Showing posts with label Animation. Show all posts
Showing posts with label Animation. Show all posts

Saturday, May 3, 2025

CFP Transformers and SOGIE: Call for Proposals for Edited Collection (5/31/2025)

 

Transformers and SOGIE: Call for Proposals for Edited Collection

deadline for submissions: 
May 31, 2025
full name / name of organization: 
Daniel M. Look

Title: TBD, but potentials include:

  • ‘Til All Are One: Gender, Sex, Sexual Orientation, Gender Identity/Gender Expression (SOGIE) in Transformers

Editors (Collaborators): Elizabeth Sanders, Daniel M. Look

Description / Call for Papers:

We are soliciting chapters/articles for an edited academic book on topics relating to the Transformers franchise and gender, sex, sexual orientation, gender identity, and/or gender expression.Proposals from academics and independent scholars covering official continuity/properties, fanfiction, the fandom, and content creators will be considered. Proposals should be for new essays, not republications of previous works.

Since its inception in 1984, the Transformers property has had a complicated relationship with concepts relating to sex and gender. During the creation of the names and personalities for the original characters, Bob Budiansky proposed that Ratchet, the medical robot, be a female character. Hasbro rejected the idea, reportedly saying "this is a boy toy. We don't wanna have, you know, girl robots."

However, during the Sunbow animated series, we are introduced to (unfortunately, one-dimensional) ‘female Autobots’ in the episode “The Search for Alpha Trion” and, in 1986, Transformers: The Movie introduced the first recurring female transformer in Arcee.

In the US Marvel comics continuity, the transformer Cloudburst states that for transformers “there are no men, no women…no mates!” Female transformers exist in the Marvel UK comic series, but this is primarily a result of that continuity incorporating aspects from the 1986 animated movie.

Starting in the animated series Beast Wars, cast inclusion of one or more female characters became more commonplace, but they were still heavily outnumbered. Likewise, their gender and gender expression and relationships, when they existed, were cisgender and heteronormative.

The 2005 IDW comics continuity changed this landscape and moved gender identity and expression, sexual orientation, and more diverse relationships closer to the spotlight with, we add, Hasbro’s endorsement and support. We see an incredible explosion of topics ranging from homonormative societies, gender without the “biological” concept of sex, transgender robots, and concepts for close, platonic relationships (amica endura) and spouses (conjunx endura).

These topics are complex and not something expected from a ‘toy’ franchise. Further, there was a directed effort to include women and LGBTQIA+ creators and consultants to write these stories in believable and sensitive ways. That effort has continued in follow up cartoon series, including Transformers: Earthspark, which introduced the first non-binary Transformer. Although some of the expected pearl-clutching occurred, the response was, by and large, positive. However, beyond interviews with creators and fan articles, little academic attention has been paid to the Transformers franchise and its relationship to these topics.

To our knowledge, there is no published academic work relating to this material. Our hope is that this edition will not only stand on its own, but also welcome and encourage further scholarship in this field.

Contributions could include, but are not limited to, the following topics:

Potential Sections & Chapter Ideas

Why “Genderless” Means Male

  • Portrayals of Masculinity
  • Boys Toys = Boys: Hasbro specifying only wanted male character ers for G1 cartoon
  • How “Genderless” Appears in Comics: more as “sex less,” but really all monosexed/gendered as male
  • One of Those: Intimacy and emotions not being the focus (traditionally)
  • The Trouble with Gobots: Gobots had many female characters and, for the most part, you could not tell male from female from their body design
  • Monstrous Reproduction
    • Physically monstrous: Budding, Protoforms
    • Ideologically Monstrous: Made to Order, Vehicons
    • Frankenstein Approach: “Firstborn,” Dinobots, Tarantalus, Quintissons
    • Sacred Well: Vector Sigma, Quintus Prime
  • The Problem of Fembots/Femmebots
    • Arcee’s Journey as “The Only One”
    • Toys for Boys: Fembots/Femmebots as Sexual/Romantic Objects
    • All Hail the Queen: Black Arachnia / Airachnid
    • Bringing Balance: Caminus (IDW), Fan Polls (female Megatronous/Victorion) + Windblade, Mairghread Scott (author)
  • Queer Identities
    • Found Family: Conjunx Amica
    • MLM and WLW: Conjunx Endura
    • Trans-Transformers: Anode, Lug, Arcee
    • A Wonderful Experience: Nightshade, Non-binary Transformer
    • Intention vs. Interpretation: Knock Out and Breakdown
    • Frenemy or “Will they/Won’t They?”: Ratchet and Drift as a romantic partnership that would have been predicted had they been perceived as male/female
  • Humans (Fans and Creators)
    • Own Voice: Queer Creators in Transformers (writers, consultants)
    • Importance of seeing yourself in your fiction
    • Unchecked Privilege and complaints about Genderswapping: “If you want more female characters create new characters”
    • Won’t someone think of the children?: Fan reactions to themes related to gender/orientation in fiction for children
    • Fan reactions: “don’t get your politics in my toys”
    • Cultural differences in reactions from international fanbase
  • Misc.
    • Bishojou Figures
    • Kiss Players (tread carefully here)
    • TFs in love with humans, aliens, mermaids, etc. (Seaspray and Powerglide) as explorations of gender identity/sexual identity

