Monday, May 31, 2010

New Mythlore Now Available

The Mythopoeic Society has just published a new issue of their journal Mythlore: A Journal of J. R. R. Tolkien, C. S. Lewis, Charles Williams, and Mythopoeic Literature. Details on Mythlore 28.3-4 (Spring/Summer 2010) are as follows. The issue can be purchased from the Mythopoeic Society for $15.

Table of Contents

J.R.R. Tolkien’s “Leaf by Niggle”: An Allegory in Transformation
—Marie Nelson

Phantastical Regress: The Return of Desire and Deed in Phantastes and The Pilgrim’s Regress
—Jeffrey Bilbro

The Marriage of Heaven and Hell? Philip Pullman, C.S. Lewis, and the Fantasy Tradition
—Marek Oziewicz and Daniel Hade

C.S. Lewis’s “The Meteorite” and the Importance of Context
—Joe R. Christopher

Fairy and Elves in Tolkien and Traditional Literature
—Helios de Rosario Martínez

Dwarves are Not Heroes”: Antisemitism and the Dwarves in J.R.R. Tolkien’s Writing
—Rebecca Brackmann

Rethinking Shylock’s Tragedy: Radford’s Critique of Anti-Semitism in The Merchant of Venice
—Frank P. Riga

Totemic Reflexes in Tolkien’s Middle-earth
—Yvette Kisor

The Voice of Saruman: Wizards and Rhetoric in The Two Towers
—Jay Ruud

The Shire Quest: The ‘Scouring of the Shire’ as the Narrative and Thematic Focus of The Lord of the Rings
—David M. Waito

Reviews

This issue we feature reviews of Where the Shadows Lie: A Jungian Interpretation of Tolkien’s The Lord of the Rings, by Pia Skogemann; Finding Oz: How L. Frank Baum Discovered the Great American Story, by Evan I. Schwartz; Out of My Bone: The Letters of Joy Davidman, edited by Don W. King; Collected Poems, by Mervyn Peake; C.S. Lewis on the Final Frontier: Science and the Supernatural in the Space Trilogy, by Sanford Schwartz; Death and Fantasy: Essays on Philip Pullman, C.S. Lewis, George MacDonald, and R.L. Stevenson, by William Gray; Stephen R. Donaldson and the Modern Epic Vision by Christine Barkley, and The Fantastic Horizon: Essays and Reviews, by Darrell Schweitzer.

Wednesday, April 7, 2010

CFP: Dissections--Contemporary Horror Open Topic (ongoing)

http://www.simegen.com/writers/dissections/index.html

Dissections: The Journal of Contemporary Horror

Dissections is a new international horror and dark fantasy e-journal that provides a rich opportunity for academics, critics and creative writers and artists to publish alongside each other. We welcome essays on 20th and 21st century horror and dark fantasy, including film, fiction and images. We also publish some short creative fiction, poetry and artwork. Dissections is peer-reviewed and ‘published’ twice yearly.


It is edited by Gina Wisker and Michelle Bernard and operates out of Anglia Ruskin University and the University of Brighton.
Artwork on this page by Deena Warner.
Editorial Board: Michael A. Arnzen, Frances Auld, Brian Attebery, Clive Bloom, Lawrence C. Connolly, Linda Holland-Toll, William Hughes, Marie Mulvey-Roberts, Nickianne Moody, Stephanie Moss, David Sandner, Andrew Smith and Gina Wisker.


Call for Papers for Sixth Edition

Dissections is calling for submissions for its sixth edition.
The sixth edition will focus on vampires and we invite submissions of essays, short creative fiction, poetry and artwork.

Submission Guidelines
We only accept electronic submissions

Get to know Dissections before you submit
You may read Dissections and decide your work would not fit the style.

Keep a record of exactly what you have sent and when.

If you submit material to us, you will be acknowledged immediately but must be prepared to wait at least 4 months for a response about possible publication. We apologise in advance for this and thank you for your patience. We like to read submissions carefully.

Please submit text in Word or PDF format only.
Please submit images in JPG, JPEG, PNG or GIF format only.
You may submit your work via e-mail or, for larger pieces exceeding 1Mb, please send a CD-ROM containing your submission to our postal address below.

Dissections does not accept erotic or pornographic work, unless it is clearly essential in terms of the cultural engagement or the exploration of horror and dark fantasy.

