Showing posts with label Dystopian Studies. Show all posts
Showing posts with label Dystopian Studies. Show all posts

Saturday, January 18, 2025

CFP 2025 Cultural Studies Association (CSA) Annual Conference: Imaginary Futures: Utopias, Dystopias & Protopias of Cultural Studies (2/23/2025; Valencia, CA 5/29-31/2025)

 

2025 Cultural Studies Association (CSA) Annual Conference: Imaginary Futures: Utopias, Dystopias & Protopias of Cultural Studies

deadline for submissions: 
February 23, 2025
full name / name of organization: 
Cultural Studies Association

2025 Cultural Studies Association (CSA) Annual Conference: Imaginary Futures: Utopias, Dystopias & Protopias of Cultural Studies 
May 29 - 31, 2025
​California Institute of the Arts–Valencia, California
Deadline for Submissions: Sunday, February 23, 2025, 11:59 pm EST
Registration

​The Cultural Studies Association (CSA) invites proposals for participation in its twenty-third annual  meeting, which will be held, in person, at California Institute of the Arts  in the city of Valencia, California.  Proposals on all topics relevant to cultural studies will be considered, with priority given to those that engage this year's theme, Imaginary Futures: Utopias, Dystopias & Protopias of Cultural Studies.

How can we as cultural studies scholars make sense of different possibilities for the future, through both optimistic and pessimistic lenses, and the ways in which culture shapes those possibilities? And to what extent can theoretical imaginings structure praxis and make actual these potential futures? The keywords provided by this year’s theme offer some directions: While a utopia denotes a static state of cultural and political perfection—a society when it has become as good as it possibly can get—a dystopia can be defined as a space wherein people are stuck in a kind of recurring pattern of suffering. Alongside these more familiar framings, to what extent can cultural studies imagine a protopian world-in-becoming: a more carefully stated dream of transformation that involves not only making visible existing potentials, possibilities, and capacities, but also actualizing those mutually desirable potentials to reduce social harms and enhance human dignity?  

Through this year’s theme, we encourage submissions that explore the production and consumption of future imaginaries, and/or how future imaginaries intersect with lived material conditions, cultural practices, or other major discourses. In doing so, we embrace the call for a “futurist cultural studies” (Powers 2020), one that acknowledges both the possibilities for emancipatory progress, and the consequences of failure to achieve that progress. 
POSSIBLE TOPICS INCLUDE:

  • Another World is Possible? The Political Afterlives of Anti- and Alter-globalization
  • Utopian pasts/Dystopian futures
  • Dystopian pasts/Utopian futures
  • Queer utopias and hopeful failures
  • Experimental communities & applied utopias 
  • Manifestos and declarations
  • Postracial rhetorics and racist dreams
  • Afrofuturism, Sinofuturism, & identity-based futures
  • “Never again” & genocide’s eternal return
  • Decolonizing utopia
  • Climate futures: Narratives of hope & despair 
  • “The singularity” and other AI dystopias 
  • Pessimism/nihilism: negating the future
  • Portrayals of utopian, dystopian, protopian futures in popular media
  • The future of/in cultural studies

All proposals should be submitted through Easy Chair using the following link: 
https://easychair.org/conferences/?conf=csa2025

CONFERENCE FORMAT
This year, the annual Cultural Studies Association Conference will be held in person. While we acknowledge the limitations presented by in person sessions, we also maintain the importance of community, collegiality, and mutual support that in person conferences offer within professional organizations.To allow for both the benefits of an in-person conference and the expanded access of an online conference, the CSA plans to maintain an alternating, biennial structure of in-person conferences (on odd years) and online conferences (on even years). 

