Tuesday, November 9, 2010

New Journal: Fastitocalon: Studies in Fantasticism Ancient to Modern

The journal Fastitocalon: Studies in Fantasticism Ancient and Modern launched recently. Here are the relevant details. The first volume is devoted to "Immortals and the Undead." A call for papers has also been posted for the second volume and will be posted separately to the blog.


Fastitocalon - Studies in Fantasticism Ancient to Modern

General

The original idea for starting a new journal goes back some two years when the two editors-in-chief were working together on a volume on dragons in literature. They deplored the lack of a journal that aims at promoting a deeper understanding of the phenomenon of fantasticism across the ages. In order to remedy this situation, they decided to try and establish a series whose individual issues focus either on important authors and/or works in this field (e.g. Hoffmann, Poe, Tolkien, Maupassant, Dunsany) or on specific topics relevant to fantasticism (e.g. the supernatural, the transcendental, the monstrous). The WVT (Wissenschaftlicher Verlag Trier / 'Scholarly Publications Trier') graciously agreed to give the new journal a home and work began in close exchange with an international Board of Advisors whose members act as peer-reviewers for abstracts and papers.

Volume I (2010): Immortals and the Undead

Issue 1

Introduction
(Fanfan Chen and Thomas Honegger)
Introduction to Volume I
The first volume of Fastitocalon (consisting of two issues) is dedicated to the exploration of the literary, poetical, cultural and historical aspects of the immortals and the undead. Albeit the two categories have, at first sight, only very little to do with each other, they can be interpreted as representing two approaches towards the larger question of death, mortality, and longevity.
Immortality has fascinated human beings probably ever since the awareness of their own mortality has dawned on them. Thus, the earliest extant epic Gilgamesh deals with the quest for immortality. Yet the category of immortals may not only include 'positive' examples such as the Taoist masters as they appear in Wu Yuantai’s novel The Eight Immortals Depart and Travel to the East (Ming Dynasty), or the successful alchemists, for example Flamel in J.K. Rowling’s The Philosopher's Stone, whose immortality is part of a greater (spiritual) achievement. It may also comprise conflicted beings such as Karl Edward Wagner's Kane or even Tolkien's elves, for whom longevity may become a curse, too. Next to Tolkien's elves, the 'classical' longaevi (nymphs, silvans, nerei etc.) may also be of interest. At the other end of the spectrum, we find figures such as the 'eternal Jew', best known as the protagonist of Maturin’s Melmoth the Wanderer (1820), and his analogues. They may not be 'immortals' in the strict sense of the word, but often participate in the 'immortality discourse' and provide a valuable complementary view.
The undead comprise the literarily prominent examples of the revenants and vampires. Ever since the publication of John Polidori's The Vampyre (1819) and Bram Stoker's Dracula (1897), the charismatic and erotically alluring vampire has become a popular character of modern fantastic fiction, of which the best-selling 'Twilight-saga' by Stephenie Meyer is a most recent example. Originally at home in 'gothic' horror novels and movies, the undead have crossed over into various other genres (fantasy, science fiction, crime, historic fiction and films etc.) and developed into a versatile element of the fantastic. Their 'human origin' (at least in the western culture) makes them simultaneously familiar and exotic, human and monstrous with a great literary potential into which writers of the fantastic have been dipping more and more deeply.
The contributions to this first issue explore some of these issues in greater depth. Dirk Vanderbeke's informed piece on vampires in literature across the centuries makes a brave beginning and outlines the transmutations of the folkloristic vampire and its aristocratic 'literary' counterpart. The paper by Eugenio Olivares Merino, then, looks into the question of early English vampires and establishes the origins of a 'British' tradition in twelfth-century accounts of 'revenants'. Leaving vampires and revenants, we progress to Siobhán Ní Chonaill discussion of William Godwin’s novel St Leon (1799). She sets this work in relation to the perfectibilist ideas in Godwin's political philosophy and demonstrates a readjustment in his thinking about immortality. Françoise Dupeyron-Lafay, in her contribution, analyses Joseph Sheridan Le Fanu's novel Uncle Silas (1864) as a revenant or a ghost resurrected from the 18th century Gothic past. She furthermore addresses the question of immortality and how plot and characterization are determined by it, and informed by Swedenborg's perspective whereby the intermediate world of spirits (itself half way between heaven and hell) exists parallel to the world of the living. Finally, Amy Amendt-Raduege's paper on Tolkien's ringwraiths draws on both folklore and Tolkien's own well-documented thoughts about the necessity of death and discusses the implications for those individuals who refuse to acknowledge the necessity of death – and the terrible recognition that, for all its awful finality, not dying destroys our humanity altogether.
Douglas Anderson's notes on forgotten authors of fantastic literature conclude the first issue. They have been selected with a view on their compatibility with the overall theme and offer – next to impulses for further exploration of the topic – the fruits of original research.
We wish our readers a stimulating and 'fantastic' time with the first issue of Fastitocalon.
Thomas Honegger & Fanfan Chen

Articles

Dirk Vanderbeke (Jena, Germany)
The Vampire Strikes Back: On the History of a Nightwalker

Eugenio Olivares Merino (Jaén, Spain)
The (Medi)Evil Dead: Revenants and Vampires in Twelfth Century English Literature 1

Siobhán Ní Chonaill (Cambridge, UK)
'What is political liberty compared with unbounded riches and immortal vigour?': The Politics of Immortality in William Godwin's St Leon

Françoise Dupeyron-Lafay (Paris, France)
Victorian Gothic Fiction as a Ghost: Immortality and the Undead in Joseph Sheridan Le Fanu's Uncle Silas (1864)

Amy Amendt-Raduege (Bellingham, USA)
Better Off Dead: The Lesson of the Ringwraiths

Notes

Douglas Anderson (Marcellus, USA)
Biographical notes on forgotten authors of fantastic literature


Issue 2 (forthcoming autumn 2010)

Introduction
(Fanfan Chen and Thomas Honegger)

Articles

Roger Bozzetto and Fanfan Chen (Aix, France/ Hualien, Taiwan)
The Evolution of the Quest for Immortality in the Fantastic and Science Fiction: Spirituality, Corporeality, Virtuality

Valentina Fenga (Bologna, Italy)
New Immortals: Technology and Immortality

Anna Caiozzo (Paris, France)
Some Notes on the Depiction of Immortals in Illustrations to Medieval Oriental Manuscripts

Eugenio Olivares Merino (Jaén, Spain)
Reporting the Stubborn Undead: Revenants and Vampires in Twelfth Century English Literature 2

Thomas Scholz (Leipzig, Germany)
'A zombie is just a barely living firend you haven’t met yet.': Bisociation and the Undead in Terry Pratchett’s Discworld Series

Bruce Wyse (Waterloo, Ontario Canada)
Consuming Life: Liminality, Addiction and the Posthuman Condition in Bulwer-Lytton's A Strange Story and the Victorian Elixir-of-Life Narrative

Notes

Douglas Anderson (Marcellus, USA)
Biographical notes on forgotten authors of fantastic literature

CFP: Mythcon 42 (n.d.; Albuquerque, NM 7/15-18/11)

The Mythopoeic Society has now made available its call for papers and registration information for Mythcon 42 to be held 15-18 July 2011 at the University of New Mexico in Albuquerque, New Mexico.

