Published last year from John Wiley & Sons, Twilight and History is a mixed bag of essays exploring the various contexts of the Twilight series:
Twilight and History
Nancy Reagin
ISBN: 978-0-470-58178-0
Paperback
288 pages
April 2010
US $17.95
The first look at the history behind Stephenie Meyer's bestselling Twilight series, timed to release with the third movie, Eclipse.
The characters of the Twilight Saga carry a rich history that shapes their identities and actions over the course of the series. Edward, for instance, may look like a seventeen-year-old teen heartthrob, but was actually born in 1901 and died during the Spanish Influenza of 1918. His adopted sister, Alice, was imprisoned in an insane asylum in 1920 and treated so badly there that even becoming a vampire was a welcome escape. This book is the first to explore the history behind the Twilight Saga's characters and their stories. You’ll learn about what life might have been like for Jasper Whitlock Hale, the Confederate vampire who fought during the Civil War, Carlisle Cullen, the Puritan witch hunter-turned-vampire who participated in the witchcraft persecutions in Early Modern England, and the history of the Quileute culture that shaped Jacob and his people —and much more.
Gives you the historical backdrop for Twilight Saga characters and events
Adds a whole new dimension to the Twilight novels and movies
Offers fresh insights on vampires, romance, and history
Twilight and History is an essential companion for every Twilight fan, whether you've just gotten into the series or have followed it since the beginning.
CONTENTS:
Acknowledgments: For Those Who Turned Us.
Twilight's Timeline.
Introduction: Frozen in Time (Nancy R. Reagin).
PART ONE: Your Basic Human-Vampire-Werewolf/Shape-shifter Triangle: Bella, Edward, and Jacob.
1 “An Old-Fashioned Gentleman”? Edward’s Imaginary History (Kate Cochran). [download from the publisher]
2 Biting Bella: Treaty Negotiation, Quileute History, and Why “Team Jacob” Is Doomed to Lose (Judith Leggatt and Kristin Burnett).
3 CinderBella: Twilight, Fairy Tales, and the Twenty-First-Century American Dream (Sara Buttsworth).
4 Courting Edward Cullen: Courtship Rituals and Marital Expectations in Edward’s Youth (Catherine Coker).
PART TWO: Some Family History: The Cullen Coven.
5 Jasper Hale, the Oldest Living Confederate Veteran (Elizabeth Baird Hardy).
6 Smoky Mountain Twilight: The Appalachian Roots of Emmett McCarty Cullen and His Family (Elizabeth Baird Hardy).
7 Better Turned Than “Cured”? Alice and the Asylum (Grace Loiacono and Laura Loiacono).
8 Carlisle Cullen and the Witch Hunts of Puritan London (Janice Liedl).
9 A Subtle and Dangerous Gift: Jasper Hale and the Specter of the American Civil War (Andrea Robertson Cremer).
10 Like Other American Families, Only Not: The Cullens and the “Ideal” Family in American History (Kyra Glass von der Osten).
PART THREE: A World of Vampires: The Volturi and Beyond.
11 The Sort of People Who Hired Michelangelo as Their Decorator: The Volturi as Renaissance Rulers (Birgit Wiedl).
12 “Where Do the Cullens Fit In?”: Vampires in European Folklore, Science, and Fiction (Eveline Brugger).
13 Getting Younger Every Decade: Being a Teen Vampire during the Twentieth Century (Kat Burkhart).
The Forks High School Faculty.
Index: Alice Foresaw All of This
Nancy R. Reagin is a professor of history and women's and gender studies at Pace University, who has published several books in modern European history. Her current research focuses on the history of literary fan communities. She's also an active fan who has worked on fan archives and Web sites, and has helped build fan organizations. She rooted for Team Jacob long after most reasonable people would have given up hope.
Northeast Fantastic is the official blog of the Northeast Alliance for Scholarship on the Fantastic and the allied Fantastic Areas (Fantasy & Science Fiction and Monsters & the Monstrous) of the Northeast Popular Culture/American Culture Association (a.k.a. NEPCA), a regional affiliate of the Popular Culture Association and the American Culture Association.
Saturday, August 20, 2011
Twilight and Its Contexts
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Labels:
Fantasy,
Film,
Gothic,
Horror,
Legend/Myth,
New Scholarship,
Twilight,
Vampires
Thursday, August 18, 2011
Torchwood Reborn?
I had sworn off Torchwood after what seemed to be the needless deaths of its most interesting characters in season 2 and Children of Earth, but the recent mini-series Torchwood: Miracle Day on Starz shows some promise (though I still dislike Gwen). The first episode is/was available for viewing to non-subscribers to the pay-cable network. No word yet on a DVD release.
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Labels:
Cult TV,
New/Recent TV,
Science Fiction,
Torchwood
Sunday, August 14, 2011
Extrapolation 52.2
Extrapolation 52.2 (Summer 2011) arrived in the mail last week. Contents as follows:
The Holy Family in Outer Space: Reconsidering Philip K. Dick's The Divine Invasion
Umberto Rossi
Mapping the Walls of The Dispossessed
Sandra J. Lindow
Gotlieb Upon Caliban
Dominick Grace
Flexible Heroines, Flexible Narratives: The Werewolf Romances of Kelley Armstrong and Carrie Vaughn
Erin S. Young
Stanley Weinbaum: We've Met The Aliens and They Are Us
Drko Suvin
Reviews
The Holy Family in Outer Space: Reconsidering Philip K. Dick's The Divine Invasion
Umberto Rossi
Mapping the Walls of The Dispossessed
Sandra J. Lindow
Gotlieb Upon Caliban
Dominick Grace
Flexible Heroines, Flexible Narratives: The Werewolf Romances of Kelley Armstrong and Carrie Vaughn
Erin S. Young
Stanley Weinbaum: We've Met The Aliens and They Are Us
Drko Suvin
Reviews
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5:26 PM
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Fantasy,
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New Scholarship,
Science Fiction
Grimm TV Show
I came upon this video in relation to Once Upon a Time: Grimm is a new series for NBC inspired by the fairy tales of the Brother's Grimm (and, clearly, a bit of The X-Files and Supernatural).
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Labels:
Fairy Tales,
Fantasy,
Horror,
New/Recent TV,
Television
Once Upon a Time TV Show
ABC is set to premiere the fairy-tale-inspired series Once Upon a Time this fall. An interview with the creators at Spinoff Online details some of the background around the creation of the series. It looks interesting, but, given the current climate towards telefantasy on network television, how long can we expect it to last?
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Fairy Tales,
Fantasy,
New/Recent TV,
Telefantasy,
Television
Eureka Update
SyFy has done it again, and another fan favorite series is dead. According to an article at Spinoff Online, Eureka had been green-lighted a six-episode season to tie up lose ends, but SyFy has now reneged and canceled the series out right at the end of the upcoming (and, apparently, already completed) season 5, . Fans of other popular SyFy and Sci-Fi shows (remember Farscape, for example), will no doubt recall similar circumstances that lead to their premature demise. Not to be too paranoid, but, my only question is what's next SyFy? Warehouse 13 and Sanctuary are now three years old; has their time run out as well? Is any show safe? (Besides the very, un-SyFyish ECW, of course.)
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Television
"Thundercats, Ho!"
Cartoon Network has recently revived Thundercats, a fan-favorite cartoon of the 1980s, as a half-hour anime-inspired animated series airing Friday nights. The new series offers an innovative approach to the original and bears following. For those interested, the Spinoff Online web site includes some snippets from interviews with the producers and two members of the voice cast.
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Anime,
New/Recent TV,
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Telefantasy,
Television
Doctor Who Returns 27 August
The hit series Doctor Who returns to BBC America on Saturday, 27 August, and reruns air throughout the month on the network. (My thanks to the Spinoff Online web site for the head's up.)
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Cult TV,
Doctor Who,
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Telefantasy,
Television
John Carter of Mars!
Trailer released last month:
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Labels:
Film,
New/Recent Films,
Science Fiction
Thursday, August 11, 2011
Parallel Universes and Source Code
The recent film Source Code is now out on DVD and Blu-Ray and for download. The film is not that great but presents an interesting theory of parallel universes and our ability to interact with them, when the US military employs a wounded soldier (there's not much of him left really) to stop a terrorist who threatens to blow up Chicago. Rather like Avatar, the soldier is uploaded into the body of another man and must discover the identity of the terrorist and stop him. In the end, the film allows the soldier to come to some resolution (at least in the parallel universe) to his life and a chance both to be a hero and to start over, albeit having taken over the life of another, who, troublingly, is never taken into account here.
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New/Recent Films,
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Monday, August 8, 2011
Beastly on DVD
The recent film Beastly is now available on DVD, Blu-Ray, and for download/rent for sources like Amazon and iTunes. The film offers a modern-day recasting of the Beauty and the Beast story and is adapted from the young adult novel by Alex Finn. As reviews have noted, it is not the most successful representation of the story, but it should spur much discussion as an adaption of Finn and of the traditional fairy tale.
I append below both the trailer and an interview with the principal cast:
DVD/Blu-Ray extras as follows:
"Be Mine" Music Video by Kristina and the Dolls
Alternate Ending
Deleted Scenes
A Classic Tale Retold: The Story of Beastly
Creating the Perfect Beast
I append below both the trailer and an interview with the principal cast:
DVD/Blu-Ray extras as follows:
"Be Mine" Music Video by Kristina and the Dolls
Alternate Ending
Deleted Scenes
A Classic Tale Retold: The Story of Beastly
Creating the Perfect Beast
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Monday, July 18, 2011
CFP Steaming into a Victorian Future: A Steampunk Anthology (8/15/11)
http://call-for-papers.sas.upenn.edu/node/41890
Steaming into a Victorian Future: A Steampunk Anthology
full name / name of organization: Ken Dvorak, PhD
contact email: krdvorak@nnmc.edu
We are seeking contributors for a collection of critical essays on Steampunk. Steampunk remains an elusive topic even among its admirers and practitioners, but at its heart, it re-imagines the Victorian age in the future, and re-works its technology, fashion, and values with a dose of anti-modernism. From sci-fi and fantasy to websites catering to a Steampunk lifestyle, this multi-faceted genre demands greater scholarly analysis.
The editors of this anthology seek contributions in the following suggested subject areas:
Steampunk Film
Steampunk Literature
Steampunk History
Steampunk Fashion
Steampunk Technology
Steampunk Fandom/fan culture
Steampunk Art & Design
Steampunk as Culture/Lifestyle Gender
and
Steampunk Critiques of existing analyses of Steampunk
Submission Guidelines: Send a 1000 word abstract in Microsoft Word by email attachment on or before August 15, 2011; include a brief biography or vita. International submissions are welcomed and encouraged.
Abstracts chosen for inclusion in the anthology will be considered “conditional acceptances” – the editors will secure the submission in the volume, but the editors reserve the right to reject any full essay that does not meet the standards (of style/content, etc) agreed to between the editors and authors. Endnotes are mandatory; illustrations are encouraged and must be secured (along with permissions) by the author and submitted with the final draft.
Editors:
Dr. Julie Anne Taddeo
History Dept., University of Maryland
Email: Taddeo@mail.umd.edu
Dr. Cynthia Miller
Institute for Liberal Arts, Emerson College
cynthia_miller@emerson.edu
Dr. Ken Dvorak
Distance Education, Northern New Mexico College
Email: krdvorak@nnmc.edu
Steaming into a Victorian Future: A Steampunk Anthology
full name / name of organization: Ken Dvorak, PhD
contact email: krdvorak@nnmc.edu
We are seeking contributors for a collection of critical essays on Steampunk. Steampunk remains an elusive topic even among its admirers and practitioners, but at its heart, it re-imagines the Victorian age in the future, and re-works its technology, fashion, and values with a dose of anti-modernism. From sci-fi and fantasy to websites catering to a Steampunk lifestyle, this multi-faceted genre demands greater scholarly analysis.
The editors of this anthology seek contributions in the following suggested subject areas:
Steampunk Film
Steampunk Literature
Steampunk History
Steampunk Fashion
Steampunk Technology
Steampunk Fandom/fan culture
Steampunk Art & Design
Steampunk as Culture/Lifestyle Gender
and
Steampunk Critiques of existing analyses of Steampunk
Submission Guidelines: Send a 1000 word abstract in Microsoft Word by email attachment on or before August 15, 2011; include a brief biography or vita. International submissions are welcomed and encouraged.
Abstracts chosen for inclusion in the anthology will be considered “conditional acceptances” – the editors will secure the submission in the volume, but the editors reserve the right to reject any full essay that does not meet the standards (of style/content, etc) agreed to between the editors and authors. Endnotes are mandatory; illustrations are encouraged and must be secured (along with permissions) by the author and submitted with the final draft.
Editors:
Dr. Julie Anne Taddeo
History Dept., University of Maryland
Email: Taddeo@mail.umd.edu
Dr. Cynthia Miller
Institute for Liberal Arts, Emerson College
cynthia_miller@emerson.edu
Dr. Ken Dvorak
Distance Education, Northern New Mexico College
Email: krdvorak@nnmc.edu
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at
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Calls for Papers,
Fantasy,
Fiction,
Film,
Science Fiction,
Steampunk
CFP The Undead (NeMLA) (9/30/11)
http://call-for-papers.sas.upenn.edu/node/41506
The Undead (deadline 9/30/2011)
full name / name of organization: Northeast Modern Language Association
contact email: lindsay.bryde@gmail.com
This seminar seeks papers with strong analytical theses that offer readings of the undead phenomenon in literature and/or pop culture. Proposals may theorize the undead, offer close readings of individual undead texts, contemporary or not, but should keep in mind the big picture question: why is this material resonating so strongly with contemporary audiences (American or otherwise)? How do we, in other words, make sense of our love of the undead? Send 300-500 word abstracts and a brief biography to Lindsay Bryde at lindsay.bryde@gmail.com.
The Undead (deadline 9/30/2011)
full name / name of organization: Northeast Modern Language Association
contact email: lindsay.bryde@gmail.com
This seminar seeks papers with strong analytical theses that offer readings of the undead phenomenon in literature and/or pop culture. Proposals may theorize the undead, offer close readings of individual undead texts, contemporary or not, but should keep in mind the big picture question: why is this material resonating so strongly with contemporary audiences (American or otherwise)? How do we, in other words, make sense of our love of the undead? Send 300-500 word abstracts and a brief biography to Lindsay Bryde at lindsay.bryde@gmail.com.
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at
9:37 PM
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Calls for Papers,
Fantasy,
Gothic,
Horror
CFP Apocalyptic Projections in Sci-Fi and/or Fantasy Literature (NeMLA) (9/30/11)
http://call-for-papers.sas.upenn.edu/node/41823
NeMLA March 15-18, 2012, Rochester, NY: Apocalyptic Projections in Sci-Fi and/or Fantasy Literature for 2012 and Beyond
full name / name of organization: Annette M. Magid/ Northeast Modern Language Association
contact email: a_magid@yahoo.com
This panel provides an opportunity to explore the ramifications of the 2012 doomsday prophesiers on cultural behavior as witnessed within the genre of science fiction literature and cinema. The term apocalyptic may include any means of total or near-total destruction, whether it is caused by humans, aliens or Nature. Papers analyzing the role apocalyptic sci-fi and/or fantasy have played and continue to play in literature, cinema, theater and other aspects of culture will be the main emphasis of this panel. Focus can be on apocalyptic visual arts and cinema, but written literature is also appropriate.
Please send e-mail abstracts of 200-250 words in MS Word .doc or .docx.
