Thursday, June 18, 2015

CFP Animation Conference Theme (no deadline; Columbus, OH 6/9-11/16)

Came across the following by accident today. It sounds like a great venue. Source: http://www.childlitassn.org/index.php?option=com_mc&view=mc&mcid=72&eventId=435346&orgId=chla.

2016 Conference of the Children's Literature Association
Hosted by The Ohio State University
Sponsored by the Department of Teaching and Learning, College of Education and Human Ecology

June 9 - 11, 2016
Columbus, OH
The Sheraton Columbus at Capitol Square
Conference Theme:  “Animation”
The theme for ChLA 2016 is “Animation.”  This concept reflects new developments in both the aesthetic creation and the critical analysis of children’s and YA literature.  The idea of “Animation” has a special significance for OSU, given the campus’ well-known comics collection and cartoon museum, its Wexner Center for the Arts, and its Advanced Computing Center for Art and Design (ACCAD).  Moreover, we feel that the theme “Animation”— defined variously as “inspiration, vivacity and liveliness” as well as “continuous motion or shape change”—will inspire a wide variety of possible paper topics.  These might include:
  • picture books and illustration
  • graphic novels for young readers
  • Jerry Griswold’s notion in Feeling Like a Kid of “aliveness” as a key feature in texts for young readers:  toys coming to life, anthropomorphized animals, etc.
  • Comics and cartoons for young people
  • critical practice as an animating act, bringing historically neglected authors and texts to the attention of current readers
  • birth, aging, and the life cycle
  • Animation from the standpoint of science and technology:  in the form of machinery, mechanics, and energy in books for young readers
  • Shape shifting and morphing
  • children’s media: film, cartoons, television, video games
  • the animation of texts that occurs in classroom settings through activities like read-alouds
  • electronic books and digital storytelling
  • children’s and YA literature in performance:  stage plays, musicals, book trailers, etc. 

The conference organizers are pleased to announce that Gene Luen Yang will be a featured speaker.  He will be giving a talk and book signing on the evening of Thursday, June 9!
Gene Luen Yang began drawing comic books in the fifth grade. In 1997, he received a Xeric Grant for Gordon Yamamoto and the King of the Geeks, his first comics work. He has since written and drawn a number of titles, includingDuncan’s Kingdom, The Rosary Comic Book, Prime Baby and Animal Crackers.American Born Chinese, his first graphic novel from First Second, was a National Book Award finalist, as well as the winner of the Printz Award and an Eisner Award. He also won an Eisner for The Eternal Smile, a collaboration with Derek Kirk Kim. Recently, he has been working on the comics series Avatar: The Last Airbender. Yang lives in the San Francisco Bay Area.


The 2016 Francelia Butler lecture, "Children's Comics, Past and Present," will be co-presented by:
Charles Hatfield - Professor of English at California State University, Northridge, author of Alternative Comics (2005) and the Eisner Award-winning Hand of Fire: The Comics Art of Jack Kirby (2011) and co-editor of The Superhero Reader (2013). He has served on the boards of the International Comic Arts Forum (1997-2009) and MLA Discussion Group on Comics and Graphic Narratives (2010-2013). His essays on children’s comics have appeared in The Lion and the Unicorn, Children’s Literature Association Quarterly, Oxford Handbook of Children’s Literature (2011), and Keywords for Children’s Literature (NYU Press, 2011). Charles is currently curating a Kirby exhibition and co-editing The Cambridge Companion to Comics.

Joe Sutliff Sanders - Associate Professor in the Children's Literature track of the English Department at Kansas State University.  He is the author of a book about classic orphan girl novels (Johns Hopkins UP, 2011) and the co-editor, with Jackie C. Horne, of a collection of essays about The Secret Garden (Scarecrow, 2011).  In 2011, Joe received a fellowship from the National Endowment for the Humanities and in 2013 he was the Fulbright fellow to the University of Luxembourg.  Joe is the editor of a collection of essays about the Belgian cartoonist Hergé (University Press of Mississippi, 2016) and the author of new and forthcoming essays on picture books, manga, digital comics, and the history of children's comics.

Location: The Sheraton Columbus, Ohio

For more information:

Contact: Association Manager
Phone: 630-571-4520
Email:  conference@childlitassn.org

Sunday, June 7, 2015

Vader, Voldemort and Other Villains: Essays on Evil in Popular Media

Here's a second McFarland collection for the night. Heit offers readers a nice mix of the mundane and the fantastic.

Vader, Voldemort and Other Villains: Essays on Evil in Popular Media
http://www.mcfarlandbooks.com/book-2.php?id=978-0-7864-5845-5
Edited by Jamey Heit

Print ISBN: 978-0-7864-5845-5
Ebook ISBN: 978-0-7864-8510-9
notes, bibliographies, index
233pp. softcover (6 x 9) 2011

Price: $35.00
Available for immediate shipment

About the Book
What is evil? How do we understand it in our culture? The thirteen essays in this critical volume explore the different ways in which evil is portrayed in popular culture, particularly film and novels. Iconic figures of evil are considered, as is the repeated use of classic themes within our intellectual tradition. Topics covered include serial killers in film, the Twilight series, the Harry Potter series, Star Wars, and more. Collectively, these essays suggest how vital the notion of evil is to our culture, which in turn suggest a need to reflect on what it means to value what is good.

Table of Contents

Acknowledgments      vii
Preface      1
Introduction      3

1. The Aesthetic of Evil      13
DANIEL A. FORBES
2. The Devil Made Me Do It! The Devil in 1960s-1970s Horror Film      28
ANTOINETTE F. WINSTEAD
3. Frankenstein’s Legacy: The Mad Scientist Remade      46
KRISTINE LARSEN
4. Focus on the Family: Good and Evil Vampires in the Twilight Saga      64
A.J. GRANT
5. The Dichotomy of the Great Mother Archetype in Disney Heroines and Villainesses      80
SARAH LYNNE BOWMAN
6. Exploring the Relay Gaze in Hollywood Cinema: Serial Killers and the Women Who Hunt Them      97
SARAH LAFFERTY
7. Wanting the White Witch      113
BRYAN DOVE
8. Paradise Inverted: Philip Pullman’s Use of High Fantasy and Epic Poetry to Portray Evil in His Dark Materials      125
E. QUINN FOX
9. Sim Evil: Avatars and the Ethical Game Mechanic      145
KELLY KELLEWAY
10. Making Modern Evil: Terrorism, Torture, and the Creation of Evil in 24      162
MICHAEL J. LEWIS
11. No Laughing Matter: The Joker as a Nietzschean Critique of Morality      175
JAMEY HEIT
12. I Am Your Father: The Villain and the Future Self      189
NATHANIEL VAN YPEREN
13. Hearts of Darkness: Voldemort and Iago, with a Little Help from Their Friends      202
KEN ROTHMAN

Epilogue      218
About the Contributors      221
Index      223

About the Editor
Jamey Heit is the co-founder and CEO of Essay Assay, Inc., an automated assessment company. An active researcher and writer in cultural studies, he teaches humanities courses online at Walden University.

