earth”
Sara Brown, “Taking Care of the Land: Stewardship in Tolkien’s Middle-earth”
Open discussion for all:
Our contest winner will headline this final conversation!

VI. 4:30 The Tolkien Professor Takes Us To Other Worlds & Back Again

Dr. Corey Olsen provides closing observations on the talks and themes of the day, moderated by Sørina Higgins. And then, vámonos!

6:30 Dinner

Vámonos Tex-Mex
4807 Airport Boulevard
Austin, TX 78751


Wednesday, March 16, 2022

CFP The Historical Imagination in American Literature (9/15/2022; ALA Symposium Santa Fe 10/27-29/2022)

The Historical Imagination in American Literature

source: https://americanliteratureassociation.org/wp-content/uploads/2022/03/2022-Santa-Fe-cfp-Historical-Imagination.pdf


October 27-29, 2022

Drury Plaza Hotel in Santa Fe

828 Paseo de Peralta

Santa Fe, NM 87501


Conference Director: Olivia Carr Edenfield, Georgia Southern University


Keynote Speaker: Deborah Clarke, Arizona State University


Conference Fee: $175


For our 2022 Fall Symposium, the American Literature Association will return to beautiful Santa Fe, New Mexico. The Drury Plaza Hotel offers excellent rates and is perfectly located near the central plaza. Single and double rooms will be available for $135 a night plus taxes. This rate includes not only a free breakfast and wireless access, but also a “kickback” every evening at 5:30, featuring hot food and cold drinks. Valet parking will be $10 per night.

The Historical Imagination in American Literature: What does it mean to envision and embody history in American writing? How does a “usable past” shape our fiction, poetry, and creative non-fiction? What philosophical, psychological, and political factors shape how writers look at a moment of time? How do regional differences shape our historical perspectives? How do race, class, and gender influence the perception and presentation of historical realities? How important is the historical novel to our culture? How do the alternate histories of speculative fiction transform our understanding of time? These and other related questions should provide for a lively weekend of literary exploration and good conversation. We welcome proposals for individual papers, complete panels, and roundtable discussions on any aspect of this important subject.

Please send all proposals to the Conference Director at carr@georgiasouthern.edu as soon as possible and no later than September 15, 2022.


Conference Details: Sessions run Friday and Saturday, October 28-29, 2022. There will be an opening event and welcoming reception on Thursday evening, October 27. The Conference Fee of $175 includes a luncheon as well as receptions.

Individuals may propose papers, panels, or roundtables by emailing the Conference Director, Professor Olivia Carr Edenfield (carr@georgiasouthern.edu) no later than September 15, 2022, and preferably earlier. The proposal should include the title of the presentation or panel, an abstract that provides a clear idea of the material that will be covered, a brief vita or description of the presenter’s qualifications, and the email addresses for all participants. The proposal should be both pasted into an email and sent as an attachment (preferably in WORD). All emails will be acknowledged in a timely manner.

Those proposing papers and/or panels will be informed of acceptances by September 20, and hotel reservations will need to be made before September 25. Participants will be asked to make their hotel reservations immediately and to pay the conference fee by pre-registering on-line by October 15. A program will be placed on the ALA website prior to our meeting, and printed programs will be available at the symposium.


ALA Guidelines: The most common ALA format is a time slot of one hour and twenty minutes with three papers and a chair. This permits time for discussion and three papers of approximately 20 minutes (or nine typed double-spaced pages). Organizers of panels are free to use other formats provided they respect the time limits. Furthermore, the ALA encourages panel organizers to experiment with innovative formats including discussion groups and panels featuring more speakers and briefer papers. Chairs will make sure that the panels start and end on time and that no speaker goes beyond the allotted time limit. We prefer that chairs not present papers on the panels that they are moderating, and no one may present more than one paper at an ALA symposium.

AV: Please note that we are not able to provide AV at this symposium.

Conference Registration: The conference fee of $175 covers the costs of the conference. We require all of those who are on the program to pre-register by October 15, 2022. Please see the website for the on-line registration link. If you wish to pay by check, you may find the mail-in registration form on our website. The conference fee is $175 for all participants. We regret that we are unable to offer a lower rate for graduate students and independent scholars. If you have a question or concern regarding registration, please contact Olivia Carr Edenfield, Director of the ALA, at carr@georgiasouthern.edu. 