Deadline: September 30, 2011
Please include with your abstract:
Name and Affiliation
E-mail address
Postal address
Telephone number
A/V requirements (if any; $10 handling fee with registration)
NeMLA March 15-18, 2012, Rochester, NY: Apocalyptic Projections in Sci-Fi and/or Fantasy Literature for 2012 and Beyond
full name / name of organization: Annette M. Magid/ Northeast Modern Language Association
contact email: a_magid@yahoo.com
This panel provides an opportunity to explore the ramifications of the 2012 doomsday prophesiers on cultural behavior as witnessed within the genre of science fiction literature and cinema. The term apocalyptic may include any means of total or near-total destruction, whether it is caused by humans, aliens or Nature. Papers analyzing the role apocalyptic sci-fi and/or fantasy have played and continue to play in literature, cinema, theater and other aspects of culture will be the main emphasis of this panel. Focus can be on apocalyptic visual arts and cinema, but written literature is also appropriate.
Please send e-mail abstracts of 200-250 words in MS Word .doc or .docx.
Deadline: September 30, 2011
Please include with your abstract:
Name and Affiliation
E-mail address
Postal address
Telephone number
A/V requirements (if any; $10 handling fee with registration)
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9:33 PM
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Labels:
Calls for Papers,
Fantasy,
Science Fiction
CFP Issues in Contemporary Geek Media (7/15/11)
http://call-for-papers.sas.upenn.edu/node/41899
Issues in Contemporary Geek Media - SCMS March 21-25, 2012
full name / name of organization: Society for Cinema and Media Studies
contact email: csoles@brockport.edu
Over the past decade, geeks -- both real and fictional -- have risen to a position of centrality and immense cultural power within the pop-cultural mediascape. This panel will explore the cultural and industrial issues raised by the rise of the geek as an onscreen and offscreen presence in contemporary media. Topics may include (but are not limited to) the rise of the superhero comic-book blockbuster, geeks in "independent" and alternative media, video games and their adaptation into blockbusters, early influences on the rise of pop cultural geekdom (e.g., Steven Spielberg, George Lucas, Woody Allen, John Hughes, et. al.), and any critical approach to geek-centered texts and/or production trends which seeks to analyze the popularity of geek media and its socio-cultural effects and implications. While historical papers will be considered, the central aim of the panel is to elucidate critical / analytical tools and approaches which can be used to expose the issues which undergird the rise of pop-cultural geekdom and "geek chic" in contemporary media forms.
SUBMISSION DUE DATE: July 15, 2011
SEND SUBMISSIONS TO: Carter Soles, csoles@brockport.edu
CONFERENCE DATES: March 21-25, 2012, Boston Park Plaza Hotel and Towers, Boston, MA
email Carter Soles (panel chair) or see the SCMS website for more information
Issues in Contemporary Geek Media - SCMS March 21-25, 2012
full name / name of organization: Society for Cinema and Media Studies
contact email: csoles@brockport.edu
Over the past decade, geeks -- both real and fictional -- have risen to a position of centrality and immense cultural power within the pop-cultural mediascape. This panel will explore the cultural and industrial issues raised by the rise of the geek as an onscreen and offscreen presence in contemporary media. Topics may include (but are not limited to) the rise of the superhero comic-book blockbuster, geeks in "independent" and alternative media, video games and their adaptation into blockbusters, early influences on the rise of pop cultural geekdom (e.g., Steven Spielberg, George Lucas, Woody Allen, John Hughes, et. al.), and any critical approach to geek-centered texts and/or production trends which seeks to analyze the popularity of geek media and its socio-cultural effects and implications. While historical papers will be considered, the central aim of the panel is to elucidate critical / analytical tools and approaches which can be used to expose the issues which undergird the rise of pop-cultural geekdom and "geek chic" in contemporary media forms.
SUBMISSION DUE DATE: July 15, 2011
SEND SUBMISSIONS TO: Carter Soles, csoles@brockport.edu
CONFERENCE DATES: March 21-25, 2012, Boston Park Plaza Hotel and Towers, Boston, MA
email Carter Soles (panel chair) or see the SCMS website for more information
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Calls for Papers,
Geek Studies
CFP "Evil" Children in Film, Literature, and Popular Culture (NeMLA) (9/30/11)
http://call-for-papers.sas.upenn.edu/node/41924
NEMLA, March 15-18, 2002, Rochester, NY: "Evil" Children in Film, Literature, and Popular Culture
full name / name of organization: Karen J. Renner / Northern Arizona University
contact email: karen.j.renner@gmail.com
From the possibly possessed Miles and Flora in _The Turn of the Screw_ to the feral children in _Lord of the Flies_ to the demonic Damien in _The Omen_, evil children take on various forms. Some are corrupted by external influences—violent media, abuse, or Satan himself. Others, as the title of William March’s 1954 novel suggests, are simply “bad seeds,” inheritors of morally deficient genes and rotten to the core from birth. To discuss evil children as a singular trope would thus disregard the variations in their form and function. For this panel, I am seeking papers that address the role that evil children play in literary texts, films, and popular culture. Are they repositories for particular cultural anxieties? Emblems of historical changes to the family unit? Responses to juvenile crime? Markers of evolutions in psychological theories of selfhood? How do evil children reflect shifting views of innocence and depravity, redemption and sin? Are they a product of Freudian thought? If not, do pre-Freudian evil children differ from their post-Freudian counterparts? Papers may address texts from any time period or country, and I am particularly interested in examinations that are situated within a historical or cultural context.
Please send 250-500-word abstracts and one-page CV (as well as any questions) to Dr. Karen J. Renner (Northern Arizona University) at karen.j.renner@gmail.com. Materials should be submitted as attachments by September 30, 2011, with your subject line as “2012 NeMLA Abstract” and should include the following information: name, affiliation, email address, postal address, telephone number, and A/V requirements (if any; note A/V has $10 handling fee to be paid with registration).
Information for the convention can be found at http://www.nemla.org/convention/.
NEMLA, March 15-18, 2002, Rochester, NY: "Evil" Children in Film, Literature, and Popular Culture
full name / name of organization: Karen J. Renner / Northern Arizona University
contact email: karen.j.renner@gmail.com
From the possibly possessed Miles and Flora in _The Turn of the Screw_ to the feral children in _Lord of the Flies_ to the demonic Damien in _The Omen_, evil children take on various forms. Some are corrupted by external influences—violent media, abuse, or Satan himself. Others, as the title of William March’s 1954 novel suggests, are simply “bad seeds,” inheritors of morally deficient genes and rotten to the core from birth. To discuss evil children as a singular trope would thus disregard the variations in their form and function. For this panel, I am seeking papers that address the role that evil children play in literary texts, films, and popular culture. Are they repositories for particular cultural anxieties? Emblems of historical changes to the family unit? Responses to juvenile crime? Markers of evolutions in psychological theories of selfhood? How do evil children reflect shifting views of innocence and depravity, redemption and sin? Are they a product of Freudian thought? If not, do pre-Freudian evil children differ from their post-Freudian counterparts? Papers may address texts from any time period or country, and I am particularly interested in examinations that are situated within a historical or cultural context.
Please send 250-500-word abstracts and one-page CV (as well as any questions) to Dr. Karen J. Renner (Northern Arizona University) at karen.j.renner@gmail.com. Materials should be submitted as attachments by September 30, 2011, with your subject line as “2012 NeMLA Abstract” and should include the following information: name, affiliation, email address, postal address, telephone number, and A/V requirements (if any; note A/V has $10 handling fee to be paid with registration).
Information for the convention can be found at http://www.nemla.org/convention/.
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at
9:21 PM
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Labels:
Calls for Papers,
Fiction,
Film,
Gothic,
Horror,
Television
CFP Essay Collection: Transformers: More Than Meets the Eye (11/1/11)
http://call-for-papers.sas.upenn.edu/node/41925
Call for Contributions to an Essay Collection: Transformers: More Than Meets the Eye
full name / name of organization: Audrey DeLong, PhD
contact email: delonga@sunysuffolk.edu
The editor is currently seeking proposals for an essay collection investigating and interrogating the popular Transformers franchise.
With this summer’s release of a third major blockbuster film, along with an ongoing comic series, and a new cartoon series, on top of perennial toylines, the Transformers franchise has grown and developed significantly from its humble start in 1984 as a toy-hawking cartoon, while many of its mid-80s peers have languished in neglect. What is it that has captured the imagination for so long? What has kept it alive through so many changes of media, market pressure, and fictive universe?
This collection is seeking to answer that question from a myriad of perspectives. We invite authors to write from any perspective. Here are some possible—but not exclusionary—topics:
__Imperialism/Colonialism
__Portrayals of gender in both the robots and their human associates
__Technophilia/technophobia
__ Development of canon
__Hasbro/Corporate Influence
__Metaphors of invasion
__Good vs evil: How evil are those ‘Evil Decepticons’? How ‘good’ are the Autobots?
__Impact of media on narratology
Please submit a 500 word abstract to delonga@sunysuffolk.edu by 1 Nov 2011. Queries, and less formal questions also welcome.
Call for Contributions to an Essay Collection: Transformers: More Than Meets the Eye
full name / name of organization: Audrey DeLong, PhD
contact email: delonga@sunysuffolk.edu
The editor is currently seeking proposals for an essay collection investigating and interrogating the popular Transformers franchise.
With this summer’s release of a third major blockbuster film, along with an ongoing comic series, and a new cartoon series, on top of perennial toylines, the Transformers franchise has grown and developed significantly from its humble start in 1984 as a toy-hawking cartoon, while many of its mid-80s peers have languished in neglect. What is it that has captured the imagination for so long? What has kept it alive through so many changes of media, market pressure, and fictive universe?
This collection is seeking to answer that question from a myriad of perspectives. We invite authors to write from any perspective. Here are some possible—but not exclusionary—topics:
__Imperialism/Colonialism
__Portrayals of gender in both the robots and their human associates
__Technophilia/technophobia
__ Development of canon
__Hasbro/Corporate Influence
__Metaphors of invasion
__Good vs evil: How evil are those ‘Evil Decepticons’? How ‘good’ are the Autobots?
__Impact of media on narratology
Please submit a 500 word abstract to delonga@sunysuffolk.edu by 1 Nov 2011. Queries, and less formal questions also welcome.
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at
9:19 PM
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Labels:
Calls for Papers,
Film,
Science Fiction,
Television
CFP Children's Media (11/1/11)
http://call-for-papers.sas.upenn.edu/node/41943
Children's Media
full name / name of organization: Interdisciplinary Humanities
contact email: Dr. Wynn Yarbrough - wynnyarbrough@hotmail.com or Dr. Michael Howarth - howarth-m@mssu.edu
The spring 2012 issue of Interdisciplinary Humanities will focus on children’s media. We will be looking for scholarly articles and nonfiction essays that explore works produced for children or works that focus predominantly on children: video games, picture books, fantasy works, hip-hop music/poetry, illustrated works, anime, film, and children's poetry, to name a few. These various media are relevant to children and have become an important part of twenty-first century scholarly study. We ask that all essays be interdisciplinary in nature and that they do not exceed 6,000 words. Please send inquiries and submissions to either Dr. Wynn Yarbrough at wynnyarbrough@hotmail.com or to Dr. Michael Howarth at howarth-m@mssu.edu by November 1, 2011.
Interdisciplinary Humanities is a refereed, scholarly journal published by HERA, the Humanities, Education, and Research Association.
Children's Media
full name / name of organization: Interdisciplinary Humanities
contact email: Dr. Wynn Yarbrough - wynnyarbrough@hotmail.com or Dr. Michael Howarth - howarth-m@mssu.edu
The spring 2012 issue of Interdisciplinary Humanities will focus on children’s media. We will be looking for scholarly articles and nonfiction essays that explore works produced for children or works that focus predominantly on children: video games, picture books, fantasy works, hip-hop music/poetry, illustrated works, anime, film, and children's poetry, to name a few. These various media are relevant to children and have become an important part of twenty-first century scholarly study. We ask that all essays be interdisciplinary in nature and that they do not exceed 6,000 words. Please send inquiries and submissions to either Dr. Wynn Yarbrough at wynnyarbrough@hotmail.com or to Dr. Michael Howarth at howarth-m@mssu.edu by November 1, 2011.
Interdisciplinary Humanities is a refereed, scholarly journal published by HERA, the Humanities, Education, and Research Association.
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Blog Editor, The Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture
at
9:14 PM
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Labels:
Anime,
Calls for Papers,
Comics,
Electronic Games,
Fantasy,
Fiction,
Film,
Television
CFP TV Series Redux: Recycling, Remaking, Resuming Conference (France) (10/15/11)
http://call-for-papers.sas.upenn.edu/node/41978
TV Series Redux: Recycling, Remaking, Resuming. (University of Rouen, France,12-13-14 September 2012)
full name / name of organization:
Equipe de Recherche Interdisciplinaire sur les Aires Culturelles (ERIAC), University of Rouen
contact email: seriestv.rouen2012@univ-rouen.fr
This interdisciplinary conference will examine the question of recycling, remaking and resuming in TV series. Bearing in mind that this television genre can be regarded as an aesthetic, ideological, narrative and sociocultural object, we welcome paper proposals focusing on the connections between the following aspects:
Sociocultural approaches and ideological issues
- the recycling of stereotypes and clichés, potentially with a view to subverting them (contributors may address the circulation of a type of character or a type of location through several series); the recycling of external discourses (such as media discourse, academic discourse) within the context and narrative of a series;
- more generally, the ways series reflect the societies which both create and watch them by echoing, reviving and revisiting contemporary or past events (through background allusions, explicit references or the insertion of archival images, for instance). Which worldview is thus conveyed by the conjuring up of this or that collective memory?
Intertextuality and interpictoriality
- adaptation, transposition, appropriation, remake: re-mediations (such as the adaptation of a novel, a comic strip or a film into a series, and vice versa); new versions of older or successful series (cult series, foreign series); reshuffling, reworking and “re-imagining”; narrative blossoming and dissemination (sometimes resorting to other media), spin-offs, webisodes, continuations of specific sub-plots; parodies and echoes of certain TV, filmic and artistic genres;
- more pointedly, the reprocessing and integration of external cultural elements (for instance in opening and end credits): verbal and visual quotations from the literary, cinematic or television heritage; references to a shared musical culture (in the sound track, or the diegesis, through cover versions, etc.); crossovers (when one or several diegetic elements “cross over” from one series to another); re-casting of the lead actor or actress of another series or film; playful interactions with the audience (so that one may wonder whether these more or less explicit hints give birth to a form of bonding with a particular category of viewers, somehow reproducing “distinction” strategies within mass culture).
Seriality
Special attention will be paid to what differentiates the series from other visual or narrative forms, i.e. the seriality of series. The following dimensions may be explored:
- strategies meant to resume the main narrative thread after the series has been interrupted for a few minutes or a few months (by a commercial break, by the time span separating two episodes or two seasons); playing with the viewer’s memory (through intratextuality and intrapictoriality, through the use of different timelines, the manipulations of the “previously on” and motifs cropping up in the credits);
- proposals may study how TV series, whether they follow an endlessly repeated pattern (as in formulaic shows or case-of-the-week series) or belong to the more recent trend of serialised dramas, combine the reiteration of similar narrative plots, characters and locations with the necessity to insert new elements, unexpected events and revelations;
- recurrent consumption rituals: how is the seriality of TV series redefined by new modes of viewing (DVD, Video On Demand, streaming, downloading) or by the grafting and thriving of the diegetic universe in other media (and on the Internet in particular)?
- reflexive echoes: mise en abyme (TV screen within the TV screen and series within the series as self-reflexivity); the way the series pulls itself together and starts again after momentarily wandering off track to picture the hypothetical development of a given character or situation; repetition or allusion supporting a self-definition.