Millennial Mythmaking: Essays on the Power of Science Fiction and Fantasy Literature, Films and Games

Been catching up on my McFarland collections. Perlich and Whitt offer a varied yet deeply informative set of essays.

Millennial Mythmaking: Essays on the Power of Science Fiction and Fantasy Literature, Films and Games
http://www.mcfarlandbooks.com/book-2.php?id=978-0-7864-4562-2
Edited by John Perlich and David Whitt

Print ISBN: 978-0-7864-4562-2
Ebook ISBN: 978-0-7864-5592-8
notes, bibliographies, index
212pp. softcover (6 x 9) 2010

Price: $39.95
Available for immediate shipment

About the Book
Contemporary myths, particularly science fiction and fantasy texts, can provide commentary on who we are as a culture, what we have created, and where we are going. These nine essays from a variety of disciplines expand upon the writings of Joseph Campbell and the hero’s journey. Modern examples of myths from various sources such as Planet of the Apes, Wicked, Pan’s Labyrinth, and Spirited Away; the Harry Potter series; and Second Life are analyzed as creative mythology and a representation of contemporary culture and emerging technology.

Table of Contents

Acknowledgments vii
Preface: "There and Back Again…"      1

Contrasting Colors
1. Sorting Heroic Choices: Green and Red in the Harry Potter Septology
(KIRSTIN CRONN-MILLS and JESSICA SAMENS)      5
2. The Complexity of Evil in Modern Mythology: The Evolution of the Wicked Witch of the West
(JASON EDWARDS and BRIAN KLOSA)      32
3. Polysemous Myth: Incongruity in Planet of the Apes
(RICHARD BESEL and RENEE SMITH BESEL)      51

New Champions
4. The Hero with the Thousand-and-First Face: Miyazaki’s Girl Quester in Spirited Away and Campbell’s Monomyth
(DEE GEORTZ)      67
5. The Odyssey of Madame Souza: A Heroine’s Quest in The Triplets of Belleville
(DAVID WHITT)      83
6. Rethinking the Monomyth: Pan’s Labyrinth and the Face of a New Hero(ine)
(JOHN PERLICH)      100

No Boundaries
7. Actors and Their Mythic Heroes: From the Doctor to Captain Kirk
(DJOYMI BAKER)      129
8. Running Free in Angelina Jolie’s Virtual Body: The Myth of the New Frontier and Gender Liberaton in Second Life
(ELLEN GORSEVSKI)      146
9. So Where Do I Go from Here? Ghost in the Shell and Imagining Cyborg Mythology for the New Millennium
(JAY SCOTT CHIPMAN)      167

Epilogue: "Always in Motion Is the Future…"      193
About the Contributors      197
Index      199


About the Editors
John Perlich is a professor of communication studies at Hastings College in Hastings, Nebraska.
David Whitt is an associate professor of communication at Nebraska Wesleyan University in Lincoln, Nebraska.

Saturday, May 30, 2015

Final Call for Science Fiction, Fantasy, Horror, and Legend Area 2015 Sessions (6/15/15; New London, NH 10/30-31/15)

Updated 6/7/15 to correct email for Kraig Larkin:

FINAL CALL FOR PAPERS
EIGHTH-ANNIVERSARY SESSIONS OF THE
SCIENCE FICTION, Fantasy, HORROR, AND LEGEND AREA
Online at NEPCA Fantastic: http://nepcafantastic.blogspot.com

2015 Conference of The Northeast Popular Culture/American Culture Association (NEPCA)
Colby-Sawyer College in New London, New Hampshire
Friday 30 October and Saturday 31 October 2015
Proposals by 15 June 2015

Formed in 2008, the Science Fiction, Fantasy, Horror, and Legend Area celebrates its eighth anniversary in 2015, and we seek proposals from scholars of all levels for papers that explore any aspect of the intermedia traditions of the fantastic (including, but not limited to, elements of science fiction, fantasy, fairy tale, gothic, horror, legends, and mythology) and how creative artists have altered our preconceptions of these subtraditions by producing innovative works in diverse countries and time periods and for audiences at all levels.

Special topics:

·         Given the proximity to Halloween, we are especially interested in proposals related to monsters and the monstrous.
Please see our website NEPCA Fantastic (http://nepcafantastic.blogspot.com) for further details and ideas. Presentations will be limited to 15-20 minutes in length (depending on final panel size).

If you are interested in proposing a paper, please complete the “2015 Registration Form” (including biographical sketch and paper abstract, each of 500 words) available at https://nepca.wordpress.com/fall-conference/ or send biography and abstract to both the Program Chair AND to the Science Fiction, Fantasy, Horror, and Legend Area Chair at the following addresses (please note “NEPCA Fantastic Proposal 2015” in your subject line):


Kraig Larkin
Program Chair
Kraig.Larkin@colby-sawyer.edu

Michael A. Torregrossa
Science Fiction, Fantasy, Horror, and Legend Area Chair
NEPCAFantastic@gmail.com


Please submit proposals for complete panels directly to the Program Chair and Science Fiction, Fantasy, Horror, and Legend Area Chair at the addresses above.

The Northeast Popular/American Culture Association (a.k.a. NEPCA) was founded in 1974 as a professional organization for scholars living in New England and New York. It is a community of scholars interested in advancing research and promoting interest in the disciplines of popular and/or American culture. NEPCA’s membership consists of university and college faculty members, emeriti faculty, secondary school teachers, museum specialists, graduate students, independent scholars, and interested members of the general public. NEPCA is an independently funded affiliate of the Popular Culture Association/American Culture Association. Membership is open to all interested parties, regardless of profession, rank, or residency. NEPCA holds an annual conference that invites scholars from around the globe to participate. In an effort to keep costs low, it meets on college campuses throughout the region.