I append the relevant details below:


Mythcon 42
Monsters, Marvels, and Minstrels: The Rise of Modern Medievalism

University of New Mexico
Albuquerque, New Mexico
July 15-18, 2011


The year 2011 marks the 75th anniversary of both C.S. Lewis’ publication of The Allegory of Love and J.R.R. Tolkien’s lecture “Beowulf: The Monsters and the Critics.” Spanning the early Anglo-Saxon/Scandinavian heroic legacies and late Continental French-inspired romance traditions, these authoritative works of scholarship dramatically changed academic discussion on their medieval subjects. In addition, their literary reinterpretations laid the groundwork for the modern medievalism that now informs so much modern fantasy literature, Inkling or otherwise. To commemorate these important anniversaries, Mythcon 42 will invite reflection on the impact of these critical works and how they offer new ways to view the fantastic in earlier texts as well as how they initiated many of the approaches modern fantasy applies to its reading of the medieval. While legacies inherited from Anglo-Saxon, Celtic, Scandinavian, Biblical, and Classical cultures will be obvious subjects, for papers and panels that explore mythological and fantastic works from other early traditions (such as Native American, Asian, and Middle-eastern) are also welcome, as are studies and discussions that focus on the work and interests of the Inklings (especially J.R.R. Tolkien, C.S. Lewis, and Charles Williams), of our Guests of Honor, and other fantasy authors and themes. Papers from a variety of critical perspectives and disciplines are welcome.


Guests of Honor:

Catherynne M. Valente, Author

Michael D.C. Drout, Scholar

New Issue: Mythlore 29.2-3

The latest issue of Mythlore is now available for purchase:

From http://www.mythsoc.org/mythlore/111-112/

Mythlore 111/112
Volume 29, Issue 1/2
2010 Fall/Winter
202 pages
Buy - $15.00

Table of Contents

Dwarves, Spiders, and Murky Woods: J.R.R. Tolkien’s Wonderful Web of Words
—Jason Fisher

Let Us Now Praise Famous Orcs: Simple Humanity in Tolkien’s Inhuman Creatures
—Robert T. Tally, Jr.

Myth-Remaking in the Shadow of Vergil: The Captive(-ated) Voice of Ursula K. Le Guin’s Lavinia
—T.S. Miller

Corrupting Beauty: Rape Narrative in The Silmarillion
—Lynn Whitaker

The Company They Didn’t Keep: Collaborative Women in the Letters of C.S. Lewis
—Sam McBride

Master of Doom by Doom Mastered: Heroism, Fate, and Death in The Children of Húrin
—Jesse Mitchell

Germanic Fate and Doom in J.R.R. Tolkien’s The Silmarillion
—Richard J. Whitt

The Thread on Which Doom Hangs: Free Will, Disobedience, and Eucatastrophe in Tolkien’s Middle-earth
—Janet Brennan Croft

Simbelmynë: Mortality and Memory in Middle-earth
—William H. Stoddard

Reviews

Tolkien, Race and Cultural History, by Dimitra Fimi
Charles Williams and his Contemporaries, by Suzanne Bray and Richard Sturch
In the Land of Invented Languages by Arika Okrent
Millennial Mythmaking: Essays on the Power of Science Fiction and Fantasy Literature, edited by John Perlich and David Whitt
Middle-earth Minstrel: Essays on Music in Tolkien, edited by Bradford Lee Eden
Harry Potter and Imagination: The Way Between Two Worlds, by Travis Prinzi
Fastitocalon 1.1
Theodor SEUSS Geisel by Donald E. Pease

New Issue: Science Fiction Studies 37.3

From http://www.depauw.edu/sfs/covers/cov112.htm

Science Fiction Studies
#112 = Volume 37, Part 3 = November 2010


ARTICLES     
SPECIAL SECTION ON OCTAVIA E. BUTLER
  • Reflections on Octavia E. Butler                                                                                                                                                     
THE 2010 SFS SYMPOSIUM: ANIMAL STUDIES AND SF
REVIEW-ESSAYS
  • Joanne Murray. An Imaginary Museum: Ballard at the Gagosian
  • Sandra J. Lindow. Le Guin’s Post-feminist Carrier Bag Make-Over: Clarke’s Ursula K. Le Guin’s Journey to Post-Feminism
BOOKS IN REVIEW
  • Francis’s Conversations with Octavia Butler (Jane Donawerth)
  • Applebaum’s Representations of Technology in SF (Michael Levy)
  • Asma’s On Monsters (D. Harlan Wilson)
  • Bould/Miéville’s Red Planets: Marxism and Science Fiction (Paweł Frelik)
  • Freedman’s Conversations with Samuel R. Delany and the new Wesleyan UP edition of Delany’s The Jewel-Hinged Jaw (Isiah Lavender III)
  • Link’s Understanding Philip K. Dick (John Rieder)
  • Patterson’s Robert A. Heinlein in Dialogue with His Century: The Authorized Biography: Vol. 1 (Carol McGuirk)
  • Ruddick’s The Fire in the Stone: Prehistoric Fiction from Charles Darwin to Jean M. Auel (Donald M. Hassler)
  • Stableford’s Gothic Grotesques, Jaunting on the Scoriac Tempests, and News of the Black Feast and other Random Reviews (Paul Kincaid)
  • Van Ness’ Watchmen as Literature (Joe Sanders)
  • Walter’s new Verne translations in Jules Verne’s Amazing Journeys: Five Visionary Classics (Arthur B. Evans)
  • Warren’s American Science Fiction Movies of the Fifties (J.P. Telotte)
  • Wilson’s Selfhood and the Body in Postcapitalist SF (Kelly Meyer) 
  • McConnell’s Collected Essays on SF Storytelling and the Gnostic Imagination (Richard D. Erlich)
NOTES AND CORRESPONDENCE
  • Remembering Walter James Miller and E.F. Bleiler (Arthur B. Evans)
  • SFRA 2010 (Kristin Noone)
  • Correction (William J. Fanning)
  • Publishing Announcements and Calls for Papers  

Monday, October 25, 2010

Whedon Links Added

Many thanks to David Kociemba of Emerson College for alerting me of the existence of Watcher Junior: The Undergraduate Journal of Whedon Studies. I have added links to the journal and additional Whedon-related links to the resources sections of this blog.

NEPCA Area Update

The 2010 Annual Conference of NEPCA was held this past weekend, and I am pleased to report that all four sessions were well attended and included much productive discussion. My thanks to the presenters and audience members for their efforts.