Papers may be given either in English or in French. Selected and peer-reviewed proceedings will be published in the journal TV/Series.
Organization board: Sylvaine Bataille (University of Rouen), Florence Cabaret (University of Rouen), Sarah Hatchuel (University of Le Havre).
Please send a 300-word abstract and a 100-word biographical note (in English or in French) to seriestv.rouen2012@univ-rouen.fr by 15 October 2011.
TV Series Redux: Recycling, Remaking, Resuming. (University of Rouen, France,12-13-14 September 2012)
full name / name of organization:
Equipe de Recherche Interdisciplinaire sur les Aires Culturelles (ERIAC), University of Rouen
contact email: seriestv.rouen2012@univ-rouen.fr
This interdisciplinary conference will examine the question of recycling, remaking and resuming in TV series. Bearing in mind that this television genre can be regarded as an aesthetic, ideological, narrative and sociocultural object, we welcome paper proposals focusing on the connections between the following aspects:
Sociocultural approaches and ideological issues
- the recycling of stereotypes and clichés, potentially with a view to subverting them (contributors may address the circulation of a type of character or a type of location through several series); the recycling of external discourses (such as media discourse, academic discourse) within the context and narrative of a series;
- more generally, the ways series reflect the societies which both create and watch them by echoing, reviving and revisiting contemporary or past events (through background allusions, explicit references or the insertion of archival images, for instance). Which worldview is thus conveyed by the conjuring up of this or that collective memory?
Intertextuality and interpictoriality
- adaptation, transposition, appropriation, remake: re-mediations (such as the adaptation of a novel, a comic strip or a film into a series, and vice versa); new versions of older or successful series (cult series, foreign series); reshuffling, reworking and “re-imagining”; narrative blossoming and dissemination (sometimes resorting to other media), spin-offs, webisodes, continuations of specific sub-plots; parodies and echoes of certain TV, filmic and artistic genres;
- more pointedly, the reprocessing and integration of external cultural elements (for instance in opening and end credits): verbal and visual quotations from the literary, cinematic or television heritage; references to a shared musical culture (in the sound track, or the diegesis, through cover versions, etc.); crossovers (when one or several diegetic elements “cross over” from one series to another); re-casting of the lead actor or actress of another series or film; playful interactions with the audience (so that one may wonder whether these more or less explicit hints give birth to a form of bonding with a particular category of viewers, somehow reproducing “distinction” strategies within mass culture).
Seriality
Special attention will be paid to what differentiates the series from other visual or narrative forms, i.e. the seriality of series. The following dimensions may be explored:
- strategies meant to resume the main narrative thread after the series has been interrupted for a few minutes or a few months (by a commercial break, by the time span separating two episodes or two seasons); playing with the viewer’s memory (through intratextuality and intrapictoriality, through the use of different timelines, the manipulations of the “previously on” and motifs cropping up in the credits);
- proposals may study how TV series, whether they follow an endlessly repeated pattern (as in formulaic shows or case-of-the-week series) or belong to the more recent trend of serialised dramas, combine the reiteration of similar narrative plots, characters and locations with the necessity to insert new elements, unexpected events and revelations;
- recurrent consumption rituals: how is the seriality of TV series redefined by new modes of viewing (DVD, Video On Demand, streaming, downloading) or by the grafting and thriving of the diegetic universe in other media (and on the Internet in particular)?
- reflexive echoes: mise en abyme (TV screen within the TV screen and series within the series as self-reflexivity); the way the series pulls itself together and starts again after momentarily wandering off track to picture the hypothetical development of a given character or situation; repetition or allusion supporting a self-definition.
Papers may be given either in English or in French. Selected and peer-reviewed proceedings will be published in the journal TV/Series.
Organization board: Sylvaine Bataille (University of Rouen), Florence Cabaret (University of Rouen), Sarah Hatchuel (University of Le Havre).
Please send a 300-word abstract and a 100-word biographical note (in English or in French) to seriestv.rouen2012@univ-rouen.fr by 15 October 2011.
Posted by
Blog Editor, The Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture
at
9:11 PM
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Labels:
Calls for Papers,
Comics,
Conferences of Interest,
Television
CFP ZOMBOSIUM! A symposium on zombies (UK) (9/9/11)
http://call-for-papers.sas.upenn.edu/node/41981
ARGH! BRAINS! BLOOD! ARGH! ZOMBOSIUM! A symposium on zombies - 28 October 2011
full name / name of organization:
University of Winchester, Hampshire, UK
contact email:
marcus.leaning@winchester.ac.uk
Locked deep in the bowels of Winchester University a team of deranged (social) scientists from the School of Media and Film have been conducting hideous research into the living dead (clearly ignoring the guidelines of the Faculty of Arts Research Ethics committee). The research has now escaped and we invite colleagues to join us and spread your own diabolical research on Zombies at ‘ZOMBOSIUM’ - a one day symposium / conference on zombies.
The Zombie virus (if that is what caused them) has spread across the media and now infects film, television, new media (especially web 2.0 and social media), computer and video games, print media (comics and other formats) and literary texts. We welcome papers that will infect the audience with research considering zombies in the above media and with topics such as:
Zombie culture;
Aspects of Zombie films and ‘Cinema Zombie’;
Zombie B movies;
George A. Romero’s world;
Shopping malls and zombie geography;
Self help videos for the post apocalyptic world;
Zombie guides;
Zombie creatives and practitioners;
Theorising zombies;
Zombie fan fiction and fan film;
Online communal texts on zombie;
Zombie TV shows: including The Walking Dead and Dead Set;
Nazi zombies;
Zombie games and mods;
Zombies in music.
Keynote to be announced.
Abstracts of up to 250 words should be emailed to marcus.leaning@winchester.ac.uk by September 9th 2011.
The Zombosium is free to attend.
ARGH! BRAINS! BLOOD! ARGH! ZOMBOSIUM! A symposium on zombies - 28 October 2011
full name / name of organization:
University of Winchester, Hampshire, UK
contact email:
marcus.leaning@winchester.ac.uk
Locked deep in the bowels of Winchester University a team of deranged (social) scientists from the School of Media and Film have been conducting hideous research into the living dead (clearly ignoring the guidelines of the Faculty of Arts Research Ethics committee). The research has now escaped and we invite colleagues to join us and spread your own diabolical research on Zombies at ‘ZOMBOSIUM’ - a one day symposium / conference on zombies.
The Zombie virus (if that is what caused them) has spread across the media and now infects film, television, new media (especially web 2.0 and social media), computer and video games, print media (comics and other formats) and literary texts. We welcome papers that will infect the audience with research considering zombies in the above media and with topics such as:
Zombie culture;
Aspects of Zombie films and ‘Cinema Zombie’;
Zombie B movies;
George A. Romero’s world;
Shopping malls and zombie geography;
Self help videos for the post apocalyptic world;
Zombie guides;
Zombie creatives and practitioners;
Theorising zombies;
Zombie fan fiction and fan film;
Online communal texts on zombie;
Zombie TV shows: including The Walking Dead and Dead Set;
Nazi zombies;
Zombie games and mods;
Zombies in music.
Keynote to be announced.
Abstracts of up to 250 words should be emailed to marcus.leaning@winchester.ac.uk by September 9th 2011.
The Zombosium is free to attend.
Posted by
Blog Editor, The Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture
at
9:09 PM
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Labels:
Calls for Papers,
Conferences of Interest,
Fiction,
Film,
Horror,
Science Fiction,
Television
CFP Indigenous Absence and Presence in Sci-Fi and Comics (SW/TX ACA/PCA) (12/1/11)
http://call-for-papers.sas.upenn.edu/node/42056
Indigenous 'Deep' Space: Indigenous Absence and Presence in Sci-Fi and Comics. SW/TX ACA/PCA February 8-11, 2012.
full name / name of organization:
Southwest/Texas Popular Culture/American Culture Association
contact email:
nativestudiespca@gmail.com
Call for Papers: "Indigenous 'Deep' Space:
Indigenous Absence and Presence in Sci-Fi and Comics"
2012 Southwest/Texas Popular Culture/American Culture Association
February 8-11, 2012
Southwest/Texas Popular & American Culture Association's
33rd Annual Conference in Albuquerque, NM
EMAIL 250-word abstract to: nativestudiespca@gmail.com
Paper proposals are now being accepted for a panel dedicated to the absence and presence of Indigenous characters and cultures in popular Sci-Fi and comics. From Star Trek Voyager's Chakotay to the X-Men's Danielle Moonstar, Sci-Fi and comic genres have capitalized on the Indigenous landscape for characters and cultures. This panel asks presenters to examine and discuss the absence and presence of Indigenous characters and cultures in these popular genres.
The deadline for submitting proposals is December 1, 2011.
Listed below are some suggestions for possible presentations, but topics not included here are welcomed and encouraged:
●Indigenous Writers of Sci-Fi and speculative fiction genres.
●Indigenous Cultures In Space (Issues of colonization that mirror Indigenous histories in Sci-Fi Deep Space Settings)
●Blue Corn Comics
●Indigenous/Native American descended characters in Sci-Fi
●Indigenous/Native American descended characters in comic and graphic novels
●Specific Sci-fi T.V. Shows incorporating Indigenous Cultures and Characters (episodes of Stargate, Angel, Buffy, Star Trek etc).
●Online Comics
●History of Indigenous Characters in Sci-fi or comics
Inquiries regarding this area and/or abstracts of 250 words may be sent to Brian Hudson and Margaret Vaughan at this email nativestudiespca@gmail.com
Please forward this information to people who would be interested in participating.
Indigenous 'Deep' Space: Indigenous Absence and Presence in Sci-Fi and Comics. SW/TX ACA/PCA February 8-11, 2012.
full name / name of organization:
Southwest/Texas Popular Culture/American Culture Association
contact email:
nativestudiespca@gmail.com
Call for Papers: "Indigenous 'Deep' Space:
Indigenous Absence and Presence in Sci-Fi and Comics"
2012 Southwest/Texas Popular Culture/American Culture Association
February 8-11, 2012
Southwest/Texas Popular & American Culture Association's
33rd Annual Conference in Albuquerque, NM
EMAIL 250-word abstract to: nativestudiespca@gmail.com
Paper proposals are now being accepted for a panel dedicated to the absence and presence of Indigenous characters and cultures in popular Sci-Fi and comics. From Star Trek Voyager's Chakotay to the X-Men's Danielle Moonstar, Sci-Fi and comic genres have capitalized on the Indigenous landscape for characters and cultures. This panel asks presenters to examine and discuss the absence and presence of Indigenous characters and cultures in these popular genres.
The deadline for submitting proposals is December 1, 2011.
Listed below are some suggestions for possible presentations, but topics not included here are welcomed and encouraged:
●Indigenous Writers of Sci-Fi and speculative fiction genres.
●Indigenous Cultures In Space (Issues of colonization that mirror Indigenous histories in Sci-Fi Deep Space Settings)
●Blue Corn Comics
●Indigenous/Native American descended characters in Sci-Fi
●Indigenous/Native American descended characters in comic and graphic novels
●Specific Sci-fi T.V. Shows incorporating Indigenous Cultures and Characters (episodes of Stargate, Angel, Buffy, Star Trek etc).
●Online Comics
●History of Indigenous Characters in Sci-fi or comics
Inquiries regarding this area and/or abstracts of 250 words may be sent to Brian Hudson and Margaret Vaughan at this email nativestudiespca@gmail.com
Please forward this information to people who would be interested in participating.
Posted by
Blog Editor, The Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture
at
9:07 PM
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Labels:
Calls for Papers,
Comics,
Film,
Science Fiction
CFP Dread, Ghost, Specter, and Possession in Asian, African and Latin American Cinema (8/15/11)
http://call-for-papers.sas.upenn.edu/node/42070
CFP: “Dread, Ghost, Specter, and Possession”
full name / name of organization:
manycinemas
contact email:
manycinemas@anpa.de
For our third issue (Spring 2012) we look for articles on the topics: DREAD, GHOST, SPECTER and POSSESSION in Asian, African and Latin American Cinema. (Deadline for proposals 15/08/11).
Dread, Ghost, Specter, and Possession
in Asian, African and Latin American Cinema
"For who can wonder that man should feel
a vague belief in tales of disembodied spirits
wandering through those places which they once
dearly affected, when he himself, scarcely less
separated from his old world than they, is for
ever lingering upon past emotions and bygone
times, and hovering, the ghost of his former
self, about the places and people that warmed
his heart of old?"
(Charles Dickens: Master Humphrey's Clock)
In our third issue of manycinemas we are turning our attention to the unexplainable and the supernatural. We are looking for academic essays on films in which we get in touch with “Dread, Ghost, Specter, and Possession.”
We are interested in cinematic aesthetics of films which show these phenomena out of the view of different cultural backgrounds. Like in the other issues these should be films from Africa, Asia, and Latin America.
Dread – cinema is a modern tale. The monsters of childhood/past come alive and haunt the protagonists on the screen. How do they meet their fears? How does the film show the fear? And, is there any escape?
Ghost – what kind of ghosts are manifested in non-western cinema? How do they haunt, or do they do such things at all?
Specter - dreams, visions, how does film show these things, from where do they come from, and what kind of meaning they have?
Possession – how is a character going to be possessed by something/someone. And how is the behavior of the possessed?
There are many movies all over the world which show one of these phenomena. We are looking for essays which analyze films on one, two, or more of the issue's topics.
We are interested in:
the cultural anchors and meaning(s) of supernatural phenomena
appearance of ghosts, specters, etc.
the role of ghosts/ specters in movies (good or evil)
dread and religion
raising the dead
juju films, yokai movies, etc.
and much more
We are also looking for our rubric Beyond the Screen for an essay on this topic which is loosely connected to film like theater, music, dance, performance, visual culture, comic...
Please send us your proposal (300-500 words) with the titles of films you will include and a brief CV until 15th August 2011. Do not hesitate to mail us, if you have some questions.
The later articles should have a length of 3000 to 5000 words. For styleguide: look here http://www.manycinemas.org/styleguide.html
Please send your proposal to
Helen Staufer and Michael Christopher
manycinemas@anpa.de
or: editors@manycinemas.org
Manycinemas 01: urban/rural is now online.
Please have a look: manycinemas issue 01: urban/rural
CFP: “Dread, Ghost, Specter, and Possession”
full name / name of organization:
manycinemas
contact email:
manycinemas@anpa.de
For our third issue (Spring 2012) we look for articles on the topics: DREAD, GHOST, SPECTER and POSSESSION in Asian, African and Latin American Cinema. (Deadline for proposals 15/08/11).
Dread, Ghost, Specter, and Possession
in Asian, African and Latin American Cinema
"For who can wonder that man should feel
a vague belief in tales of disembodied spirits
wandering through those places which they once
dearly affected, when he himself, scarcely less
separated from his old world than they, is for
ever lingering upon past emotions and bygone
times, and hovering, the ghost of his former
self, about the places and people that warmed
his heart of old?"
(Charles Dickens: Master Humphrey's Clock)
In our third issue of manycinemas we are turning our attention to the unexplainable and the supernatural. We are looking for academic essays on films in which we get in touch with “Dread, Ghost, Specter, and Possession.”
We are interested in cinematic aesthetics of films which show these phenomena out of the view of different cultural backgrounds. Like in the other issues these should be films from Africa, Asia, and Latin America.
Dread – cinema is a modern tale. The monsters of childhood/past come alive and haunt the protagonists on the screen. How do they meet their fears? How does the film show the fear? And, is there any escape?