Membership in NEPCA is required for participation and annual dues are included in conference registration fees. Further details are available at http://nepca.wordpress.com/membership-information/.


CFP Cyberpunk in Visual/Virtual Media (8/1/15)

A head's up from the SFRA-List:

Crank up the Resolution: Cyberpunk in Visual/Virtual Media; 1-2 page abstracts due August 1, 2015
https://call-for-papers.sas.upenn.edu/node/62071
full name / name of organization:
Graham J. Murphy (Seneca College, Toronto, Canada) and Lars Schmeink (Hans Bredow Institute for Media Research, Hamburg, Germany)
contact email:
gjamurphy@gmail.com; lars@wortraub.com
Call for Contributions
Crank up the Resolution: Cyberpunk in Visual/Virtual Media

“The sky above the port was the color of television, tuned to a dead channel.”
William Gibson, Neuromancer (1984)

Contributions are invited for a critical anthology focusing on cyberpunk beyond its literary dimension, its presentation in visual/virtual media, and its ongoing relevance in the 21st century.

Cyberpunk, that immensely popular form of 1980s science fiction (SF), was shaped by the innovative and highly stylized literary works of writers such as William Gibson, Bruce Sterling, Pat Cadigan, Rudy Rucker, John Shirley, and Lewis Shiner, to name a few. Gibson’s debut novel Neuromancer is the ur-­‐text of cyberpunk, and as the opening line quoted above reveals, it is a genre that relied strongly on visual motifs for its brushed-­‐chrome literary splendor. The cyberpunk imaginary is richly saturated with computer-­‐generated worlds, video games, music videos, simulated stimuli, consensual hallucinations, and many other technologies that highlight the visual and/or the virtual. As a result, the importance of the visual/virtual component readily translated cyberpunk into contemporaneous film, television, and video games, such as Blade Runner (1982), Tron (1982), Videodrome (1983), Max Headroom (1985; 1987), Wasteland (1987), Akira (1988), and so forth.

It is in no small part due to this visual/virtual form that cyberpunk survived many pronouncements of its demise over the years and decades that followed its initial popularity. Cyberpunk has evolved beyond the original cadre of eighties-­‐era authors and undergone transformations in successive waves with increasingly varied thematic and political interests and goals; in other words, as Thomas Foster remarks in The Souls of Cyberfolk, cyberpunk “didn’t so much die as experience a sea change into a more generalized cultural formation.”

Visual and virtual embodiments of cyberpunk have continued to resonate well into the new millennium, in media as varied as film, television, video games, comic books/graphic novels, and art (photography, painting, design, fashion, etc.); yet, monographs and anthologies tend to focus overwhelmingly on literary cyberpunk with little attention paid to its visual/virtual offspring. Crank up the Resolution: Cyberpunk in Visual/Virtual Media seeks to redress this oversight by focusing on the ‘sea changes’ of cyberpunk in visual/virtual media, including (but not limited to) the following:

Cyberpunk in Film and Television
•Aeon Flux
•Akira
•Almost Human
•Avalon
•Blade Runner
•Dollhouse
•Elysium
•Gamer
•Ghost in the Shell
•Hackers
•Hardwired
•Johnny Mnemonic
•Lawnmower Man
•RoboCop
•Sleep Dealer
•Strange Days
•TekWar
•Terminator
•The Matrix
•Total Recall
•Tron
•Ultraviolet
•Videodrome
•Virtuosity

Cyberpunk in Video Games
•Beneath a Steel Sky
•Cyberpunk 2077
•Cypher
•Deus Ex
•Far Cry 3: Blood Dragon
•Fear Effect
•Metal Gear Solid
•Watch Dogs

Cyberpunk in Comic Books/Graphic Novels
•Transmetropolitan
•The Resistance
•Hard Boiled
•Heavy Liquid
•Singularity 7
•Neocron
•Remember Me
•Shadowrun
•Shin Megami Tensei
•Syndicate
•System Shock
•Wasteland
•Channel Zero
•Hard Drive
•Ballistic
•Doktor Sleepless
•The Surrogates

Cyberpunk in art/photography/design/fashion/advertisement
•The visual/virtual in Cyberpunk-­‐derived genres
•Theoretical approaches to visual/virtual cyberpunk
•Aesthetics of visual/virtual cyberpunk

Crank up the Resolution: Cyberpunk in Visual/Virtual Media seeks to highlight visual and virtual forms of cyberpunk with outstanding academic scholarship and new critical approaches in an anthology that can be readily accessible to academics, scholars, teachers, and students alike. 1-­‐2 page abstracts (Word or RTF) and brief biographies are invited by August 1st, 2015.

The projected timeline for the anthology is: Abstracts due by August 1st , 2015; participants notified by Sep 1st 2015; finished papers due Jan 1st , 2016; revisions in spring 2016; publication in fall 2016 (pending publisher timelines).

Submissions and queries can be sent to the editors Graham J. Murphy (Seneca College, Toronto, Canada) and Lars Schmeink (Hans Bredow Institute for Media Research, Hamburg, Germany) via email. Regular mail addresses will be provided upon request.

Graham J. Murphy: gjamurphy@gmail.com
Lars Schmeink: lars@wortraub.com


By web submission at 05/06/2015 - 00:22


Saturday, May 16, 2015

SFRA 2015 Conference Details

SFRA 2015
The SF We Don't (Usually) See: Suppressed Histories, Liminal Voices, Emerging Media
http://sfra.org/sfra2015

Date:
June 25-27, 2015

Location:
Stony Brook University
Stony Brook, NY
https://goo.gl/maps/tJN19

Guests of Honor:
M. Asli Dukan (film) http://invisibleuniversedoc.com/
Alexis Lothian (digital) http://www.queergeektheory.org/
Vandana Singh (fiction + physics) http://users.rcn.com/singhvan/

Version 2.0 of the program can be found HERE: http://sfra.org/pdf/SFRA2015program.docx

Like any genre, and despite its historically marginal positioning vis-à-vis other genres, Science Fiction has its own canon, a general agreement on what texts are worthy of scholarly attention. But what might be revealed if we critically question the canon and consider what elisions its formation entails? What kinds of racial, gendered, classed, and sexual hierarchies are reinforced through the selection of certain texts as exemplary of the genre? What alternative genealogies might become visible if we look underneath “mainstream” or canonical SF and seek out those liminal voices that have been denied access to privileged outlets?