Michael Torregrossa
Area Chair, Science Fiction, Fantasy, and Legend Area Chair

Torchwood book from McFarland

I seem to have missed this and thank Marla Harris for alerting me to its existence:

Illuminating Torchwood: Essays on Narrative, Character and Sexuality in the BBC Series
Edited by Andrew Ireland
Series Editors Donald E. Palumbo and C.W. Sullivan III
ISBN 978-0-7864-4570-7
notes, index
251pp. softcover 2010
Price: $35.00


Description
Created in 2006 as a spinoff of Doctor Who, the internationally popular BBC television series Torchwood is a unique blend of science fiction and fantasy, with much more of an adult flavor than its progenitor. The series’ "omnisexual" protagonist, maverick 51st-century time agent Captain Jack Harkness, leads a team of operatives from the present-day Torchwood Institute, a secret organization dedicated to battling supernatural and extraterrestrial criminals. With its archetypal characters, adult language, subversive humor and openly homosexual and bisexual storylines, Torchwood provides a wealth of material for scholarly analysis and debate.

Using Torchwood as its focal point, this timely collection of essays by a range of experts and enthusiasts provides an interpretive framework for understanding the continually developing forms and genres of contemporary television drama.




Table of Contents

Acknowledgments      vii
Introduction—Reading the Rift (ANDREW IRELAND)      1

PART I: Narrative and Torchwood
One — Playing to the Crowd: Torchwood Knows We’re Watching
(ANDREW IRELAND)      11
Two — Existentialism and Christian Symbolism
(R. C. NEIGHBORS)      22
Three — Policing the Rift: The Monstrous and the Uncanny
(SUSAN J. WOLFE and COURTNEY HUSE WIKA)      30
Four — Touching the Other: Alien Contact and Transgressive Touch
(RIA CHEYNE)      43
Five — More Than Just a Hero’s Journey: Harry Potter, Frodo Baggins, and Captain Jack Harkness
(VALERIE ESTELLE FRANKEL)      53
Six — Screwing Aliens and Screwing with Aliens: Torchwood Slashes the Doctor
(RICHARD BERGER)      66

PART II: Character and Torchwood
Seven — The Eternal Vigil: Captain Jack as Byronic Hero
(G. TODD DAVIS)      79
Eight — Gwen’s Evil Stepmother: Concerning Gloves and Magic Slippers
(VALERIE ESTELLE FRANKEL)      90
Nine — Transgressive Torch Bearers: Who Carries the Confines of Gothic Aesthetics?
(DANIEL J. RAWCLIFFE)      102
Ten — The Alien Woman: Othering and the Oriental
(CARRIE DUNN)      113
Eleven — Outside the Heroic Paradigm
(TOM POWERS)      121

PART III: Sexuality and Torchwood
Twelve — “Love the coat”: Bisexuality, the Female Gaze and the Romance of Sexual Politics
(CHRISTOPHER PULLEN)      135
Thirteen — Fashioning Masculinity and Desire
(SARAH GILLIGAN)      153
Fourteen — Sexual Relations and Sexual Identity Issues: Brave New Worlds or More of the Old One?
(SHERRY GINN)      165
Fifteen — “Loving the Alien”: The Erotics of Technology
(PAUL WINTERS)      181
Sixteen — Cyberwomen and Sleepers: Rereading the Mulatta Cyborg and the Black Woman’s Body
(ELSPETH KYDD)      191
Seventeen — No Consent Necessary: A Feminist Perspective on Non-Consensual Penetration
(CARRIE DUNN)      203
Eighteen — Out in Space: Masculinity, Sexuality and the Science Fiction Heroics of Captain Jack
(LEE BARRON)      213

Episode Guide      227
About the Contributors      231
Index      235


About the Author
Andrew Ireland is the associate dean for undergraduate students in the Media School of the United Kingdom’s Bournemouth University. In 2004 he was awarded a National Teaching Fellowship by the Higher Education Academy.
Donald E. Palumbo is a professor of English at East Carolina University in Greenville, North Carolina. He lives in Greenville. C.W. Sullivan III is in the English department at East Carolina University in Greenville, North Carolina.

Tuesday, August 31, 2010

New from McFarland

Middle-earth Minstrel: Essays on Music in Tolkien
Edited by Bradford Lee Eden
ISBN 978-0-7864-4814-2
notes, bibliographies, index
215pp. softcover 2010
Price: $35.00

Description
The twentieth century witnessed a dramatic rise in fantasy writing and few works became as popular or have endured as long as the novels of J.R.R. Tolkien. Surprisingly, little critical attention has been paid to the presence of music in his novels. This collection of essays explores the multitude of musical-literary allusions and themes intertwined throughout Tolkien’s body of work. Of particular interest is Tolkien’s scholarly work with medieval music and its presentation and performance practice, as well as the musical influences of his Victorian and Edwardian background. Discographies of Tolkien-influenced music of the 20th and 21st centuries are included.

Table of Contents

Introduction
BRADFORD LEE EDEN      1

Horns of Dawn: The Tradition of Alliterative Verse in Rohan
JASON FISHER      7
“Inside a Song”: Tolkien’s Phonaesthetics
JOHN R. HOLMES      26
Æ´ fre me strongode longas: Songs of Exile in the Mortal Realms
PETER WILKIN      47
J.R.R. Tolkien: A Fortunate Rhythm
DARIELLE RICHARDS      61
Tolkien’s Unfinished “Lay of Lúthien” and the Middle English Sir Orfeo
DEANNA DELMAR EVANS      75
Strains of Elvish Song and Voices: Victorian Medievalism, Music, and Tolkien
BRADFORD LEE EDEN      85
Dissonance in the Divine Theme: The Issue of Free Will in Tolkien’s Silmarillion
KEITH W. JENSEN      102
“Worthy of a Song”: Memory, Mortality and Music
AMY M. AMENDT-RADUEGE      114
“Tolkien is the Wind and the Way”: The Educational Value of Tolkien-Inspired World Music
AMY H. STURGIS      126
Liquid Tolkien: Music, Tolkien, Middle-earth, and More Music
DAVID BRATMAN      140
Performance Art in a Tunnel: A Musical Sub-Creator in the Tradition of Tolkien
ANTHONY S. BURDGE      171

Contributors      201
Index      205

About the Author
Bradford Lee Eden is Associate University Librarian for Technical Services and Scholarly Communication at the University of California, Santa Barbara. He lives in Lompoc, California.



The Literary Angel: Essays on Influences and Traditions Reflected in the Joss Whedon Series
Edited by AmiJo Comeford and Tamy Burnett
ISBN 978-0-7864-4661-2
notes, bibliography, index
264pp. softcover 2010
Price: $35.00

Description
The fictionalized Los Angeles of television’s Angel is a world filled with literature--from the all-important Shansu prophecy that predicts Angel’s return to a state of humanity to the ever-present books dominating the characters’ research sessions. This collection brings together essays that engage Angel as a text to be addressed within the wider fields of narrative and literature. It is divided into four distinct parts, each with its own internal governing themes and focus: archetypes, narrative and identity, theory and philosophy, and genre. Each provides opportunities for readers to examine a wide variety of characters, tropes, and literary nuances and influences throughout all five televised seasons of the series and in the current continuation of the series in comic book form.