ALA Membership: Membership in the ALA is not required in order to propose or present a paper. In fact, technically the members of the American Literature Association are the various author societies. Individuals may keep informed about the activities of the ALA, including our symposia and conferences, by checking our website (www.americanliteratureassociation.org).

Please note that the American Literature Association maintains the lowest conference fees of any major scholarly organization because it operates without a paid staff. If you have any questions that are not answered by this announcement, please contact the Conference Director, Professor Olivia Carr Edenfield, Director of the ALA, at carr@georgiasouthern.edu.

Thank you for your interest and your support of the American Literature Association.

Sunday, March 15, 2020

CFP Children’s Literature and Climate Change (Spec Issue of The Lion and the Unicorn 6/15/20)


CFP: Children’s Literature and Climate Change, Special Issue of The Lion and the Unicorn
https://www.fantastic-arts.org/2019/cfp-childrens-literature-and-climate-change-special-issue-of-the-lion-and-the-unicorn/
November 11, 2019

CALL FOR PAPERS Children’s Literature and Climate Change
Special Issue of The Lion and the Unicorn
Guest Editors: Marek Oziewicz, University of Minnesota, Twin Cities Lara Saguisag, College of Staten Island-City University of New York 

We seek essays on how children’s literature empowers young people to productively engage with the challenges of climate change. After decades of climate change denial and toothless mainstream response, young people are angry. In response to climate change illiteracy and the impotence and negligence of adult-led institutions, teenage activists such as Xiuhtezcatl Martinez and Greta Thunberg are calling for radical and immediate action. How does children’s literature and media stoke this transformative anger and inspire young people to address the climate crisis and fight for their fundamental rights to life, health, and sustenance? How can educators and scholars of children’s literature support this fight? What new concepts, approaches, and narratives are needed to accelerate the sociopolitical revolution that will dismantle the status quo, or what Amitav Ghosh calls “the Great Derangement”? In this issue, we intend to bring together innovative research on children’s literature that attends to multiple facets of climate change and advances a conversation about the planetary future we can and want to create. 

Possible topics include, but are not limited to:
• The role of children’s literature on climate change in raising young people’s awareness about their responsibility to the biosphere;
• Depictions of climate change across various genres and forms, including picturebooks, chapter books, comics, short stories, and novels;
• Films, apps, music, and games that engage with climate change and seek to mobilize youth action;
• Constructions of childhood in climate change narratives and discourses;
• Climate change and youth participation in community protests, political campaigns, nonviolent civil disobedience, ecotage (ecosabotage), and ecorism (ecoterrorism);
• Climate change narratives about and by Indigenous youth and youth of color, who are often at the forefront of climate justice initiatives and whose communities are disproportionately threatened by climate change;
• Children’s and YA books that link responsibility to climate change with, in the words of Kim Q. Hall, “commitments to futures that are queer, crip, and feminist”;
• Depictions of environmental racism and classism as facets of climate change;
• Climate change and human migrations, including stories about climate refugees; 
• Comparative studies of children’s and YA literature on climate change published in the global north and the global south;
• Visions of climate futures, including discourses of hope or despair;
• Reimagining and restructuring institutions of children’s literature that depend on, profit from, and support polluting, extractive industries;
• Intersections of critical discourse on climate change and children’s literature scholarship, including new taxonomies and emerging genres apposite to the challenges of conceptualizing climate change, from environmental literature and cli-fi to eco-fiction and beyond;
• Reevaluations of existing literary traditions through new theoretical concepts or approaches such as energy humanities, environmental humanities, indigenous futurisms, the Anthropocene, ecocritical posthumanism, and other lenses. 

Essays should be sent to guest editors Marek Oziewicz and Lara Saguisag at LU.Climateissue@gmail.com by July 15, 2020. Submissions should be in the range of 4000 to 8000 words (although we will also consider shorter, forum-length essays). Accepted articles will appear in The Lion and the Unicorn, vol. 45, no. 2 (2021).