Given the (slowly) increasing visibility of women, LGBTQIA individuals, and people of color within the world of SF in recent years, both as creators and textual representations, it seems like an opportune moment to ask what submerged or marginal histories of the genre might be (re)constructed as well as what voices remain silenced. What can these alternative genealogies and liminal voices offer for considerations of genre definition and exploration?

Not only does taking a critical perspective on the canon lead us to ask what voices have been silenced or repressed, it also asks us to consider why SF in some media (literature, film) have been privileged over others (television, web series, theater, etc.). The development of new media technologies has generated a wealth of SF production within these emerging media. New distribution models built around streaming media services and social media platforms have provided alternative venues for science fiction films, web series, and short stories. Online fandoms have also provided generative ecologies for amateur and fan fiction in a variety of formats. What insights might be gained from more sustained critical attention to science fiction in these emerging media? What do these technological developments portend for the future of the genre?

We invite paper and panel proposals on any of the three Guests of Honor. We also invite paper and panel proposals that focus on all forms of science fiction and that address (but are not limited to) the following areas:

- Feminist and queer SF
- SF and ability/disability
- Liminal or marginal voices in canonical SF texts
- Online SF fandoms and fan fiction
- SF and new media studies
- SF beyond the West
- SF web series
- SF and the digital humanities
- SF drama and on the stage
- SF poetry
- SF music (music as SF; music in SF; SF music)
-      Science as fiction/fiction as science
- Online SF film distribution and streaming video services
- Alternative histories and definitions of the genre

The deadline for paper and panel submissions is midnight on April 1st, 2015. Please submit a 250-400-word abstract to sfra.sbu.2015@gmail.com. Proposals for panels will also be considered; panel proposals should be submitted as one document. All presenters must be members of the SFRA.

CFP Speculation and Fiction (Spec Issue of Sanglap) (4/30/15)

A final post for the day from H-Announce:

https://www.h-net.org/announce/show.cgi?ID=221269

NOTE EXPIRED DEADLINE

CFP: Speculation and Fiction (Vol II Issue I)
Publication Date: 2015-04-30
Date Submitted: 2015-03-16
Announcement ID: 221269
Call for Papers for Sanglap: Journal of Literary and Cultural Inquiry (Vol II Issue I)

Topic: Speculation and Fiction

The term speculation has, among others, two specific strands of meaning: thinking/narrating the realm of the possible and describing a form of economy that borders on the fluctuations in the material value of a marketable good. In both the strands, speculation is largely based on what constitutes the material. As Ursula K. Le Guin writes, Margaret Atwood’s fundamental resistance against terming her work ‘science fiction’ is the anticipated near-materialization of the nature of her imagined world: “In her recent, brilliant essay collection, Moving Targets, she (Atwood) says that everything that happens in her novels is possible and may even have already happened, so they can’t be science fiction, which is “fiction in which things happen that are not possible today” (Le Guin 2009).

Thinking the material then also calls for thinking the generic; if science fiction gathers meaning by a sense of the impossible, the materialization of many such incomprehensible things in today’s society has dismantled the values of generic difference. Speculative fiction then is marked by dissolute boundaries, overlapping territories, generic mutations. One can think of a number of genres routinely categorized these days under this broad term, like fantasy, supernatural fiction, teen fiction, horror and vampire fiction, science fiction, etc. In that sense, how does one approach the realm of the speculative, in thought as well as in fiction?

The other strand of meaning which is not entirely dissociated from the first advocates for a particular form of practising economy. Speculative finance, as Ritu Birla (2006) so efficiently shows, is linked with the rise and legitimation of gambling in colonial cities, the public enthusiasm for which could be historicised, following Ian Hacking’s brilliant study (1990), in the institutionalization of probability and chance in the Victorian navigational discourse. To put squarely then: speculation is an act of fiction where fiction is allotted the nature of something-not-being-there, and that speculation is linked with imperial strategies of governance. Is it why so many of the speculative novels involve the scientific-military-complex, the neo-regimes of imperialism, the ecological concerns, and the ethics of humanity – in short, the possibility of living? Could a study of speculative fiction then help us understand the complex interrelations in factors geographical, financial, and political in oil-rich areas? At the same time, could speculation always already entail the fiction of the fictive?

We would like to tap these potential gestures in this call for papers through topics that may not be limited to these:

Speculation and/as Thought
Speculative, Fantastic, Imaginary
Genres of Speculative Fiction
Speculation in Performance and Visual Art
Speculation and New Wave Cinema
Speculation and Political Economy
Chance, Probability, Logic, Speculation
Speculation, Hydrocarbon, Oil
Speculation and Ethics
Animal Studies and Speculation
Sciences of the Speculation
Speculation and Space/Topography

Prospective papers addressing the issue should be sent to editors@sanglap-journal.in by April 30, 2015. The decisions will be communicated to the authors by June 30, 2015. The papers should be between 4000 and 7000 words in length excluding notes and references, sent along with an abstract not exceeding 200 words and five or six keywords. For further information on style and guidelines, please log on to: http://sanglap-journal.in/

Sourit Bhattacharya
Doctoral Candidate
English and CLS
University of Warwick
26 Leamington Spa,
CV31 1BB, UK
Email: editors@sanglap-journal.in/sourit.bhattacharya@warwick.ac.uk
Visit the website at http://sanglap-journal.in/

cfp The Fantastic: Positions from Another World (Panel at the SCLA) (4/15/15)

From H-Announce:

https://www.h-net.org/announce/show.cgi?ID=220807

NOTE EXPIRED DEADLINE

The Fantastic: Positions from Another World (Panel at the SCLA)
Location: Louisiana, United States
Conference Date: 2015-04-15
Date Submitted: 2015-03-01
Announcement ID: 220807
Panel for the Annual Meeting of the Society for Comparative Literature and the Arts.