Please note: We regret that we are unable to give you any financial remuneration or feedback on your work or enter into any correspondence about rejected work.

Please also note: We do not accept unsolicited reviews and are not looking for new reviewers.

If you decide your work is right for us, please send your essays, poems, stories (stories can be up to 5,000 words in length), or images to:

Dissections
Gina Wisker: GinWskr@aol.com
and
Michelle Bernard: michelle.bernard@anglia.ac.uk

Post CDs only to:
Michelle Bernard
INSPIRE
SGH307
Anglia Ruskin University
East Road
Cambridge
Cambs CB1 1PT
UK

Please remember:

o It can take 3-4 months for us to reply.
o We cannot give any feedback on your work.
o There is no payment for work published in Dissections.



New Issue: Science Fiction Studies 37.1

http://www.depauw.edu/sfs/covers/cov110.htm

Science Fiction Studies
#110 = Volume 37, Part 1 = March 2010

THE 2009 SFS SYMPOSIUM: HISTORIES OF SCIENCE FICTION

  • Roger Luckhurst. Science Fiction and Cultural History
  • De Witt Douglas Kilgore. Difference Engine: Aliens, Robots, and Other Racial Matters in the History of Science Fiction
  • Veronica Hollinger. A History of the Future: Notes for an Archive

OTHER ARTICLES

REVIEW-ESSAY

  • Umberto Rossi. A Curate’s Egg: Baxter’s J.G. Ballard’s Surrealist Imagination: Spectacular Authorship

BOOKS IN REVIEW

  • Adair’s The American Epic Novel in the Late 20th Century (Paul Kincaid)
  • Barr’s Afro-Future Females (Ritch Calvin)
  • Bould/Butler/Roberts/Vint’s The Routledge Companion to SF (David Seed)
  • Brock’s Essays on Gothic and Victorian Sensation Fiction (Deborah Lutz)
  • Colavito’s Anthology of Horror Criticism (Amy J. Ransom)
  • Deuber-Mankowsky’s Lara Croft: Cyber Heroine (Sherryl Vint)
  • Geraghty’s Essays on Science Fiction and Fantasy Television (J.P. Telotte)
  • Grebowicz’s Reading Science Through Science Fiction (Jennifer Kavetsky)
  • Gunn/Barr/Candelaria’s Reading Science Fiction (Wanda Raiford)
  • Higgins’s Frankenstein: Character Studies (Elizabeth Corsun)
  • Kucukalic’s Philip K. Dick (Jason Bourget)
  • Luckhurst’s The Trauma Question (Tiffany Ana López)
  • Mendlesohn’s Critical Study of Children’s and Teens’ SF (Kelly Meyer)
  • Telotte’s The Essential Science Fiction Television Reader (Anthony Enns)
  • Westfahl/Slusser’s Science Fiction and the Two Cultures (Russell Blackford)
  • Walters’s Alternative Worlds in Hollywood Cinema (D. Harlan Wilson)
  • Weese’s Feminist Narrative and the Supernatural (Robin Anne Reid)

NOTES AND CORRESPONDENCE

  • E.T.A. Hoffmann and Philip K. Dick (Ian F. Roberts)
  • I.F. Clarke (1918-2009): Farewell to Captain Future (Paul Alkon)
  • Forthcoming SF Events at UC-Riverside (Rob Latham)
  • New Awards for SF&F Translation (Cheryl Morgan)
  • Announcing The Wesleyan Anthology of Science Fiction (SFS editors)
  • Notes on Contributors

CFP: Magic, Ritual, and Withcraft (ongoing)

More information at: http://magic.pennpress.org/strands/magic/home.htm

A rigorously peer-reviewed scholarly journal, Magic, Ritual, and Witchcraft draws from a broad spectrum of perspectives, methods, and disciplines, offering the widest possible geographical scope and chronological range, from prehistory to the modern era and from the Old World to the New. In addition to origicnal research, the journal features book reviews, editorials, and lists of newly published work.

Members of Societas Magica receive the journal as a member benefit. To join the society, please visit the Societas Magica website.