Ghost – what kind of ghosts are manifested in non-western cinema? How do they haunt, or do they do such things at all?
Specter - dreams, visions, how does film show these things, from where do they come from, and what kind of meaning they have?
Possession – how is a character going to be possessed by something/someone. And how is the behavior of the possessed?
There are many movies all over the world which show one of these phenomena. We are looking for essays which analyze films on one, two, or more of the issue's topics.
We are interested in:
the cultural anchors and meaning(s) of supernatural phenomena
appearance of ghosts, specters, etc.
the role of ghosts/ specters in movies (good or evil)
dread and religion
raising the dead
juju films, yokai movies, etc.
and much more
We are also looking for our rubric Beyond the Screen for an essay on this topic which is loosely connected to film like theater, music, dance, performance, visual culture, comic...
Please send us your proposal (300-500 words) with the titles of films you will include and a brief CV until 15th August 2011. Do not hesitate to mail us, if you have some questions.
The later articles should have a length of 3000 to 5000 words. For styleguide: look here http://www.manycinemas.org/styleguide.html
Please send your proposal to
Helen Staufer and Michael Christopher
manycinemas@anpa.de
or: editors@manycinemas.org
Manycinemas 01: urban/rural is now online.
Please have a look: manycinemas issue 01: urban/rural
Posted by
Blog Editor, The Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture
at
9:05 PM
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Labels:
Calls for Papers,
Film,
Gothic,
Horror,
Preternatural/Supernatural
CFP Children's series books and internationalism (Collection) (11/1/11)
http://call-for-papers.sas.upenn.edu/node/41769
Call for contributions to essay collection: Children's series books and internationalism
full name / name of organization:
Marietta Frank, U Pitt-Bradford, and Karen Sands-O'Connor, Buffalo State College
contact email:
marietta@penn.edu and sandsk@buffalostate.edu
The editors are currently seeking proposals for a collection of essays investigating internationalism in children’s series books. With the tenth anniversary of the World Trade Center bombings, the “Arab Spring,” and the increasing demands of non-Western countries for a voice in global politics, this is a particularly pertinent moment to examine how literature for children faces the challenges and possibilities of global interaction. Series books, with their reliance on the comfort of the familiar blended with the lure of adventure, frequently use the foreign and/or international setting as moral proving ground for the characters. We are especially interested in the attitudes taken by authors of and characters in series books toward other nations and people throughout time, and the ways in which series books have acted as explicator or advocate for a nation’s foreign policies, or as dissenting voice to either official policies or socio-cultural attitudes of the time. We welcome essays on series books for children from any perspective, but possible topics might include:
--Colonialism and imperialism and international perspectives in series books
--Comic book heroes and international “bad guys”
--Cold War politics in series books
--Science fiction and internationalism
--Gender and gender differences in series books set in foreign countries
--Environmental or other global concerns in series fiction
--Nonfiction series about global issues
--Non-Western perspectives on internationalism
Please send 500-word titled abstracts, with a brief (no more than 150 words) author biography, by November 1st, 2011, to both editors (sandsk@buffalostate.edu and Marietta@penn.com). Authors whose abstracts are accepted will be expected to produce completed (5000-7,500 words) chapters by June 1st, 2012.
Call for contributions to essay collection: Children's series books and internationalism
full name / name of organization:
Marietta Frank, U Pitt-Bradford, and Karen Sands-O'Connor, Buffalo State College
contact email:
marietta@penn.edu and sandsk@buffalostate.edu
The editors are currently seeking proposals for a collection of essays investigating internationalism in children’s series books. With the tenth anniversary of the World Trade Center bombings, the “Arab Spring,” and the increasing demands of non-Western countries for a voice in global politics, this is a particularly pertinent moment to examine how literature for children faces the challenges and possibilities of global interaction. Series books, with their reliance on the comfort of the familiar blended with the lure of adventure, frequently use the foreign and/or international setting as moral proving ground for the characters. We are especially interested in the attitudes taken by authors of and characters in series books toward other nations and people throughout time, and the ways in which series books have acted as explicator or advocate for a nation’s foreign policies, or as dissenting voice to either official policies or socio-cultural attitudes of the time. We welcome essays on series books for children from any perspective, but possible topics might include:
--Colonialism and imperialism and international perspectives in series books
--Comic book heroes and international “bad guys”
--Cold War politics in series books
--Science fiction and internationalism
--Gender and gender differences in series books set in foreign countries
--Environmental or other global concerns in series fiction
--Nonfiction series about global issues
--Non-Western perspectives on internationalism
Please send 500-word titled abstracts, with a brief (no more than 150 words) author biography, by November 1st, 2011, to both editors (sandsk@buffalostate.edu and Marietta@penn.com). Authors whose abstracts are accepted will be expected to produce completed (5000-7,500 words) chapters by June 1st, 2012.
Posted by
Blog Editor, The Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture
at
8:52 PM
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Labels:
Calls for Papers,
Comics,
Science Fiction
CFP Weird Tools and Strange Investigations, Spec. Issue of Preternature (7/15/11)
Weird Tools and Strange Investigations
full name / name of organization:
Preternature: Critical and Historical Studies in the Preternatural | http://preternature.org
contact email:
kirsten@uszkalo.com
Weird Tools and Strange Investigations
Objects of all sorts have a long history of serving as bridges to the preternatural world, whether that be in terms of some intrinsic power, or as things possessed or haunted. The shaman’s beads, the saint’s bones, the astrologer’s charts, the conjurer’s circle, the scryer’s stone, the spiritualists’ crystal ball, tarot cards, Ouija boards and even holy books, all might be used in particular contexts as instruments to experience or investigate the world beyond the natural either directly or vicariously. By the same token, these objects might also be imbued with uncanny power in their own right. For those who employed them, such objects helped communicate with ethereal beings or harness their power to worldly ends. But it is also clear from the narratives constructed around them that this was a double-edged sword, for haunted or possessed objects could prove difficult to control, even dangerous, coming eventually to wield power over the user.
This issue of Preternature invites contributions that explore the relationship between objects, users and the preternatural world. How were objects construed? In what social, political and cultural contexts were they deployed, and how did the ways they were used help construct experience? How were these instruments related to crucial issues of proof and persuasion?
Abstracts of 500 words are due July 15, 2011; final papers will be due September 15, 2011. Contributions should usually be 8,000 - 12,000 words, including all documentation and critical apparatus. If accepted for publication, manuscripts will be required to adhere to the Chicago Manual of Style, 15th edition (style 1, employing footnotes).
Preternature also welcomes original editions or translations of texts related to the topic that have not otherwise been made available in recent editions or in English.
Queries about submissions, queries concerning books to be reviewed, or requests to review individual titles may be made to the Editors:
Peter Dendle
Department of English,
The Pennsylvania State University (Mont Alto)
pjd11@psu.edu
Kirsten C. Uszkalo
Department of English
Simon Fraser University
Kirsten@uszkalo.com
Inquiries about book reviews should be sent to:
Richard Raiswell
Department of History
University of Prince Edward Island
rraiswell@upei.ca
full name / name of organization:
Preternature: Critical and Historical Studies in the Preternatural | http://preternature.org
contact email:
kirsten@uszkalo.com
Weird Tools and Strange Investigations
Objects of all sorts have a long history of serving as bridges to the preternatural world, whether that be in terms of some intrinsic power, or as things possessed or haunted. The shaman’s beads, the saint’s bones, the astrologer’s charts, the conjurer’s circle, the scryer’s stone, the spiritualists’ crystal ball, tarot cards, Ouija boards and even holy books, all might be used in particular contexts as instruments to experience or investigate the world beyond the natural either directly or vicariously. By the same token, these objects might also be imbued with uncanny power in their own right. For those who employed them, such objects helped communicate with ethereal beings or harness their power to worldly ends. But it is also clear from the narratives constructed around them that this was a double-edged sword, for haunted or possessed objects could prove difficult to control, even dangerous, coming eventually to wield power over the user.
This issue of Preternature invites contributions that explore the relationship between objects, users and the preternatural world. How were objects construed? In what social, political and cultural contexts were they deployed, and how did the ways they were used help construct experience? How were these instruments related to crucial issues of proof and persuasion?
Abstracts of 500 words are due July 15, 2011; final papers will be due September 15, 2011. Contributions should usually be 8,000 - 12,000 words, including all documentation and critical apparatus. If accepted for publication, manuscripts will be required to adhere to the Chicago Manual of Style, 15th edition (style 1, employing footnotes).
Preternature also welcomes original editions or translations of texts related to the topic that have not otherwise been made available in recent editions or in English.
Queries about submissions, queries concerning books to be reviewed, or requests to review individual titles may be made to the Editors:
Peter Dendle
Department of English,
The Pennsylvania State University (Mont Alto)
pjd11@psu.edu
Kirsten C. Uszkalo
Department of English
Simon Fraser University
Kirsten@uszkalo.com
Inquiries about book reviews should be sent to:
Richard Raiswell
Department of History
University of Prince Edward Island
rraiswell@upei.ca
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CFP Ecology and SF Collection (8/31/11)
http://call-for-papers.sas.upenn.edu/node/41973
edited collection: GREEN PLANETS: ECOLOGY AND SCIENCE FICTION
full name / name of organization:
Gerry Canavan and Kim Stanley Robinson
contact email:
ecologyandsciencefiction@gmail.com
edited collection: GREEN PLANETS: ECOLOGY AND SCIENCE FICTION
Editors: Gerry Canavan and Kim Stanley Robinson (ecologyandsciencefiction@gmail.com)
Abstracts due August 31, 2011
Final essays due Summer 2012
We are seeking proposals for an edited collection tentatively titled GREEN PLANETS: ECOLOGY AND SCIENCE FICTION, with completed essays due in Summer 2012. We seek contributions that touch on any aspect of the relationship between ecological science, environmentalism, and SF, with particular attention to such topics as:
* ecological futurity and ecocriticism in SF
* visions of eco-disaster, eco-catastrophe, and eco-apocalypse
* strategies for ecotopia
* "the globe" and global thinking in SF
* science fictional critiques of global capitalism, consumerism, and ecological racism
* social justice as an ecological technology
* narratives of political resistance
* SF as it figures within current public debate about ecological science (climate change, Peak Oil, etc)
* philosophies and fantasies of Nature
* narratives of evolution, extinction, and extermination
* eco-feminist SF
* reproductive futurity
* ecology and Afrofuturism
* ecology, digitality, and techno-optimism
* terraforming and other narratives of space colonization
* aliens, alien worlds, xenobiology, and exo-ecology
* ecological thinking as a strategy for cognitive estrangement
* ecological critiques of particular unscientific or anti-ecological science fictions, or critiques of the history of the genre as a whole
We hope to produce a collection that speaks to the long history of ecological SF, ranging from the climate change that prompts the Martian invasion in War of the Worlds to Oryx and Crake, The Wind-Up Girl, Avatar, and WALL-E (and everything else before, after, and between). We likewise intend "SF" in its broadest possible sense, to include fantasy and horror literature alongside "science fiction" more narrowly construed, and hope to receive submissions that properly reflect SF as a diverse and global genre.
Please direct all queries, questions, and submissions to ecologyandsciencefiction@gmail.com. Abstracts should be around 250-300 words; submissions should also include contact information and a short bio. Please plan for final essays to range between 4000-8000 words.
edited collection: GREEN PLANETS: ECOLOGY AND SCIENCE FICTION
full name / name of organization:
Gerry Canavan and Kim Stanley Robinson
contact email:
ecologyandsciencefiction@gmail.com
edited collection: GREEN PLANETS: ECOLOGY AND SCIENCE FICTION
Editors: Gerry Canavan and Kim Stanley Robinson (ecologyandsciencefiction@gmail.com)
Abstracts due August 31, 2011
Final essays due Summer 2012
We are seeking proposals for an edited collection tentatively titled GREEN PLANETS: ECOLOGY AND SCIENCE FICTION, with completed essays due in Summer 2012. We seek contributions that touch on any aspect of the relationship between ecological science, environmentalism, and SF, with particular attention to such topics as:
* ecological futurity and ecocriticism in SF
* visions of eco-disaster, eco-catastrophe, and eco-apocalypse
* strategies for ecotopia
* "the globe" and global thinking in SF
* science fictional critiques of global capitalism, consumerism, and ecological racism
* social justice as an ecological technology
* narratives of political resistance
* SF as it figures within current public debate about ecological science (climate change, Peak Oil, etc)
* philosophies and fantasies of Nature
* narratives of evolution, extinction, and extermination
* eco-feminist SF
* reproductive futurity
* ecology and Afrofuturism
* ecology, digitality, and techno-optimism
* terraforming and other narratives of space colonization
* aliens, alien worlds, xenobiology, and exo-ecology
* ecological thinking as a strategy for cognitive estrangement
* ecological critiques of particular unscientific or anti-ecological science fictions, or critiques of the history of the genre as a whole
We hope to produce a collection that speaks to the long history of ecological SF, ranging from the climate change that prompts the Martian invasion in War of the Worlds to Oryx and Crake, The Wind-Up Girl, Avatar, and WALL-E (and everything else before, after, and between). We likewise intend "SF" in its broadest possible sense, to include fantasy and horror literature alongside "science fiction" more narrowly construed, and hope to receive submissions that properly reflect SF as a diverse and global genre.
Please direct all queries, questions, and submissions to ecologyandsciencefiction@gmail.com. Abstracts should be around 250-300 words; submissions should also include contact information and a short bio. Please plan for final essays to range between 4000-8000 words.
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Labels:
Calls for Papers,
Science Fiction
CFP 5th International Gothic Congress (Mexico) (12/31/11)
http://call-for-papers.sas.upenn.edu/node/42005
V International Gothic Congress, FFYL, UNAM, Mexico City, March 2012
full name / name of organization:
International Gothic Congress
contact email:
coloquio_gotico@hotmail.com
V International Gothic Congress
‘Gothic Plurality’
During the last years, Gothic Literature has just begun to be accepted as a literary field worth of study among Mexican scholars. The doors remain open to deepen into the study of a style whose manifestations go beyond the barriers represented by time, culture, genre, and art modes.
Objetive: After the great response received in the previous Gothic Congresses (2008 - 2011), this time the aim is to keep encouraging the interest in the Gothic among both students and scholars at the UNAM (National Autonomous University of Mexico) and other Mexican institutions. To achieve this, we propose to start from the study of the plural presence of the Gothic in various modes of art , as well as time and space contexts.
Dates: March 26, 27 & 28, 2012 (Monday, Tuesday, and Wednesday).
Place: Salón de Actos I, Faculty of Philosophy and Literature (FFyL), UNAM (Nacional Autonomous University of Mexico), Mexico City.
Call for Papers: We are calling for papers centered upon the idea of the Gothic as a timeless and intertextual plural phenomenon in arts.
Other Possible topics:
. History and evolution of Gothic Literature
. Gothic elements in Mexican and Latin-American Literature
. National Gothic Literatures (British Gothic, Scottish Gothic, American Gothic,
etc.)
. Gothic Literature and Postmodernism
. The future of Gothic Literature
. Gothic in Film and Art
Those interested in taking part in the congress are asked to send an abstract of their paper in 200 words, including its title; as well as a short summary of their academic background (50 words) with full name of the participant.
The proposals will be received until December 31, 2011.
The participants will be given around 20 minutes to read their papers. The works can be presented in either English or Spanish.
Keynote speakers will be given 50 minutes to read, with 10 minutes to answer questions from the public.
Those whose papers get accepted to participate in the congress can send a version of the paper to be included in the congress yearbook between March 23 and April 20, 2012. Such version must include both reference footnotes and the corresponding bibliography.