To express interest and receive details about submitting a proposal, please contact the editors at esanders5@lamar.edu and dlook@stlawu.edu.

 This edited volume will be organized into thematic sections around these topics and others that emerge from submissions. Prospective authors should contact the editors with any questions, including potential topics not listed above.

Please submit a 300-500 word abstract of your proposed chapter contribution as a Word Document (not PDF) with a brief bio (in the same document), current position and experience with the topic, affiliation (if any), and complete contact information to editors Elizabeth Sanders and Daniel Look by May 31, 2025. Full chapters of 6000-8000 words are likely due December 2025. A publisher has shown preliminary interest.

Please share this announcement with anyone you believe would be interested in contributing to this volume. Proposals from academics and independent scholars covering official continuity/properties, fanfiction, the fandom, and content creators will be considered. 

Note: Acceptance of a proposed abstract does not guarantee the acceptance of the full chapter.


Last updated May 1, 2025

Sunday, December 8, 2019

Mythlore Fall/Winter 2019

Here are the details on the latest issue of Mythlore. The issue can be purchased from the Mythopoeic Society at http://www.mythsoc.org/mythlore/mythlore-135.htm. The content is also accessible as part of the SWOSU Digital Commons at https://dc.swosu.edu/mythlore/vol38/iss1/.


Mythlore 135 Volume 38, Issue 1
Fall/Winter 2019

Table of Contents

Editorial
— Janet Brennan Croft

The Arch and the Keystone
— Verlyn Flieger

An Unexpected Poet: The Creative Works of Dr. Robert E. Havard
— Sarah O’Dell

Notes and Letters

In Memoriam: Jared Lobdell, Richard C. West

Innocence in Lewis’s Perelandra and Twain’s King Arthur’s Court, S. Dorman

Extreme Minimalism in The Lord of the Rings, Pierre H. Berube

Mirkwood, John V. Orth

Reviews

Doors In: The Fairy Tale World of George MacDonald, by Rolland Hein, Joe Young

The Lamp-Post of the Southern California C.S. Lewis Society, Janet Brennan Croft

Fantastic Creatures in Mythology and Folklore: From Medieval Times to the Present Day, by Juliette Wood, Tiffany Brooke Martin

H.P. Lovecraft: Selected Works, Critical Perspectives and Interviews on His Influence, edited by Leverett Butts, Perry Neil Harrison

The Echo of Odin: Norse Mythology and Human Consciousness, by Edward W.I. Smith, Emily E. Auger

The Fame of C.S. Lewis: A Controversialist’s Reception in Britain and America, by Stephanie L. Derrick, Chad Chisholm

Gods and Robots: Myths, Machines, and Ancient Dreams of Technology, by Adrienne Mayor, Emily E. Auger


Special Issue Contents:

Mythopoeic Children’s Literature
Introduction
— Donna White

The Child’s Voyage and the Immram Tradition in Lewis, Tolkien, and Pullman
— Kris Swank

Doubles at Work: The Three Rovers in J.R.R. Tolkien’s Roverandom
— Jennifer Marchant

The Talking Beasts as Adam and Eve: Lewis and the Complexity of “Dominion”
— Jean E. Graham

Pyramids in America: Rewriting the “Egypt of the West” in Rick Riordan’s The Kane Chronicles Series
— Heather L. Cyr

