Showing posts with label Lycanthropy. Show all posts
Showing posts with label Lycanthropy. Show all posts

Thursday, June 7, 2018

CFP Messengers from the Stars 2018 Conference (expired)

Sorry to have missed posting this sooner.

Science Fiction and Fantasy International Conference Messengers from the Stars: Episode V – “Fragments of Humanity”
deadline for submissions: 
April 30, 2018
full name / name of organization: 
School of Arts and Humanities, University of Lisbon


Science Fiction and Fantasy International Conference
Messengers from the Stars:  Episode V – “Fragments of Humanity”

School of Arts and Humanities, University of Lisbon
University Lisbon Centre for English Studies
November 29-30, 2018

CALL FOR PAPERS

Science Fiction and Fantasy objects are a permanent part of today’s cultural industry.  From the margins to mainstream culture, their ubiquity demands critical debate beyond the preconception of pop culture made for mass entertainment. The University of Lisbon Centre for English Studies (ULICES) invites you to take part in the 5th International Conference Messengers From the Stars: On Science Fiction and Fantasy to be held at the School of Arts and Humanities, University of Lisbon, on November 29-30, 2018. This year Episode V will focus on the theme “Fragments of Humanity.”

Since its very beginning, Fantasy and SF have questioned essential notions such as: “What does it mean to be human?”; “What are the boundaries of humanity?”; “Are we more or less human than our ancestors?”, among others. These recurrent themes emerged in 18th- and 19th-century writing, namely in the Gothic novel and in works such as Robert Louis Stevenson’s Dr. Jekyll and Mr. Hyde (1886) or in Mary Shelley’s Frankenstein (1818), a book which celebrates its 200th birthday in 2018. Inspired by these pioneering texts and fed by advances in technology, such issues have become more and more complex in Fantasy and SF literature, cinema, TV series, comics and graphic novels, music, and other art forms. What is happening to the human body? Are we still human or are we becoming something else? Are we still whole or fragmented? Are we human, post-human, metahuman and/or transhuman? How can hybrids and monsters allow us to reflect on notions of self and identity? Must we redefine those notions? In that case, what is the role of A.I. in this redefinition? What is the impact of our fragmented humanity on our social environment? What may be the consequences in current and future cultures and their religious belief systems and creeds?

We welcome papers of 20 minutes as well as joint proposals for thematic panels consisting of 3 to 4 participants. Postgraduate and undergraduate students are also welcomed to participate.

Topics may include but are not limited to the following:

▪     Artificial Intelligence;
▪     Ecocriticism;
▪     Fantasy and SF;
▪     Fantasy, SF and ethics;
▪     Mary Shelley’s Frankenstein (and later adaptations/reinterpretations of the novel);
▪     Monsters and Monstrosity;
▪     Post-Humanism and Transhumanism;
▪     The Self, Humanity and Identity;
▪     The Other;
▪     Utopias/Dystopias;
▪     Vampires, zombies, werewolves and other undead bodies.

Confirmed keynote speakers:

Filipe Furtado – Full Professor (Faculdade de Ciências Sociais e Humanas – Universidade Nova de Lisboa) and author of A Construção do Fantástico na Narrativa (The Construction of the Fantastic in Narrative)

Mike Carey – British writer of comic books, novels, and films. He is the author of the acclaimed novel the Girl with All the Gifts (2014) which was adapted on screen in 2016. His most recent novel, published in April 2017, is The Boy On the Bridge, a stand-alone novel set in the same world as The Girl With All the Gifts.

Deadlines:
Individual papers, as well as thematic panel proposals, should have 250 words maximum and be sent to mensageirosdasestrelas@gmail.com along with a short biographical note (100 words maximum) by Apr 30, 2018.

Notification of acceptance will be sent by June 4, 2018.

Working Languages: Portuguese and English

Registration[1]:
Early bird registration:  June 4 –14 September
80 € / Students: 40 €
Late bird registration: 14 September – 19 October
100 € / Students: 70 €

Note:
1    Only after proof of payment is registration effectively considered.
2    Participants are responsible for their own travelling arrangements and accommodation.
3    Undergraduate and post-graduate students must send proof of student status with their registration.
4    All sessions are free. However, participants who are not presenting (or co-authoring) and wish to have access to the conference materials and coffee breaks can benefit from a special registration rate: 20€. Registration: June 4 – 26 November.



[1] The fee includes attendance at all sessions, conference material, coffee breaks and a certificate of participation.