The journal continually accepts submissions. Please send manuscripts for consideration, preferably in Microsoft Word, to:

Michael D. Bailey
Iowa State University
Department of History
603 Ross Hall
Ames, IA 50011
mdbailey@iastate.edu

Business inquiries should be sent to Penn Press at:

University of Pennsylvania Press
Journals Division
3905 Spruce Street
Philadelphia, PA 19104-4112
Phone: 215-898-6261
Fax: 215-746-3636
journals@pobox.upenn.edu

2010 Subscription Rates, Semiannual
  • Students: $20
  • Individuals: $25
  • Institutions: $45
  • CFP: Love in Film/TV--Film & History Conference: All Areas (6/1/10; Milwaukee, WI 11/11-14/10)

    Newly updated CFP. More details at http://www.uwosh.edu/filmandhistory/index.php

    The 2010 FILM & HISTORY Conference

    In partnership with the Literature/Film Association (LFA)

    "Representations of Love in Film and Television"
    November 11 - 14, 2010, Milwaukee (USA)
    Hyatt Regency Milwaukee

    Areas and Contact Information
    New! Third-Round Deadline for All Areas: June 1, 2010
    (Check back often -- Areas updated daily)

    Active Calls for Papers:

    Across the Tracks: Love and Class in Film and History **

    Chair: Robert Niemi
    rniemi@smcvt.edu

    Affairs of Race: Interracial Relationships in Film and History

    Chair: Carole Martin
    cm25@txstate.edu

    Agape: Faith God Mission **

    Chair: Zachary Ingle
    ztingle@ku.edu

    All in the Family: The Bonds of Family Affection in Television

    Chair: Michael Kassel
    mkassel@umflint.edu

    America's Love Affair with Movie Gangsters

    Chair: Beverly Kelley
    kelley@callutheran.edu

    L'Amour Noir: Fear and Danger in Romance, 1920-1960 **

    Chair: Bill Mooney
    william_mooney@fitnyc.edu

    An American Bromance: Homosocial Love in Film and Television **

    Chair: Kelli Marshall
    kellirmarshall@gmail.com

    Blaxploitation Films: What's Love Got to Do with It

    Chair: Norlisha Crawford
    crawforn@uwosh.edu

    The Bond Girls: Sex and the Secret Agent

    Chair: Jim Yates
    jyates@carlalbert.edu

    Chicks in Love - "Chick Lit" into "Chick Flicks" **

    Chair: Laura Beadling
    beadlingl@uwplatt.edu

    Cinephilia: The Love of Film

    Chair: Adam Capitanio
    capitani@msu.edu

    Citizen Love: Flag Wavers, Flag Burners

    Chair: Christopher Stone
    christopher.stone@uwc.edu

    Dangerous, Transgressive, and Unloved: The View from Way Outside

    Chair: G. Tom Poe
    poeg@umkc.edu

    The Dark Side of Love: Love, Sex, and Violence in Film and Video

    Chair: Karen Ritzenhoff
    Ritzenhoffk@CCSU.edu

    Different Bodies: Disability, Disfigurement, Illness, or Impairment & Love

    Chair: Marja Mogk
    mmogk@callutheran.edu

    For the Love of the Fans: Fandom, Comics, and Film Adaptations

    Chair: Lance Eaton
    lance_eaton@emerson.edu

    Hollywood's (m)Other(ly) Love: (post)Freudian Readings and Approaches

    Chair: Jaime Bihlmeyer
    jaimebihlmeyer@missouristate.edu

    The Intrusion of Love

    Chair: Antonio Savorelli
    intrusion@cknweb.it

    Jane Austen in Film and History **

    Chair: Laurence Raw
    l_rawjalaurence@yahoo.com

    Jazz and Film: a Love Affair **

    Chair: Peter Lev
    plev@towson.edu

    Jewish-Gentile Romances: From Abie to Zohan

    Chair: Lawrence Baron
    lbaron@mail.sdsu.edu

    The Landscape of Love

    Chair: Deborah Carmichael
    carmic28@msu.edu

    Listening to the Music of Love in Film and Television

    Chair: Mathew Bartkowiak
    mathew.bartkowiak@uwc.edu

    Love and Commitment in the Fraternity/Sorority Film

    Chair: Thomas Britt
    tbritt@gmu.edu

    Love and Death

    Chair: Massimo Perinelli
    perinelli@gmx.ch

    Love and the Family Man: Last Frontier for the American Hero?