Four Points by Sheraton

New Orleans, LA

October 15-17 2015

 The Fantastic: Positions from Another World

 “The fantastic is . . . a product of human imagination, perhaps even an excess of imagination. It arises when laws thought to be absolute are transcended, in the borderland between life and death, the animate and the inanimate, the self and the world . . . The fantastic is the unexpected occurrence, the startling novelty which goes contrary to all our expectations of what is possible. The ego multiplies and splits, time and space are distorted.”
― Franz Rottensteiner, The Fantasy Book: An Illustrated History From Dracula To Tolkien

 Authors of the fantastic employ various strategies to create new worlds. Magic, ghosts, and the supernatural are only a few of the ways in which our world is transformed into something different, but not altogether alien. Whether it be a hidden world of monsters, a future world of robots and aliens, a past world of vampires, or a new world of dragons and elves, the fantastic allows authors to explore the positions created by the otherworldly. These positions have consequences for the subject’s relationship to the political, rhetorical, theoretical, ideological, sexual, psychological, cultural, and so on. This panel seeks submissions for papers that engage with all types of literature or multimedia whose authors or creators represent worlds outside, behind, or beside our own. Possible topics could include but are not limited to:

The supernatural

The magical

Horror

The gothic

Sci-fi

Fantasy

Myth

Romantic literature

Medieval literature

Magical realism


Please send 300-500 words abstracts to ccmoore@mailbox.sc.edu by April 15th, 2015.


Casey C. Moore
University of South Carolina

Email: ccmoore@mailbox.sc.edu

CFP Studies in the Fantastic Journal Issue (8/1/15)

A final post from the UPenn CFP List:

http://call-for-papers.sas.upenn.edu/node/62162

Studies in the Fantastic
full name / name of organization:
University of Tampa Press
contact email:
fantastic@ut.edu

The University of Tampa Press is pleased announce the relaunch of its journal Studies in the Fantastic. In the spirit of new beginnings, the journal invites submissions on the subject of reboots. Now a staple of the entertainment industry, reboots regularly appear on television, in movie theaters, on computer screens, and, of course, in comics. Although hardly unique to the fantastic—appropriation and retelling are historically common throughout the arts—many of the most visible recent examples of the reboot are in fantastic genres such as science fiction and superheroes. This issue of Studies in the Fantastic asks why these genres are so ripe for reboot. Approaches dealing with canon formation, intermedia adaptation, and cultural capital are encouraged. Submissions are due by August 1, 2015, with publication planned for the end of the year.

Please send submissions to fantastic@ut.edu.

Studies in the Fantastic is an annual journal publishing refereed essays, informed by scholarly criticism and theory, on both fantastic texts and their social function. Although grounded in literary studies, we are especially interested in articles examining genres and media that have been underrepresented in humanistic scholarship. Subjects may include, but are not limited to weird fiction, science/speculative fiction, fantasy, video games, architecture, science writing, futurism, and technocracy.

Submitted articles should conform to the following guidelines:
1. 6,000-12,000 words
2. MLA style citations and bibliography
3. A separate title page with author information to facilitate peer review
4. 1” margins, 12 point serif font, page numbers


CFP Foundation Essay Prize 2016 (11/2/15)

From UPenn CFP List:

http://call-for-papers.sas.upenn.edu/node/62170

Foundation Essay Prize 2016
full name / name of organization:
Foundation: The International Review of Science Fiction
contact email:
journaleditor@sf-foundation.org
We are pleased to announce the return of our essay competition. The award is open to all post-graduate research students and to all early career researchers (up to five years after the completion of your PhD) who have yet to find a full-time or tenured position. The prize is guaranteed publication in the next summer issue of Foundation (August 2016).

To be considered for the competition, please submit a 6000 word article on any topic, period, theme, author, film or other media within the field of science fiction and its academic study. All submitted articles should comply with the guidelines to contributors as set out on the SF Foundation website. Only one article per contributor is allowed to be submitted.

The deadline for submission is 2nd November 2015. All competition entries, with a short (50 word) biography, should be sent to the regular email address: journaleditor@sf-foundation.org The entries will be judged by the editorial team and the winner will be announced in the spring 2016 issue of Foundation.

CFP In More's Footsteps: Utopia and Science Fiction (Spec Issue of Foundation) (12/4/15)

From the UPenn CFP List:

http://call-for-papers.sas.upenn.edu/node/62171

In More's Footsteps: Utopia and Science Fiction
full name / name of organization:
Foundation: The International Review of Science Fiction
contact email:
journaleditor@sf-foundation.org
Call for Papers
In More’s Footsteps: Utopia and Science Fiction
Foundation #124 (summer 2016)

Next year marks the 500th anniversary of Sir Thomas More’s seminal work, Utopia. Although the text has been of importance within Renaissance Studies and political philosophy, it has also occupied a special place within science fiction for helping to popularize the notion of ‘the Great Good Place’ to which society should strive to perfect. Whether directly or indirectly, More’s text has been of huge significance for the utopian strand that runs through much science fiction.

We invite contributors to submit 6000-word articles on any aspect of More’s text and its relationship to modern and contemporary science fiction. Topics might include (but are not limited to):

• The political organisation of utopias
• Utopia and language
• Travel and exploration
• Economics and social organisation
• Utopia and religion
• Utopia and sexuality
• War
• The private versus the public

All submissions should meet the guidelines to contributors as laid out on the SF Foundation website. The deadline for submissions is 4th December 2015 and should be sent (with a note on university affiliation if applicable) to the regular email address: journaleditor@sf-foundation.org We will confirm our choice of articles by March 2016.

CFP Terry Pratchett Collection (8/1/15)

More fromthe IAFA site:

http://www.fantastic-arts.org/2015/cfp-chapters-on-terry-pratchett/

CfP: Chapters on Terry Pratchett
Posted on May 5, 2015 by Public Information Officer
Call for Chapters FROM GIANT TURTLES TO SMALL GODS LITERARY, PHILOSOPHICAL AND MEDIA THEORY APPROACHES TO TERRY PRATCHETT

Terry Pratchett’s death earlier this year brought into sharp relief three things: The depth of his fans’ devotion, the high esteem in which he was held by fellow authors, and the lack of scholarly attention paid to his work so far. This academic oversight is not only surprising in the light of Pratchett’s success – with total sales of over 70 million and translations into 37 languages, he was one of Britain’s bestselling novelists – but, more importantly, due to the richness of his work. A truly postmodern author, Pratchett rejuvenated the fantasy genre with his highly distinctive and influential narrative style, technical and scientific wit, stylistic and narrative creativity, as well as social, political and philosophical commentary. The aim of this collection is to give a broad overview both of the multidimensionality of Pratchett’s work and of the insightful scholarship surrounding it and to provide a solid launching point for future engagement with his work.