Table of Contents

Acknowledgments      ix
Introduction: Los Angeles, City of Story
AMIJO COMEFORD and TAMY BURNETT      1

One : Archetypes
Biting Humor: Harmony, Parody, and the Female Vampire
LORNA JOWETT      17
Doyle as “The Passing Figure” and Nella Larsen’s Passing
ANGEL ANDERSON      30
Pylean Idol: L.A.’s De(con)struction of a Postmodern Bard
JENNIFER HAMILTON      41
Lilah Morgan: Whedon’s Legal Femme Fatale
SHARON SUTHERLAND and SARAH SWAN      54

Two : Narrative & Identity
Fred’s Captivity Narrative: American Contexts for (Re)Writing Community Identity from Mary Rowlandson to Angel
TAMY BURNETT      69
Feminist Abuse Survivor Narratives in Angel and Sarah Daniels’s Beside Herself
ANIKA STAFFORD      85
Numero Cinco, Border Narratives, and Mexican Cultural Performance in Angel
VICTORIA PETTERSEN LANTZ      98

Three : Theory & Philosophy
(Re)Negotiating the Dystopian Dilemma: Huxley, Orwell, and Angel
MARY ELLEN IATROPOULOS      115
Angel vs. the Grand Inquisitor: Joss Whedon Re- imagines Dostoevsky
KATIA MCCLAIN      130
Charles Gunn, Wolfram & Hart, and Baudrillard’s Theory of the Simulacrum
K. SHANNON HOWARD      147
“It’s a play on perspective”: A Reading of Whedon’s Illyria through Sartre’s Nausea
CYNTHEA MASSON      159

Four : Genre
Helping the Helpless: Medieval Romance in Angel
AMIJO COMEFORD      175
Whedon Meets Sophocles: Prophecy and Angel
LAUREL BOWMAN      191
Detective Fiction/Fictionality from Asmodeus to Angel
ALISON JAQUET      206
It (Re-)Started with a Girl: The Creative Interplay Between TV and Comics in Angel: After the Fall
STACEY ABBOTT      221

About the Contributors      233
Bibliography      237
Index      249

About the Author
AmiJo Comeford is an assistant professor of English at Dixie State College of Utah, teaching courses in women’s literature, early British and nineteenth-century American literature, and literary theory. Tamy Burnett is a lecturer in English and women’s and gender studies at the University of Nebraska-Lincoln, teaching courses in American literature, women’s literature, and popular culture.



Tarnished Heroes, Charming Villains and Modern Monster: Science Fiction in Shades of Gray on 21st Century Television
Lynnette Porter
ISBN 978-0-7864-4858-6
appendices, notes, bibliography, index
316pp. softcover 2010
Price: $35.00

Description
The heroes, villains, and monsters portrayed in such popular science fiction television series as Heroes, Lost, Battlestar Galactica, Caprica, Doctor Who, and Torchwood, as well as Joss Whedon’s many series, illustrate a shift from traditional, clearly defined characterizations toward much murkier definitions. Traditional heroes give way to "gray" heroes who must become more like the villains or monsters they face if they are going to successfully save society. This book examines the ambiguous heroes and villains, focusing on these characters’ different perspectives on morality and their roles within society. Appendixes include production details for each series, descriptions and summaries of pivotal episodes, and a list of selected texts for classroom use.

Table of Contents

Acknowledgments      v
Introduction      1

Part One
1. The Evolution of the Traditional Hero      12
2. Villains and Monsters      32
3. Shades of Gray: 21st Century SF Heroes and Villains      50
4. The Rise of Sidekicks      84
5. Analyzing Gray SF TV Series      108

Part Two
Introduction to Part Two      131
6. The World of Joss Whedon      133
7. Heroes      151
8. Lost      165
9. Battlestar Galactica and Caprica      188
10. Doctor Who      215
11. Torchwood      239

Appendices—Introduction      267
Appendix 1: Series Background Information      268
Appendix 2: Important Series Episodes      270
Chapter Notes      285
Bibliography      293
Authors of Episodes Discussed      297
Index      299


About the Author
Lynnette Porter teaches in the Humanities and Social Sciences Department of Embry-Riddle Aeronautical University in Daytona Beach, Florida. She has written several books about television and film.



Touchstones of Gothic Horror: A Film Genealogy of Eleven Motifs and Images
David Huckvale
ISBN 978-0-7864-4782-4
117 photos, notes, bibliography, index
271pp. softcover (7 x 10) 2010
Price: $39.95

Description
Gothic cinema, typified by the films of Universal, Hammer, Amicus and Tigon, grew out of an aesthetic that stretches back to the 18th century and beyond, even to Shakespeare. This book explores the origin of Gothic cinema in art and literature, tracing its connection to the Gothic revival in architecture, the Gothic novel, landscape, ruins, Egyptology, occultism, sexuality, the mythology of werewolves, the philosophy of Hegel, and many other aspects of the Romantic and Symbolist movements.

Table of Contents

Acknowledgments      vi
Introduction      1

1. Stairways to Hell      7
2. Sturm und Drang      33
3. Ruins      47
4. Municipal Sublimity      73
5. Heaving Cleavage      91
6. Living Pictures      109

INTERLUDE. Werewolves      134

7. Ornate Coffins      146
8. Hegelian Horrors      166
9. Ancient Egypt      180
10. The Occult      199
11. Satire      229

Chapter Notes      243
Select Bibliography      251
Index      255


About the Author
David Huckvale is the author of two books on music in film. A writer, critic and researcher, he has worked extensively for BBC Radio and currently teaches a course on film music at Birmingham University in England.


Sarah Lynne Bowman 
ISBN 978-0-7864-4710-7 
appendix, notes, bibliography, index
216pp. softcover 2010
Price: $35.00

Description
This study takes an analytical approach to the world of role-playing games, providing a theoretical framework for understanding their psychological and sociological functions. Sometimes dismissed as escapist and potentially dangerous, role-playing actually encourages creativity, self-awareness, group cohesion and "out-of-the-box" thinking. The book also offers a detailed participant-observer ethnography on role-playing games, featuring insightful interviews with 19 participants of table-top, live action and virtual games.

Table of Contents

Acknowledgments      v
Preface      1
Introduction      7

1. Historical Evolution and Cultural Permutations      11
2. Role-Playing in Communal Contexts      33
3. Interactional Dynamics in Role-Playing Games      55
4. Role-Playing as Scenario Building and Problem Solving      80
5. Tactical and Social Problem Solving      104
6. Role-Playing as Alteration of Identity      127
7. Character Evolution and Types of Identity Alteration      155

Conclusion      179
Appendix: Interview Questionnaire      183
Chapter Notes      185
Bibliography      197
Index      203


About the Author
Sarah Lynne Bowman is an adjunct professor at the University of Texas at Dallas, Richland College, Ashford University, and Brookhaven College. Her current research focus emphasizes character development and social dynamics in role-playing games.

Saturday, August 28, 2010

New from McFarland: Practicing Science Fiction

http://www.mcfarlandpub.com/book-2.php?id=978-0-7864-4793-0

Practicing Science Fiction: Critical Essays on Writing, Reading and Teaching the Genre
Edited by Karen Hellekson Craig B. Jacobsen, Patrick B. Sharp and Lisa Yaszek 
ISBN 978-0-7864-4793-0
notes, bibliographies, index
226pp. softcover 2010
Price: $35.00

Description
Drawn from the Science Fiction Research Association conference held in Lawrence, Kansas, in 2008, the essays in this volume address intersections among the reading, writing, and teaching of science fiction. Part 1 studies the teaching of SF, placing analytical and pedagogical research next to each other to reveal how SF can be both an object of study as well as a teaching tool for other disciplines. Part 2 examines SF as a genre of mediation between the sciences and the humanities, using close readings and analyses of the literary-scientific nexus. Part 3 examines SF in the media, using specific television programs, graphic novels, and films as examples of how SF successfully transcends the medium of transmission. Finally, Part 4 features close readings of SF texts by women, including Joanna Russ, Ursula K. Le Guin, and Octavia E. Butler.