Last updated March 6, 2018
This CFP has been viewed 935 times. 

Friday, May 24, 2013

Contemporary Uses of Fairy Tales in Popular Culture CFP (6/19/13)

Here's one more I just came across:

Contemporary Uses of Fairy Tales in Popular Culture
Publication Date: 2013-06-19 (in 26 days)
Date Submitted: 2013-03-18
Announcement ID: 202344

I invite submissions for an edited collection of essays on contemporary uses of fairy tales in popular culture. The collection will focus on recent reinterpretations and reboots of classical fairy tales, ways the contemporary texts address the original tales and narratological implications of the repetitions and adjustments of these stories. In essays that explore the functions and consequences of fairy tale reboots, remakes and updates, authors will consider the ways fairy tale generic conventions have been revised over time, representations of race, gender, class and sexual identity, the roles of archetypes, mythic tropes and patterns and the emergence of self-referential and meta-tales within these texts.

Essays may also address fan culture influence on contemporary tales, opportunities for interactivity and the roles of stars in fairy tale reboots. Text focus could include television series, feature-length films, comic books and graphic novels, games and animation.

Possible topics include but are not limited to:
• Fables (Bill Willingham/Vertigo, 2002-present)
• The Red Shoes (Kim Yong-gyun, 2005)
• Lost Girls (Alan Moore/Top Shelf, 2006)
• Hansel and Gretel (Yim Pil-Sung, 2007)
• Sydney White (Joe Nussbaum, 2007)
• Bluebeard (Catherine Breillat, 2009)
• The Sleeping Beauty (Catherine Breillat, 2010)
• Red Riding Hood (Catherine Hardwicke, 2011)
• Hanna (Joe Wright, 2011)
• Beastly (Daniel Barnz, 2011)
• Once Upon a Time (ABC, 2011-present)
• Grimm (NBC, 2011-present)
• Snow White and the Huntsman (Rupert Sanders, 2012)
• Mirror, Mirror (Tarsem Singh, 2012)
• Hansel and Gretel (Anthony Ferrante, 2013)
• Hansel and Gretel: Witch Hunters (Tommy Wirkola, 2013)
• Jack the Giant Slayer (Bryan Singer, 2013)

Submit a two-page proposals by the deadline of June 19, 2013 to Dr. Melissa Lenos at melissalenos@gmail.com; questions may be addressed to the same. Please also include a short bio. If your proposal is selected, the final essay (5000-8000 words) will be due on December 1, 2013.

 Melissa Lenos
 Email: melissalenos@gmail.com

Friday, May 17, 2013

Popular Preternaturaliana Now Online

We've just launched a new endeavor called Popular Preternaturaliana: Studying the Monstrous in Popular Culture at http://popularpreternaturaliana.blogspot.com/. The site is sponsored by the Science Fiction, Fantasy, and Legend Area and (like NEPCA Fantastic) hosted by The Virtual Society for the Study of Popular Culture and the Middle Ages in the hopes of providing a place to promote further study and debate of the preternatural where ever and when ever it may appear.

In the future, calls for papers and other postings relating to the monstrous, gothic, and horror can be found on the new site. 

Michael A. Torregrossa
Science Fiction, Fantasy, and Legend Area Chair, Northeast Popular Culture/American Culture Association
Co-Founder, The Virtual Society for the Study of Popular Culture and the Middle Ages

Thursday, May 2, 2013

Urban Fantasy and Paranormal Romance CFP (6/1/13)

Essay Collection: Urban Fantasy and Paranormal Romance
Publication Date: 2013-06-01 (in 30 days)
Date Submitted: 2013-02-05
Announcement ID: 201091

Articles about urban fantasy and romance novels are invited for a new, multi-contributor collection.

During the last few decades, urban fantasy and paranormal romance novels have come to the forefront in the publishing world. Normative heroes and heroines have been joined by werewolves, vampires, mermaids, shape-shifters, centaurs and dragons, to name but a few. These magical creatures fill the pages of books and the screens of movie theaters in ever-increasing numbers.

Such a vast industry—one that generated at least 75 million readers in 2008 alone (and has been growing since)—should not be disregarded. This collection will offer critical examinations of both urban fantasy and paranormal romance.