Sunday, January 17, 2016

Art of (the New) Planet of the Apes

Another interesting new book from Titan Books. Offers some great insight into the making of the films.

Rise of the Planet of the Apes and Dawn of Planet of the Apes: The Art of the Films
Matt Hurwitz, Sharon Gosling, and Adam Newell
http://titanbooks.com/rise-of-the-planet-of-the-apes-and-dawn-of-planet-of-the-apes-the-art-of-the-films-7578/

PRODUCT DETAILS

ISBN: 9781783291977
Dimensions: 11 15/16” x 10 6/8”
Hardback: 176pp
Publication date: July 8 2014
Illustration detail: Colour photos throughout
Price: $34.95

SYNOPSIS

A growing nation of genetically evolved apes led by Caesar is threatened by a band of human survivors of the devastating virus unleashed a decade earlier. They reach a fragile peace, but it proves short-lived, as both sides are brought to the brink of a war that will determine who will emerge as Earth’s dominant species.

This is the stunning art book for the newest chapters in the legendary science-fiction series, Planet of the Apes™, covering Rise of Planet of the Apes™ and Dawn of Planet of the Apes™.

Produced in close cooperation with the filmmakers, this action-packed treasure trove features a foreword by director Matt Reeves, exclusive interviews, behind-the-scenes photos and a wealth of breathtaking production art.

Saturday, November 7, 2015

CFP James Bond: Spectre and the Daniel Craig Era (Spec Issue of The Journal of Popular Film and Television) (8/21/2016)

From H-Film:
https://networks.h-net.org/node/14467/discussions/94136/cfp-special-themed-issue-james-bond-spectre-and-daniel-craig-era

CFP: Special Themed Issue on James Bond: Spectre and the Daniel Craig Era

Discussion published by Lisa Funnell on Friday, November 6, 2015
CFP: Special Themed Issue on James Bond: Spectre and the Daniel Craig Era
The Journal of Popular Film and Television

The release of Spectre (2015), the 24th James Bond film, has been accompanied by much speculation in the critical and popular media about the film. From discussions about casting and characterization to the circulation of photographs of shooting locations to conversations about the style and tone of the new Bond song, Spectre has been a topic of conversation long before the film was released. As the film debuts in various international markets, anticipation and conjecture are steadily being replaced by questions about the current direction of the series and speculation as to whether the franchise even has a future. As Daniel Craig reportedly noted, he would rather “slash his wrists” than play James Bond for a fifth time, just before British critics, as it turns out, celebrated his performance in Spectre.

The Journal of Popular Film and Television will address these questions in a special James Bond themed issue focusing on Spectre (2015) and the other Daniel Craig James Bond films: Casino Royale (2006), Quantum of Solace (2008), and Skyfall (2012). This special issue will be edited by Dr. Lisa Funnell (University of Oklahoma) and Dr. Klaus Dodds (Royal Holloway, University of London). We are interested in papers that analyze Spectre and the other Craig era films from a socio-cultural perspective and address topics such as:


  • heroism
  • villainy from individual villains to organizations like Quantum and Spectre
  • narrative structure, style, and tone
  • inclusion, adaptation, and/or absence of traditional Bond elements
  • geopolitics and geographies of Bond
  • feminism
  • social locations such as gender, race, class, sexual orientation, ability, nationality, etc.
  • action aesthetics/choreography and the body
  • nationality, (post)colonialism, and/or imperialism
  • post-9/11 and/or post-7/7 context
  • terrorism (domestic, cyber, nuclear, corporate)
  • technology and gadgetry (or lack thereof)


Submissions should be 5000 to 7000 words in length (including bibliography and notes), be double spaced in Times New Roman font, and adhere to MLA style. Please include a 100 word abstract and 5-7 key words to facilitate online searches. Send an electronic copy of your submission in .doc or .docx format to Dr. Lisa Funnell lfunnell@ou.edu and Dr. Klaus Dodds K.Dodds@rhul.ac.uk by August 21, 2016.