TRAVEL AND LODGING

Airports:
There are several easy ways to travel between local Southern California airports and the CalArts campus. In addition to ridesharing apps such as Lyft and Uber, there are direct shuttle services available through Prime Time Shuttle, 800-733-8267; and Super Shuttle, 800-258-3826. These shuttles service both Burbank Airport and Los Angeles International Airport and are available by reservation, seven days a week, 24 hours a day. The LAX Flyaway Service is a 24-hour bus service that operates between Los Angeles International Airport and LA Union Station, Van Nuys, Hollywood, and Westwood/UCLA. For LAX FlyAway locations, schedules, service hours, parking, passenger drop-off/pick-up, and driving directions, go to the LAX FlyAway web page or call 866-435-9529. The Van Nuys route, which is located the closest to CalArts, at approximately 16 miles, does not accept cash, only credit card or bank card payment.

Buses: Santa Clarita Transit services the Santa Clarita area, including Valencia, Newhall, Saugus, Canyon Country, and Sylmar. There are also express buses to the San Fernando Valley and into Los Angeles, with extra service during morning and afternoon rush hour service. For bus schedules, call 661-294-1287 or visit www.santaclaritatransit.com. MTA (Metro) services the greater Los Angeles area, and has routes throughout Los Angeles and the San Fernando Valley. Please note that MTA buses are accessed in the San Fernando Valley, either using the Santa Clarita Transit buses, the Metrolink train, or car to get there. For more information, call 800-COMMUTE (266-6883) or visit www.mta.net.

Hotels: Recommendations through CalArts can be viewed HERE. Be sure to ask if they have a “CalArts rate.”

SUBMISSION AND REGISTRATION

●    Friday, December 6, 2024: Submission System Open 
●    Friday, December 6 , 2024 until Friday, April 4, 2025:  Early Bird Registration
●    Sunday, February 23, 2025: Final Deadline for Submissions
●    Friday, March 7, 2025: Notifications sent out
●    Friday, April 4, 2025: Early Registration Ends, Regular Registration Rate Begins
●    Friday, May 9, 2025: Last day to register to participate in the conference. If you do not register by this date and are not a current member, your name will be dropped from the program.

REGISTRATION: In order to participate in the conference and be listed in the program, all those accepted to participate must register before Friday, May 9, 2025. Remember: registration for the conference and membership in the CSA are combined transactions. All proposals should be submitted through Easy Chair: https://easychair.org/conferences/?conf=csa2025
Make sure to create and/or log in to your Easy Chair account before you attempt to submit. Please prepare all the materials required to propose your session according to the given directions before you begin electronic submission. All program information--names, presentation titles, and institutional affiliations--will be based on initial conference submissions. Please avoid lengthy presentation and session titles, use normal capitalization and standard fonts, and include your name and affiliations as you would like them to appear on the conference program schedule.

INSTITUTIONAL MEMBERSHIPS include individual memberships for up to seven affiliate faculty, staff and students at member institutions. Graduate students who wish to submit proposals are strongly encouraged to speak with their Department Chair or Program Director about institutional membership and where possible, make use of the complimentary individual memberships and reduced registration rates. Full benefits of institutional membership see: http://www.culturalstudiesassociation.org/institutions.

SUBMISSION FORMATS: 
All sessions are 90 minutes long. All conference formats are intended to encourage the presentation and discussion of projects at different stages of development and to foster intellectual exchange and collaboration. Please feel free to adapt the suggested formats or propose others in order to suit your session’s goals. 

The CSA aims to provide multiple and diverse spaces for the cross-pollination of art, activism, pedagogy, design, and research by bringing together participants from a variety of positions inside and outside the university. While we welcome traditional academic papers and panels, we also encourage contributions that experiment with alternative formats and intervene in the traditional disciplinary formations and exclusionary conceptions and practices of the academic. We are particularly interested in proposals for sessions designed to document and advance existing forms of collective action or catalyze new collaborations. We encourage submissions from individuals working beyond the boundaries of the university: artists, activists, educators, independent scholars, professionals, and community organizers.

