Tuesday, August 20, 2019

Panel Call for ICFA 2020: Expanding the Archive (10/11/2019; Orlando 3/2020))

Panel Call for ICFA 2020: Expanding the Archive
July 2, 2019
https://www.fantastic-arts.org/2019/panel-call-for-icfa-2020-expanding-the-archive/


Panel Call for ICFA 2020: Expanding the Archive

In 2019, the fanfiction site Archive of Our Own (AO3) was nominated for a Hugo award. This repository of nearly 5 million original works, representing over 30 thousand fandoms, stands out in the world of Science Fiction and Fantasy awards not only because of the sheer number of authors it represents, but also because it is the first nomination for unpublished fanfiction and many of the authors are young women. This nomination draws attention to what is “archived” and, by extension, what is valued. AO3’s nomination is not the year’s only example of the expanding canon of Speculative Fiction. The documentary film Horror Noire: A History of Black Horror, produced by Tananarive Due, directed by Xavier Burgin, and based on Dr. Robin R. Means Coleman’s book Horror Noire: Blacks in American Horror Films from the 1890s to Present (2011), begins with the assertion that “black history is black horror” and tracks how the genre can engage with questions of race and power. Similarly, Dr. Ebony Thomas’s The Dark Fantastic considers Black female characters Bonnie Bennett (CW’s The Vampire Diaries), Rue (The Hunger Games), Gwen (Merlin), and Angelina Johnson (Harry Potter), and explores how these characters mirror racist violence in the real world. Each of these examples makes a case for expanding the idea of the canon (and what we value enough to archive) to include different types of characters and voices.

In terms of physical archives, a recent open letter on the Reading While White blog called out the lack of context and white-washing of the University of Minnesota’s Children’s Literature Research Collection’s exhibit and corresponding book The ABC of It: Why Children’s Books Matter, demonstrating that even professional archives are not neutral—especially once their materials are extracted and exhibited for public consumption. In the wake of this controversy, curators of archives, whether in libraries, classrooms, or their own scholarly work, must address how the materials presented and their surrounding context represent choices that speak to the curator’s values and priorities.

When archives hold the power to exclude and include, to value and affirm both people and genre, then how do we as scholars decide what belongs and how do we think through the consequences of those choices for ourselves, our students, and our field? We encourage submissions that answer these questions and otherwise critically examine the speculative fiction archive, broadly defined.

Submissions may consider but are not limited to the following topics in relation to archives:


  • Accessibility
  • Materialism
  • The worth/value estimation of collecting
  • Teaching courses in the archives
  • Archival pedagogy- constructing the archives for our courses/ asking students to construct their own archives
  • Controversies and canon
  • Digital collections
  • Internet as archive
  • Fan spaces
  • Race and representation
  • Award winners as archive


Please submit a 300-500 word abstract and preliminary bibliography to Emily Midkiff (midki003@umn.edu) or Sara Austin (austins4@miamioh.edu) by Oct 11, 2019. Abstracts will also be considered for a special issue of the Journal of the Fantastic in the Arts, for which we will be issuing a CFP in November.

Bookmark the Google Doc version of this call to keep on top of any updates: https://docs.google.com/document/d/1i1_izexTPz_vj8hfreDZjqaXc3yNN4zud5ifc6TV9QA/edit?usp=sharing


CFP World-Building: Tolkien, His Precursors and Legacies (9/1/19; Kalamazoo 5/7-10/2020)

World-Building: Tolkien, His Precursors and Legacies
https://call-for-papers.sas.upenn.edu/cfp/2019/07/31/world-building-tolkien-his-precursors-and-legacies

deadline for submissions:
September 1, 2019
full name / name of organization:
Fantasy Research Hub, School of Critical Studies, Univ. of Glasgow
contact email:
Dimitra.Fimi@glasgow.ac.uk
Call for Papers:"Medieval World-Building: Tolkien, His Precursors and Legacies”

sponsored by the Fantasy Research Hub, School of Critical Studies, University of Glasgow,

55th International Congress on Medieval Studies (May 7-10, 2020) Kalamazoo, Michigan