For more information about the Journal of Popular Film and Television, please see http://www.tandfonline.com/action/journalInformation?show=aimsScope&journalCode=vjpf20#.VjEmsytqmpo

Any inquiries about the special themed issue on James Bond should be directed towards Dr. Lisa Funnell lfunnell@ou.edu or Dr. Klaus Dodds K.Dodds@rhul.ac.uk

Editor Bios:

Lisa Funnell, Ph.D is an Assistant Professor in Women’s and Gender Studies at the University of Oklahoma. She is the editor of For His Eyes Only: The Women of James Bond (Wallflower 2015) and has published extensively on gender and feminism in James Bond. She is currently writing a book with Klaus Dodds on The Geographies, Genders, and Geopolitics of James Bond (Palgrave Macmillan, forthcoming)

Klaus Dodds, Ph.D. is Professor of Geopolitics at Royal Holloway, University of London. He has written numerous articles on the popular geopolitics of James Bond and other spies/assassins including Jason Bourne. His book with Columbia University Press on International Politics and Film co-written with Sean Carter was published in May 2014.

They recently published “‘The Man with the Midas Touch’: The Haptic Geographies of James Bond's Body” Journal of Popular Film and Television 43(2015): 121-135.

Tuesday, September 1, 2015

CFP Cities of the Future (9/30/2015; NeMLA Hartford, CT 3/17-20/2016)

Cities of the Future - NeMLA Conference 2016 - Hartford, CT
full name / name of organization: Matthew Lambert / Carnegie Mellon University
contact email: mmlamber@andrew.cmu.edu
http://call-for-papers.sas.upenn.edu/node/63361

This panel seeks to explore representations of futuristic cities from all periods in American literature, film, and other cultural mediums. In particular, it seeks papers responding to one or more of the following questions: In what ways have American writers and filmmakers envisioned future urban landscapes? In what ways have these visions changed over the course of American history and why? How have urban theorists, critics, and reformers as well as particular ideologies (Christian, technocratic, socialist, libertarian, environmentalist, etc.) shaped them? In what ways do the past and present (or the erasure of the past and/or present) affect their depictions? What different cultural modes (the utopian, dystopian, pastoral, etc.) do writers, filmmakers, painters, etc. use to depict future cities and how do they combine these modes to explore social tensions and/or tensions within the cultural modes themselves? How do American writers depict future cities in ways that are different from other cultures? And how does using different cultural mediums change the way artists depict future cities?

Ultimately, I hope papers in this panel will help trace the function and development of futuristic cities in American culture, drawing and building upon work on urban spaces by figures like Mike Davis, David Harvey, and Fredric others. I hope to receive papers from different potentially representative time periods, including our own, that might allow us to create a trajectory from the earliest renditions of future cities to more contemporary ones. Doing so, I think, will help us better understand the general need in American culture to imagine and depict future cities as well as the various intents behind their designs and functions. It will also help us critique the problems and omissions in past and present depictions, perhaps pointing the way towards envisioning (and creating) more inclusive, just, and environmentally safe cities.

NeMLA's 2016 Conference is in Hartford, CT. and runs from March 17th to March 20th. All proposals should be submitted through the NeMLA's online submission page (https://www.buffalo.edu/nemla/convention/submit.html) by September 30th, 2015. Notification for acceptance will be made by October 15th. Please contact me by email (mmlamber@andrew.cmu.edu) if you have any questions.


By web submission at 08/09/2015 - 17:54

CFP (Re)worlding Jules Verne (proposed seminar) (9/23/2015; ACLA Harvard U 3/17-20/16)

(Re)worlding Jules Verne [Proposed seminar - ACLA Annual Meeting - March 17-20, 2016, Harvard University ]
full name / name of organization:
Etienne Charriere, University of Michigan
contact email:
etiechar@umich.edu
http://call-for-papers.sas.upenn.edu/node/63489

The global character of Jules Verne’s fiction requires no demonstration. Indeed, the work of the prolific French novelist, author of the immensely successful series of the Voyages extraordinaires, appears to deserve an inclusion into the (hypothetical) canon of world literature on at least two accounts.
First, Verne’s novels – with their recurrent themes of discovery, exploration, and conquest – accompanied and reflected the new conceptions of the global that took shape during the nineteenth century, notably in the wake of European imperial expansion. In parallel, the rapid and wide diffusion of Verne’s works on a world level, through translation, adaptation and appropriation, facilitated his integration into an increasingly globalized repertoire of popular narrative forms. As Mariano Siskind has shown, Verne’s work and its “representation of the discursive conditions of globalization” can therefore function as a fertile ground for a productive study of the “novelization of the globe.”