Further information regarding various session formats can be found below. If you have any questions, please address them to Michelle Fehsenfeld at: admin@culturalstudiesassociation.org 

  • WORKING GROUP SESSIONS: CSA has a number of ongoing working groups. Working Group submissions can either be an individual paper or pre-constituted panel and must be made through CSA’s online EasyChair submission portal. Choose either the Working Group Panel or Working Group Paper tracks, complete the submission information, and choose the appropriate working group from the drop-down menu at the bottom of the page. For more information see: https://www.culturalstudiesassociation.org/working-groups.html
  • PRE-CONSTITUTED PAPER PANELS: Pre-constituted panels allow 3-4 individuals to offer 15-20 minute presentations, leaving 30-45 minutes of the session for discussion. Panels should have a chair/moderator and may have a discussant. Proposals must include a description of the panel's topic (<500 words); and abstracts for each presentation (<150 words). 
  • INDIVIDUAL PAPERS: Individuals may submit a proposal to present a 15-20 minute paper. Selected papers will be combined into panels at the discretion of the Program Committee. Submissions must include an abstract of the paper (<500 words).
  • ROUNDTABLES: Roundtables allow a group of participants to convene with the goal of generating discussion around a shared concern. In contrast to panels, roundtables typically involve shorter position or dialogue statements (5-10 minutes) in response to questions distributed in advance by the organizer. The majority of roundtable sessions should be devoted to discussion. Proposals for roundtables must include a description of the position statements, questions, or debates that will be under discussion (<500 words).
  • PRAXIS SESSIONS: Praxis sessions allow a facilitator or facilitating team to set an agenda, pose opening questions, and/or organize hands-on participant activities, collaborations, or skill-shares. Successful praxis sessions will be organized around a specific objective, productively engage a cultural studies audience, and orient itself towards participants with minimal knowledge of the subject matter. Sessions organized around the development of ongoing creative, artistic, and activist projects are highly encouraged. Proposals for praxis sessions must include a brief statement explaining the session’s connection to the conference theme and describing the activities to be undertaken (<500 words) and a short description of the session (<150 words) to appear in the conference program. 
  • MEET THE AUTHOR: Meet the Author Sessions are designed to bring authors of recent books deemed to be important contributions to the field of cultural studies together with discussants selected to provide different viewpoints. Books published one to three years before the conference are eligible for nomination. Only CSA members may submit nominations. Self-nominations are not accepted.
  • MAKE(R) SPACE: The Make(r) Space is a space for the collaborative and praxis driven portions of Cultural Studies – making space for art, making space for political activism, making space for new modes of knowledge exchange. It is our goal that this space will be created for those that have been historically and systemically left out of these conversations: artists, activists, poets, and other cultural critics and makers. We want to create a space that helps the CSA fulfill some of the implicit praxis portion of its goals to “create and promote an effective community of cultural studies practitioners and scholars.” Building on the poets, dancers, painters, and activists already interested in the space, we welcome proposals for exhibits, performances, workshops, skill shares, story telling, and other ways of meaning-making and art-making in the world that consider the theme of “Imaginary Futures” We especially encourage Make(r) Space submissions from individuals working beyond the boundaries of the university: artists, activists, independent scholars, professionals, community organizers, contingent faculty, and community college educators. Please email Make(r)Space submissions by February 23, 2025 to: admin@culturalstudiesassociation.org. 
  • LATERAL WORKSHOP: Lateral, the journal of the Cultural Studies Association, invites submissions of emerging work for constructive feedback with the Lateral editors at the Cultural Studies Association 2025 Conference. If you are interested in being considered for the workshop merely check “yes” when prompted to do so in Easychair and, if accepted to the conference, you will also automatically be considered for the workshop. We especially invite participation from junior scholars, graduate students, and those working beyond the bounds of the university, as well as those who intend to eventually submit their work to Lateral (workshop papers that are later submitted to the journal will undergo regular editorial and peer review). Those interested in participating will be notified of their acceptance into the workshop in March, and complete drafts of articles (approximately 4,000–9,000 words in length) will be due two weeks before the conference. Strong submissions will situate their considerations of cultural practices, critical theories, and/or pedagogies within established and emerging conversations in cultural studies. Prospective workshop participants should submit abstracts (no more than 500 words) or draft articles through the submission system by the deadline for submissions.