    Chair: Elizabeth Abele
    abelee@ncc.edu

    Love and Food

    Chair: Deborah Adelman
    adelman@cod.edu

    Love and Sex in the Graphic Novels of AlanMoore

    Chair: Todd Comer
    tcomer@defiance.edu

    Love at the End of Life

    Chair: Sara Rosenthal
    msrose2@email.uky.edu

    Love in a Time of War

    Chair: Suzanne Broderick
    slbrode@ilstu.edu

    Love in the Golden Age of Television

    Chair: Erwin Erhardt
    erwin.erhardt@uc.edu

    Love, Marriage, and a Baby Carriage: Bonding and Parenthood in Film and Television

    Chair: Laura D'Amore
    lmdamore@comcast.net

    Love Thy Leader: Charisma, Attraction, and Love Toward Figures of Identification

    Chair: Carsten Hennig
    mail@carsten-hennig.com

    Love and Violence: Action Heroes

    Chair: Jennie Morton
    jennie.morton@uni.edu

    Lovers on the Side: Tramps and Rogues in Film and History **

    Chair: Cynthia Miller
    cymiller@tiac.net

    Loving the Machine: Human-Machine Relationships in Film and Television

    Chair: Lisa Nocks
    lnocks@gmail.com

    Lust In Space: Love in Science Fiction Film and Television

    Chair: A. Bowdoin Van Riper
    bvanriper@bellsouth.net

    Medieval Love and Sexuality in Film and Television

    Chair: Justin Noetzel
    noetzelj@slu.edu

    Oysters and Snails: Loveand Sex in the Ancient World on Screen

    Chair: Monica S. Cyrino
    pandora@unm.edu

    Performing Love/Loving Performance: Broadway Musical Motifs in Cinema and Television

    Chair: Kathryn Edney
    katedney@hotmail.com

    Pro Patria Mori: Patriotism in Film and Television

    Chair: Lisa Stein
    stein@ohio.edu

    Reality-TV Love: Bachelors and Bachelorettes

    Chair: Zivah Perel
    zperel@qcc.cuny.edu

    Sex and Love in Asian Contexts

    Chair: Sybil Thornton
    Sybil.Thornton@asu.edu

    Shakespeare In (and Out of) Love **

    Chair: Noel Sloboda
    njs16@psu.edu

    Sons of the Shiek: Global Perspectives on the Alpha Male in Love

    Chair: Eric Selinger
    eselinge@depaul.edu

    "Taking Care of Business": Office Romance in Film and Television

    Chair: Tony Osborne
    Osborne@gonzaga.edu

    Teacher Teach Me Love: Student-Teacher Relationships in Film and Television **

    Chair: Suzanne Diamond
    sdiamond@ysu.edu

    Things of Love and the Love of Things

    Chair: Rebecca Burditt
    rburditt@mail.rochester.edu

    Vampire Love

    Chair: Daniel Schnopp-Wyatt
    daniel.schnopp-wyatt@lindseyspc.org

    Women and Children First: Gender and Ethics

    Chair: Caryn E. Neumann
    neumance@muohio.edu

    Writers in Love / Writers and Love /Writing and Love in Film and Television

    Chair: Bruce Wyse
    bwyse@wlu.ca

    ** LFA affiliated session

    Additional Opportunities for Areas:

    • Addictions, Compulsions, Obsessions
    • Animals of the Wild
    • Cartoons and Pornography
    • Censorship and the Code
    • Classic and Classical: The Romance Genre
    • Families and Society
    • Flings and Fantasies
    • Hetero, Homo, Sapiens: Theories of Sexuality
    • Laboratory Love: Documentary-Style Treatments
    • Love Gone Awry
    • Love and Community
    • Mon Amour: French Kisses and French Misses
    • Pets and Companion Animals
    • Romantic Dramas on Television
    • Screwball Comedy and Romance
    • Separation, Divorce, Reconciliation
    • Sex and Morality
    • Soul and Self: Love and Identity
    • Stereotypes: Old, Young, and Mid-Life Crises
    • Suicidal Lovers
    • Teachers and Students
    • The First Romantics: Italy on Screen
    • The Weight of History: Body Image and Love
    • Uniform Love: Military and Romance

    CFP: MAPACA 2010 Conference: All Areas (no deadline; Alexandria, VA 10/28-31/10)

    The 2010 MAPACA conference will be from
    October 28, 2010 to October 31, 2010
    at The Crowne Plaza Hotel
    901 North Fairfax
    Alexandria, VA 22314

    Calls for papers for all areas available at http://www.mapaca.net/confer/callForPapers.html.