A Sense of Darker Perspective: How the Marauders Convey Tolkien’s “Impression of Depth” in Harry Potter and the Prisoner of Azkaban
— Katherine Sas

Dobby the Robot: The Science Fiction in Harry Potter
— Emily Strand

“What Man am I?” The Hero’s Journey, the Beginning of Individuation, and Taran Wanderer
— Liam Butchart

Blowing the Morte: The Rites of Manhood in William Rayner’s Stag Boy
— Christophe Van Eecke

Death, Hope, and Wholeness in Owen Barfield’s Fairy Tales
— Tiffany Brooke Martin

Notes
Mythology in Children’s Animation, David L. Emerson

Reviews
War, Myths, and Fairy Tales, edited by Sara Buttsworth and Maartje Abbenhuis, Felicia Jean Steele

Shapers of American Childhood: Essays on Visionaries from L. Frank Baum to Dr. Spock to J.K. Rowling, edited by Kathy Merlock Jackson and Mark I. West, David Lenander

Justice in Young Adult Speculative Fiction: A Cognitive Reading, by Marek Oziewicz, Zachary Dilbeck

Marvelous Geometry: Narrative and Metafiction in Modern Fairy Tale, by Jessica Tiffin, Felicia Jean Steele

The Pleasures of Metamorphosis: Japanese and English Fairy Tale Transformations of “The Little Mermaid”, by Lucy Fraser, Bianca Beronio

Girl Warriors: Feminist Revisions of the Hero’s Quest in Contemporary Popular Culture, by Svenja Hohenstein, Maria Alberto

The Fabulous Journeys of Alice and Pinocchio: Exploring Their Parallel Worlds, by Laura Tosi with Peter Hunt, Bianca Beronio


Sunday, September 23, 2018

CFC Fantasy/Animation Research Network


Fantasy/Animation Research Network, Call for Contributors
https://www.fantastic-arts.org/2018/fantasy-animation-research-network-call-for-contributors
September 10, 2018

Following the recent publication of Fantasy/Animation: Connections Between Media, Mediums and Genres (Routledge, 2018), we are pleased to announce the arrival of the Fantasy/Animation Research Network that pursues further the relationship between fantasy cinema and the medium of animation. We are hoping that the network will open out a critical conversation on the study of the rich legacy and complexity of animated fantasy media, in whatever form this might take, and provide a space for discussion and debate among like-minded academics, practitioners, special interest groups and fans of fantasy and/or animation. This will, we hope, lead to the building of a much-needed scholarly community that will continue, develop and complicate some of the ideas put forward in the anthology. The website has recently gone live, so visit https://www.fantasy-animation.org/ to read all our news/events and collection of blog posts, as well as listening to our associated Fantasy/Animation podcast.

We are also delighted to open out a call for contributors to write short pieces or posts for the website. These blog posts can take several forms, but we anticipate starting off with 500-1000 word written blog posts that might come together as either:

– a short editorial (movie analysis/critical reflection on an idea or concept)
– event/conference reports
– film reviews
– book reviews

Potential methodological/critical approaches within individual contributions are varied, and our concern is not necessarily how animation operates as fantasy or how fantasy operates through animation, but rather how both ideas can be productively considered in dialogue with one another. This methodology allows fantasy and animation to function as a dialectic that critically examines a relationship that has, to date, been assumed, pre-supposed or obfuscated within both popular and critical discourse.

If potential contributors have ideas for blogs, or want to suggest other possible formats for content (interviews/Q&As, pieces to camera, video essays), then please do send them over and let us know the type of post under which it fits, as well as 3-4 keywords that relate to your post. We would welcome any ideas submitted either to us directly (christopher.Holliday@kcl.ac.uk and asergeant@bournemouth.ac.uk) or through the ‘Contact Us’ Tab on the network’s website.

Best wishes, and many thanks,

Christopher Holliday and Alexander Sergeant

Friday, November 4, 2016

Voltron on CD!

Released in 2012, World Event Productions and Amazon.com offer an exclusive CD featuring music from the classic animated series Voltron: Defender of the Universe. The CD (available as a traditional disc and for digital download from Amazon) is a fun way to revisit the series, but the pieces are a bit of mixed bag, and full album is probably best for completists. There are tracks that feature the opening and closing of the series, which might be expected, plus the narration for the combining of the lion-bots to form Voltron, but the producers also include more eclectic choices, such as the leads into and out of commercial breaks and a dance remix of the score.