Friday, March 19, 2021

CFP Nature and Overnature in SF and Fantasy Discourses (5/28/21; Messengers from the Stars -online 11/25-26/21)

Messengers from the Stars: Episode VI

source: https://call-for-papers.sas.upenn.edu/cfp/2021/03/12/messengers-from-the-stars-episode-vi

deadline for submissions: May 28, 2021


full name / name of organization: School of Arts and Humanities, University of Lisbon/University Lisbon Centre for English Studies


contact email: mensageirosdasestrelas@gmail.com




Messengers from the Stars: Episode VI


Online Conference


School of Arts and Humanities, University of Lisbon


November 25-26, 2021


Nature and Overnature in SF and Fantasy Discourses




Science Fiction and Fantasy are lasting fields of inquiring into today’s world. They have become privileged means to question issues of aesthetic, ethical, political, social, economic, environmental and historical nature with high impact on contemporary societies. They have promoted hot-button issues and rich critical debates in literature as well as in cinema, TV, and videogames among other media.

The University of Lisbon Centre for English Studies (ULICES) invites you to take part in the 6th International Conference Messengers from the Stars: On Science Fiction and Fantasy to be held at the School of Arts and Humanities, University of Lisbon, on November 25-26, 2021. This year Episode VI will focus on the theme “Nature and Overnature in SF and Fantasy Discourses”.

Since humankind’s early days, our relationship with nature has undergone different stages and attitudes. From fear and antagonism to deep integration or attempt at subjugation, we humans have tried both to understand our environment and make the most of it. “What is our bond with Nature? Are we part of it or are we its destroyers?”; “What will be the consequences of our former and current actions towards Nature?”; “Are we the dominant species or is this just a human delusion?”; “What is the connection between Nature and social environment?”.

Also, under scrutiny is our inner nature, either as an immaterial everlasting sector or as a mutable human feature: “In distancing ourselves from Nature are we losing our natural humanity?”; “Are we more or less naturally human than our ancestors?”; “How has technology challenged the nature of our humanity?”; “Are we becoming over-natural?”; “Is there a universal human nature or do we embrace plural human natures?”

These are ever-present themes in Fantasy narratives, as masterly explored in Tolkien’s legendarium and C. S. Lewis’ Narnia Chronicles, as well as in many other 20th and 21st century authors, namely Ursula Le Guin’s Earthsea cycle. They are also at the core of many SF visions, since the very beginning of the genre with Mary Shelley’s Frankenstein, H. G. Wells’ The Island of Dr. Moreau and John Wyndham’s The Day of the Triffids, to name just a few.



Inspired by these pioneering texts and fed by advances in technology, such issues have become more and more complex in Fantasy and SF literature, cinema, TV series, comics and graphic novels, music, and other art forms. Moreover, we are witnessing a turning point in our relationship with nature, the most dramatic since our existence, which clearly has raised new doubts and anxieties but also new forms of self-awareness about our role in the world. The COVID-19 pandemic has alerted us to the dangers of our current ways of living as well as to our vulnerabilities. This is the time to find responsible solutions able to open up, for us and for the next generations, a healthier future.

We welcome papers of 20 minutes as well as joint proposals for thematic panels consisting of 3 to 4 participants. Postgraduate and undergraduate students are also welcome to participate.

Topics may include but are not limited to the following:
  • Artificial Intelligence;
  • Ecocriticism;
  • Fantasy, SF and ethics;
  • Human nature and natural environment;
  • Nature/over-nature and the human body;
  • Natural and social environment;
  • Utopias/Dystopias.