Table of Contents

Preface      1
—KAREN HELLEKSON

PART 1. TEACHING
Introduction: Teaching with Science Fiction      7
—CRAIG B. JACOBSEN
1. Grokking Rhetoric through Science Fiction: A Practical Examination of Course Construction      13
—JEN GUNNELS
2. Incorporating Science Fiction into a Scientific Rhetoric Course      24
—MICHAEL J. KLEIN
3. Revealing Critical Theory’s Real-Life Potential to Our Students, the Digital Nomads      37
—JASON W. ELLIS

PART 2. READING AND WRITING
Introduction: Reading and Writing SF      53
—PATRICK B. SHARP
4. Reading/Writing Martians: Seeing Techne and Poiesis in The War of the Worlds      58
—CHARLES HARDING
5. The Creation of Heinlein’s “Solution Unsatisfactory”      74
—EDWARD WYSOCKI
6. Entropy, Entertainment, and Creative Energy in Ben Bova      87
—DONALD M. HASSLER

PART 3. MEDIA
Introduction: Media and Science Fiction      99
—KAREN HELLEKSON
7. Investigating the Postmodern Memory Crisis on the Small Screen      104
—SUSAN A. GEORGE
8. Text’s Resistance to Being Interpreted: Unconventional Relationship between Text and Reader in Watchmen      117
—HO-RIM SONG
9. “Breathe, baby, breathe!” Ecodystopia in Brazilian Science Fiction Film      130
—ALFREDO SUPPIA

PART 4. WOMEN
Introduction: Women and Writing      149
—LISA YASZEK
10. Hail the Conquering Campbellian S/Hero: Joanna Russ’s Alyx      154
—EILEEN DONALDSON
11. Essentialism and Constructionism in Octavia E. Butler’s Fledgling      168
—KRISTEN LILLVIS
12. Joanna Russ and the Murder of the Female Child: We Who Are About To...       183
—REBEKAH SHELDON
13. Learning to Listen, Listening to Learn: The Taoist Way in Ursula K. Le Guin’s The Telling      197
—JAMES H. THRALL

About the Contributors      213
Index      217

About the Author
Karen Hellekson is a freelance copy editor and independent scholar. She is coeditor of the open access journal Transformative Works and Cultures and of the quarterly SFRA Review. She lives in Maine. Craig B. Jacobsen teaches at Mesa Community College in Arizona. He is coeditor of the quarterly SFRA Review. Patrick B. Sharp is an associate professor at California State University, Los Angeles. He has written extensively on science fiction. Lisa Yaszek is associate professor at the Georgia Institute of Technology. Her most recent work was on galactic suburbia.



New from McFarland: Mystery Movie Series of 1940s Hollywood

http://www.mcfarlandpub.com/book-2.php?id=978-0-7864-4864-7

Mystery Movie Series of 1940s Hollywood
Ron Backer 
ISBN 978-0-7864-4864-7
63 photos, bibliography, index
330pp. softcover (7 x 10) 2010
Price: $45.00

Description
Many of the 20th century’s most celebrated fictional sleuths appeared in Hollywood movie mystery series of the forties. This volume focuses on 19 series (146 films): The Saint, The Lone Wolf, Sherlock Holmes, The Shadow, Nick Carter, Michael Shayne, Ellery Queen, Boston Blackie, The Falcon, Mr. District Attorney, Wally Benton, Crime Doctor, The Whistler, Inner Sanctum, Dick Tracy, Philip Marlowe, Jack Packard and Doc Long, Steve Wilson and Lorelei Kilbourne, and John J. Malone.


For each series, there is an overview of the source material, the individual films, and the performers who acted in them. An overall review of each film is included, with a critique of the film’s quality and the cohesiveness of its plot. For movies based on written works, a comparison between the film and its literary original is offered.

Table of Contents
Introduction      1

1. The Saint: The Robin Hood of Modern Crime      5
2. The Lone Wolf: The Retired Cracksman      26
3. Sherlock Holmes: The World’s Greatest Detective      52
4. The Shadow: The Caped Avenger      86
5. Nick Carter: The Master Detective      97
6. Michael Shayne: The Private Detective      104
7. Ellery Queen: The Amateur Detective      128
8. Boston Blackie: The Reformed Ex-Convict      149
9. The Falcon: The Other Robin Hood of Modern Crime      170
10. Mr. District Attorney: Champion of the People      196
11. Wally Benton: The “Whistling” Comedy Mysteries      205
12. Crime Doctor: The Psychiatrist Detective      213
13. The Whistler: The Man Who Knew Many Things      229
14. Inner Sanctum: The Mystery of the Mind      246
15. Dick Tracy: The Police Detective      260
16. Philip Marlowe: The Hardboiled Detective      271
17. Jack Packard and Doc Long: I Love a Mystery      286
18. Steve Wilson and Lorelei Kilbourne: The Big Town Reporters      294
19. John J. Malone: The Attorney Detective      302
Bibliography      313 

Index      315

About the Author
Ron Backer is an attorney who has previously written for law reviews and other legal publications. An avid fan of both mysteries and movies, he lives in Pittsburgh, Pennsylvania.


Thursday, August 19, 2010

NEPCA 2010 SF, Fantasy, and Legend Sessions List

Here is the tentative program for this year's Science Fiction, Fantasy, and Legend Area sessions. Biographical details will be added as they become available.


Northeast Popular Culture/American Culture Association Annual Conference
Massachusetts College of Pharmacy and Health Sciences (October 23, 2010)
Science Fiction, Fantasy, and Legend Area Sessions