    Areas include the following:

    American Studies
    Art
    Beowulf to Shakespeare: Popular Culture in the Middle Ages and the Renaissance
    Children and Childhood Studies
    Comics, Cartoons and Video Gaming
    Death in American Culture
    Decorative Arts and Design
    Detective Fiction
    Disability Studies
    Environment and Culture
    Fashion, Appearance & Material Culture
    Film Studies
    Food and Culture
    Harry Potter Phenomenon
    Horror
    Internet Culture
    J.R.R.Tolien & C.S. Lewis
    Latino/a Studies
    Lesbian/Gay/Bisexual/Transgender Studies
    Music
    Native American Studies
    Popular Architecture and the Built Environment
    Popular Culture and Activism
    Popular Literary Landscapes
    Popular Novels
    Religion and Popular Culture
    Sci-Fi/ Fantasy
    Sexuality and Erotica
    Sports
    Tattoos and Tattooing
    Technical Culture
    Television
    Theater, Dance, and Perfomance Studies
    Travel and Tourism
    Urban Culture
    Vampire Romance
    Violence and Society
    Visual Culture
    War
    Women's Studies
    Working Class Culture
    Special Sessions

    CFP: Special Issue on SF, Fantasy, and Myth (5/31/10)

    American Literature (Duke University Press)
    Special Issue on SF, Fantasy, and Myth
    http://www.duke.edu/~gc24/americanliterature.html

    DEADLINE: 31 May 2010

    More than one commentator has mentioned that science fiction as a form is where theological narrative went after Paradise Lost, and this is undoubtedly true…The form is often used as a way of acting out the consequences of a theological doctrine….Extraterrestrials have taken the place of angels, demons, fairies and saints, though it must be said that this last group is now making a comeback.
    —Margaret Atwood, “Why We Need Science Fiction”

    Fantasy is the impossible made probable. Science fiction is the improbable made possible.
    —Rod Serling

    In this work I am attempting to create a new mythology for the space age. I feel that the old mythologies are definitely broken down and not adequate at the present time.
    —William Burroughs (on the Nova trilogy)


    From revolutions in communications technology and transportation to encounters with space travelers and aliens, from leaps in human evolution to new dimensions of existence, from creation stories of the past to speculations about the future, science fiction, fantasy, and myth have variously captured the far reaches of the human imagination, making the familiar strange and the strange inevitable. From the vantage point of the twenty-first century, it is fascinating to watch the rapid innovations in science and technology overtake their fictional anticipation and to return to our most speculative and fantastical literature to see how perceptively it anticipated the social and geopolitical transformations—and challenges—these innovations would inspire. We can, moreover, look through these fictions and recognize in them a prolonged engagement not just with the transient social anxieties of their individual moments, but also with the timeless drama of human contact with the divine, the transcendent, the otherworldly, and the sublime.


    This special issue brings together these genres with their divergent but intersecting histories and asks why they might be particularly relevant to study in the contemporary moment. While science fiction has garnered increasing attention in recent years in the academy (and increasing recognition in mainstream publications), the status of fantasy is even more controversial—and the line between them itself a subject of debate. Myth, by contrast, has long been a source of scholarly fascination, although the term typically emerges in the study of American literatures in its pejorative sense. Yet, myth plays a seminal role in the genres of science fiction and fantasy, so much so that science fiction and fantasy can arguably exceed the category of genre to contribute to what William Burroughs calls “a new mythology for the space age.” The issue seeks to move past the definitional debates—beyond, for example, determining the distinction between science fiction and fantasy or the precise definition of myth—to explore broadly the relationship of these genres and modes (individually or in combination) to American literatures and cultures. How, for example, might a focus on science fiction, fantasy, and/or myth change our understanding of literary history? Of literary engagements with scientific and technological innovations as well as with the most pressing political concerns of the moment? How might we use these literary forms to understand genre as a historical repository? The role of mythology in modern culture? What social and geopolitical conditions might produce a genre or mode—or perhaps a critical category that newly classifies certain literary conventions as genres? What themes or questions surface when we read more canonical works through the lens of science fiction, fantasy or myth? Conversely, what happens to these categories when we take seriously, as scholars such as H. Bruce Franklin have done, their early appearance in American literary history? This issue will explore the insights that emerge when we consider the various imaginative engagements that characterize science fiction, fantasy, and myth as central concerns of American literary history and cultural production.