The recent volume Sub-creating Arda: World-building in J.R.R. Tolkien’s Works, its Precursors, and Legacies (2019), edited by D. Fimi and T. Honegger, examines the importance of invented story-worlds as spaces for primary-world social commentary, or as means for visualizing times and places not accessible to the reader. Tolkien was one of the foremost proponents of literary world-building, what he called “sub-creation,” and his Middle-earth has had unrivaled influence on subsequent world-building efforts. Yet, Tolkien’s own sub-creations were born from medieval story-worlds such as Beowulf, Kalevala, Volsungasaga, and others. This paper session examines the emergent, interdisciplinary research field of world-building through Tolkien’s Middle-earth, its medieval precursors, and/or its modern legacies.

Papers might be on such topics as mythopoeia, design, systems of magic, geology, geography, cartography, cosmology, ecology, sociology, demographics, cultural anthropology, materiality, religion, philosophy, language—literally anything that goes into world-building—in conjunction with the worlds of J.R.R. Tolkien, or his medieval/medievalist precursors, or his worldbuilding legacy in literature or other fields. Papers on interdisciplinary topics are welcome.

A paper proposal for the International Congress on Medieval Studies comprises a single-page abstract of the proposed paper and a completed Participant Information Form (PIF). (The new PIF will be available on the conference website https://wmich.edu/medievalcongress/submissions in July 2019.)

Please send your proposals with “Tolkien World-Building” in the subject line to:

Dimitra Fimi (Dimitra.Fimi@glasgow.ac.uk) AND Kris Swank (KSwank@pima.edu)

The deadline is September 1, 2019.


Last updated August 1, 2019

CFP Deadscapes: Wastelands, Necropoli, and Other Tolkien-Inspired Places of Death, Decay, and Corruption (9/15/19; Kalamazoo 05/2020)

Deadscapes: Wastelands, Necropoli, and Other Tolkien-Inspired Places of Death, Decay, and Corruption
https://call-for-papers.sas.upenn.edu/cfp/2019/07/29/deadscapes-wastelands-necropoli-and-other-tolkien-inspired-places-of-death-decay-and

deadline for submissions:
September 15, 2019
full name / name of organization:
Tales after Tolkien Society
contact email:
talesaftertolkien@gmail.com

A paper session at the International Congress on Medieval Studies at Western Michigan University (www.wmich.edu/medievalcongress) examining depictions of what comes in the wake of war and death in works in the Tolkienian tradition; Carrie Pagels will preside.

Many of the "standard" fantasy works, ranging from the epics through Arthuriana into Tolkien and beyond, make much of grand wars fought on massive scales. They also, at times, look at what is left behind when the war is done, the graveyards filled and memorials erected. The session looks at how such things are constructed in works in the Tolkienian fantasy tradition and what functions they serve for readers in the late twentieth and early twenty-first centuries.

Short proposals are welcome; please send to talesaftertolkien@gmail.com on or before 15 September 2019. Proposals from graduate students, those outside traditional academe, and traditionally underrepresented groups are especially welcome.


Last updated July 29, 2019


Friday, July 12, 2019

CFP J.R.R. Tolkien and the Works of Joss Whedon (Spec Issue of Journal of Tolkien Research) (proposals by 8/4/19)

J.R.R. Tolkien and the Works of Joss Whedon
https://call-for-papers.sas.upenn.edu/cfp/2019/07/08/jrr-tolkien-and-the-works-of-joss-whedon
(pdf version: https://www.academia.edu/39776375/Call_for_Papers_Tolkien_and_Whedon)

deadline for submissions: August 4, 2019
full name / name of organization: Janet Brennan Croft
contact email: janet.b.croft@rutgers.edu

Call for Papers:

J.R.R. Tolkien and the Works of Joss Whedon

                                                                                                                                   

Special Issue of the Journal of Tolkien Research https://scholar.valpo.edu/journaloftolkienresearch/

Co-edited by Janet Brennan Croft and Kristine Larsen

janet.b.croft@rutgers.edu; larsen@ccsu.edu

 

Connections between any of the works of both creative geniuses are fair game for this interdisciplinary volume. Some possible topics include: world-building, horror and the monstrous, critiques of heroism, women’s roles, Buffy-speak and elf-speak, and villainous motivations.