Session I: 8:30-10:00
Science Fiction, Fantasy, and Legend I: Children’s Culture (Panel 7: Room W305)
Presider: Michael A. Torregrossa (The Virtual Society for the Study of Popular Culture and the Middle Ages)
1. “War, Veterans, Disabilities, and How to Train Your Dragon”
            Will Eggers (University of Connecticut)
Will Eggers is finishing his Ph.D. in medieval English literature at the University of Connecticut. His dissertation “ ‘Misticall Unions’: Clandestine Communications from Tristan to Twelfth Night, explores the continuing impact that changes in marriage law have had on communications between lovers, up to the romantic comedies of the twentieth century. Medieval lovers such as Tristan and Isolde fashion themselves as a “misticall union”: a conglomerate self that shares one mind and erases all distinctions between sender and receiver as grammatical subject and object. Will currently teaches courses on Chaucer, Medieval Myths and Legends, and linguistics at Wesleyan University. 
2. “The Book’s the Thing: Books as Artifacts of Power in Children’s Fantasy”
            Amie A. Doughty (SUNY Oneonta)
Amie A. Doughty is an Assistant Professor of English at SUNY Oneonta where she teaches courses in linguistics, children’s literature, fantasy literature, and composition. Her research interests include children’s literature, folktales, and fantasy. She is the author of the book Folktales Retold: A Critical Overview of Stories Updated for Children (McFarland 2006), as well as articles in Barbarians at the Gate: Studies in Language Attitudes, Fairy Tales Reimagined: Essays on New Retellings, and Children’s Literature and Culture. Presently she is completing a book about books, readers, and reading in children’s fantasy for McFarland.
3. “From Muggles to Merlins: The Representation of Mentor Figures in The Secret of NIMH (1982) and Ewoks (1985-86)”
            Michael A. Torregrossa
Michael A. Torregrossa is a graduate of the Medieval Studies program at the University of Connecticut (Storrs). His research interests include adaptation, Arthuriana, comics and comic art, medievalism, and wizards. Michael is currently Science Fiction, Fantasy, and Legend Area Chair for the Northeast Popular/American Culture Association. He is also founder of The Alliance for the Promotion of Research on the Villains of the Matter of Britain and co-founder, with Carl James Grindley, of The Virtual Society for the Study of Popular Culture and the Middle Ages. Michael has presented his research at regional, national, and international conferences and has been published in Adapting the Arthurian Legends for Children: Essays on Arthurian Juvenilia, Arthuriana, The Arthuriana / Camelot Project Bibliographies, Cinema Arthuriana: Twenty Essays, Film & History, The 1999 Film & History CD-Rom Annual, The Medieval Hero on Screen: Representations from Beowulf to Buffy, and the three most recent supplements to The Arthurian Encyclopedia. 

Session II: 10:15-11:45
Science Fiction, Fantasy, and Legend II: SF TV (Panel 16: Room W305)
Presider: Wendy Wagner (Johnson & Wales University)
1. “From Dunne to Desmond: Disembodied Time Travel in Tolkien, Stapledon, and Lost”
            Kristine Larsen (Central Connecticut State University)
Kristine Larsen is Professor of Physics and Astronomy at Central Connecticut State University, where she regularly inflicts her deep interest in the intersection between science and society on unsuspecting students. Her publications include the books Stephen Hawking: A Biography and Cosmology 101 as well as numerous articles and book chapters on science in the works of J.R.R. Tolkien and C.S. Lewis, the role of women in the history of science, depictions of science and scientists in science fiction television series and films, and innovations in interdisciplinary science education. She is co-editor of the recently published book The Mythological Dimensions of Doctor Who.
2. “Watching Death in Torchwood: The Impact on Characters and Fans”
            Marla Harris (Independent Scholar)
Marla Harris has a PhD from Brandeis in literature, and she has published articles on a wide variety of topics, including Jane Eyre, Harry Potter, graphic novels, and Iranian women's memoirs. She grew up in East Tennessee, but became a Doctor Who fan when her family spent a couple of years in England. At present, she is an independent scholar living in the Boston area. 
3. “Battlestar Galactica and the Cults of Seriality”
            Jordan Lavender-Smith (CUNY Graduate Center)
Jordan Lavender-Smith is working towards his Ph.D. in English and Certificate in Film Studies at CUNY Graduate Center. His academic interests include self-reflexivity in literature and film, seriality and addiction, Early- and Post-modern dramaturgy, and, more generally, the cultural causes and consequences of literary forms. He teaches in the English department at CUNY Queens College.

Session III: 1:00-2:30
Science Fiction, Fantasy, and Legend III: Monstrous Medievalisms (Sponsored by The Virtual Society for the Study of Popular Culture and the Middle Ages) (Panel 25: Room W305)
Presider: John P. Sexton  (Bridgewater State College)
1. “An Unsung Hero: The Arthurian Legacy in the Gabriel Knight Game Series”
            Angela Tenga (Florida Institute of Technology)
Angela Tenga is an assistant professor at Florida Institute of Technology. She completed her graduate studies in English literature at Purdue University and was a professional writer and teacher in Germany before coming to Florida Tech. Her courses focus on literature, history, popular culture, and monsters in fiction, while her research interests include early English literature, popular depictions of monstrosity, and the virtual self.
2. “Staking them Out: Shakespeare’s Vampires”
            Danielle Rosvally (Rutgers University)
Danielle is a recovering actor and graduate student in English at Rutgers University where she has the occasion to teach acting and theatre production courses.  She received her BA from New York University in Elizabethan Theatre and has also trained at the American Globe Theatre, Shakespeare & Company, the Actor’s Institute, the Shakespeare Birthplace Trust and the Royal Shakespeare Company.  Her research interests include performativity and theatricality with an emphasis on non-canonical texts, unconventional Shakespeare studies, and the intersection between practical and theoretical theatre.
3. “The Impaling of Vlad: Dracula, Literary Tourism, and National Identity”
            Tony Giffone (Farmingdale State College/SUNY)
Tony Giffone is a professor in the English and Humanities Department at Farmingdale State College. His research interests include Victorian novels, detective fiction, film, and travel literature, and has published articles on Dickens, detective fiction, and contemporary Chinese film.  He co-edited a special issue of the Mid-Atlantic Popular Culture Association's journal, The Mid-Atlantic Almanak, on the topic of "Aspects of Victorian Culture in Popular Culture."

Session IV: 2:45-4:15
Science Fiction, Fantasy, and Legend IV: Race and Gender (Panel 35: Room W307)
Presider: Macey M. Freudensprung (The University of Texas at San Antonio)
1. “The Lilith Character: Critically Analyzing Women’s Roles within African-American Speculative Fiction According to the Portrayal of Lilith within Jewish, Greek, and Afro-Diasporic Folklore and Mysticism”
            Macey M. Freudensprung
Macey Freudensprung is a Master's student for the Department of English at The University of Texas at San Antonio.  She specializes in Rhetoric and Composition with a focus on Technical and Professional Writing.  Macey's current research interests involve the phenomenon of self-representation and identity performance in social networking sites.    
2. “Vampire as Tragic Mulatto: Angel and Spike in the Whedonverse”
            Wendy Wagner (Johnson & Wales University)
Wendy Wagner is associate professor of English at Johnson & Wales University where she teaches composition and literature courses. Her dissertation focused on motherhood and characters of mixed racial ancestry in African American women's writing. Her research interests include race and gender in popular culture, writing assessment, and the integration of technologies in the classroom. Her article on Jennifer Crusie appeared in the Spring/Summer 2008 issue of Teaching American Literature: A Journal of Theory and Practice.
3. “Nyota Uhura: Feminist Star of Freedom”
            Mayan A. Jarnagin (The University of Texas at San Antonio)
Mayan Jarnagin is currently attending the University of Texas at San Antonio seeking a master’s degree in English and American literature. Mayan is currently an active member of Sigma Tau Delta English honor society. Mayan’s interests include the appropriation and alteration of mythology to further ideology, poetry and poetic prose, the use of music in film and literature, creative writing, satire, and depictions of race, gender, and the military in science fiction, fantasy, horror, and video games. 