All proposals, papers and questions are to be sent to:
coloquio_gotico@hotmail.com / antonio.alcala@itesm.mx
Blog: http://gothiccongress.blogspot.com/
V International Gothic Congress, FFYL, UNAM, Mexico City, March 2012
full name / name of organization:
International Gothic Congress
contact email:
coloquio_gotico@hotmail.com
V International Gothic Congress
‘Gothic Plurality’
During the last years, Gothic Literature has just begun to be accepted as a literary field worth of study among Mexican scholars. The doors remain open to deepen into the study of a style whose manifestations go beyond the barriers represented by time, culture, genre, and art modes.
Objetive: After the great response received in the previous Gothic Congresses (2008 - 2011), this time the aim is to keep encouraging the interest in the Gothic among both students and scholars at the UNAM (National Autonomous University of Mexico) and other Mexican institutions. To achieve this, we propose to start from the study of the plural presence of the Gothic in various modes of art , as well as time and space contexts.
Dates: March 26, 27 & 28, 2012 (Monday, Tuesday, and Wednesday).
Place: Salón de Actos I, Faculty of Philosophy and Literature (FFyL), UNAM (Nacional Autonomous University of Mexico), Mexico City.
Call for Papers: We are calling for papers centered upon the idea of the Gothic as a timeless and intertextual plural phenomenon in arts.
Other Possible topics:
. History and evolution of Gothic Literature
. Gothic elements in Mexican and Latin-American Literature
. National Gothic Literatures (British Gothic, Scottish Gothic, American Gothic,
etc.)
. Gothic Literature and Postmodernism
. The future of Gothic Literature
. Gothic in Film and Art
Those interested in taking part in the congress are asked to send an abstract of their paper in 200 words, including its title; as well as a short summary of their academic background (50 words) with full name of the participant.
The proposals will be received until December 31, 2011.
The participants will be given around 20 minutes to read their papers. The works can be presented in either English or Spanish.
Keynote speakers will be given 50 minutes to read, with 10 minutes to answer questions from the public.
Those whose papers get accepted to participate in the congress can send a version of the paper to be included in the congress yearbook between March 23 and April 20, 2012. Such version must include both reference footnotes and the corresponding bibliography.
All proposals, papers and questions are to be sent to:
coloquio_gotico@hotmail.com / antonio.alcala@itesm.mx
Blog: http://gothiccongress.blogspot.com/
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Labels:
Calls for Papers,
Conferences of Interest,
Gothic
CFP Potterwatch 2011 Conference (8/15/11)
http://call-for-papers.sas.upenn.edu/node/42065
[UPDATE] Potterwatch 2011: Accepting proposals until August 15
full name / name of organization:
Potterwatch and
contact email:
unccpotterconference@gmail.com
Harry Potter and Crossover Audiences
the 2011 PotterWatch Conference
at the University of North Carolina at Charlotte
October 1, 2011
Charlotte, NC
The Harry Potter series has been translated into more than 60 languages, inspired a multi-million dollar theme park, and prompted the creation of an “International Quidditch Association” comprised of hundreds of teams. What began as a British children’s book became an international best-selling series. Much of the success of the novels can be attributed to crossover appeal—how Harry is loved by audiences of a variety of ages, genders, and religions. How do the books speak to so many different, sometimes opposing, audiences? Why do we love Harry so much?
Together, PotterWatch, the official Harry Potter club of UNC Charlotte, and the Children's Graduate Literature Organization of UNC Charlotte will be hosting an academic conference focusing on the theme of audiences within the Harry Potter series and fandom. We invite submissions of paper and panel proposals that address the theme of audience and crossover appeal in relation to the Harry Potter series, looking at reader response from a variety of academic perspectives.
Suggested topics include:
• Harry Potter from an international perspective
• Religious responses to the series
• Generational appeal (the “crossover” novel)
• group response to Harry Potter (fan clubs, Quidditch, book/movie premieres, etc.)
• is Harry Potter a “boy’s book?”
To be considered for presentation, please submit a 500-word abstract for individual papers or panel proposals to unccpotterconference@gmail.com by August 15, 2011. Please include the paper title, your name (and names of all panel presenters if applicable), your institution, and your affiliation (faculty, student, other). Individual presentations should be 10-15 minutes in length, while panel presentations should last for 45 minutes. Graduate and undergraduate students are encouraged to submit proposals.
[UPDATE] Potterwatch 2011: Accepting proposals until August 15
full name / name of organization:
Potterwatch and
contact email:
unccpotterconference@gmail.com
Harry Potter and Crossover Audiences
the 2011 PotterWatch Conference
at the University of North Carolina at Charlotte
October 1, 2011
Charlotte, NC
The Harry Potter series has been translated into more than 60 languages, inspired a multi-million dollar theme park, and prompted the creation of an “International Quidditch Association” comprised of hundreds of teams. What began as a British children’s book became an international best-selling series. Much of the success of the novels can be attributed to crossover appeal—how Harry is loved by audiences of a variety of ages, genders, and religions. How do the books speak to so many different, sometimes opposing, audiences? Why do we love Harry so much?
Together, PotterWatch, the official Harry Potter club of UNC Charlotte, and the Children's Graduate Literature Organization of UNC Charlotte will be hosting an academic conference focusing on the theme of audiences within the Harry Potter series and fandom. We invite submissions of paper and panel proposals that address the theme of audience and crossover appeal in relation to the Harry Potter series, looking at reader response from a variety of academic perspectives.
Suggested topics include:
• Harry Potter from an international perspective
• Religious responses to the series
• Generational appeal (the “crossover” novel)
• group response to Harry Potter (fan clubs, Quidditch, book/movie premieres, etc.)
• is Harry Potter a “boy’s book?”
To be considered for presentation, please submit a 500-word abstract for individual papers or panel proposals to unccpotterconference@gmail.com by August 15, 2011. Please include the paper title, your name (and names of all panel presenters if applicable), your institution, and your affiliation (faculty, student, other). Individual presentations should be 10-15 minutes in length, while panel presentations should last for 45 minutes. Graduate and undergraduate students are encouraged to submit proposals.
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Labels:
Calls for Papers,
Conferences of Interest,
Fantasy,
Film,
Harry Potter
CFP The Apocalypse in Literature and Film, Spec. Issue of LIT: Literature Interpretation Theory (10/1/11)
http://call-for-papers.sas.upenn.edu/node/42059
[UPDATE] The Apocalypse in Literature and Film - October 1, 2011
full name / name of organization:
_LIT: Literature Interpretation Theory_
contact email:
litjourn@yahoo.com
Alien invasion, viral outbreak, nuclear holocaust, the rise of the machines, the flood, the second coming, the second ice age—these are just a few of the ways human beings have imagined their “end of days.” And someone’s Armageddon clock is always ticking—we just dodged Harold Camping’s rapture on May 21st of this year, and the Mayan-predicted doomsday of 2012 is just around the corner. In the end, what do we reveal about ourselves when we dream of the apocalypse? What are the social and political functions of these narratives in any given historical period? How do different cultures imagine the apocalypse, and what do these differences reveal? What is particular to the narratological design and content of apocalyptic texts? LIT: Literature Interpretation Theory solicits papers for an upcoming special issue on representations of the apocalypse in literature and film across a range of genres, time periods, and cultural traditions. LIT welcomes essays that consider representations of the apocalypse in literature and film and that are theoretically grounded but also engaging and accessible. Contributions should be from 5,000-10,000 words in length.
Guest Editors: Karen J. Renner, Northern Arizona University; Joshua J. Masters, University of West Georgia.
LIT: Literature Interpretation Theory publishes critical essays that employ engaging, coherent theoretical perspectives and provide original, close readings of texts. Because LIT addresses a general literate audience, we encourage essays unburdened by excessive theoretical jargon. We do not restrict the journal's scope to specific periods, genres, or critical paradigms. Submissions must use MLA citation style. Please email an electronic version of your essay (as an MS Word document), along with a 100 word abstract, to litjourn@yahoo.com.
Deadline for submissions: October 1, 2011
LIT: Literature Interpretation Theory also welcomes submissions for general issues.
LIT: Literature Interpretation Theory
Editors: Professor Regina Barreca, University of Connecticut &
Associate Professor Margaret E. Mitchell, University of West Georgia
[UPDATE] The Apocalypse in Literature and Film - October 1, 2011
full name / name of organization:
_LIT: Literature Interpretation Theory_
contact email:
litjourn@yahoo.com
Alien invasion, viral outbreak, nuclear holocaust, the rise of the machines, the flood, the second coming, the second ice age—these are just a few of the ways human beings have imagined their “end of days.” And someone’s Armageddon clock is always ticking—we just dodged Harold Camping’s rapture on May 21st of this year, and the Mayan-predicted doomsday of 2012 is just around the corner. In the end, what do we reveal about ourselves when we dream of the apocalypse? What are the social and political functions of these narratives in any given historical period? How do different cultures imagine the apocalypse, and what do these differences reveal? What is particular to the narratological design and content of apocalyptic texts? LIT: Literature Interpretation Theory solicits papers for an upcoming special issue on representations of the apocalypse in literature and film across a range of genres, time periods, and cultural traditions. LIT welcomes essays that consider representations of the apocalypse in literature and film and that are theoretically grounded but also engaging and accessible. Contributions should be from 5,000-10,000 words in length.
Guest Editors: Karen J. Renner, Northern Arizona University; Joshua J. Masters, University of West Georgia.
LIT: Literature Interpretation Theory publishes critical essays that employ engaging, coherent theoretical perspectives and provide original, close readings of texts. Because LIT addresses a general literate audience, we encourage essays unburdened by excessive theoretical jargon. We do not restrict the journal's scope to specific periods, genres, or critical paradigms. Submissions must use MLA citation style. Please email an electronic version of your essay (as an MS Word document), along with a 100 word abstract, to litjourn@yahoo.com.
Deadline for submissions: October 1, 2011
LIT: Literature Interpretation Theory also welcomes submissions for general issues.
LIT: Literature Interpretation Theory
Editors: Professor Regina Barreca, University of Connecticut &
Associate Professor Margaret E. Mitchell, University of West Georgia
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Labels:
Calls for Papers,
Film,
Science Fiction,
Television
CFP It All Ended: Harry Potter and Popular Culture Conference (UK) (12/2/11)
http://call-for-papers.sas.upenn.edu/node/42038
It All Ended: Harry Potter and Popular Culture
full name / name of organization:
De Montfort University, Leicester, UK
contact email:
jrussell@dmu.ac.uk
It All Ended.
Harry Potter and Popular Culture.
A one-day conference hosted by De Montfort University, Leicester, UK.
Friday 29th February 2012.
J.K. Rowling’s Harry Potter novels and Warner Bros’ film adaptations constitute one of the most successful media franchises of the modern age. Now that both books and films have reached a spectacular conclusion, this conference aims to assess Harry Potter’s place in popular culture.
We welcome papers which look at any aspect of the Potter phenomenon, from creative, artistic or industrial evaluations, through to case studies of related products and fan communities.
Proposals (of no more than 300 words) should be sent to:
James Russell
jrussell@dmu.ac.uk
by Friday 2 December 2011.
It All Ended: Harry Potter and Popular Culture
full name / name of organization:
De Montfort University, Leicester, UK
contact email:
jrussell@dmu.ac.uk
It All Ended.
Harry Potter and Popular Culture.
A one-day conference hosted by De Montfort University, Leicester, UK.
Friday 29th February 2012.
J.K. Rowling’s Harry Potter novels and Warner Bros’ film adaptations constitute one of the most successful media franchises of the modern age. Now that both books and films have reached a spectacular conclusion, this conference aims to assess Harry Potter’s place in popular culture.
We welcome papers which look at any aspect of the Potter phenomenon, from creative, artistic or industrial evaluations, through to case studies of related products and fan communities.
Proposals (of no more than 300 words) should be sent to:
James Russell
jrussell@dmu.ac.uk
by Friday 2 December 2011.
Posted by
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8:25 PM
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CFP Worlds Apart: Science Fiction Conference April 2012 (11/30/11)
http://call-for-papers.sas.upenn.edu/node/41954
Call for papers: Worlds Apart: Science Fiction Conference April 2012
full name / name of organization:
University of Hertfordshire
contact email:
p.a.wheeler@herts.ac.uk
English Literature and Creative Writing Group, University of Hertfordshire, UK
contact email:
p.a.wheeler@herts.ac.uk
Keynote Speakers: TBA
Call for Papers
Potential contributors are invited to submit an abstract for a conference to be held at the University of Hertfordshire on April 2nd & April 3rd 2012. This inter-disciplinary conference will explore science fiction in all its forms both in popular culture and in the academy. Papers, reports, work-in-progress, workshops and pre-formed panels are invited on issues related to (but not limited to) any of the following themes:
scientific romance
steampunk
cyberpunk
mundane science fiction
the pulps
comics and graphic novels
science fiction film
science fiction television
feminist science fiction
science fiction and gender
science fiction and sexuality
science fiction and race
apocalypse and science fiction
utopias and dystopias
ecocriticism and science fiction
children’s science fiction
Panels and papers on Joanna Russ particularly welcome
Panels and Papers on Doctor Who particularly welcome
300 word abstracts should be submitted by 30th November 2011. Abstracts should be submitted to the conference organizer, Dr Pat Wheeler: p.a.wheeler@herts.ac.uk. Emails should be entitled Worlds Apart Conference: Abstract and should contain the following information:
a) author(s) of paper/presentation; b) affiliation; c) title of abstract; d) body of abstract
Call for papers: Worlds Apart: Science Fiction Conference April 2012
full name / name of organization:
University of Hertfordshire
contact email:
p.a.wheeler@herts.ac.uk
English Literature and Creative Writing Group, University of Hertfordshire, UK
contact email:
p.a.wheeler@herts.ac.uk
Keynote Speakers: TBA
Call for Papers
Potential contributors are invited to submit an abstract for a conference to be held at the University of Hertfordshire on April 2nd & April 3rd 2012. This inter-disciplinary conference will explore science fiction in all its forms both in popular culture and in the academy. Papers, reports, work-in-progress, workshops and pre-formed panels are invited on issues related to (but not limited to) any of the following themes:
scientific romance
steampunk
cyberpunk
mundane science fiction
the pulps
comics and graphic novels
science fiction film
science fiction television
feminist science fiction
science fiction and gender
science fiction and sexuality
science fiction and race
apocalypse and science fiction
utopias and dystopias
ecocriticism and science fiction
children’s science fiction
Panels and papers on Joanna Russ particularly welcome
Panels and Papers on Doctor Who particularly welcome
300 word abstracts should be submitted by 30th November 2011. Abstracts should be submitted to the conference organizer, Dr Pat Wheeler: p.a.wheeler@herts.ac.uk. Emails should be entitled Worlds Apart Conference: Abstract and should contain the following information:
a) author(s) of paper/presentation; b) affiliation; c) title of abstract; d) body of abstract
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8:22 PM
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CFP A Grimm Legacy: The Impact of Grimms' Tales in the English Speaking World (1/31/12)
http://call-for-papers.sas.upenn.edu/node/41940
A Grimm Legacy: The Impact of Grimms' Tales in the English Speaking World. 6th-8th September 2012.
full name / name of organization:
Dr. Andrew Teverson, Kingston University
contact email:
a.teverson@kingston.ac.uk
2012 is the bicentenary of the publication of the first volume of the Kinder- und Hausmärchen by Jacob and Wilhelm Grimm. To mark this occasion, the Department of English Literature and Creative Writing at Kingston University (U.K.) is planning a series of open lectures and a conference assessing the impact of the Grimms’ collection upon literature and culture in the English speaking world. This will be a multi-disciplinary conference, and contributions from any disciplinary perspective will be welcome. We also welcome proposals to read creative work, screen films, mount performances and exhibit visual work.