Call for pitches 5MP (five-minute pitches)

This year we are also interested in hearing from you if you are an undergraduate student (MA or PhD) and have a great project still in its early stages. The Five-Minute Pitch Call is inspired in the international competition Three-Minute Thesis (3MT). This is a great opportunity to showcase the innovative nature of your proposal even if there are no results yet. Break down your topic and tell us why everyone should be paying attention to your research.

Please, communicate your ideas effectively. Pitches will need to include (though not restricted to) the following: Name, Affiliation and Contact Information; Overview and Aim; Research Question; Material and Methods; and So what? (originality and relevance).

Your pre-recorded pitch should be no longer than 5 minutes and will be available on the conference website.



Deadlines:

Proposals for individual papers, as well as for thematic panels, should have 250 words maximum and be sent to mensageirosdasestrelas@gmail.com along with a short biographical note (100 words maximum) by May 28, 2021.

Notification of acceptance will be sent by July 5, 2021.

Working Languages: Portuguese and English



Registration fees:

Early bird registration: July 6 – September 17

30 € / Students: 10 €

Late bird registration: September 18 – October 19

60 € / Students: 20 €



Notes:
Only after proof of payment is registration effectively considered.
Undergraduate and post-graduate students must send proof of student status with their registration.
The registration fee includes attendance of all sessions, digital conference material, and a certificate of participation.

Last updated March 12, 2021 

 

Saturday, June 23, 2018

CFP Re-Collections: Memory, History and Mindspace in Science Fiction (9/30/2018; Te-Aviv 3/17-18/2019)


Re-Collections: Memory, History and Mindspace in Science Fiction
https://call-for-papers.sas.upenn.edu/cfp/2018/06/01/re-collections-memory-history-and-mindspace-in-science-fiction

deadline for submissions:
September 30, 2018

full name / name of organization:
Tel-Aviv University

contact email:
tausfsymposium@gmail.com




The Sixth International Symposium on the Poetics of Science Fiction

Re-Collections: Memory, History and Mindspace in Science Fiction

Department of English and American Studies

and the Porter School of Cultural Studies,

Tel-Aviv University

17-18 March 2019


While science fiction excels at alternating between hopeful and bleak visions of possible futures, perhaps the most unsettling scenario the genre has to offer involves modification of individual and/or collective memory. So often thought of as the foundation of identity, memory has been shown to be unstable, malleable and subject to falsification. Science fiction writers have poked and prodded at the basic tenets of cognition and memory, constructing nightmarish visions of identity crises, fractured psyches, and mental projections with the depth and detail of an entire world. But memory is also a collective endeavor, shaping our cultural ontologies and our perception of history. Here as well, SF has shown how manipulation of collective memory is capable of generating dystopian societies and altering our perception of both past and future.


Whether hard or soft, space opera or cyberpunk, technological and ideological encroachment on our memories and minds remains a subject that continues to fascinate authors across space and time: from Edward Bellamy’s Looking Backward to George Orwell’s 1984 to Octavia Butler’s Kindred, from Philip K. Dick’s “We Can Remember It For you Wholesale” to Roger Zelazny’s The Dream Master to Ted Chiang’s “Story of Your Life” (the basis for the blockbuster movie Arrival). Memory, both individual and collective, remains at the forefront of SF’s engagement with technological, social and psychological change.