The complete track listing follows:

  1. Voltron Opener (Narration)
  2. Descent
  3. Mystical
  4. Alien Landscape
  5. A Witch
  6. Gladiator Fight
  7. Arrival
  8. Sneaking
  9. Bad Guys
  10. Royal Subjects
  11. Dangerous
  12. Bumper #1
  13. Voltron Will Be Back...
  14. And Now Back to Voltron...
  15. Quick Harp
  16. Majestic
  17. Castle of Lions
  18. Sad Princess
  19. Our Prayers Answered (Dialogue)
  20. At the Lake
  21. Hunk and Pidge
  22. Rushing
  23. The Cave
  24. Bumper #2
  25. Sand People
  26. Captured
  27. A Spy
  28. Voltron Arrives
  29. We Are Friends
  30. Defeat
  31. Quick Harp #2
  32. It's Me
  33. King Alfor
  34. Tension
  35. Underground Base
  36. Montage
  37. Bumper #3
  38. Voltron Will Be Back (Instrumental)
  39. Ready to Form Voltron (Dialogue)
  40. Voltron Closer
  41. Original Opener
  42. Original Opener W/ Sing Out
  43. Original Closer
  44. Form Voltron Sound Fx
  45. Voltage Sfx
  46. Voltage Bump
  47. Voltron DJ MacMan Dance Remix
  48. All Music Compilation
  49. Music of Voltron Montage

Monday, July 20, 2015

CFP Animation Area (10/1/15; PCA/ACA 2016)

PCA/ACA Animation Division CFP for National Conference 2016
https://networks.h-net.org/node/73374/announcements/74545/pcaaca-animation-division-cfp-national-conference-2016
Announcement published by David Silverman on Wednesday, July 8, 2015

Type:
Call for Papers
Date:
October 1, 2015
Subject Fields:
Digital Humanities, Cultural History / Studies
The Animation Area of the Popular Culture Association seeks individual-papers and panel proposals for presentation at the National Conference of the Popular Culture Association and American Culture Association.

Proposals which consider the diversity of animation in relation to popular culture are welcomed. Possible themes for papers/panels include but are not restricted to:

Animated adaptations, comics and animation, propaganda, public information, advertising, animated television series, animation for education, animation aesthetics, gender issues, animation studios, online animation, comedy, documentary, South Park, the work of Matt Groening, CGI/animated special effects, anime.

Interested individuals are asked to submit an abstract of no more than 250 words (including presentation title) and complete contact information (name, institutional affiliation, mail and e-mail addresses, and contact telephone number) to http://ncp.pcaaca.org .  (Although the site is pretty user friendly, find general instructions at

http://pcaaca.org/national-conference-2/proposing-a-presentation-at-the-conference/ )

Panel proposals of 4 speakers and/or discussion panels of 4-6 participants each are also encouraged.

Please include the following:

Panel Title

Name and contact information for the Panel Chair


Titles and abstracts of each paper


Contact information for each presenter


All presenters must be members of the PCA and must register for the conference.

Here is the schedule of deadlines and pertinent dates:



1 July                          Database Opens for Submissions

1 October                    Registration Opens

1 October                    Deadline for Paper Proposals

15 November               Early Bird Registration Rate Ends

1 December                 Preliminary Program Available

15 December              “Drop Dead”: Participants Not Registered Removed from Program

1 January 2016            Final Program to the Publisher

15 February 2016        Conference schedule and program available

21-25 March 2016      Seattle!

Contact Info:
David S. Silverman
Kansas Wesleyan University
Salina, KS 67401
(785) 827-5541 ext. 5227
david.silverman@kwu.edu

AND/OR

Peter Chanthanakone
University of Iowa
peter@pixade.com
Contact Email:
david.silverman@kwu.edu

URL:
http://pcaaca.org/national-conference/proposing-a-presentation-at-the-conference/

Friday, June 19, 2015

CFP Saga Making in Contemporary (Jap)animations (6/10/15; PAMLA 11/6-8/15)

One last call for the day:

Saga Making in Contemporary (Jap)animations
CFP for PAMLA conference in Nov, Portland, on animation
Tuesday, May 26, 2015
https://networks.h-net.org/node/13784/discussions/70918/cfp-pamla-conference-nov-portland-animation