Confirmed Keynote Speakers: Professor Donald Haase (Wayne State University) and Neil Philip (Author and Independent Scholar).
Please submit an abstract of approximately 300 words, and a brief contributor’s bio online at:
www.kingston.ac.uk/activities/conferences/abstracts/
Deadline: January 31st 2012.
Enquiries: Dr Andrew Teverson
A Grimm Legacy: The Impact of Grimms' Tales in the English Speaking World. 6th-8th September 2012.
full name / name of organization:
Dr. Andrew Teverson, Kingston University
contact email:
a.teverson@kingston.ac.uk
2012 is the bicentenary of the publication of the first volume of the Kinder- und Hausmärchen by Jacob and Wilhelm Grimm. To mark this occasion, the Department of English Literature and Creative Writing at Kingston University (U.K.) is planning a series of open lectures and a conference assessing the impact of the Grimms’ collection upon literature and culture in the English speaking world. This will be a multi-disciplinary conference, and contributions from any disciplinary perspective will be welcome. We also welcome proposals to read creative work, screen films, mount performances and exhibit visual work.
Confirmed Keynote Speakers: Professor Donald Haase (Wayne State University) and Neil Philip (Author and Independent Scholar).
Please submit an abstract of approximately 300 words, and a brief contributor’s bio online at:
www.kingston.ac.uk/activities/conferences/abstracts/
Deadline: January 31st 2012.
Enquiries: Dr Andrew Teverson
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Labels:
Calls for Papers,
Conferences of Interest,
Fairy Tales,
Fantasy,
Gothic,
Horror
CFP Tolkien at Kalamazoo sessions for IMC 2012 (9/1/11) (Kalamazoo)
http://call-for-papers.sas.upenn.edu/node/41838
CFP: Tolkien at Kalamazoo sessions for IMC 2012
full name / name of organization:
Brad Eden
contact email:
brad.eden@valpo.edu
This is a call for papers for the 5 sessions and 1 roundtable recently approved for the 2012 International Medieval Congress in Kalamazoo, MI in May 2012. These sessions are:
Tolkien and Ideology
The Hobbit on its 75th anniversary
Tolkien's shorter poems and lyrics
Tolkien and Women
Legend of Sigurd and Gudrun
Teaching Tolkien (roundtable)
The deadline for submission of paper proposals is September 1 to Dr. Brad Eden at brad.eden@valpo.edu. If you have any questions, please send them to this email. Thanks.
CFP: Tolkien at Kalamazoo sessions for IMC 2012
full name / name of organization:
Brad Eden
contact email:
brad.eden@valpo.edu
This is a call for papers for the 5 sessions and 1 roundtable recently approved for the 2012 International Medieval Congress in Kalamazoo, MI in May 2012. These sessions are:
Tolkien and Ideology
The Hobbit on its 75th anniversary
Tolkien's shorter poems and lyrics
Tolkien and Women
Legend of Sigurd and Gudrun
Teaching Tolkien (roundtable)
The deadline for submission of paper proposals is September 1 to Dr. Brad Eden at brad.eden@valpo.edu. If you have any questions, please send them to this email. Thanks.
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8:19 PM
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Labels:
Calls for Papers,
Fantasy,
Tolkien
CFP Enchantment, Spec. Issue of Women's Studies Quarterly (10/1/11)
http://call-for-papers.sas.upenn.edu/node/41645
Women's Studies Quarterly: Enchantment
full name / name of organization:
Women's Studies Quarterly
contact email:
WSQEnchantmentIssue@gmail.com
Call for Papers
WSQ Special Issue: Enchantment
Special Editors: Ann Burlein & Jackie Orr
This issue of WSQ attempts to intervene in the present moment by conjuring the power and seductions of enchantment. How to find and create places of allure when things seem impossible, when the world seems impassable, when survival becomes a question for too many? What possibilities might be needed to imagine a world in which one could flourish? And what might be the serious and playful role of enchantments in materializing that world? In queer and feminist kinship with multiple sites of enchanted practice that already exist both inside and outside the university, we seek to intensify and proliferate transformative forms of enchantment that devise escape routes that are not escapist.
Yet enchantment is a contested strategy, whose ambivalence requires exploration and investigation. Enchantment is regularly used by the state and various civil, disciplinary, and capitalist agencies, from cultures of resistance to corporations to professors. In light of recent theorizations of “occult economies,” “the magic of the state,” “queer temporalities,” and “the enchantment of everyday life,” we invite post-disciplinary re-thinkings that move beyond social logics and political rationalities toward the magic allurements of power that captivate and capture. How to negotiate these ambivalent registers so as to enchant a different series of connections, a different scene of collective and individual possibilities?
One animating ambition of this issue is to help redefine and expand critical notions of what 19th century Anglo European societies came to call ‘the occult.’ Without an understanding of diverse historical sedimentations of “occult forces,” it is difficult to trace what is happening with religion, race, sexuality, politics, gender, militarisms, and commodity cultures at this particular moment in time. Deeper historical and contemporary accounts of the charmed vitality of ‘the occult’ in so many realms of imaginal culture provide a crucial contribution to the expanded and revised conceptions of materialism demanded by the politics of this time.
• Collective effervescence, contagious revolutions
• Enchanted icons (children, animals, the dark, secrets, divas, mermaids, saints, dungeons, hybrids, islands)
• Haunting and ghostly matters
• Allure of utopias and utopian thought
• Racialization of figures and spaces of magic
• Mysticisms—historical and contemporary, everyday and ecstatic, affective and political
• Seductions of capital (speculative finance, occult ontologies of value)
• The sacred and its popular re-purposings
• Erotics of power; powers of the erotic
• State ‘magic’ (disappearances, torture, terror, rendition, public secrets)
• Militant politics of play
• Pagan religiosities, new age spiritualities, new age Orientalisms
• Contemporary psychoanalytics of fantasy and the imaginary
• Queer practices of be/longings and bondings
• Politics of the dead and of death
• Science fiction, urban fantasy
• Imperialism, colonization, cultural appropriations and ‘enchantment’
• Politics and aesthetics of evil
• ‘When Things Speak’ (speculative realisms, agential realisms, actor network theory and other animist assemblages)
• Yoga, meditation, bodywork, alternative healing practices
• Popular cultures of secular enchantment
• Drugs and the pharmacologics of ecstasy (legal and non-legal)
• Uncanny technologies of vision and embodiment (puppets, avatars, digital animation)
If submitting academic work, please send articles by October 1, 2011 to the guest editors, Ann Burlein and Jackie Orr at WSQEnchantmentIssue@gmail.com. Submission should not exceed 20 double spaced, 12-point font pages. Full submission guidelines may be found at: http://www.feministpress.org/wsq/submission-guidelines. Articles must conform to WSQ guidelines in order to be considered for submission.
“Classic Revisited” submissions: Two of Audre Lorde’s influential essays, “Poetry is Not a Luxury” (1978), and “Uses of the Erotic: The Erotic as Power” (1981) will be the classic texts we revisit for this special issue. Please send a short commentary (1-2,000 words) on how you continue to read, teach, re-think, and re-enchant these essays to the guest editors, Ann Burlein and Jackie Orr, at WSQEnchantmentIssue@gmail.com by October 1, 2011.
Poetry submissions: Please review previous issues of WSQ to see what type of submissions we prefer before submitting poems. Please note that poetry submissions may be held for six months or longer. Simultaneous submissions are acceptable if the poetry editor is notified immediately of acceptance elsewhere. We do not accept work that has been previously published. Please paste poetry submissions into the body of the e-mail along with all contact information. Poetry submissions should be sent to WSQ's poetry editor, Kathleen Ossip, at WSQpoetry@gmail.com by October 1, 2011.
Prose submissions: Please review previous issues of WSQ to see what type of submissions we prefer before submitting prose. Please note that prose submissions may be held for six months or longer. Simultaneous submissions are acceptable if the prose editor is notified immediately of acceptance elsewhere. We do not accept work that has been previously published. Please provide all contact information in the body of the e-mail. Fiction, essay, and memoir submissions should be sent to WSQ's fiction/nonfiction editor, Jocelyn Lieu, at WSQpoetry@gmail.com by October 1, 2011.
Art submissions should be sent to WSQ’s art editor, Margot Bouman, at WSQArt@gmail.com, by October 1, 2011. After art is reviewed and accepted, accepted art must be sent to the journal's managing editor on a CD that includes all artwork of 300 DPI or greater, saved as 4.25 inches wide or larger. These files should be saved as individual JPEGS or TIFFS.
Women's Studies Quarterly: Enchantment
full name / name of organization:
Women's Studies Quarterly
contact email:
WSQEnchantmentIssue@gmail.com
Call for Papers
WSQ Special Issue: Enchantment
Special Editors: Ann Burlein & Jackie Orr
This issue of WSQ attempts to intervene in the present moment by conjuring the power and seductions of enchantment. How to find and create places of allure when things seem impossible, when the world seems impassable, when survival becomes a question for too many? What possibilities might be needed to imagine a world in which one could flourish? And what might be the serious and playful role of enchantments in materializing that world? In queer and feminist kinship with multiple sites of enchanted practice that already exist both inside and outside the university, we seek to intensify and proliferate transformative forms of enchantment that devise escape routes that are not escapist.
Yet enchantment is a contested strategy, whose ambivalence requires exploration and investigation. Enchantment is regularly used by the state and various civil, disciplinary, and capitalist agencies, from cultures of resistance to corporations to professors. In light of recent theorizations of “occult economies,” “the magic of the state,” “queer temporalities,” and “the enchantment of everyday life,” we invite post-disciplinary re-thinkings that move beyond social logics and political rationalities toward the magic allurements of power that captivate and capture. How to negotiate these ambivalent registers so as to enchant a different series of connections, a different scene of collective and individual possibilities?
One animating ambition of this issue is to help redefine and expand critical notions of what 19th century Anglo European societies came to call ‘the occult.’ Without an understanding of diverse historical sedimentations of “occult forces,” it is difficult to trace what is happening with religion, race, sexuality, politics, gender, militarisms, and commodity cultures at this particular moment in time. Deeper historical and contemporary accounts of the charmed vitality of ‘the occult’ in so many realms of imaginal culture provide a crucial contribution to the expanded and revised conceptions of materialism demanded by the politics of this time.
• Collective effervescence, contagious revolutions
• Enchanted icons (children, animals, the dark, secrets, divas, mermaids, saints, dungeons, hybrids, islands)
• Haunting and ghostly matters
• Allure of utopias and utopian thought
• Racialization of figures and spaces of magic
• Mysticisms—historical and contemporary, everyday and ecstatic, affective and political
• Seductions of capital (speculative finance, occult ontologies of value)
• The sacred and its popular re-purposings
• Erotics of power; powers of the erotic
• State ‘magic’ (disappearances, torture, terror, rendition, public secrets)
• Militant politics of play
• Pagan religiosities, new age spiritualities, new age Orientalisms
• Contemporary psychoanalytics of fantasy and the imaginary
• Queer practices of be/longings and bondings
• Politics of the dead and of death
• Science fiction, urban fantasy
• Imperialism, colonization, cultural appropriations and ‘enchantment’
• Politics and aesthetics of evil
• ‘When Things Speak’ (speculative realisms, agential realisms, actor network theory and other animist assemblages)
• Yoga, meditation, bodywork, alternative healing practices
• Popular cultures of secular enchantment
• Drugs and the pharmacologics of ecstasy (legal and non-legal)
• Uncanny technologies of vision and embodiment (puppets, avatars, digital animation)
If submitting academic work, please send articles by October 1, 2011 to the guest editors, Ann Burlein and Jackie Orr at WSQEnchantmentIssue@gmail.com. Submission should not exceed 20 double spaced, 12-point font pages. Full submission guidelines may be found at: http://www.feministpress.org/wsq/submission-guidelines. Articles must conform to WSQ guidelines in order to be considered for submission.
“Classic Revisited” submissions: Two of Audre Lorde’s influential essays, “Poetry is Not a Luxury” (1978), and “Uses of the Erotic: The Erotic as Power” (1981) will be the classic texts we revisit for this special issue. Please send a short commentary (1-2,000 words) on how you continue to read, teach, re-think, and re-enchant these essays to the guest editors, Ann Burlein and Jackie Orr, at WSQEnchantmentIssue@gmail.com by October 1, 2011.
Poetry submissions: Please review previous issues of WSQ to see what type of submissions we prefer before submitting poems. Please note that poetry submissions may be held for six months or longer. Simultaneous submissions are acceptable if the poetry editor is notified immediately of acceptance elsewhere. We do not accept work that has been previously published. Please paste poetry submissions into the body of the e-mail along with all contact information. Poetry submissions should be sent to WSQ's poetry editor, Kathleen Ossip, at WSQpoetry@gmail.com by October 1, 2011.
Prose submissions: Please review previous issues of WSQ to see what type of submissions we prefer before submitting prose. Please note that prose submissions may be held for six months or longer. Simultaneous submissions are acceptable if the prose editor is notified immediately of acceptance elsewhere. We do not accept work that has been previously published. Please provide all contact information in the body of the e-mail. Fiction, essay, and memoir submissions should be sent to WSQ's fiction/nonfiction editor, Jocelyn Lieu, at WSQpoetry@gmail.com by October 1, 2011.
Art submissions should be sent to WSQ’s art editor, Margot Bouman, at WSQArt@gmail.com, by October 1, 2011. After art is reviewed and accepted, accepted art must be sent to the journal's managing editor on a CD that includes all artwork of 300 DPI or greater, saved as 4.25 inches wide or larger. These files should be saved as individual JPEGS or TIFFS.
Posted by
Blog Editor, The Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture
at
8:15 PM
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Labels:
Calls for Papers,
Fantasy,
Gothic,
Magic,
Witchcraft
CFP Approaches to Adventure in the Late 19th Century (8/1/11) (NeMLA)
http://call-for-papers.sas.upenn.edu/node/41644
NEMLA: March 15-18, 2012. Call for papers – Approaches to Adventure in the Late 19th Century
full name / name of organization:
Rebekah Greene/University of Rhode Island
contact email:
Rebekah_greene@my.uri.edu
This panel examines the burgeoning interest in adventure during the years 1880-1901. Joseph A. Kestner in his recent _Masculinities in British Adventure Fiction, 1880-1915_ has suggested that adventure texts are filled with ‘codes’ such as ‘rescue, heroism, survival, courage, duty, isolation, voyaging’ for audiences to ‘live up to’ (1). Papers that scrutinize late Victorian literary treatments of these codes, in addition to tropes such as travel, sailing, mountain climbing, and camping are warmly welcomed.
Possible questions to examine include:
What is the cultural or historical significance of this attention to adventure and why should it be celebrated?
Why are the codes of adventure important, for both the individual and for the state?
How do Victorian authors of adventure texts use their works to problematize empire?
Can adventure texts function as pedagogical tools for younger readers, colonial administrators, or emigrants?
Do adventure texts function at different levels for colonizing or colonized audiences?
How do female authors treat the codes of adventure?
What does this intense engagement with adventure reveal?
Please submit 250-500 word abstracts (as an MS Word attachment, please) to Rebekah Greene, rebekah_greene@my.uri.edu, with NEMLA 2012 as the subject heading by August 1st, 2011.