From scholars working within or across the disciplines of literature, media theory, sociology and related fields, we invite proposals for chapters that address

Pratchett’s narrative style (e.g. parody, pastiche, intertextuality, irony, humour, genre subversion, dialogue, satire, imagery)
Content analysis (in terms of e.g. philosophy, technology, death, science, religion, social commentary, moralism, education, gender, race)
Biographical aspects of Pratchett’s life and work (e.g. his disability, social activism, reader‐ writer‐approach)
Mediality of Pratchett’s work (e.g. franchise, multimediality, use of social media)
Terry Pratchett fandom (e.g. gaming, conventions, internet affiliation and impact).
Interested authors should send a 300‐word abstract, 100‐word biography, and a sample of a previously published chapter or article to Marion Rana (marirana@uni‐mainz.de) by August 1, 2015. Please feel free to contact Marion with any questions regarding this call.


CFP Conference on the Fantastic in a Transmedia Era: New Theories, Texts, Contexts (8/5/15; Denmark 11/24-25/15)

From the IAFA site:

http://www.fantastic-arts.org/2015/cfp-the-fantastic-in-a-transmedia-era-new-theories-texts-contexts/

CfP: The Fantastic in a Transmedia Era: New Theories, Texts, Contexts
Posted on May 7, 2015 by Public Information Officer
November Tuesday 24 and Wednesday 25, 2015
Proposals due by 5 August 2015

International two-day conference at the University of Southern Denmark, SDU

The fantastic is today’s most popular and significant genre in entertainment media. Among its developments are George R.R. Martin’s fantasy book series A Song of Ice and Fire and its HBO adapted series Game of Thrones; the Hunger Games film series based on Suzanne Collins’ books; The Walking Dead in comics and television; the new Disney princesses in Brave and Frozen; the rebooted superheroes emerging in games, comics, and film series; religious-themed stories in blockbuster cinema; among games are LOL and WOW. The fantastic has reached new audiences and achieved mainstream status.

Fantastic genres include fantasy, science fiction, horror, and the fairy tale, and today’s transmedia storytelling generates new versions, hybrid forms, and new audience engagements. Multiple media platforms and participatory audiences call for new theorizations of the fantastic as it expands, transforms, and migrates across media, be they grand cinemas or intimate cell phones. This raises questions about medium specificity: what does the fantastic look and feel like in different media and how do stories – affectively and aesthetically – behave when changing form? What significant developments demand our attention, from mash-up narratives to TV genre hybrids? How do audiences engage with the fantastic across media? How does the increase of female authors and female characters influence the fantastic? And, finally, the relation between imagination and the fantastic calls for re-conceptualization: Is the fantastic conservative or subversive, or can its appeal be explained by other factors?

You can go to the conference site here and read more about keynotes and speakers:

http://sdu.dk/en/Om_SDU/Institutter_centre/Ikv/Konferencer/Konferencer+2015/The+Fantastic

For questions contact: thefantastic@sdu.dk


Catching Up

I've been remiss in my duties as blog editor these past few months and will try to make up for things as we move into the summer months. I have a number of calls to post today and a backlog to load as time permits.

Michael Torregrossa

Monday, February 9, 2015

CFP 19th-Century Science Fiction (3/15/15; MLA Austin 1/7-10/16)

One quick CFP since I see it:

CFP MLA 2016 (Austin, 01/07-01/10) Special Session: 19th-Century Science Fiction
http://call-for-papers.sas.upenn.edu/node/60702
full name / name of organization:
MLA / Jessica Kuskey
contact email:
jkuskey@ucsc.edu

Papers sought for a special session to be proposed for MLA 2016 on any aspect of nineteenth-century science fiction. Potential angles on this topic may include:

- proto-science fiction
- texts traditionally not viewed as science fiction, reconsidered as aligned with the emergence of the genre
- historical/cultural influences on the emergence of the genre
- literary/cultural impacts of the emergence of the genre

300-word abstract and 1-page CV by 15 March 2015, sent to Jessica Kuskey (jkuskey@ucsc.edu)

By web submission at 02/08/2015 - 19:44

Wednesday, January 28, 2015

SLI (Studies in the Literary Imagination): Call for Special Topics Proposals

Of possible interest:

SLI (Studies in the Literary Imagination): Call for Special Topics Proposals
http://call-for-papers.sas.upenn.edu/node/60477
full name / name of organization:
Studies in the Literary Imagination, Dept. of English, Georgia State University
contact email:
lnhoward@gsu.edu
SLI is now accepting topic proposals for future issues. Any scholar who wishes to propose a special issue topic for Studies in the Literary Imagination is invited to do so in a 1,000–1,500-word proposal. Please include: a working title; an overview of the proposed topic; a brief summary of pertinent issues and figures; a current C.V.; and a list of approximately 8 potential contributors and their paper titles (with brief abstracts).

We are interested in proposals on any area of literary inquiry, and are especially interested in proposals concerning transatlantic writing, the global South, memoir/biography, the literature of the archive, graphic novels/comics, young adult fiction, gender studies, and twentieth- and twenty-first century literatures.

Please see our website to review the responsibilities of the Consulting Editor: http://sli.gsu.edu/submission.html. From acceptance to completion, the publishing process takes at least 2 years.

