Showing posts with label Nature. Show all posts
Showing posts with label Nature. Show all posts

Saturday, January 18, 2025

CFP The Green Fuse - Nature in Fantasy (2/28/2025; Spec Issue British Fantasy Society Journal)

 

The Green Fuse - Nature in Fantasy

deadline for submissions: 
February 28, 2025
full name / name of organization: 
Dr Kevan Manwaring/British Fantasy Society
contact email: 


In this special issue we will look at environmental aspects of Fantasy. Since its very earliest manifestations, in taproot texts such as the Epic of Gilgamesh, Beowulf, and Sir Gawain and the Green Knight, Fantasy has been entangled with the natural and supernatural world.

‘The force that through the green fuse drives the flower.’
Dylan Thomas

Modern classics of Fantasy such as The Lord of the Rings, The Lion, The Witch, and the Wardrobe, The Book of Earthsea, Mythago Wood, The Broken Earth Trilogy, The Tide Child Trilogy, and others foreground the ‘natural world’ (even if that is in a Secondary World setting), and have environmental aspects that are intrinsic to the plot: the destruction of the forests of Isengard and the March of the Ents; the perpetual winter of Narnia; the shattered land of The Silence; the remnant of ancient woodland of Ryhope Wood; the toxic wastelands of Viriconium, etc. We shall delve into the rich biodiversity of the imagination and examine the symbiotic relationship between the natural world and the creation of Fantasy.

Subjects that could be explored include:
• Changing representations of nature in Fantasy.
• Fantasy and the Anthropocene.
• The super/natural mythscapes of childhood.
• Neo-animism, sentient nature, and the sense of the sacred in Fantasy.
• Indigenous perspectives of our relationship to the natural world as depicted in Fantasy.
• Anthropomorphic nature in Fantasy.
• The flora and fauna of Fantasy.
• The natural landscapes of Fantasy.
• Environmentalism in Fantasy.
• Fantasy sites (real world sites that have inspired Fantasy classics) and the production of Fantasy.
• The enchantment, disenchantment, and re-enchantment of nature through Fantasy.

Also invited are scholarly reviews of contemporary (or classic) Fantasy in novels, TV, film, graphic novels, computer games, etc. Original, human-produced artwork will also be considered.

Submissions should be clearly titled as follows: SURNAME_TITLE_BFSJOURNAL_CFP FEB 25

A 200-word abstract and 100-word author bio should be included. Work needs to be original, previously unpublished, and referenced using the Harvard author/date system. The editor retains the right to edit any submission, and contributors must be willing to address any editorial suggestions within good time. Publication is expected Summer 2025. Send to The Editor: bfsjournal@britishfantasysociety.org

For full submission guidelines please refer to checklist on BFS site.

Deadline for submissions: 28th February 2025

Thursday, March 17, 2022

CFP Gardeners of the Galaxies: How Imaginary Worlds Teach Us to Care for This One (5/15/2022)

CFP: Gardeners of the Galaxies: How Imaginary Worlds Teach Us to Care for This One, co-edited by Dr. Sørina Higgins and Dr. Brenton Dickieson



PDF version at https://drive.google.com/file/d/1lmX9M3LgVzap0j7UjVAvLb0Wlun8bTa7/view. 

As the climate crisis worsens, our home planet and our conversations about it are heating up–and creative writers both reflect and anticipate such concerns. Thanks to the recent ethical turn in science fiction and fantasy, many speculative works offer readers a mirror in which to view our own world. Its beauties and vulnerabilities take on special clarity through the page or the screen. A tale of terraforming another planet reminds us how precious and fragile our home world is. The perennial conflict between nature and technology comes alive when trees march to war. We find insights into healthy, diverse communities by spending time with characters in a fellowship–or on a starship.