Our conference, the sixth in the annual series of SF symposia, is jointly hosted by the Department of English and American Studies and the Porter School of Cultural Studies at Tel-Aviv University, and seeks to address cultural, historical, and narrative questions raised by representations of memory and the mental realm in science fiction. We welcome multimedia, transmedia and interdisciplinary proposals, from literary texts to film and television to video games and more. Topics can include, but are not limited to:

  • Technological manipulation of memory (e.g. false memories, artificial memories, memory transfer/erasure, uploading minds)
  • Artificial intelligence and memory
  • The interrelation between mental, physical and virtual spaces in SF
  • Alternative history and memory
  • Memory and temporality (e.g. time travel)
  • Posthuman and Transhuman memory
  • Alien memory (e.g. “mind-melds” with alien species)
  • Utopian/Dystopian memory
  • Memory as commodity (e.g. cyberpunk)
  • Memory and Nostalgia in the SF genre
  • Digital ghosts and virtual memories


Proposals of up to 300 words for individual papers and/or panels are to be submitted alongside a short bio to egomel@post.tau.ac.il and tausfsymposium@gmail.com by September 30, 2018. Notifications of acceptance will be sent by the end of October 2018.


Facebook Page

Science Fiction beyond Borders
 

Thursday, June 7, 2018

CFP Messengers from the Stars 2018 Conference (expired)

Sorry to have missed posting this sooner.

Science Fiction and Fantasy International Conference Messengers from the Stars: Episode V – “Fragments of Humanity”
deadline for submissions: 
April 30, 2018
full name / name of organization: 
School of Arts and Humanities, University of Lisbon


Science Fiction and Fantasy International Conference
Messengers from the Stars:  Episode V – “Fragments of Humanity”

School of Arts and Humanities, University of Lisbon
University Lisbon Centre for English Studies
November 29-30, 2018

CALL FOR PAPERS

Science Fiction and Fantasy objects are a permanent part of today’s cultural industry.  From the margins to mainstream culture, their ubiquity demands critical debate beyond the preconception of pop culture made for mass entertainment. The University of Lisbon Centre for English Studies (ULICES) invites you to take part in the 5th International Conference Messengers From the Stars: On Science Fiction and Fantasy to be held at the School of Arts and Humanities, University of Lisbon, on November 29-30, 2018. This year Episode V will focus on the theme “Fragments of Humanity.”

Since its very beginning, Fantasy and SF have questioned essential notions such as: “What does it mean to be human?”; “What are the boundaries of humanity?”; “Are we more or less human than our ancestors?”, among others. These recurrent themes emerged in 18th- and 19th-century writing, namely in the Gothic novel and in works such as Robert Louis Stevenson’s Dr. Jekyll and Mr. Hyde (1886) or in Mary Shelley’s Frankenstein (1818), a book which celebrates its 200th birthday in 2018. Inspired by these pioneering texts and fed by advances in technology, such issues have become more and more complex in Fantasy and SF literature, cinema, TV series, comics and graphic novels, music, and other art forms. What is happening to the human body? Are we still human or are we becoming something else? Are we still whole or fragmented? Are we human, post-human, metahuman and/or transhuman? How can hybrids and monsters allow us to reflect on notions of self and identity? Must we redefine those notions? In that case, what is the role of A.I. in this redefinition? What is the impact of our fragmented humanity on our social environment? What may be the consequences in current and future cultures and their religious belief systems and creeds?

We welcome papers of 20 minutes as well as joint proposals for thematic panels consisting of 3 to 4 participants. Postgraduate and undergraduate students are also welcomed to participate.

Topics may include but are not limited to the following:

▪     Artificial Intelligence;
▪     Ecocriticism;
▪     Fantasy and SF;
▪     Fantasy, SF and ethics;
▪     Mary Shelley’s Frankenstein (and later adaptations/reinterpretations of the novel);
▪     Monsters and Monstrosity;
▪     Post-Humanism and Transhumanism;
▪     The Self, Humanity and Identity;
▪     The Other;
▪     Utopias/Dystopias;
▪     Vampires, zombies, werewolves and other undead bodies.

Confirmed keynote speakers:

Filipe Furtado – Full Professor (Faculdade de Ciências Sociais e Humanas – Universidade Nova de Lisboa) and author of A Construção do Fantástico na Narrativa (The Construction of the Fantastic in Narrative)

Mike Carey – British writer of comic books, novels, and films. He is the author of the acclaimed novel the Girl with All the Gifts (2014) which was adapted on screen in 2016. His most recent novel, published in April 2017, is The Boy On the Bridge, a stand-alone novel set in the same world as The Girl With All the Gifts.