Special session for 113th Annual Conference of Pacific Ancient and Modern Language Association - Portland, Oregon Friday, November 6 - Sunday, November 8, 2015. Submission should be made electrically on the webpage of PAMLA by June 10. Session chair: Takayuki Yokota-Murakami (Osaka University)

Panel description:

Lyotard declared the death of grand narratives in postmodernity. (Jap)animations, however, demonstrate tendency for large-scale chronology (Gundam, Evangelion, etc.). Are these attempts at giving signification to reality? Or are they simply commercialization of time and narrative? This session invites explorations of the notions of history and narrative in contemporary (Jap)animations. Longer description: Lyotard’s diagnosis that grand narratives are dead in the age of postmodernity is widely accepted. However, the penchant for a master narrative appears to have remained active in Japanese animations. This is all the more significant since Japanimation is often regarded as a typically “postmodern” genre. In fact, the Japanese philosopher, Hiroaki Azuma, relying on Aleksandr Kojeve’s idea that history has terminated in Japan, points to a database-like system of Otaku sexuality as opposed to a narrative construction of desire. Nonetheless, many of the canonical Japanimations, notably SF animes, demonstrates a marked tendency for historicization: Gundam series, Neon Genesis Evangelion, and Nausicaa of the Valley of the Wind, etc. Not only do they adhere to large-scale chronology, but some even give the sense of a grand narrative of emancipation (consider, for instance, Evangelion’s Human Instrumentality Project). Do they defy Lyotard’s rejection of grand narratives? Are these sagas attempts at giving signification to reality, by means of narratives, in the postmodern world of relativization? Or are they simply commercialization of time and narrative that is deprived of any sense of emancipation, progress, or speculation? This session thus invites explorations of the notions of history and narrative in contemporary (Jap)animations. - See more at: http://www.pamla.org/2015/topics/saga-making-contemporary-japanimations#sthash.n0k3EEmb.dpuf


Takayuki Yokota-Murakami
Email: takmancooldude@aol.com

Thursday, June 18, 2015

CFP Intersection of Cartoons/Animation/Youth Media (Spec Issue of ChLAQ) (11/1/16)

Of related interest:

The Intersection of Cartoons, Animation, and Youth Media: A Special Issue of Children's Literature Association Quarterly
http://call-for-papers.sas.upenn.edu/node/61774
full name / name of organization:
Joseph Michael Sommers/ in association with the Children's Literature Association
contact email:
somme1jm@cmich.edu
-Call For Papers-

The Intersection of Cartoons, Animation, and Youth Media:
A Special Issue of Children's Literature Association Quarterly

Edited by Joseph Michael Sommers
Deadline: 1 November 2016

In connection with the upcoming 2016 ChLA conference on Animation, this special issue of ChLAQ will focus broadly and widely on that multimodal and ever-expanding medium known as youth animation. From children's cartoon shorts such as Walt Disney's Steamboat Willy (1928) and Leon Schlesinger's Looney Tunes (1930-1969); to full-length animated motion pictures such as the work of Studio Ghibli, Pixar, and Nickelodeon; to Homestar Runner, video games, and flip books, if it's sequential art put into motion, it's on the table for discussion.

The Quarterly invites papers that craft, extend, and/or disrupt existing discussions, including (but certainly not limited to):

- Histor(-ies) of children's animation (from the Walt Disney, Fleischers, and Warners forward to the Hanna Barbera and Terrytoon Television era and all stops in between and beyond)

- The adoption of animation intended for other audiences and venues to an audience of children (The Flintstones, Looney Tunes, The Simpsons, etc.)

- New Frontiers of Animation (modes and media, interactivity, video games, etc.)

- The commodification of and interaction between animated media and revenue streams (animation as product tie-in/commercial for toys and games [Barbie, GI Joe, Transformers, Disney Princesses, etc.])

- Adaption of print media into animation and further transmedia

- Difference in animation (broadly ­from cultural and global perspectives, styles, historical perspectives etc.)

- Stop motion, CGI, puppetry, and other operative modes in the creation of animation

- Sex(-ing) and gender(-ing) in animation for youth culture

- Close readings of animated properties.

Papers should conform to the usual style of ChLAQ and be between 5,000-7,000 words in length.

Queries and completed essays should be sent to Joseph Michael Sommers (somme1jm@cmich.edu with a re: line indicating "ChLAQ Essay") by 1 November 2016.