NEPCA 2010 Program Online

The program from this year's NEPCA conference is now online at http://users.wpi.edu/~jphanlan/OCT23CONFERENCEPROGRAM.htm. A link is also provided for the downloadable registration form: http://users.wpi.edu/~jphanlan/2010_Conference_Registration_Form%5b1%5d.doc.

Tuesday, August 17, 2010

CFP: Comics Get Medieval 2011 (12/1/10; PCA 4/20-23/11 San Antonio)

THE COMICS GET MEDIEVAL 2011: 
A CELEBRATION IN ANTICIPATION OF THE 75TH ANNIVERSARY OF PRINCE VALIANT
CALL FOR PAPERS (PCA: SAN ANTONIO, TX 4/20-23/11)
SPECIAL SESSIONS OF THE COMICS & COMIC ART AREA
ORGANIZED BY MICHAEL A. TORREGROSSA AND JASON TONDRO 
PROPOSALS DUE TO ORGANIZERS BY 1 DECEMBER 2010

Celebrating our sixth year in 2011, proposals are now being considered for inclusion at “The Comics Get Medieval 2011,” a series of panels and roundtables sponsored by the Society for the Study of Popular Culture and the Middle Ages and to be hosted by the Comics & Comic Art Area of the Popular Culture Association (PCA) for the 2011 Joint Conference of the National Popular Culture and American Culture Associations to be held from 20-23 April 2011 at the San Antonio Marriott Rivercenter & Riverwalk Hotels, 101 Bowie Street , San Antonio,TX 78205.

The goal of these sessions is to foster communication between medievalists, comics scholars, and specialists in popular culture studies in general.  The organizers define “medieval comics” as any aspect of the comics medium (panel cartoons, comic strips, comics books, comics albums, band dessinée, graphic novels, manga, webcomics, comics to film/film to comics, etc.) that feature medieval themes either in stories set during the Middle Ages or in stories presenting some element of the medieval in the post-medieval era.  We are also interested in papers looking at medieval comics from a pedagogical perspective.


Completed papers should be delivered in 15-20 minutes (depending on the number of presenters). All proposals will also be considered for inclusion in an essay collection to be edited by the panel organizers beginning in late 2011.  (Individuals only interested in submitting for the collection should also send proposals by 1 December 2010 deadline and indicate their preference in the email.)

In addition, a select list of potential topics and a bibliographic guide to medieval comics will appear as part of THE MEDIEVAL COMICS PROJECT web site available at and THE ARTHUR OF THE COMICS website available at , both organized by the Society for the Study of Popular Culture and the Middle Ages.


No later that 1 December 2010, interested individuals (who must be members of PCA or ACA or join for 2011) should submit full contact information (name, address, phone/cell, and email), titles, and abstracts of 300-500 words to the sessions’ organizers, who will then forward them to area chair. Address all inquiries and proposals to the organizers at the following address:  and include “Comics Get Medieval 2011” in the subject line.


Friday, August 13, 2010

Open CFP: Arthurian Literature


Arthurian Literature

Series Editors

Elizabeth Archibald
Professor of Medieval Literature
Department of English
University of Bristol
3/5 Woodland Road, Clifton
Bristol, BS8 1TB
UK
e.archibald@bristol.ac.uk


Dr. David F. Johnson
Professor of Medieval Literature
Department of English
Florida State University, Tallahassee
University Park, PA 16802-6203
USA
djohnson@fsu.edu


Arthurian Literature is an interdisciplinary publication devoted to the scholarly and critical study of all aspects of Arthurian legend in Europe in the medieval and early modern periods. Articles on writings from later periods are included if they relate very directly to medieval and early modern sources, although the editors welcome bibliographical studies of all periods. Articles may be up to 20,000 words in length; short items, of under 5,000 words, are published as Notes. Updates on earlier articles are also welcomed.

Advance Notice: IAFA 2011 (n.d.; Orlando 3/16-20/11)


In March, 2011, IAFA will be arranging
The Fantastic Ridiculous
The 32nd International Conference
on the Fantastic in the Arts

Guest of Honor: Connie Willis
Guest of Honor: Terry Bisson
Guest Scholar: Andrea Hairston
Special Guest Emeritus: Brian Aldiss

March 16-20, 2011
Orlando Airport Marriott, Orlando, Florida


CFP: Foundation: The International Review of Science Fiction (open submissions)

http://www.sf-foundation.org/publications/foundation/styleguide.html

Foundation: the International Review of Science Fiction
Foundation is the essential critical review of science fiction, and is published three times a year by the Science Fiction Foundation. ISSN: 0306-4964258. It is peer-reviewed.

Editor: Graham Sleight
Production Editor: Zara Baxter
Reviews Editor: Andy Sawyer

Call for Papers on All Aspects of Science Fiction

Notes for Contributors to Foundation

Please send electronic text to us via e-mail (to foundation.sf@gmail.com), as an attached file in RTF, Word or ASCII or as straight text in an e-mail message. Single spaced please.

Do not refer to authors by only their first names. Full names or surnames.

Please Indent quotations using the indent command (do not change the margins).

Foundation is an inter-disciplinary journal and our citation system reflects the need to accommodate a wide range of sources.
All references should be in foot-notes or end-notes except page references to the main fictional text(s) discussed in the article, which can be inserted in the text thus: (p. 21). In this more traditional system, there are no "Works Cited" (although we may occasionally publish a bibliography as a research tool). Notes will be printed as end-notes.
Please leave endnotes embedded in the text, as it is easier for us to extract them after editing. Note numbers in the text should be in superscript, and should followthe punctuation.

References should be in the following form:
1. Hari Seldon, Did Psychohistory Predict Isaac Asimov? (Trantor: Trantor Univ. Press, 12001), p. 21 (and subsequently: Seldon, op. cit., p. 22; or Seldon,Psychohistory, p. 22, if more than one work by Seldon is cited).
2. Valentine M. Smith, "Not So Strange: My First Visit to Earth", in Lazarus Long, ed.,Messiahs and Other Beings (Mars City: Phobos Press, 3001), pp. 28-51, at p. 32 (and subsequently: Smith, op. cit., p. 31).
3. Pardot Kynes, "Sand, More Sand, and Some Spice", Journal of Planetology 61 (3001), pp. 1-54, at p. 53 (and subsequently: Kynes, op. cit., p. 50).

All story-titles should be within double inverted commas; the titles of novels or films should be underlined or italicised. With novels and short stories, give details of original publication in addition to the reference to the edition, collection or anthology whose text you may be using, thus:

4. Kilgore Trout, "Galactic Death Squad" (Unbelievable, June 1953), reprinted in E. Rosewater, ed., The Worst SF (New York: Deuce, 1965), pp. 1-22.

With novels that have seen numerous editions, both in the USA and elsewhere, it is appropriate to give chapter numbers as well as page references, since readers will probably not have access to the same edition you are using. With television programmes please give the full date of the first broadcast (day /month/year); with films and novels the year alone is sufficient.

Please note that we follow British practice in punctuation. With quotations or phrases within the double inverted commas that do not constitute a full sentence, a comma or full-stop (period) comes after the double inverted commas. With a story title punctuation only comes inside the inverted commas if it forms part of the original title. We follow British spelling (except in quotations from non-British texts). We use ise and isation rather than ize and ization in appropriate verbs and nouns; sf is the abbreviation for science fiction -- not SF, and not sci-fi!