Deadlines:
Individual papers, as well as thematic panel proposals, should have 250 words maximum and be sent to mensageirosdasestrelas@gmail.com along with a short biographical note (100 words maximum) by Apr 30, 2018.

Notification of acceptance will be sent by June 4, 2018.

Working Languages: Portuguese and English

Registration[1]:
Early bird registration:  June 4 –14 September
80 € / Students: 40 €
Late bird registration: 14 September – 19 October
100 € / Students: 70 €

Note:
1    Only after proof of payment is registration effectively considered.
2    Participants are responsible for their own travelling arrangements and accommodation.
3    Undergraduate and post-graduate students must send proof of student status with their registration.
4    All sessions are free. However, participants who are not presenting (or co-authoring) and wish to have access to the conference materials and coffee breaks can benefit from a special registration rate: 20€. Registration: June 4 – 26 November.



[1] The fee includes attendance at all sessions, conference material, coffee breaks and a certificate of participation.

Last updated March 6, 2018
This CFP has been viewed 935 times. 

Wednesday, June 28, 2017

CFP Spaces of Hope and Desperation in Science Fiction (9/30/17; NeMLA 2018)

From H-Film:

Spaces of Hope and Desperation in Science Fiction- NEMLA 2018
April 12-15, 2018 Pittsburgh, PA

If we reflect on Vivian Sobchak’s premise of science fiction’s role of reconciling humans with the unknown along with cyborg spaces of Haraway, we can easily perceive that today one of speculative/science fiction’s roles is imagining what is happening and what may happen to help us come to terms with a dreaded present and unstable future. Amidst the very real and imminent threats of environmental disasters, rise of nationalism and racism and an expanding precarity, it should not be a surprise to see the fast increase in the sales of Orwell’s 1984, re-makes of Blade Runner and Ghost in the Shell or appearance of SF works where strangers, aliens, and others are rethought and replaced in our topological frameworks.

Amidst all the wars, deaths, fears, and tremblings, it may be useful to remember Susan Sontag’s now classic essay “Imagination of the Disaster” where speculative or science fiction and especially dystopian fiction operates in a space between “unremitting banality and inconceivable terror." In this liminal space, SF intervenes in two ways: By giving us a language, a discourse, a perspective to think the unthinkable including our own end and our possible resistance. With the same gesture, it also provides us with the means of expressing some of the effects of such terror and precarity to those who may not be open to the same affects, creating a space of communication.

In short, science fiction both imagines a dystopian, lost, dark space signaling what may happen while, with the very same gesture, pinpointing ways to create possibility of other perceptions, other spaces of hope. This double imagination is exactly what Octavia Butler does when she thinks of a merge with Oankali and rebuilding of Earth, Jeff VanderMeer imagines with Area X trilogy and other ways to relate to the nature or what Kabaneri of Iron Fortress presents with a terrain filled with viral humans.

This panel aims to consider speculative/science fiction’s spatial imagination vis-à-vis hope and despair. Topics may include the kinds of dystopian spaces SF proposes, space and its spatial representation, gendered spaces within the SF genre, environment and its future imagined by SF, and the representation of the instability or hope. All forms of SF literature, including short stories, novels, films, anime, manga, and TV shows are welcome.

Please submit an abstract of 300- 500 words along with your brief bio to NEMLA submission website  by September 30, 2017  : https://www.cfplist.com/nemla/Home/S/16944

Thursday, July 30, 2015

CFP ACLA Conference 2016 (Harvard 3/17-20/2016)

A few sessions of interest for the upcoming ACLA meeting:

The American Comparative Literature Association's 2016 Annual Meeting will take place at Harvard University in Cambridge, Massachusetts March 17-20, 2016.
http://www.acla.org/annual-meeting

Our online portal will open for seminar submissions in early July, with a deadline of August 31. Individuals interested in participating in a particular seminar are encouraged to be in touch with the organizers over the summer; paper submissions through the portal will open Sept. 1 and close Sept. 23.