Contact editor Paul H. Schmidt or managing editor Lori Howard to submit your proposal or request further information:

SLI, Attn: Proposals
Department of English
PO Box 3970
Georgia State University
Atlanta GA 30302-3970
phone: 404-413-5811 email: pschmidt@gsu.edu, lnhoward@gsu.edu, or engsli@gsu.edu

www.sli.gsu.edu

By web submission at 01/27/2015 - 15:42

CFP Current Research in Speculative Fiction (3/9/15; Liverpool, UK 6/8/15)

Europeans have all the fun:

Current Research in Speculative Fiction [CRSF] 2015
http://call-for-papers.sas.upenn.edu/node/60481
full name / name of organization:
Current Research in Speculative Fiction [CRSF] / University of Liverpool
contact email:
CRSF.team@gmail.com
Current Research in Speculative Fiction 2015
Monday 8th June 2015
University of Liverpool

With Keynote Lectures from:
Dr. Andrew M. Butler (Canterbury Christ Church University)
Dr. Sarah Dillon (University of Cambridge)

Returning for its fifth consecutive year, CRSF is a one day postgraduate conference designed to promote the research of speculative fictions, including SCIENCE FICTION, FANTASY and HORROR; showcasing some of the latest developments in these dynamic and evolving fields. CRSF attracts an international selection of delegates and provides a platform for postgraduate students to present their current research, encourages discussion with scholars in related subjects and the construction of crucial networks with fellow researchers. The University of Liverpool, a leading centre for the study of speculative fiction and home to the Science Fiction Foundation Collection, will host the conference. We are seeking abstracts relating to speculative fiction, including, but not limited to, papers on the following topics:

•Alternate History •Alternative Culture •Animal Studies •Anime •Apocalypse •Body Horror •Consciousness •Cyber Culture •Drama •Eco-criticism •Fan Culture •Gaming •(Geo)Politics •Genre •Gender •Graphic Novels •The Grotesque •The Heroic Tradition •Liminal Fantasy •Magic •Meta-Franchises •Morality •Monstrosity •Music •Non-Anglo-American SF •Otherness •Pastoral •Poetry •Politics •Post-Colonialism and Empire •Proto-SF •Psychology •Quests •Realism •Sexuality •Slipstream •Spiritualism •Steampunk •Supernatural •Technology •Time •TV and Film •Urban Fantasy •Utopia/Dystopia •(Virtual) Spaces and Environments •Weird Fiction •World Building •Young Adult Fiction.

Please submit an abstract of 300 words for a 20 minute English language paper and a 100 word biography to CRSF.team@gmail.com by Monday 9th March 2015. Queries can be sent to the same address.

By web submission at 01/27/2015 - 16:25



CFP Science Fiction from Latin America: The (Re)invention of a Genre (2/1/15; Puerto Rico 9/10-11/15)

Thanks to the NEPCA blog for the head's up:

Science Fiction from Latin America: The (Re)invention of a Genre
San Juan, Puerto Rico, 10-11 September 2015
Call for Papers
http://www.latin-american.cam.ac.uk/science-text-culture/puerto-rico

Although Latin American science fiction has often registered the influence of U.S. and European models, it is far from an imported genre. Rachel Haywood Ferreira’s pioneering work on early SF in Latin America (The Emergence of Latin American Science Fiction, 2011) uncovers a wealth of examples prior to 1920 across many countries, even stretching back to eighteenth-century precursors. Over the last century, Latin American SF has often engaged critically with the dominant modes of the genre, challenging science fiction’s associations with colonial discourse or the North American technological imaginary, and reworking its narrative topoi and stylistic hallmarks from a distinctively postcolonial and Latin American perspective.

This symposium will explore Latin American contributions to the global SF genre, seeking to expand and challenge existing views of its origins and evolution. We invite proposals for 20-minute papers, in English or (preferably) in Spanish, which focus on one or more of the following questions, or others related to the symposium theme:

 What might early (proto-)science fiction from Latin America reveal about the development of the genre both in Latin America and beyond? How do competing discourses and practices eventually converge into a recognizable genre? How might the study of forgotten or abandoned lines of pursuit nuance or enrich our current understanding of the SF genre?
 How has the SF genre been recast and reinterpreted in Latin America? What might these differences reveal about how the genre has evolved, about specific experiences and discourses of modernity and science in Latin America, or about the dynamics of exchange that characterize global genres?
 How can we situate Latin American SF in relation to prevailing discourses of globalization and neoliberalism? What modes of contestation or negotiation does it explore?
 What relations are imagined or performed between technoscientific imaginaries and the materiality of the text, or the socioeconomic context of its production, that might be considered distinctively “Latin American,” or provide alternative models?

Abstracts should be 250-300 words in length. Please email your submissions, together with a C.V., to Catriona McAllister, Research Network Coordinator (cjm200@cam.ac.uk) by 1 February 2015. Participants will be asked to submit their papers a month in advance of the symposium.

A number of invited speakers have already confirmed their participation:
 Alex Rivera, director of the award-winning Sleep Dealer (US/Mexico, 2008)
 Pedro Cabiya, the acclaimed Puerto Rican novelist, poet, dramatist, and scriptwriter of graphic novels, currently Director of the Centro de Lenguas y Culturas Modernas de la Universidad Iberoamericana (Santo Domingo)
 Rafael Acevedo (University of Puerto Rico), Professor of Hispanic Literature and author of the prize-winning Exquisito cadáver (2001), among other novels
 J. Andrew Brown (Washington University), author of Test Tube Envy: Science and Power in Argentine Narrative (2005) and Cyborgs in Latin America (2010), and co-editor of Latin American Science Fiction: Theory and Practice (2012)
 Rachel Haywood Ferreira (Iowa State University), author of The Emergence of Latin American Science Fiction (2011)
 Soledad Quereilhac (CONICET/University of Buenos Aires), author of the forthcoming La imaginación científica.
Ciencias ocultas y literatura fantástica en el Buenos Aires de entresiglos (1875-1910)
 Ed King (University of Cambridge), author of Science Fiction and Digital Technologies in Argentine and Brazilian Culture (2013)
 Emily Maguire (Northwestern University), who has published on Caribbean science fiction and cyberpunk

Two travel bursaries of £650 each will be awarded, on a competitive basis, to a participant who is resident in Europe and who is either currently studying for a doctorate or within three years of having received their doctorate (by the date of the conference).
***
“Science Fiction from Latin America: The (Re)invention of a Genre” is the second of four international symposia that comprise the AHRC-funded research network on Science in Text and Culture in Latin America, which is running from 2014 to 2016. For more information on the network’s schedule of events,
please visit our website (http://www.latin-american.cam.ac.uk/science-text-culture), join our Facebook group or follow us on Twitter (@LAm_SciCulture).
Symposium Organizers: María del Pilar Blanco (maria.blanco@trinity.ox.ac.uk), University of Oxford, and Joanna Page (jep29@cam.ac.uk), University of Cambridge. Network Coordinator: Catriona McAllister (cjm200@cam.ac.uk)


Friday, January 2, 2015

New Star Trek Thoughts

With recent news of a third Star Trek film for the alternate universe franchise to be released in 2016, it seems a good time to catch up with the previous two films, both directed by J. J. Abrams.