Please submit a 250-300 word abstract and a brief bio to both of the co-editors by August 4, 2019. Conference papers that have been presented are especially encouraged, so long as they have not been published. You may submit the entire conference paper for consideration instead of an abstract. It is understood that conference papers will need to be expanded to journal length articles (approximately 4000-7000 words). We will be using the Mythlore citation style (available at https://dc.swosu.edu/mythlore/styleguide.html).

Abstracts/conference papers accepted to be expanded to journal length papers will be required to be returned in completed first draft stage by December 15, 2019.

Note: Final acceptance of your paper for inclusion in this special themed issue of the journal will be determined by the journal’s peer review process (after all edits are made by the issue co-editors).
categories

Last updated July 11, 2019

Tuesday, July 9, 2019

CFP Vampires, Zombies, Bodices, and Perps: Genre in Creative Writing (9/30/19; NeMLA 2020)

Vampires, Zombies, Bodices, and Perps: Genre in Creative Writing
https://call-for-papers.sas.upenn.edu/cfp/2019/06/04/vampires-zombies-bodices-and-perps-genre-in-creative-writing

deadline for submissions: September 30, 2019
full name / name of organization: Northeast Modern Language Association (NeMLA)
contact email: abbybardi@gmail.com

Genre fiction (such as fantasy, sci-fi, suspense and mystery, thrillers, historical romance) has often been discouraged in creative-writing courses, even outlawed. However, in recent years, the popularity of genre fiction in the marketplace has challenged the boundaries of literary writing. This panel will consider some of the following questions: How do challenges to the traditional boundaries of genre impact the teaching of creative writing? How might fiction, drama, and even poetry address these challenges? How can the conventions and tropes of genre fiction be used fruitfully in literary writing? Both writers who work in or with particular genres and writers who have resisted the lure of genre are encouraged to share their work and ideas.


Last updated June 5, 2019

CFP Series Books and Science Fiction (11/1/19; PCA 2020)

Series Books and Science Fiction (National PCA Conference)
https://call-for-papers.sas.upenn.edu/cfp/2019/06/06/series-books-and-science-fiction-national-pca-conference

deadline for submissions:
November 1, 2019
full name / name of organization:
National PCA Conference
contact email:
mcornelius@wilson.edu

Call for Papers: Series Books and Science Fiction (National PCA Conference)



This call for papers for the national PCA Conference looks to interrogate the intersection of two distinct genres: juvenile series books and science fiction.

Scholars of children’s literature note important generic, structural, and cultural definitions in regards to series books. Series books are dominated by static natures. The central character—usually a flat, unchanging trope more than a fully realized, fleshed out, dynamic figure—is likewise a static creation. Often, these characters do not even age, let alone change. Typified by series like Nancy Drew and the Hardy Boys, “a Dixon or a Keene promised a reliably pat formula, a single general story in which only the details of the mystery differed from book to book” (Karell 37). These generic conventions have been simply described as, “Good mystery and lots of action, with some educational material” (Herz 8). While the “educational material” could be information about the places the characters visited or the objects encountered during the story—apt for any mystery set in an exotic clime—the “action” was always to be “tension without violence” (Herz 12). In the series, “tension is created through the possibility that something catastrophic may happen” (Herz 12, italics original). It was considered vital that

the books contained nothing prurient or off-color, and even the sanitized ‘violence’ involved no blood. It is true that the boys and the villains repeatedly got tied up, hit on the head, or nearly drowned, and that they tumbled down cliffs or fell through trapdoors, but they never died brutal deaths…by the standards of the late twentieth century, the series books were remarkably tame and included no tobacco and not the slightest hint of sex, even on the part of the villains. (Greenwald 36)

Reflecting strict dictates regarding violence, sexuality, patriarchy, and social hierarchy, these books were ultimately intended to reflect “good, wholesome adventure and suspense” that did not, in any way, disrupt the status quo (Herz 13).