    Special issue editors: Priscilla Wald and Gerry Canavan. Submissions of 11,000 words or less (including endnotes) should be submitted electronically at www.editorialmanager.com/al/default.asp by 31 May 2010. When choosing a submission type, select “Special Issue.” Please contact us at 919-684-3948 or am-lit@duke.edu if you need assistance with the submission process. Please direct other questions to Priscilla Wald (pwald@duke.edu) or Gerry Canavan (gerry.canavan@duke.edu).

    Extrapolation: New Issue 50.3

    http://extrapolation.utb.edu/latest.htm:

    Extrapolation
    Volume 50 Issue 3 (Winter 2009)

    Articles:
    Bollinger, Laurel. “Containing Multitudes: Revisiting the Infection Metaphor in Science Fiction.”
    Bautista, David. “Fantastic Psychology and Mechanical Allegory in The Invention of Morrel.”
    Decker, Mark. “George Lucas, THX-1138, and the Persistence of Marcusian Social Critique in American Graffiti and the Star Wars Films.”
    Leavenworth, Maria Lindgren. “Lover Revamped: Sexualities and Romance in the Black Dagger Brotherhood and Slash Fan Fiction.”
    Reid, Robin Anne. “Thrusts in the Dark: Slashers’ Queer Practices.”
    Hill, Mathew B. “‘I am a Leaf on the Wind’: Cultural Trauma and Mobility in Joss Whedon’s Firefly.”
    Halpren, Paul and Michael C. LaBossiere. “Mind Out of Time: Identity, Perception, and the Fourth Dimension in H. P. Lovecraft’s ‘The Shadow Out of Time’ and ‘The Dreams in the Witch House.’”

    Reviews:
    Bould, Mark. Full Metal Apache: Transactions Between Cyberpunk Japan and Avant-Pop America.
    McGowan, Patrick. The Gospel According to Science Fiction: From the Twilight Zone to the Final Frontier.
    Seed, David. Science Fiction and Philosophy: From Time Travel to Super-intelligence.

    Thursday, March 25, 2010

    CFP: Open Topic: Journal of Dracula Studies (due 4/1/10)

    I've been overwhelmed of late and off-line for a while, and I am very slowly catching up with the backlog of e-mail and postings. Here is a CFP I just came across on the UPennCFPList. The journal home page is at http://www.blooferland.com/drc/index.php?title=Journal_of_Dracula_Studies.


    [UPDATE] The Journal of Dracula Studies (due 4/1/10)
    full name / name of organization: Anne DeLong/Curt Herr/Kutztown University
    contact email: journalofdraculastudies@kutztown.edu

    cfp categories: film_and_television
    gender_studies_and_sexuality
    journals_and_collections_of_essays
    popular_culture
    victorian

    We invite manuscripts of scholarly articles (4000-6000 words) on any of the following: Bram Stoker, the novel Dracula, the historical Dracula, the vampire in folklore, fiction, film, popular culture, and related topics.

    Submissions should be sent electronically (as an e-mail attachment in .doc or .rtf).
    Please follow the 2009 updated MLA style.

    Contributors are responsible for obtaining any necessary permissions and ensuring observance of copyright.

    Manuscripts will be peer-reviewed independently by at least two scholars in the field.
    Copyright for published articles remains with the author.

    Submissions must be received no later than April 1, 2010, in order to be considered for the 2010 issue.

    Send electronic submissions to
    journalofdraculastudies@kutztown.edu

    Contact: Dr. Curt Herr or Dr. Anne DeLong

    By web submission at 01/22/2010 - 17:27

    Wednesday, January 20, 2010

    Science Fiction/Fantasy/Legend NEPCA (6/1/10; Boston, MA 10/23/10)

    CALL FOR PAPERS
    SCIENCE FICTION, FANTASY, AND LEGEND AREA
    http://sf-fantasy-legend.blogspot.com/
    2010 Conference of The Northeast Popular Culture/American Culture Association (NEPCA)
    Massachusetts College of Pharmacy and Health Services (179 Longwood Avenue, Boston, Massachusetts 02115), Saturday 23 October 2010
    Proposals by 1 June 2010


    Proposals are invited from scholars of all levels for papers to be presented in the Science Fiction, Fantasy, and Legend Area. Presentations will be limited to 15-20 minutes in length and may address any aspect of the multi-media genres of science fiction, fantasy, and/or legends in popular culture.