Gardeners of the Galaxies: How Imaginary Worlds Teach Us to Care for This One will be an academic, peer-reviewed collection of interdisciplinary essays, co-edited by Dr. Brenton Dickieson and Dr. Sørina Higgins. This volume will explore literature, film, the visual arts, and other creative works (especially Cli-Fi, genre fiction, and speculative lit) that imagine, invent, and embody environmental concerns. Rather than coercing texts to conform to our analyses, however, we want to approach our subjects humbly and earnestly, listening to what they say about creation care, biodiversity, or neighborliness; immersing ourselves in their stories of ecological harmony and disharmony; mourning the disasters they depict; and celebrating the solutions they imagine. In particular, we would love analyses of works that envision ingenious alternatives to large-scale planetary depredation.

Chapter proposals might consider questions such as the following (although this list is by no means comprehensive nor intended to limit lines of inquiry): What kinds of environmental disasters are depicted in contemporary literature, film, and other media? How does a certain genre or medium represent nature, and how have those portrayals evolved over time? Do certain metaphors for land or diction choices about earth impact how people treat the soil, landscapes, or ecosystems with which and in which they live? In a given work, is nature empowered or oppressed, and how do characters respond? What is the significance or impact of the anthropomorphism of animals, plants, landscape features, or celestial bodies? When stories blur the line between the human and the nonhuman, what implications does such destabilization have for our living in community with our nonhuman neighbors? What lessons are conveyed through encounters with extraterrestrial species? What do stories of interplanetary colonization suggest about imperialist urges, their ecological impacts on earth, and strategies for integrating with the Other rather than obliterating or oppressing them? Are there tales in which technology plays an essential role in preserving nature or reinforcing what makes us human? What techniques do creators use to entertain us and draw us into moral considerations without compromising artistic excellence or devolving into propaganda?

Submission Information:

As this volume will be interdisciplinary, we welcome scholars working in literature, film, popular culture, the fine arts, ecology, history, the social sciences, religion, and related fields. While aimed at a scholarly audience, chapters should be written in a lively, accessible tone, avoiding jargon while employing rigorous theoretical and critical frameworks and engaging deeply with existing research. Interested authors should consider trying out their ideas at TexMoot, Signum University’s Annual Texas Literature & Language Symposium (held in Austin, TX, and online; CFP deadline March 1st), which explores the overlapping theme of “Starships, Stewards, and Storytellers: How Imaginary Worlds Teach Us to Care for This One.”

Please submit 500-word proposals here by May 15, 2022. Notifications regarding acceptance will be made in June 2022. Full papers (5,000-8,000 words, including notes) will be due by November 30, 2022.

In addition to academic submissions, the editors will carefully curate a small number of creative works for possible inclusion in the volume. Poets, short-story writers, essayists, and visual artists are invited to submit the actual piece of work that they would like to have considered here; note length limits on the submission form. These works can be submitted up until September 1, 2022.

Send questions about academic submissions to Brenton Dickieson (brenton[dot]dickieson[at]signumu[dot]org). Send queries about creative submissions to Sørina Higgins (sorina[dot]higgins[at]signumu[dot].org).

Friday, March 19, 2021

CFP Nature and Overnature in SF and Fantasy Discourses (5/28/21; Messengers from the Stars -online 11/25-26/21)

Messengers from the Stars: Episode VI

source: https://call-for-papers.sas.upenn.edu/cfp/2021/03/12/messengers-from-the-stars-episode-vi

deadline for submissions: May 28, 2021


full name / name of organization: School of Arts and Humanities, University of Lisbon/University Lisbon Centre for English Studies


contact email: mensageirosdasestrelas@gmail.com




Messengers from the Stars: Episode VI


Online Conference


School of Arts and Humanities, University of Lisbon


November 25-26, 2021


Nature and Overnature in SF and Fantasy Discourses




Science Fiction and Fantasy are lasting fields of inquiring into today’s world. They have become privileged means to question issues of aesthetic, ethical, political, social, economic, environmental and historical nature with high impact on contemporary societies. They have promoted hot-button issues and rich critical debates in literature as well as in cinema, TV, and videogames among other media.