Science fiction is another distinct genre. At its core, the nomenclature of “science fiction” itself is something of a paradox. “Fiction” denotes fantasy, fancy, that which is divorced from “reality.” Certainly fiction has always spoke to and explored what is considered to be real or reality, but in its very construction one sees the seeds for a departure from the tangible and into realms that exist beyond this real world. “Science,” however, suggests a specific discipline grounded in reality, based on predictable principles of action and inaction. Science is the study of the physical world in all its varied manifestations; it relies on observation, experimentation, and the judicious recording and interpretation of reality and fact. The two together, then, create that aforementioned oxymoron: “science fiction,” which, for all intents and purposes, could be translated into “real unreality.” Science fiction constructs its possibilities from what is real, from what is possible, or conceivably so. The fact that science fiction and its most common manifestations—space flight, technology, alien realms—are so connected to the future, and to our visions and re-visions of the future, suggests that the genre is concerned not with what is unreal, but rather with what may be real, or may soon be real. The flights of fancy that govern science fiction are grounded in the tangible, in the realm of what is possible, real, hoped for, and feared.

These two divergent genres do interact. Certain volumes in series like Nancy Drew and the Hardy Boys contain distinctly science fiction elements; other series like Tom Swift and Rick Brant have elements of science fiction throughout the series. Modern children’s sci fi series like Masterminds, Pierce Brown’s Red Rising books and Scott Westerfield’s Horizon series also bring the two genres together. The papers in this panel will explore that interactivity, to examine how two very divergent genres both work together and clash in the creation of story.



Submission Guidelines: In Word (.doc/.docx), Rich Text Format (.rtf), or PDF, 250-word proposals for individual papers should be submitted through the PCA website and only through the PCA website. Please submit to the Science Fiction and Fantasy Area (the panels will be coordinated between the Science Fiction and Fantasy area and the Children’s/Young Adult Series Books and DimeNovels area). Instructions for submission can be found at www.pcaaca.org/conference/instructions.php and submissions made at http://ncp.pcaaca.org.



Submissions can be made on the site after 1 August 2019.



The abstract document should contain the following information, in this order:

Name of presenter—indicate main contact person if submitting a multi-authored paper

Institutional affiliation—if applicable

Name and contact information of Supervising professor—for undergraduate students only

Address(es), telephone number(s), and current email address(es) of presenter(s)

Title of paper

Indicate that it is for the “Series Books and Science Fiction” panels

 Followed by the 250-word proposal(s)



The proposal will be acknowledged within 2 days of its receipt, and the sender will be notified of the submission’s status no later than 15th November 2019. Please be aware that acknowledgment of receipt does not automatically denote acceptance. Deadlines for submission are firm, and we cannot accept any papers made after the deadline. Earlier submission is appreciated.

Please, do not simultaneously submit proposals to multiple areas. Doing so is a discourtesy to area chairs and will result in your paper being refused. Per PCA/ACA guidelines, a person may present only one paper at the annual meeting, regardless of subject area. If you try to submit to two areas, the master program will not accept your proposals (which may result in your paper not being accepted in either area).



Send content questions to Michael Cornelius at mcornelius@wilson.edu.



Submission Deadline: 1 November 2019


Last updated June 7, 2019


Sunday, May 5, 2019

Mythlore for Spring/Summer 2019 Now Available

The latest number of Mythlore has arrived. Full contents follow. The issue may be purchased direct at: http://www.mythsoc.org/mythlore/mythlore-134.htm.



Mythlore 134 Volume 37, Issue 2
Spring/Summer 2019


Table of Contents

Editorial
— Janet Brennan Croft

Mythlore at Fifty
— Janet Brennan Croft

On the Shoulders of Gi(E)nts: The Joys of Bibliographic Scholarship and Fanzines in Tolkien Studies
— Robin Anne Reid

On the Shoulders of Humphrey Carpenter: Reconsidering Biographical Representation and Scholarly Perception of Edith Tolkien
— Nicole M. duPlessis

The Last Serialist: C.S. Lewis and J.W. Dunne
— Guy Inchbald

Saruman as ‘Sophist’ or Sophist Foil? Tolkien’s Wizards and the Ethics of Persuasion
— Chad Chisholm