First, Star Trek (2009) offered a bold re-imagining of the franchise set within an alternate timeline in which William Shatner and his now aged crew were never aboard the Enterprise. In their place is a very young and energetic cast, and, although the film seemed marketed at attracting newer viewers, there is, in fact, much to appeal to established fans, who might otherwise take umbrage with the liberties taken by the filmmakers. While it does take some adjustment to accepting them in the roles, the new actors do settle in nicely. Plus, homages to Shatner Trek are frequent (both visually and aurally), and the presence of Leonard Nimoy as Spock Prime adds an interesting link between universes.




Having reflected on Star Trek, its sequel, Star Trek: Into Darkness (2013), presents a better-balanced film in terms of old/new visions of the Star Trek Universe. The new actors seems more natural--i.e. believable--now in their roles (Scotty, Chekov, and Sulu are especially fun, though the dynamics between Kirk and Spock, Kirk and McCoy, and Spock and Uhura also make great viewing), and it is very much an edge-of-your-seat film that stands up well to repeated viewings, even when the film has revealed all of its secrets upon a first viewing.




Both Star Trek and Star Trek: Into Darkness are now available on a special edition Blu-ray titled Star Trek: The Compendium, which includes a wealth of extras for the second film that were previously split between retailers. Full details at Blu-Ray.com (http://www.blu-ray.com/movies/Star-Trek-The-Compendium-Blu-ray/107044/) and Memory Alpha, the Star Trek Wiki (http://en.memory-alpha.org/wiki/Star_Trek:_The_Compendium).

Updated 1/20/2015

Monday, December 29, 2014

CFP "It's Magic"—Volume 6 (2016) of Technoculture (5/1/15-4/30/16)

This sounds interesting:

Call for Proposals: "It's Magic"—Volume 6 (2016) of Technoculture, 1 May 2015 through 30 April 2016
full name / name of organization:
Technoculture: An Online Journal of Technology in Society
contact email: kdorwick@tcjournal.org
http://call-for-papers.sas.upenn.edu/node/60020

Any sufficiently advanced technology is indistinguishable from magic.

—Arthur C. Clarke.

Any technology distinguishable from magic is insufficiently advanced.

—Gregory Benford

Technoculture seeks critical and creative works that use new media and/or are on the subject of technology. Volume 6 (2016), "It's Magic!", focuses on the tropes that associate technology with magic and vice versa.

Topics could include depictions of technologies that treat a wide range of subjects related to the social sciences and humanities. These subjects might include:

  • Essays that address the two maxims found above (Clarke's Third Law and Benford's variant on it)
  • Wishful and magical thinking and technology
  • Energy use that seems or is unlimited (whether of humans or machinery)
  • Lack of agency for end users due to magical thinking about technology
  • Technological design and magic as its inspiration
  • Cultures that have used or now use technology as magic as a means of control of their populace
  • The idea of magical figures in games and other online environments
  • Games based on fantasy
  • The idea of the wizard in productivity software such as Microsoft Office and OpenOffice
  • Technocracy
  • Popular descriptions of technology that use magical language in literature and film
  • Whiz kids in young adult and adult literature
  • Misunderstandings of technology as magic
  • Other readings of technology as magic in a variety of cultural and historical periods

We are not interested in “how to” pedagogical papers that deal with the use of technology in the classroom.

We publish scholarly/critical papers in the latest MLA or APA citation style, but creative works are also of interest to us. We are not seeking text-based work. Instead, we wish to publish visual media, and especially media designed for display/dissemination on a computer monitor including still images, video or audio. Genres could include digital poems, sound pieces, video essays, short audio or video documentaries, interviews, documentation of installations, and so on.

Inquiries are welcome to:

inquiries at tcjournal dot org

Technoculture is published continuously; we will accept submissions for Volume 6 (2016) between 1 May 2015 and 30 April 2016. Accepted submissions in 2015 will not appear on Technoculture's site until early 2016, though authors should receive a final decision within two to three months after submission.

Authors of all materials are welcome to submit abstracts and inquiries for critical works, creative works and reviews.

By web submission at 12/28/2014 - 19:36

CFP Alice through the Ages: The 150th Anniversary of Alice’s Adventures in Wonderland (1/31/15; UK 9/15-17/15)

Alice through the Ages: The 150th Anniversary of Alice’s Adventures in Wonderland
Posted on December 21, 2014 by Public Information Officer
Alice through the Ages: The 150th Anniversary of Alice’s Adventures in Wonderland.
15th-17th September 2015.
http://www.fantastic-arts.org/2014/alice-through-the-ages-the-150th-anniversary-of-alices-adventures-in-wonderland/


Alice’s Adventures in Wonderland celebrates its 150th anniversary in 2015. Lewis Carroll famously opens his Alice’s Adventures in Wonderland with his protagonist “burning with curiosity”, which leads Alice to follow the White Rabbit into an alternative reality. That same sense of curiosity has circulated about Wonderland since the book was first published. This conference aims to offer new understandings of the work by re-evaluating long held truisms, subjecting the text to new theoretical approaches and considering the history of adaptation and its uses in popular culture.

We invite innovative papers on Lewis Carroll from established scholars as well as new voices in the field, and those whose research focuses on cognate fields. We are especially interested in papers focused on the book’s initial production context, including Carroll’s biography and sources and influences; papers that interrogate and problematise some of the longstanding truisms associated with the text, such as its place at the start of the fantasy tradition for children and the relationship between author and illustrator; papers that examine how text and author have been read in terms of cultural studies, the history of science, the medical humanities, and the politics of literature; and papers considering adaptation and the powerful influence Wonderland has had on design and style.

Confirmed keynote speakers are Professor Dame Gillian Beer, Professor Jan Susina and Dr Kiera Vaclavik.

300 word proposals for 20-minute papers or 60-90 minute panel sessions should be submitted by 31st January 2015. We also invite poster presentations, exhibits, performances and any activities inspired by the Alice novels.

For more information, or to submit a proposal, please contact Professor Maria Nikolajeva mn351@cam.ac.uk or Dr Zoe Jaques, zj216@cam.ac.uk.