The selected articles will appear in ChLAQ in 2017.

By web submission at 04/12/2015 - 19:10

CFP Animation Conference Theme (no deadline; Columbus, OH 6/9-11/16)

Came across the following by accident today. It sounds like a great venue. Source: http://www.childlitassn.org/index.php?option=com_mc&view=mc&mcid=72&eventId=435346&orgId=chla.

2016 Conference of the Children's Literature Association
Hosted by The Ohio State University
Sponsored by the Department of Teaching and Learning, College of Education and Human Ecology

June 9 - 11, 2016
Columbus, OH
The Sheraton Columbus at Capitol Square
Conference Theme:  “Animation”
The theme for ChLA 2016 is “Animation.”  This concept reflects new developments in both the aesthetic creation and the critical analysis of children’s and YA literature.  The idea of “Animation” has a special significance for OSU, given the campus’ well-known comics collection and cartoon museum, its Wexner Center for the Arts, and its Advanced Computing Center for Art and Design (ACCAD).  Moreover, we feel that the theme “Animation”— defined variously as “inspiration, vivacity and liveliness” as well as “continuous motion or shape change”—will inspire a wide variety of possible paper topics.  These might include:
  • picture books and illustration
  • graphic novels for young readers
  • Jerry Griswold’s notion in Feeling Like a Kid of “aliveness” as a key feature in texts for young readers:  toys coming to life, anthropomorphized animals, etc.
  • Comics and cartoons for young people
  • critical practice as an animating act, bringing historically neglected authors and texts to the attention of current readers
  • birth, aging, and the life cycle
  • Animation from the standpoint of science and technology:  in the form of machinery, mechanics, and energy in books for young readers
  • Shape shifting and morphing
  • children’s media: film, cartoons, television, video games
  • the animation of texts that occurs in classroom settings through activities like read-alouds
  • electronic books and digital storytelling
  • children’s and YA literature in performance:  stage plays, musicals, book trailers, etc. 

The conference organizers are pleased to announce that Gene Luen Yang will be a featured speaker.  He will be giving a talk and book signing on the evening of Thursday, June 9!
Gene Luen Yang began drawing comic books in the fifth grade. In 1997, he received a Xeric Grant for Gordon Yamamoto and the King of the Geeks, his first comics work. He has since written and drawn a number of titles, includingDuncan’s Kingdom, The Rosary Comic Book, Prime Baby and Animal Crackers.American Born Chinese, his first graphic novel from First Second, was a National Book Award finalist, as well as the winner of the Printz Award and an Eisner Award. He also won an Eisner for The Eternal Smile, a collaboration with Derek Kirk Kim. Recently, he has been working on the comics series Avatar: The Last Airbender. Yang lives in the San Francisco Bay Area.


The 2016 Francelia Butler lecture, "Children's Comics, Past and Present," will be co-presented by:
Charles Hatfield - Professor of English at California State University, Northridge, author of Alternative Comics (2005) and the Eisner Award-winning Hand of Fire: The Comics Art of Jack Kirby (2011) and co-editor of The Superhero Reader (2013). He has served on the boards of the International Comic Arts Forum (1997-2009) and MLA Discussion Group on Comics and Graphic Narratives (2010-2013). His essays on children’s comics have appeared in The Lion and the Unicorn, Children’s Literature Association Quarterly, Oxford Handbook of Children’s Literature (2011), and Keywords for Children’s Literature (NYU Press, 2011). Charles is currently curating a Kirby exhibition and co-editing The Cambridge Companion to Comics.

Joe Sutliff Sanders - Associate Professor in the Children's Literature track of the English Department at Kansas State University.  He is the author of a book about classic orphan girl novels (Johns Hopkins UP, 2011) and the co-editor, with Jackie C. Horne, of a collection of essays about The Secret Garden (Scarecrow, 2011).  In 2011, Joe received a fellowship from the National Endowment for the Humanities and in 2013 he was the Fulbright fellow to the University of Luxembourg.  Joe is the editor of a collection of essays about the Belgian cartoonist Hergé (University Press of Mississippi, 2016) and the author of new and forthcoming essays on picture books, manga, digital comics, and the history of children's comics.

Location: The Sheraton Columbus, Ohio

For more information:

Contact: Association Manager
Phone: 630-571-4520
Email:  conference@childlitassn.org