Gunslinger Roland from Yeat’s Towers Came(?): A Little-Studied Influence on Stephen King’s Dark Tower Series
— Abigail L. Montgomery

“Auntie, What Ails Thee?”: The Parzival Question in Orphan Black
— Janet Brennan Croft


Notes and Letters

An Unsourced Poem in Lewis’s Great Divorce, Pierre H. Berube

Narnian Stars, Ruth Berman

In Memoriam: Nancy-Lou Patterson, Janet Brennan Croft


Review Essays

Navigating the Carte du Tendre in Fairy Tale: A Very Short Introduction by Marina Warner, Barbara Prescott

Inklings, a King, and an Unsurprising Prize: The Inklings and King Arthur, edited by Sørina Higgins, Jared Lobdell


Reviews

Tolkien, Self and Other: “This Queer Creature” by Jane Chance and Tolkien and Alterity, edited by Christopher Vaccaro and Yvette Kisor, Jason Fisher

The Lion in the Waste Land: Fearsome Redemption in the Works of C.S. Lewis, Dorothy L. Sayers, and T.S. Eliot by Janice Brown, Jim Stockton

Goddesses: Mysteries of the Feminine Divine by Joseph Cambell, Carl Badgley

“The Sweet and the Bitter”: Death and Dying in J.R.R. Tolkien’s The Lord of the Rings by Amy Ament-Raduege, Laura Lee Smith

Fire and Snow: Climate Fiction from the Inklings to Game of Thrones, by Marc DiPaolo, Kristine Larsen

The Great Tower of Elfland: The Mythopoeic Worldview of J.R.R. Tolkien, C.S. Lewis, G.K.
Chesterton, and George MacDonald, by Zachary A. Rhone, Felicia Jane Steele

C.S. Lewis: A Very Short Introduction, by James Como, Zachary A. Rhone

Pamela Colman Smith: The Untold Story, by Stuart R. Kaplan et al., Emily E. Auger

Women Who Fly: Goddesses, Witches, Mystics, and Other Airborne Females, by Serinity Young, Felicity Gilbert

Briefly Noted: The Place of the Lion and War in Heaven by Charles Williams, Janet Brennan Croft


CFP NEPCA Fantasy and Science Fiction Area (6/1/2019; Portsmouth, NH 11/15-16/2019)


CALL FOR PAPERS:

Fantasy and Science Fiction Area

Northeast Popular/American Culture Association


The Northeast Popular/American Culture Association (NEPCA) is seeking paper proposals on the topic of Fantasy and Science Fiction for its fall conference to be held at the Sheraton Portsmouth Harborside Hotel in Portsmouth, NH, on Friday, November 15 and Saturday, November 16, 2019.

This conference marks the introduction to the Fantasy and Science Fiction area, which is one of two new areas that have split from the Fantastic (Fantasy, Horror, and Science Fiction) area. Highlighting the more positive aspects of the fantastic genre, the Fantasy and Science Fiction area seeks to examine texts that bring about a sense of wonder in their receivers through their representation of the marvelous, and we welcome submissions from scholars of all levels for papers that explore any aspect of the intermedia traditions of the fantastic that might promote this work. Topics can include, but are not limited to, elements of fairy tale, fantasy, legend, mythology, and science fiction; proposals should investigate how creative artists have shaped and/or altered our preconceptions of these sub-traditions by producing innovative works in diverse countries, time periods, and media and for audiences at all levels.

Please submit your proposals through the NEPCA conference website: https://nepca.blog/conference/

NEPCA presentations are generally 15-20 minutes in length and may be delivered either formally or informally. NEPCA prides itself on holding conferences which emphasize sharing ideas in a non-competitive and supportive environment involving graduate students, junior faculty, and senior scholars.

Deadline for proposals is June 1, 2019. Response to submissions will come in mid-June or July, 2019.

Questions should be directed to the area chair, Amie Doughty, at Amie.Doughty@oneonta.edu.