Trivia

There are very few objectionable words as far as the editorial team are concerned, but "impacted" is one of them. Wisdom teeth are impacted. Otherwise you mean either "to have an impact upon", "to make an impact" or "affect".

Graham Sleight (Editor)

New: Extrapolation 51.1 (Spring 2010)

Extrapolation Volume 51 Issue 1 (Spring 2010)


Articles

  • Darren Jorgensen and Helen Merrick. "Introduction: Making Science Fiction Histories", 5-12
  • M. Elizabeth Ginway and Roberto de Sousa Causo, "Discovering and Re-discovering Brazilian Science Fiction: An Overview", 13-39
  • Debjani Sengupta, "The Wondrous Traveler: Leela Majumdar and Science Fiction in Bengal", 40-52
  • Mark Bould, "Revolutionary African-American Sf Before Black Power Sf", 53-81
  • Sylvia Kelso, "Out of Egypt: Histories of Speculative Fiction and Carole Mcdonnell's Wind Follower", 82-99
  • Robert Savage, "Paleoanthropology of the Future: The Prehistory of Posthumanity in Arthur C. Clarke's 2001: A Space Odyssey", 100-12
  • Stephen Dedman, "'Murder in the Air': The Quest for the Death Ray", 113-33
  • Darren Jorgensen, "The Numerical Verisimilitude of Science Fiction and EVE-Online", 134-47
  • Andrew Milner, "Tales of Resonance and Wonder: Science Fiction and Genre Theory", 148-69
  • Ken McLeod, "The Indifference Engine: How Science Fiction Contributes to the Public Understanding of Science, and How It Doesn't", 170-5

Review

  • Carl Freedman reviews John Rieder's Colonialism and the Emergence of Science Fiction, 176-183.

New: Extrapolation 51.2 (Summer 2010)

Extrapolation Volume 51 Issue 2 (Summer 2010)


Articles

  • John Rieder, “The Return to the Frontier in the Extraordinary Voyage: Verne’s The Mysterious Island and Kubrick’s 2001: A Space Odyssey,” 201-15.
  • Paula Brown, “Stardust as Allegorical Bildungsroman: An Apology For Platonic Idealism,” 216-34.
  • Steffen Hantke, “The Return of the Giant Creature: Cloverfield and Political Opposition to the War on Terror,” 235-57.
  • Amy J. Ransom, “Warping Time: Alternate History, Historical Fantasy, and the Postmodern uchronie québécoise,” 258-80.
  • Rachel Haywood Ferreira, “Más Allá, El Eternauta, and the Dawn of the Golden Age of Latin American Science Fiction (1953–59),” 281-303.

Reviews

  • D. Harlan Wilson reviews Jason P. Vest’s The Postmodern Humanism of Philip K. Dick, 304-10.
  • Gabriel Cutrufello reviews Eric Carl Link’s Understanding Philip K. Dick, 310-15.
  • Ritch Calvin reviews Lejla Kucukalic’s Philip K. Dick: Canonical Writer of the Digital Age, 315-21.
  • Ritch Calvin reviews Wendy Gay Pearson, Veronica Hollinger, and Joan Gordon, eds., Queer Universes: Sexualities in Science Fiction, 321-27.

New: Science Fiction Studies 37.2 (July 2010)

Science Fiction Studies

#111 = Volume 37, Part 2 = July 2010


SFS SHOWCASE: Library Collections and Archives of SF and Related Materials (presented by Rob Latham)

ARTICLES

REVIEW-ESSAYS

  • Mark Bould. From Panther to Princess, Sex Work to Starfleet: A Special Issue of African Identities on “The Black Imagination and Science Fiction”

  • Pawel Frelik. Close Encounters: Vest’s The Postmodern Humanism of Philip K. Dick

BOOKS IN REVIEW

  • Booker’s The Supernatural in American Culture (Kristin Noone)

  • Collins’s Anthropological Engagements with the Future (Diane M. Nelson)
  • Fisch’s Frankenstein (Amy J. Ransom)
  • Hall’s Naomi Mitchison: A Profile of Her Life and Work (John Clute)
  • Lunning’s Mechademia 3: Limits of the Human (D. Harlan Wilson)

  • Pordzik’s Futurescapes: Space in Utopian and Science Fiction Discourse (Peter Fitting)

  • Ransom’s Science Fiction from Québec: A Postcolonial Study (Sophie Beaule)

  • Rottensteiner’s The Black Mirror and Other Stories: An Anthology of Science Fiction from Germany and Austria (Sonja Fritzsche)

  • Steiff/Tamplin’s Battlestar Galactica and Philosophy and Eberl/Decker’s Star Trek and Philosophy (Russell Blackford)

  • Walters’s Alternative Worlds in Hollywood Cinema (D. Harlan Wilson)

  • Winnington’s The Working of Mervyn Peake’s Imagination (Paul Kincaid)

NOTES AND CORRESPONDENCE

  • Homage to J.G. Ballard (Roger Luckhurst)
  • The Short Career of Calvin M. Knox (Michael Hemmingson)
  • 2010-11 Mullen Fellows Announced (Rob Latham)
  • SFRA 2010 Awards (Lisa Yaszek)
  • Staging Dahlgren (Carol McGuirk)
  • Publishing Announcements and Calls for Papers
  • Notes on Contributors

CFP: SFRA 2011 Conference: Dreams Not Only American (n.d.; Poland 7/7-10/11)


SFRA 2011 Conference: Dreams Not Only American
Science Fiction Research Association 2011 conference
Lublin, Poland
7-10 July 2011

Dreams Not Only American
– Science Fiction’s Transatlantic Transactions
Science fiction has become a truly global phenomenon, encompassing national and international exchanges and intersections (the status quo addressed by the Eaton Conference in February 2011). Despite its incredible variety, however, science fiction (SF) first emerged as a discrete literary practice in the United States and several European countries. Bearing in mind these origins and the fact that this is only the second SFRA conference to be held outside North America, it seems only natural that the organization’s 2011 meeting should focus on all modes and aspects of SF transactions between Europe and America(s).
We invite paper and panel proposals that focus on all forms of science fiction and that address (but are not limited to) the following aspects:
roots – the circumstances of independent emergence of SF in Europe and America
history and politics of Euro-American SF transactions
identity discourses and constructions – does “science fiction” mean the
same in the U.S., Great Britain, France, Spain, Germany or Russia?
exchanges – how have European and American science fictions influenced and inspired each other?
differences – are science fictions written in America and in Europe different thematically or formally? how?
national “schools” in Europe and America – their characteristics, peculiarities and exchanges; is Western European SF similar to that from Central and Eastern Europe? How is Canadian SF different from the texts produced in the U.S.?
Papers and panels on all other topics pertinent to SFRA’s scope of interests are also welcome.
Conference organizer: Pawel Frelik
Conference venue: Maria Curie-Sklodowska University, Lublin, Poland
Email: sfra2011@gmail.com
Conference website: [[http://sfra2011.pl]]