Horror
http://www.acla.org/seminar/horror

Pirate Narratives Then and Now: Theory and Implication
http://www.acla.org/seminar/pirate-narratives-then-and-now-theory-and-implication

Utopias, Dystopias, and the Work of the Imagination
http://www.acla.org/seminar/utopias-dystopias-and-work-imagination


Thursday, June 18, 2015

CFP UNApocalypse: Exploring Dystopianism in Texts (Grad Conf) (12/1/15; Alabama 2/26-27/16)

Looks like a great idea:

UNApocalypse: Exploring Dystopianism in Texts
http://call-for-papers.sas.upenn.edu/node/62588
full name / name of organization:
University of North Alabama English Department
contact email:
ehughes@una.edu

Call for Papers:
The University of North Alabama English Department
Announces the 7th Annual Alabama Regional Graduate Conference in English
February 26-27, 2016

UNApocalypse: Exploring Dystopianism in Texts

Recently, there has been a resurgence of critical interest in dystopianism, which is mirrored by dystopic themes in contemporary literature and pop culture like The Walking Dead, The Hunger Games series, and dystopian graphic novels. The University of North Alabama’s Department of English invites proposals for scholarly papers which investigate any aspect of dystopianism or its converse, utopianism, in language, literature, or other media. For example, topics might include readings of works within the genre of utopic or dystopic literature, but we also welcome examinations of these themes in texts. We are interested in receiving examinations of texts from any time period or country of origin, but we are particularly interested in contemporary and nontraditional texts or media.

Possible topics and representative texts may include (but are not limited to):
Film and film adaptations
Brave New World by Aldous Huxley
YA literature and novels
Fahrenheit 451 by Ray Bradbury
Television shows
Nineteen Eighty-Four by George Orwell
Comics and graphic novels
Divergent series (novels and film adaptations)
Studies of fan fiction
V for Vendetta (graphic novel or film adaptation)
Contemporary and classic literature
The Republic by Plato
Marxist and neo-Marxist criticism
Utopia by Thomas More
Gender studies and feminist theory
Zombie genre films, TV shows, novels, and graphic novels
Postcolonial theory
Science fiction and fantasy
Queer theory
Satire and political commentary
Diversity in dystopian texts
Post-apocalyptic texts

The keynote speaker for this conference will be announced at a later date.

We welcome proposals from current students and recent graduates (within the last five years) of MA or PhD programs in English, Film Studies, or Cultural Studies. Presentations should be twenty-minutes in length and may explore a range of topics addressing our theme in relation to literature, film, or other new media. Presentations that utilize audiovisual presentations are encouraged.

Proposals:
Please upload proposals of 250-300 words by December 1, 2015 to the conference website at www.una.edu/englishgradcon. You may also send proposals directly to Eric Hughes at ehughes@una.edu. Suggestions for panels are also welcomed. All proposals will receive a decision on acceptance by January 15, 2016.

Travel Scholarships:
A limited number of travel scholarships for out-of-town presenters are available and must be made at time of proposal submission. Presenters will be notified of travel scholarship award when they are notified of acceptance. More information and the application can be found on our website: www.una.edu/englishgradcon

Prize for Best Paper:
At the closing session of the conference, presenters will be asked to vote on the three best papers presented at the conference. Following the conference, a panel of judges will award first, second, and third place standing to these three papers with a cash prize awarded to the top paper.

Information:
Further information on the conference, the University of North Alabama, our department, and the Florence area is available on our website: www.una.edu/englishgradcon.

By web submission at 06/17/2015 - 19:35