Yet, scholarship has not exhausted the variety of perspectives from which to look at the intersections of Verne’s work with the global. In particular, there exists ample space for scholarly approaches aiming at a "decentering" of Jules Verne’s œuvre. Efforts to situate the Vernian corpus within an expanded comparative framework could, for instance, shed new light on the agency of global mediators and the autonomy of outlying literary fields vis-a-vis the powerful discourses embodied in Verne’s work. Enacting this re-worlding of Verne’s work by emphasizing its relevance to contemporary discussions around the notion of world literature could allow for the formulation of new theoretical models and new methodologies for the study of literary globalization in the nineteenth century and beyond.

This seminar wishes to bring together scholarship engaging with the global dissemination of Verne’s work across the world literary field. It is particularly interested in contributions highlighting:

1) the complex afterlives of Verne’s fictional output outside of Western Europe, from the late nineteenth-century to the present;

2) the creative reception of Verne’s work across genres and media, including examples of adaptation, rewriting, bowdlerization, citation, parody, commodification, cannibalization, etc.

3) contemporary approaches to Verne’s work within the framework of postcolonial studies, gender and queer studies, animal studies, ecocriticism, posthumanism, etc.

Scholars working across disciplinary boundaries and presenting comparative work extending beyond literary studies are particularly welcome.

Abstract can be submitted through the ACLA website between September 1st and September 23rd. Interested parties are invited to contact the seminar organizer at etiechar@umich.edu

Further information about the conference is available at http://www.acla.org/annual-meeting


By web submission at 08/19/2015 - 01:17

Tuesday, July 21, 2015

CFP Future Humans (9/30/155; NeMLA 2016)

Future Humans
https://networks.h-net.org/node/73374/announcements/73857/future-humans
Announcement published by Louisa MacKay Demerjian on Wednesday, July 1, 2015

Type:
Call for Papers
Date:
September 30, 2015
Location:
Connecticut, United States
Subject Fields:
Social Sciences

How do we understand ourselves as human beings?  Historically, we have considered where we are in time and place and in relation to others.  Throughout history, humans have wondered about their origins and about their futures.  Charles Darwin gave some a foundation of understanding where human beings came from and how we evolved.  The greater question now is how we will change; will human beings continue to evolve and adapt in response to the changes in the natural world?  Or will the changes be more deliberate?  In what ways will human beings be responsible for the ways we change in the future?  This panel invites an examination of literature, film, and other media and how they represent future humans.  Considering the speed with which technology advances, how might we be plunging headlong into a future we might have only imagined?  Will future humans evolve naturally or will we change deliberately being combined with technology and becoming “cyborgs”?  Will the nature that shapes our evolution be the one we created through climate change?  Will our present world be changed in order to shape a future we are more comfortable anticipating?  In short, human beings have consistently been preoccupied with the future; considering some of the visions of the future presented in novels and movies, what has gone by the wayside and what has shown prescience?  How might we use these predictions of the future as bellwether so we might change course and shape a future that’s more to our liking?

Human beings have traditionally been preoccupied with visions of the future. We may now have more power to shape the future of human beings for better or worse, intentionally or unintentionally. Technology advances so quickly, it leaves little time to consider the long-term. How might novels and films present futures and allow us to accept or reject their projections? This panel invites discussion of individual representative works and/or multiple works for comparison.

This panel will take place between March 17 and 20, 2016 in Hartford, CT.

Abstracts are due by Sept. 30, 2015.  To submit an abstract, please go to: https://www.cfplist.com/nemla/Home/S/15601

Contact Email:
lmdemerjian@gmail.com
URL:
https://www.cfplist.com/nemla/Home/S/15601