The University of Lisbon Centre for English Studies (ULICES) invites you to take part in the 6th International Conference Messengers from the Stars: On Science Fiction and Fantasy to be held at the School of Arts and Humanities, University of Lisbon, on November 25-26, 2021. This year Episode VI will focus on the theme “Nature and Overnature in SF and Fantasy Discourses”.

Since humankind’s early days, our relationship with nature has undergone different stages and attitudes. From fear and antagonism to deep integration or attempt at subjugation, we humans have tried both to understand our environment and make the most of it. “What is our bond with Nature? Are we part of it or are we its destroyers?”; “What will be the consequences of our former and current actions towards Nature?”; “Are we the dominant species or is this just a human delusion?”; “What is the connection between Nature and social environment?”.

Also, under scrutiny is our inner nature, either as an immaterial everlasting sector or as a mutable human feature: “In distancing ourselves from Nature are we losing our natural humanity?”; “Are we more or less naturally human than our ancestors?”; “How has technology challenged the nature of our humanity?”; “Are we becoming over-natural?”; “Is there a universal human nature or do we embrace plural human natures?”

These are ever-present themes in Fantasy narratives, as masterly explored in Tolkien’s legendarium and C. S. Lewis’ Narnia Chronicles, as well as in many other 20th and 21st century authors, namely Ursula Le Guin’s Earthsea cycle. They are also at the core of many SF visions, since the very beginning of the genre with Mary Shelley’s Frankenstein, H. G. Wells’ The Island of Dr. Moreau and John Wyndham’s The Day of the Triffids, to name just a few.



Inspired by these pioneering texts and fed by advances in technology, such issues have become more and more complex in Fantasy and SF literature, cinema, TV series, comics and graphic novels, music, and other art forms. Moreover, we are witnessing a turning point in our relationship with nature, the most dramatic since our existence, which clearly has raised new doubts and anxieties but also new forms of self-awareness about our role in the world. The COVID-19 pandemic has alerted us to the dangers of our current ways of living as well as to our vulnerabilities. This is the time to find responsible solutions able to open up, for us and for the next generations, a healthier future.

We welcome papers of 20 minutes as well as joint proposals for thematic panels consisting of 3 to 4 participants. Postgraduate and undergraduate students are also welcome to participate.

Topics may include but are not limited to the following:
  • Artificial Intelligence;
  • Ecocriticism;
  • Fantasy, SF and ethics;
  • Human nature and natural environment;
  • Nature/over-nature and the human body;
  • Natural and social environment;
  • Utopias/Dystopias.




Call for pitches 5MP (five-minute pitches)

This year we are also interested in hearing from you if you are an undergraduate student (MA or PhD) and have a great project still in its early stages. The Five-Minute Pitch Call is inspired in the international competition Three-Minute Thesis (3MT). This is a great opportunity to showcase the innovative nature of your proposal even if there are no results yet. Break down your topic and tell us why everyone should be paying attention to your research.

Please, communicate your ideas effectively. Pitches will need to include (though not restricted to) the following: Name, Affiliation and Contact Information; Overview and Aim; Research Question; Material and Methods; and So what? (originality and relevance).

Your pre-recorded pitch should be no longer than 5 minutes and will be available on the conference website.



Deadlines:

Proposals for individual papers, as well as for thematic panels, should have 250 words maximum and be sent to mensageirosdasestrelas@gmail.com along with a short biographical note (100 words maximum) by May 28, 2021.

Notification of acceptance will be sent by July 5, 2021.

Working Languages: Portuguese and English



Registration fees:

Early bird registration: July 6 – September 17

30 € / Students: 10 €

Late bird registration: September 18 – October 19

60 € / Students: 20 €



Notes:
Only after proof of payment is registration effectively considered.
Undergraduate and post-graduate students must send proof of student status with their registration.
The registration fee includes attendance of all sessions, digital conference material, and a certificate of participation.

Last updated March 12, 2021