Information for the convention can be found at http://www.nemla.org/convention/2012/
NEMLA: March 15-18, 2012. Call for papers – Approaches to Adventure in the Late 19th Century
full name / name of organization:
Rebekah Greene/University of Rhode Island
contact email:
Rebekah_greene@my.uri.edu
This panel examines the burgeoning interest in adventure during the years 1880-1901. Joseph A. Kestner in his recent _Masculinities in British Adventure Fiction, 1880-1915_ has suggested that adventure texts are filled with ‘codes’ such as ‘rescue, heroism, survival, courage, duty, isolation, voyaging’ for audiences to ‘live up to’ (1). Papers that scrutinize late Victorian literary treatments of these codes, in addition to tropes such as travel, sailing, mountain climbing, and camping are warmly welcomed.
Possible questions to examine include:
What is the cultural or historical significance of this attention to adventure and why should it be celebrated?
Why are the codes of adventure important, for both the individual and for the state?
How do Victorian authors of adventure texts use their works to problematize empire?
Can adventure texts function as pedagogical tools for younger readers, colonial administrators, or emigrants?
Do adventure texts function at different levels for colonizing or colonized audiences?
How do female authors treat the codes of adventure?
What does this intense engagement with adventure reveal?
Please submit 250-500 word abstracts (as an MS Word attachment, please) to Rebekah Greene, rebekah_greene@my.uri.edu, with NEMLA 2012 as the subject heading by August 1st, 2011.
Information for the convention can be found at http://www.nemla.org/convention/2012/
Posted by
Blog Editor, The Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture
at
8:11 PM
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Labels:
Adventure,
Calls for Papers
CFP: Paranormal Mysteries (theme issue of _Clues: A Journal of Detection_) (12/29/11)
http://www.h-net.org/announce/show.cgi?ID=185997
CFP: Paranormal Mysteries (theme issue of _Clues: A Journal of Detection_)
Call for Papers Date: 2011-12-29
Date Submitted: 2011-06-19
Announcement ID: 185997
Guest editor: A. B. Emrys (University of Nebraska–Kearney)
Paranormal mysteries often feature the usual suspects (ghosts, vampires, werewolves, and so forth) but also branch into the gothic, spirituality (as in Tony Hillerman's skinwalkers, Michael Gruber’s shaman trilogy), and other magic realism, as well as biochemical transformation (as in the Relic series) and a wide variety of mystery hybrids with horror and dark fantasy. For this theme issue of _Clues_, potential contributors are urged to think outside the normal boxes. Thematic analysis might include (but is not limited to):
• the paranormal as red herring (explained away by the end, as in Arthur Conan Doyle’s _The Hound of the Baskervilles_)
• minority culture treated as paranormal (as in depictions of voodoo as horror) in mystery texts
• whether horror/dark fantasy in general requires detection
• the paranormal dialogue with subcategories of mystery: clue-puzzle/hard-boiled/noir/private eye/spy/police procedural/etc.
• paranormal romance in relation to romantic suspense
• the mystery ingredients most affected by paranormal hybridity
• women characters as detectives and/or monsters and/or victims in paranormal mysteries
• international adaptations of British horror classics
• film/TV adaptations of paranormal mysteries
• use and/or overuse of providence and other supernatural means for mystery resolution
• the dialogue between literary and popular gothic texts
• stage adaptations of paranormal detection
• paranormal mysteries as reading tools/pedagogical resources
Submissions should include a 50-word abstract and 4-5 keywords, and be between 15 and 20 double-spaced, typed pages (approximately 3,300 to 6,000 words) in Microsoft Word with minimal formatting. Manuscripts should follow the _MLA Style Manual_ (3rd ed., 2008), including parenthetical citations in text and an alphabetized list of Works Cited. Please confirm that manuscripts have been submitted solely to _Clues_.
Submit manuscripts by email to:
Dr. Janice Allan
Executive Editor, _Clues: A Journal of Detection_
Email: J.M.Allan at salford.ac.uk
Direct questions to:
Elizabeth Foxwell
Managing Editor, _Clues: A Journal of Detection_
Email: clues at elizabethfoxwell.com
Elizabeth Foxwell
Managing Editor, _Clues: A Journal of Detection_
Email: clues@elizabethfoxwell.com
Visit the website at http://tinyurl.com/aboutclues
CFP: Paranormal Mysteries (theme issue of _Clues: A Journal of Detection_)
Call for Papers Date: 2011-12-29
Date Submitted: 2011-06-19
Announcement ID: 185997
Guest editor: A. B. Emrys (University of Nebraska–Kearney)
Paranormal mysteries often feature the usual suspects (ghosts, vampires, werewolves, and so forth) but also branch into the gothic, spirituality (as in Tony Hillerman's skinwalkers, Michael Gruber’s shaman trilogy), and other magic realism, as well as biochemical transformation (as in the Relic series) and a wide variety of mystery hybrids with horror and dark fantasy. For this theme issue of _Clues_, potential contributors are urged to think outside the normal boxes. Thematic analysis might include (but is not limited to):
• the paranormal as red herring (explained away by the end, as in Arthur Conan Doyle’s _The Hound of the Baskervilles_)
• minority culture treated as paranormal (as in depictions of voodoo as horror) in mystery texts
• whether horror/dark fantasy in general requires detection
• the paranormal dialogue with subcategories of mystery: clue-puzzle/hard-boiled/noir/private eye/spy/police procedural/etc.
• paranormal romance in relation to romantic suspense
• the mystery ingredients most affected by paranormal hybridity
• women characters as detectives and/or monsters and/or victims in paranormal mysteries
• international adaptations of British horror classics
• film/TV adaptations of paranormal mysteries
• use and/or overuse of providence and other supernatural means for mystery resolution
• the dialogue between literary and popular gothic texts
• stage adaptations of paranormal detection
• paranormal mysteries as reading tools/pedagogical resources
Submissions should include a 50-word abstract and 4-5 keywords, and be between 15 and 20 double-spaced, typed pages (approximately 3,300 to 6,000 words) in Microsoft Word with minimal formatting. Manuscripts should follow the _MLA Style Manual_ (3rd ed., 2008), including parenthetical citations in text and an alphabetized list of Works Cited. Please confirm that manuscripts have been submitted solely to _Clues_.
Submit manuscripts by email to:
Dr. Janice Allan
Executive Editor, _Clues: A Journal of Detection_
Email: J.M.Allan at salford.ac.uk
Direct questions to:
Elizabeth Foxwell
Managing Editor, _Clues: A Journal of Detection_
Email: clues at elizabethfoxwell.com
Elizabeth Foxwell
Managing Editor, _Clues: A Journal of Detection_
Email: clues@elizabethfoxwell.com
Visit the website at http://tinyurl.com/aboutclues
Posted by
Blog Editor, The Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture
at
12:49 AM
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Labels:
Calls for Papers,
Gothic,
Horror,
Mystery
CFP All that Gothic (Poland) (9/10/11)
All that Gothic
http://www.h-net.org/announce/show.cgi?ID=185946
Location: Poland
Conference Date: 2011-11-17
An international, interdisciplinary conference devoted to all things Gothic. We welcome submissions of papers on various regional expressions of Gothicism (e.g. European, American, Asian) in all areas of literary, film and cultural studies. Individual papers may want to explore Gothic tropes (madness, the sublime, the uncanny, etc), Gothic topography (urban underworlds, landscape), queer Gothic and the themes of gender, race, class, sexuality, Gothic and the media, or concentrate on Gothic bodies (vampires).
Guest Speakers: Prof. Dr. Elisabeth Bronfen, University of Zurich, Prof. Yvonne Leffler, University of Gothenburg.
Abstract submission deadline: 10 September 2011
Agnieszka £owczanin, Dorota Wisniewska
University of £ódŸ
al. Kosciuszki 65
£ódŸ, Poland
(4842)6655221
Email: gothiclodz@gmail.com
Visit the website at http://ia.uni.lodz.pl/gothic2011
http://www.h-net.org/announce/show.cgi?ID=185946
Location: Poland
Conference Date: 2011-11-17
An international, interdisciplinary conference devoted to all things Gothic. We welcome submissions of papers on various regional expressions of Gothicism (e.g. European, American, Asian) in all areas of literary, film and cultural studies. Individual papers may want to explore Gothic tropes (madness, the sublime, the uncanny, etc), Gothic topography (urban underworlds, landscape), queer Gothic and the themes of gender, race, class, sexuality, Gothic and the media, or concentrate on Gothic bodies (vampires).
Guest Speakers: Prof. Dr. Elisabeth Bronfen, University of Zurich, Prof. Yvonne Leffler, University of Gothenburg.
Abstract submission deadline: 10 September 2011
Agnieszka £owczanin, Dorota Wisniewska
University of £ódŸ
al. Kosciuszki 65
£ódŸ, Poland
(4842)6655221
Email: gothiclodz@gmail.com
Visit the website at http://ia.uni.lodz.pl/gothic2011
Posted by
Blog Editor, The Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture
at
12:47 AM
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Labels:
Calls for Papers,
Gothic
CFP CFP MAPACA Conference 2011 SF/Fantasy Area (6/15/11)
Sorry I missed this one:
CFP MAPACA Conference 2011 SF/Fantasy Area
http://www.h-net.org/announce/show.cgi?ID=185258
Call for Papers (CFP) MAPACA 2011
PHILADELPHIA, PA
The Mid-Atlantic Popular and American Culture Association (MAPACA) invites academics, graduate and undergraduate students, independent scholars, and artists to submit papers for the annual conference, to be held in Washington, D.C. Those interested in presenting at the conference are invited to submit ONE proposal or panel to ONE of the areas listed below by June 15, 2011. Include a brief bio with your proposal. Single papers, as well as 3- or 4-person panels and roundtables, are encouraged. For further information, updates on areas and area chairs, please visit MAPACA¡¦s web site at www.mapaca.net.
Science Fiction and Fantasy
Science Fiction and Fantasy welcomes papers/presentations in any critical, theoretical, or (inter)disciplinary approach to any topic related to SF/F: art; literature; radio; film; television; video, role-playing, and multi-player online games. Though not an exhaustive list, potential presenters may wish to consider the following:
„X Fans and Fandom/Community Building
„X Gender and Sexuality
„X Race and Otherness
„X Class and Hierarchies
„X Utopia/Dystopia
„X Language and Rhetoric
„X Genre¡XSpace Opera, Cyberpunk, Dark Fantasy, etc.
„X Textual Analysis
„X Sociological or Psychological Readings
„X Archival Research/History
„X Technology¡XTextual and Literal
„X Online Identity Construction
„X Mythology and Quest Narratives
„X Creatures and Aliens
„X Science and Magic
„X Reading Other ¡§Worlds¡¨
„« SPECIAL TOPIC: GAME OF THRONES/SONG OF ICE & FIRE
Vampire Romance
Vampire Romance welcomes papers/presentations which examine any of the recent (and not so recent) representations of vampires not as blood-sucking fiends, but as romantic heroes in film, television, art, and literature. Though not an exhaustive list, potential presenters may wish to consider the following:
„X The Byronic Hero
„X Textual Analysis
„X Race and Otherness
„X Language and Rhetoric
„X Archival Research/History
„X Fans and Fandom
„X Sociological or Psychological Readings
For those who relish their vampire fiends, MAPACA also has a place for you. See our ¡§Horror¡¨ area.
Marilyn Stern Wentworth Institute of Technology sternm@wit.edu
Marilyn R. Stern
Wentworth Institute of Technology
550 Huntington Avenue
Boston, MA 02115
617-989-4371
Email: sternm@wit.edu
Visit the website at http://www.mapaca.net
CFP MAPACA Conference 2011 SF/Fantasy Area
http://www.h-net.org/announce/show.cgi?ID=185258
Call for Papers (CFP) MAPACA 2011
PHILADELPHIA, PA
The Mid-Atlantic Popular and American Culture Association (MAPACA) invites academics, graduate and undergraduate students, independent scholars, and artists to submit papers for the annual conference, to be held in Washington, D.C. Those interested in presenting at the conference are invited to submit ONE proposal or panel to ONE of the areas listed below by June 15, 2011. Include a brief bio with your proposal. Single papers, as well as 3- or 4-person panels and roundtables, are encouraged. For further information, updates on areas and area chairs, please visit MAPACA¡¦s web site at www.mapaca.net.
Science Fiction and Fantasy
Science Fiction and Fantasy welcomes papers/presentations in any critical, theoretical, or (inter)disciplinary approach to any topic related to SF/F: art; literature; radio; film; television; video, role-playing, and multi-player online games. Though not an exhaustive list, potential presenters may wish to consider the following:
„X Fans and Fandom/Community Building
„X Gender and Sexuality
„X Race and Otherness
„X Class and Hierarchies
„X Utopia/Dystopia
„X Language and Rhetoric
„X Genre¡XSpace Opera, Cyberpunk, Dark Fantasy, etc.
„X Textual Analysis
„X Sociological or Psychological Readings
„X Archival Research/History
„X Technology¡XTextual and Literal
„X Online Identity Construction
„X Mythology and Quest Narratives
„X Creatures and Aliens
„X Science and Magic
„X Reading Other ¡§Worlds¡¨
„« SPECIAL TOPIC: GAME OF THRONES/SONG OF ICE & FIRE
Vampire Romance
Vampire Romance welcomes papers/presentations which examine any of the recent (and not so recent) representations of vampires not as blood-sucking fiends, but as romantic heroes in film, television, art, and literature. Though not an exhaustive list, potential presenters may wish to consider the following:
„X The Byronic Hero
„X Textual Analysis
„X Race and Otherness
„X Language and Rhetoric
„X Archival Research/History
„X Fans and Fandom
„X Sociological or Psychological Readings
For those who relish their vampire fiends, MAPACA also has a place for you. See our ¡§Horror¡¨ area.
Marilyn Stern Wentworth Institute of Technology sternm@wit.edu
Marilyn R. Stern
Wentworth Institute of Technology
550 Huntington Avenue
Boston, MA 02115
617-989-4371
Email: sternm@wit.edu
Visit the website at http://www.mapaca.net
Posted by
Blog Editor, The Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture
at
12:45 AM
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Labels:
Calls for Papers,
Fantasy,
Science Fiction
CFP Capturing Witches: Histories, Stories, Images. 400 years after the Lancashire Witches (12/1/11)
http://www.h-net.org/announce/show.cgi?ID=185240
Capturing Witches: Histories, Stories, Images. 400 years after the Lancashire Witches
Lancaster University
17-19 August 2012
Confirmed Keynote speakers: Diane Purkiss (UWE); Robert Poole (Cumbria)
CALL FOR PAPERS
In 2012, a year-long programme of events in Lancaster and the surrounding area will mark the 400th anniversary of the trial and execution of the first group of Lancashire Witches. A second trial occurred in 1634 and although pardoned, the accused were re-imprisoned in Lancaster Castle. The case of the Lancashire Witches and their supposed crimes interwove fact and fiction, local hostilities and more exotic ideas of witches’ sabbats that were usually associated with continental witchcraft. They became a cause célèbre, like the witches of Trier and Fulda (Germany), Torsåker (Sweden) and Salem (North America).
This interdisciplinary conference uses the Lancashire witches as a focal point to engage with wider questions about witchcraft: its definitions as maleficium (evil doing) or demonology in trials, the various traditions of witchcraft across centuries and continents, and the ways in which contemporary practice engages with these.
Capturing Witches: Histories, Stories, Images will focus particular attention on how witchcraft is theorised and represented in and through history and across cultures. We particularly encourage considerations of literary, musical, artistic and filmic representations of witchcraft.