    Given the proximity to Halloween, we are especially interested in proposals devoted to the topic “Monstrous Medievalisms: Investigations of the Medieval in Gothic and Horror Narratives” for a session "Monstrous Medievalisms 2010" to be sponsored by the Society for the Study of Popular Culture and the Middle Ages.


    If you are interested in proposing a paper or panel of papers, please send a paper proposal of approximately 250 words and a one-page CV to both the Program Chair and to the Science Fiction, Fantasy, and Legend Area Chair at the following addresses:


    David E. Tanner
    Program Chair
    david.tanner-at-mcphs.edu


    Michael A. Torregrossa
    Science Fiction, Fantasy and Legend Area Chair
    Popular.Culture.and.the.Middle.Ages-at-gmail.com


    The Northeast Popular Culture Association (NEPCA) is a regional affiliate of the American Culture Association and the Popular Culture Association. NEPCA is an association of scholars in New England and New York, organized in 1974 at the University of Rhode Island. We reorganized and incorporated in Boston in 1992. The purpose of this professional association is to encourage and assist research, publication, and teaching on popular culture and culture studies topics by scholars in the northeast region of the United States. By bringing together scholars from various disciplines, both academic and non-academic people, we foster interdisciplinary research and learning.


    Membership in NEPCA is required for participation. Annual dues are currently $30. Further details are available at http://users.wpi.edu/~jphanlan/NEPCA.html.

    Saturday, January 16, 2010

    Journal Call for Papers

    Recently posted on the SFRA web site. The journal's website is http://sfftv.lupjournals.org/.

    CFP: Science Fiction Film and Television: Special Issues on Remakes and Biopolitics [no posted deadline]

    Science Fiction Film and Television is a biannual, peer-reviewed journal published by Liverpool University Press. Edited by Mark Bould (UWE) and Sherryl Vint (Brock University), with an international board of advisory editors, it encourages dialogue among the scholarly and intellectual communities of film studies, sf studies and television studies.

    We invite submissions on all areas of sf film and television. We publish articles, book and DVD reviews and review essays, as well as archive entries on theorists (which introduce the work of key and emergent figures in sf studies, television or film studies) and texts (which describe and analyse little-known or unduly neglected films or television series).

    We invite submissions in particular for two special issues:

    REMAKES, REVISIONS, REBOOTS: Why is the 21st century fascinated by returning to previous sf franchises? Is this nostalgia? Archive fever? Retrofuturism? What economic and cultural forces inform this recent fascination with return and renewal?

    BIOPOLITICS: How do biopolitial theories of theorists such as Foucault, Hardt and Negri, Esposito and Agamben inform readings of sf? What can sf contribute to ongoing discussions of biopolitial governance? What can sf visions of posthumanism tell us about life under biopolitical capitalism?

    Submissions should be made via our website at http://mc.manuscriptcentral.com/lup-sfftv. If you have an idea for a contribution to the archives section, please contact the editors to discuss your proposal.

    Advisory Editorial Board: Jonathan Bignell (University of Reading), Catherine Constable (University of Warwick), Susan A. George (University of California, Berkeley), Elyce Rae Helford (Middle Tennessee State University), Matt Hills (Cardiff University), Brooks Landon (University of Iowa), Rob Latham (UC-Riverside), Susan Napier (Tufts University), Sharalyn Orbaugh (University of British Columbia), Wendy Pearson (University of Western Ontario), David Seed (University of Liverpool), Steve Shaviro (Wayne State University), Vivian Sobchack (University of California, Los Angeles) and JP Telotte (Georgia Institute of Technology)

    Friday, January 15, 2010

    Related Calls for Papers

    The following are new and recent calls for papers that may be of interest:

    2010 Mid-Atlantic Popular/American Culture Association (MAPACA) Conference (10/28-31/10 at The Crowne Plaza Hotel, 901 North Fairfax, Alexandria, VA 22314) [no posted deadline] (click for details and areas)

    The Mid-Atlantic Popular and American Culture Association (MAPACA)invites academics, graduate and undergraduate students, independent scholars, and other professionals to submit papers for the 2010 annual conference, in Old Town Alexandria, VA. As an inclusive professional organization dedicated to the study of Popular Culture and American Culture in all their multidisciplinary manifestations, MAPACA hosts presentations in a wide range of areas.