The following categories suggest possibilities but are by no means exhaustive:
• Gender
• Race
• Sexuality
• Romance
• Desire
• Domesticity
• Power
• Monstrosity
• Witchcraft
• Fandom and/or Reception
• Transformation and/or Adaptation
• Vampires, Shapeshifters, and other Supernatural Creatures
• Hybridity
• Heroism
• Villainy
• Memory

What to Send:

300 - 500 word abstracts (or complete articles, if available) and CVs should be submitted by June 1, 2013. If an abstract is accepted for the collection, a full draft of the essay (5000 – 8000 words) will be required by December 1, 2013.

Abstracts and final articles should be submitted to: paranormalromance.urbanfantasy@gmail.com

Margo Collins and Nadine Farghaly
Email: paranormalromance.urbanfantasy@gmail.com

Saturday, April 27, 2013

Vampire Diaries Collection CFP (5/1/13)

Almost missed this one (though I'm starting to feel like I'm advertising for supernaturaltelevision@gmail.com). The Vampire Diaries (2009-) is a very popular series and a spin-off on The Originals has recently been announced for the fall.


Essay Collection: "The Vampire Diaries"
Publication Date: 2013-05-01 (in 4 days)
Date Submitted: 2013-01-22
Announcement ID: 200642

Articles are invited for an edited collection on issues related to any element of The Vampire Diaries (either the original books or the CW’s television series).

The following categories suggest possibilities but are by no means exhaustive:

• Monstrosity
• Fandom and/or Reception
• Transformation and/or Adaptation
• Gender
• Race
• Vampirism
• Shapeshifters
• Hybridity
• Witchcraft
• Heroism
• Villainy
• Adolescence
• Desire
\• History
• Memory
• Domesticity
• Power
• Possession and/or Mind Control

What to Send: 300 - 500 word abstracts (or complete articles, if available) and CVs should be submitted by May 1, 2013. If an abstract is accepted for the collection, a full draft of the essay (5000 – 8000 words) will be required by October 1, 2013.

Abstracts and final articles should be submitted to supernaturaltelevision@gmail.com. Please include “Vampire Diaries Submission” in your subject line.

 Dr. Margo Collins
Email: supernaturaltelevision@gmail.com

MTV's Teen Wolf Collection CFP (6/1/13)

Essay Collection: MTV's Teen Wolf
Publication Date: 2013-06-01
Date Submitted: 2013-02-19
Announcement ID: 201568

Articles are invited for an essay collection on the new MTV serial remake of Teen Wolf. In “Upright Citizens on All Fours: Nineteenth-Century Identity and the Image of the Werewolf,” Chantal Bourgault du Coudray notes that ‘an ever-growing body of scholarship utilises the concept of hybrid or heterogeneous identity. The hybrid identity is theorised and celebrated as a response to the demands of a fragmented, multi-dimensional, postmodern world, one in which shifting boundaries and a multiplicity of subject positions make it impossible to assume a homogeneous or stable subjectivity.’ Theorists such as Katherine Hayles and Donna Haraway discuss the implications of hybridity in the posthuman. Asa Simon Mittman and Peter J. Dendle deal with the monstrosity of hybridity. Many critics discuss iterations of the werewolf in literature and film. This volume aims to discuss the new MTV serial remake of Teen Wolf in terms of its connection to the popular and literary culture, though other approaches are welcome, as well.

The following categories suggest possibilities but are by no means exhaustive:

• Monstrosity and/or Hybridity
• Fandom and/or Reception
• Personal Transformation and/or Adaptation
• Genre Transformation and/or Adaptation
• Gender
• Race
• Desire and Sexuality
• Heroism and/or Villainy
• History and Memory
• Family
• Power

We are also interested in the intersections of Teen Wolf with:
• the werewolf in 19th century literary history
• the werewolf in 20th century literary history
• post humanism in teen culture
• the werewolf in the 1980s
• the werewolf in Comics (such as the werewolf in Dell comics, Marvel comics, Legends of the Dark Night)
• the werewolf in fairy tales and/or folk mythology
• the werewolf in American pulp fiction
• the werewolf in children’s literature
• the werewolf in adult television (True Blood, Doctor Who, Sanctuary, Grimm)
• the werewolf in games or anime

 What to Send: 300 - 500 word abstracts (or complete articles, if available) and CVs should be submitted by June 1, 2013. If an abstract is accepted for the collection, a full draft of the essay (5000 – 8000 words) will be required by January 1, 2014.

Abstracts and final articles should be submitted to supernaturaltelevision@gmail.com. Please include “Teen Wolf Submission” in your subject line.

Dr. Kamille Stone Stanton
supernaturaltelevision@gmail.com
Email: supernaturaltelevision@gmail.com