We invite proposals for 20-minute papers and panels on witches and/or witchcraft which might address - but are not limited to - the following themes:
antiquity;
religion and belief;
Neo-Paganism;
the developing world;
human rights;
gender;
corporeality;
location;
ritual (ceremony, performance, magical practice);
childhood;
language;
law;
consumption ( dress, fashion, food);
the arts (literature, music, film, painting, dance, theatre, graphic novels);
the Gothic;
new media
Proposals for contributions which go beyond the conventional academic format are also welcome.
Proposals (paper: 250 words, panel/other format: 500 words) including a 50-word bio for each contributor should be sent to the conference team by 1 December 2011 to capturingwitches@lancaster.ac.uk. Decisions on submissions will be made by 31 January 2012.
Conference team: Charlotte Baker, Alison Findlay, Liz Oakley-Brown, Elena Semino, Catherine Spooner
The Conference Team
Capturing Witches
c/o Charlotte Baker
B46 Bowland North
Lancaster University
Lancaster
LA1 4YN
Email: capturingwitches@lancaster.ac.uk
Capturing Witches: Histories, Stories, Images. 400 years after the Lancashire Witches
Lancaster University
17-19 August 2012
Confirmed Keynote speakers: Diane Purkiss (UWE); Robert Poole (Cumbria)
CALL FOR PAPERS
In 2012, a year-long programme of events in Lancaster and the surrounding area will mark the 400th anniversary of the trial and execution of the first group of Lancashire Witches. A second trial occurred in 1634 and although pardoned, the accused were re-imprisoned in Lancaster Castle. The case of the Lancashire Witches and their supposed crimes interwove fact and fiction, local hostilities and more exotic ideas of witches’ sabbats that were usually associated with continental witchcraft. They became a cause célèbre, like the witches of Trier and Fulda (Germany), Torsåker (Sweden) and Salem (North America).
This interdisciplinary conference uses the Lancashire witches as a focal point to engage with wider questions about witchcraft: its definitions as maleficium (evil doing) or demonology in trials, the various traditions of witchcraft across centuries and continents, and the ways in which contemporary practice engages with these.
Capturing Witches: Histories, Stories, Images will focus particular attention on how witchcraft is theorised and represented in and through history and across cultures. We particularly encourage considerations of literary, musical, artistic and filmic representations of witchcraft.
We invite proposals for 20-minute papers and panels on witches and/or witchcraft which might address - but are not limited to - the following themes:
antiquity;
religion and belief;
Neo-Paganism;
the developing world;
human rights;
gender;
corporeality;
location;
ritual (ceremony, performance, magical practice);
childhood;
language;
law;
consumption ( dress, fashion, food);
the arts (literature, music, film, painting, dance, theatre, graphic novels);
the Gothic;
new media
Proposals for contributions which go beyond the conventional academic format are also welcome.
Proposals (paper: 250 words, panel/other format: 500 words) including a 50-word bio for each contributor should be sent to the conference team by 1 December 2011 to capturingwitches@lancaster.ac.uk. Decisions on submissions will be made by 31 January 2012.
Conference team: Charlotte Baker, Alison Findlay, Liz Oakley-Brown, Elena Semino, Catherine Spooner
The Conference Team
Capturing Witches
c/o Charlotte Baker
B46 Bowland North
Lancaster University
Lancaster
LA1 4YN
Email: capturingwitches@lancaster.ac.uk
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Blog Editor, The Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture
at
12:42 AM
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CFP Transnational Boys’ Love (BL) Fan Studies, special issue of TWC (3/1/12)
http://www.h-net.org/announce/show.cgi?ID=185722
“Transnational Boys’ Love Fan Studies,” a special issue of Transformative Works and Cultures, edited by Kazumi Nagaike and Katsuhiko Suganuma, Oita University
The editors of this special issue of Transformative Works and Cultures seek papers examining the activities of transnational ‘BL’ (Boys’ Love) fans, fan communities, fandom, and the production of fan fiction beyond Japan and North America. Specifically, we are seeking contributors who are engaged in the exploration of non-Japanese and non-North American contexts (e.g. Europe, the Asia-Pacific region, Africa, and others). Transnational BL fan studies may also be incorporated into the broader socio/political critical frameworks offered by studies in economics, gender/sexuality, race/class, and other areas.
‘BL’ (Boys’ Love), a genre of male homosexual narratives (consisting of manga, novels, animations, games, films, and so forth) written by and for women, has recently been acknowledged, by Japanese and non-Japanese scholars alike, as a significant component of Japanese popular culture. The aesthetic and style of Japanese BL have also been assumed, deployed and transformed by female fans transnationally. The current thrust of transnational BL practices raises a number of important issues relating to socio/cultural constructs of BL localization and globalization.
We welcome submissions dealing with, but not limited to, the following topics:
--Case-studies and ethnographic examinations of BL fans, specifically examining fans’ sex/gender, age, occupation, class, race/ethnicity, et cetera.
--Local ethnographies relating to BL fans’ production, distribution, and use of these materials. Discussions concerning the ways in which broadly framed socio/political issues or forms of consciousness (e.g. gender/sexuality formations, authorities’ interference, censorship, and so forth) impact fans’ BL activities.
--Media and social responses to fans’ involvement in BL activities.
--Commercial aspects of BL and fans’ contribution to the development of BL economics.
--The integration of research on BL fans into a wider discussion of social theory, differing cultural discourses, and globalization.
--Discussions concerning the ways in which BL fans’ forms of production, distribution, and consumption might challenge traditional notions of Author, Reader, and Text.
--Theoretical overviews reflecting traditional/contemporary ideas of fandom, fans, fan communities, and fans’ means of communications, demonstrating how these ideas specifically relate to BL fans.
--Explorations of the ways in which BL participants are motivated to become involved in other fan-oriented activities (e.g. cosplay; female fans’ cross-dressing as male BL characters).
##Submissions##
TWC accommodates academic articles of varying scope as well as other forms that embrace the technical possibilities of the Web and test the limits of the genre of academic writing. Contributors are encouraged to include embedded links, images, and videos in their articles or to propose submissions in alternative formats that might comprise interviews, collaborations, or video/multimedia works. We are also seeking reviews of relevant books, events, courses, platforms, or projects.
--Theory: Often interdisciplinary essays with a conceptual focus and a theoretical frame that offer expansive interventions in the field. Peer review. Length: 5,000–8,000 words plus a 100–250-word abstract.
--Praxis: Analyses of particular cases that may apply a specific theory or framework to an artifact; explicate fan practice or formations; or perform a detailed reading of a text. Peer review. Length: 4,000–7,000 words plus a 100–250-word abstract.
--Symposium: Short pieces that provide insight into current developments and debates. Editorial review. Length: 1,500–2,500 words.
Submissions are accepted online only. Please visit TWC’s Web site for complete submission guidelines, or e-mail editor AT transformativeworks.org.
##Due dates##
Contributions for blind peer review (Theory and Praxis essays) are due by March 1, 2012.
Contributions that undergo editorial review (Symposium, Interview, Review) are due by April 1, 2012.
Kazumi Nagaike, nagaikeoita-u.ac.jp
Katsuhiko Suganuma, suganumaoita-u.ac.jp
Oita University, Japan
Email: nagaike@cc.oita-u.ac.jp
Visit the website at http://journal.transformativeworks.org/index.php/twc/announcement/view/19
“Transnational Boys’ Love Fan Studies,” a special issue of Transformative Works and Cultures, edited by Kazumi Nagaike and Katsuhiko Suganuma, Oita University
The editors of this special issue of Transformative Works and Cultures seek papers examining the activities of transnational ‘BL’ (Boys’ Love) fans, fan communities, fandom, and the production of fan fiction beyond Japan and North America. Specifically, we are seeking contributors who are engaged in the exploration of non-Japanese and non-North American contexts (e.g. Europe, the Asia-Pacific region, Africa, and others). Transnational BL fan studies may also be incorporated into the broader socio/political critical frameworks offered by studies in economics, gender/sexuality, race/class, and other areas.
‘BL’ (Boys’ Love), a genre of male homosexual narratives (consisting of manga, novels, animations, games, films, and so forth) written by and for women, has recently been acknowledged, by Japanese and non-Japanese scholars alike, as a significant component of Japanese popular culture. The aesthetic and style of Japanese BL have also been assumed, deployed and transformed by female fans transnationally. The current thrust of transnational BL practices raises a number of important issues relating to socio/cultural constructs of BL localization and globalization.
We welcome submissions dealing with, but not limited to, the following topics:
--Case-studies and ethnographic examinations of BL fans, specifically examining fans’ sex/gender, age, occupation, class, race/ethnicity, et cetera.
--Local ethnographies relating to BL fans’ production, distribution, and use of these materials. Discussions concerning the ways in which broadly framed socio/political issues or forms of consciousness (e.g. gender/sexuality formations, authorities’ interference, censorship, and so forth) impact fans’ BL activities.
--Media and social responses to fans’ involvement in BL activities.
--Commercial aspects of BL and fans’ contribution to the development of BL economics.
--The integration of research on BL fans into a wider discussion of social theory, differing cultural discourses, and globalization.
--Discussions concerning the ways in which BL fans’ forms of production, distribution, and consumption might challenge traditional notions of Author, Reader, and Text.
--Theoretical overviews reflecting traditional/contemporary ideas of fandom, fans, fan communities, and fans’ means of communications, demonstrating how these ideas specifically relate to BL fans.
--Explorations of the ways in which BL participants are motivated to become involved in other fan-oriented activities (e.g. cosplay; female fans’ cross-dressing as male BL characters).
##Submissions##
TWC accommodates academic articles of varying scope as well as other forms that embrace the technical possibilities of the Web and test the limits of the genre of academic writing. Contributors are encouraged to include embedded links, images, and videos in their articles or to propose submissions in alternative formats that might comprise interviews, collaborations, or video/multimedia works. We are also seeking reviews of relevant books, events, courses, platforms, or projects.
--Theory: Often interdisciplinary essays with a conceptual focus and a theoretical frame that offer expansive interventions in the field. Peer review. Length: 5,000–8,000 words plus a 100–250-word abstract.
--Praxis: Analyses of particular cases that may apply a specific theory or framework to an artifact; explicate fan practice or formations; or perform a detailed reading of a text. Peer review. Length: 4,000–7,000 words plus a 100–250-word abstract.
--Symposium: Short pieces that provide insight into current developments and debates. Editorial review. Length: 1,500–2,500 words.
Submissions are accepted online only. Please visit TWC’s Web site for complete submission guidelines, or e-mail editor AT transformativeworks.org.
##Due dates##
Contributions for blind peer review (Theory and Praxis essays) are due by March 1, 2012.
Contributions that undergo editorial review (Symposium, Interview, Review) are due by April 1, 2012.
Kazumi Nagaike, nagaikeoita-u.ac.jp
Katsuhiko Suganuma, suganumaoita-u.ac.jp
Oita University, Japan
Email: nagaike@cc.oita-u.ac.jp
Visit the website at http://journal.transformativeworks.org/index.php/twc/announcement/view/19
Posted by
Blog Editor, The Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture
at
12:40 AM
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Labels:
Anime,
Calls for Papers,
Comics,
Electronic Games,
Film,
Manga,
Television
CFP Fragmented Nightmares: Transnational Horror across Visual Media (9/15/11)
http://www.h-net.org/announce/show.cgi?ID=186441
Call for essays for edited collection: Fragmented Nightmares: Transnational Horror across Visual Media
This anthology will investigate the horror genre across national boundaries and different media forms. Perhaps more than any other genre, horror is characterized by its ability to be simultaneously aware of the local while able to permeate national boundaries, to function on both regional and international registers. Horror, in testing the limits of identity, manifested its transnational nature early on, establishing grids of intersection between art, film, theater, and new technologies. Yet, even historically attuned theories have continued to locate the American industry at the center of most discussions, in the process ossifying a sense of the dominant and the marginal. Our book attempts to trouble the idea that horror emerges from one particular region (i.e., Hollywood) and is then disseminated to “peripheral” cultures (or cultures in development). Instead we examine horror as an integrated network that belies a center/periphery model. For example, horror has often functioned as a facade for marginal artistic or political movements, including 1960s and 70s international co-productions of horror/exploitation films, art cinema modes, feminist art installations, or post-colonial trash cinema.
This book will investigate alternative genealogies of horror: those that are not centered in the American horror industry, do not necessarily emerge from Freudian notions of the unconscious, or take into account a broader sense of horror beyond cinema. More specifically, we are interested in political models and allegories, questions of cult or subcultural media and their distribution practices, the relationship between regional or cultural networks, and the legibility of international horror iconography across distinct media. This book will stress how a discussion of contemporary international horror is not only about genre but how genre can inform theories of visual cultures and the increasing permeability of their borders.
Potential topics for the anthology include:
• analysis of transnational horror in film, television, digital media, video games, museum/art installations, photography, graphic novels, and web series
• transnational remakes and reception
• alternative theoretical models
• adaptation
• interventions from lesser-known cinemas into dominant markets
• inter/intra governmental roles in media production
• paracinema across nations
• censorship
• international, regional, or local language co-productions
Please send a 500 word proposal/abstract to Dana Och (dcost7@pitt.edu) or Kirsten Strayer (kis12@pitt.edu) by Sept 15.
Dana Och
University of Pittsburgh
501 Cathedral of Learning
5200 Fifth Ave
Pittsburgh, PA 15260
Email: dcost7@pitt.edu
Call for essays for edited collection: Fragmented Nightmares: Transnational Horror across Visual Media
This anthology will investigate the horror genre across national boundaries and different media forms. Perhaps more than any other genre, horror is characterized by its ability to be simultaneously aware of the local while able to permeate national boundaries, to function on both regional and international registers. Horror, in testing the limits of identity, manifested its transnational nature early on, establishing grids of intersection between art, film, theater, and new technologies. Yet, even historically attuned theories have continued to locate the American industry at the center of most discussions, in the process ossifying a sense of the dominant and the marginal. Our book attempts to trouble the idea that horror emerges from one particular region (i.e., Hollywood) and is then disseminated to “peripheral” cultures (or cultures in development). Instead we examine horror as an integrated network that belies a center/periphery model. For example, horror has often functioned as a facade for marginal artistic or political movements, including 1960s and 70s international co-productions of horror/exploitation films, art cinema modes, feminist art installations, or post-colonial trash cinema.
This book will investigate alternative genealogies of horror: those that are not centered in the American horror industry, do not necessarily emerge from Freudian notions of the unconscious, or take into account a broader sense of horror beyond cinema. More specifically, we are interested in political models and allegories, questions of cult or subcultural media and their distribution practices, the relationship between regional or cultural networks, and the legibility of international horror iconography across distinct media. This book will stress how a discussion of contemporary international horror is not only about genre but how genre can inform theories of visual cultures and the increasing permeability of their borders.
Potential topics for the anthology include:
• analysis of transnational horror in film, television, digital media, video games, museum/art installations, photography, graphic novels, and web series
• transnational remakes and reception
• alternative theoretical models
• adaptation
• interventions from lesser-known cinemas into dominant markets
• inter/intra governmental roles in media production
• paracinema across nations
• censorship
• international, regional, or local language co-productions
Please send a 500 word proposal/abstract to Dana Och (dcost7@pitt.edu) or Kirsten Strayer (kis12@pitt.edu) by Sept 15.
Dana Och
University of Pittsburgh
501 Cathedral of Learning
5200 Fifth Ave
Pittsburgh, PA 15260
Email: dcost7@pitt.edu
Posted by
Blog Editor, The Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture
at
12:37 AM
No comments:

Labels:
Calls for Papers,
Comics,
Film,
Gothic,
Horror,
Television
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