    Those interested in presenting at the conference are invited to submit ONE proposal or panel to ONE of the areas listed below. Include a brief bio with your proposal. Single papers, as well as 3- or 4-person panels and roundtables, are encouraged. Sliding scale registration fees apply.



    The 2010 Film & History Conference: Representations of Love in Film and Television (3/1/10 2nd Round Deadline; 11/11-14/10 at at the Hyatt Regency, in downtown Milwaukee, Wisconsin) (click for details and areas)



    Mythcon 41--The 41st Annual Mythopoeic Conference: War in Heaven (4/15/10; 7/9-12/10 at Southern Methodist University, Dallas, Texas) (click here for more details)

    Theme: War in Heaven

    From the great epic poems of ancient Greece and ancient India to the Book of Revelation and the Poetic Edda; from John Milton and William Blake to J.R.R. Tolkien, C.S. Lewis, and Charles Williams; from Philip Pullman to Neil Gaiman and beyond, theomachy (conflict amongst and against the gods) has been a perennial theme in mythology and mythopoeic literature. Moreover, the year 2010 marks our theme with special significance as the 80th anniversary of the publication of Charles Williams’s novel War in Heaven.

    Papers dealing with the conference theme are especially encouraged. We also welcome papers focusing on the work and interests of the Inklings (especially J.R.R. Tolkien, C.S. Lewis, and Charles Williams), of our Guests of Honor, and other fantasy authors and themes. Papers from a variety of critical perspectives and disciplines are welcome. Each paper will be given a one-hour slot to allow time for questions, but individual papers should be timed for oral presentation in 40 minutes maximum. Participants are encouraged to submit papers chosen for presentation at the conference to Mythlore, the refereed journal of the Mythopoeic Society.

    Paper abstracts of no more than 300 words, along with contact information, should be sent to the Papers Coordinator at the address below (e-mail preferred) by April 15, 2010. Please include your A/V requirements and the projected time needed for your presentation.

    All paper presenters must register for the full conference; please see the Mythcon 41 web page, http://www.mythsoc.org/mythcon/41/, for information and rates.


    Guests of Honor:

    Tim Powers: Author Tim Powers is a science-fiction and fantasy author. He has received numerous awards and nominations for his works, including the World Fantasy Award for his novels Last Call (1992) and Declare (2000). He has been nominated for four Mythopoeic Fantasy Awards, most recently for Three Days to Never (2006).

    Janet Brennan Croft
    : Scholar Janet Brennan Croft is the editor of Mythlore, one of the premier periodicals on the Inklings and fantasy literature. She has published many articles and three books on J.R.R. Tolkien, including War in the Works of Tolkien (2005), which won the Mythopoeic Scholarship Award in Inklings Studies.


    Robin Anne Reid
    Mythcon 41 Papers Coordinator
    Department of Literature and Languages
    Texas A&M University-Commerce
    Commerce TX 75429
    Robin_Reid-at-tamu-commerce.edu
    Alt: rrede13-at-yahoo.com



    SFRA 2010 "Far Stars and Tin Stars: Science Fiction and the Frontier" (4/15/10; 6/24-27/2010 at Carefree Resort and Villas in Carefree, Arizona)

    The idea of the frontier, as boundary, as limit, as the edge of the known and the start of the unknown, has been central to science fiction throughout its history. SFRA 2010, to be held at the Carefree Resort and Villas in Carefree, Arizona, will focus on the frontiers behind us and the territory ahead. For more information, visit the conference website at: http://sfra2010.ning.com/

    The 2010 Science Fiction Research Association conference theme, “Far Stars and Tin Stars: Science Fiction and the Frontier,” reflects the conference’s venue in the high desert of Carefree, Arizona, north of Phoenix. The frontier, the borderland between what is known and what is unknown, the settled and the wild, the mapped and the unexplored, is as central to science fiction as it is to the mythology of the American West.

    Submissions are invited for individual papers (15-20 minutes), full paper panels (3 papers), roundtables (80 minute sessions), and other presentations that explore the study and teaching of science fiction in any medium. Preference will be given to proposals that engage the conference theme.

    Paper and other session proposals should be 200-300 words. Paper panel proposals should include the proposals of all three papers and a brief statement of their unifying principle. Include all text of the proposal in the body of the email (not as an attachment). Please be sure to include full contact information for all panel members and to make all AV requests within each proposal. E-mail submissions by April 15, 2010 to Craig Jacobsen: jacobsen at mesacc dot edu.