Monday, April 15, 2019

MAPACA 2019 CFP (6/31/2019; Pittsburgh 11/7-9/2019)


Call for Papers for #mapaca19
https://mapaca.net/newsletter/general/201904051912

Mid-Atlantic Popular & American Culture Association (MAPACA) 2019 Annual Conference November 7-9, 2019 Pittsburgh, PA — Pittsburgh Marriott City Center Hotel

Call for papers:

Proposals are welcome on all aspects of popular and American culture for inclusion in the 2019 Mid-Atlantic Popular & American Culture Association (MAPACA) conference in Pittsburgh, PA. Single papers, panels, roundtables, and alternative formats are welcome.

Proposals should take the form of 300-word abstracts, and may only be submitted to one appropriate area. For a list of areas and area chair contact information, visit mapaca.net/areas. General questions can be directed to mapaca@mapaca.net. The deadline for submission is Sunday, June 30, 2019.

MAPACA’s membership is comprised of college and university faculty, independent scholars and artists, and graduate and undergraduate students. MAPACA is an inclusive professional organization dedicated to the study of popular and American culture in all their multi-disciplinary manifestations. It is a regional division of the Popular Culture and American Culture Association, which, in the words of Popular Culture Association founder Ray Browne, is a “multi-disciplinary association interested in new approaches to the expressions, mass media and all other phenomena of everyday life.”

For more info, visit mapaca.net.

Information about #mapaca19


This year, our conference will be in Pittsburgh, PA on November 7-9 at the Pittsburgh Marriott City Center Hotel.

Pittsburgh Information

For information about events and food in Pittsburgh, please see Visit Pittsburgh’s website. Pittsburgh has a lot of great museums and restaurants, offers inexpensive public transport options throughout the region, and is also serviced by Lyft and Uber.

Pittsburgh: Zombie Capital of the World

Since George Romero released Night of the Living Dead in 1968, Pittsburgh has been associated with zombies and zombie fandom. From 1985’s Day of the Dead(shot near Pittsburgh) to 2004’s Shaun of the Dead (shot in the UK) to 2019’s Kingdom (shot in S. Korea), zombies have become a worldwide popular culture phenomenon, but Pittsburghers still claim ownership over the shambling undead. This year, we want you to propose papers and panels with a zombie theme!

If zombies aren’t your favorite, we still want you to bring us your non-zombie themed papers as well! We will never restrict our conference to just one theme.


Survey for MLA Approaches Volume on the Epic of Gilgamesh

Contribute to an MLA Approaches Volume on the Epic of Gilgamesh

Posted 11 March 2019

https://news.mla.hcommons.org/2019/03/11/contribute-to-an-mla-approaches-volume-on-the-epic-of-gilgamesh/


The volume Approaches to Teaching the Epic of Gilgamesh, edited by David Damrosch and Sophus Helle, is now in development in the MLA series Approaches to Teaching World Literature. Instructors who have taught this work are encouraged to contribute to the volume by completing a survey about their experiences. Information about proposing an essay is available at the end of the survey.



At the end of the survey are details to propose articles for the volume:

15. If you would like to propose an original essay for this volume, please submit an abstract of approximately 500 words in which you describe your approach or topic and explain its usefulness for both students and instructors. The focus of your essay should be pedagogical, and the abstract should be as specific as possible. Please attach a short CV.

If you plan to quote from student writing in your essay, you must obtain written permission from the student. Proposed essays should not be previously published.

Abstracts and CVs should be sent to the volume editors by 1 May 2019. Please send electronic submissions, comments, or queries to David Damrosch (ddamrosc@fas.harvard.edu) and Sophus Helle (sophushelle@cc.au.dk). Send any supplemental materials (e.g., course descriptions, course plans, syllabi, assignments, bibliographies, or other relevant documents) as separate attachments. Surface mail submissions can be sent to David Damrosch, Dana-Palmer House 201, Harvard Univ., 16 Quincy St., Cambridge, MA 02138.

Sunday, April 14, 2019

Special Issue of Mythlore: Mythopoeic Children's Literature (deadline extended to 4/15/2019)

Special Issue of Mythlore: Mythopoeic Children's Literature
https://www.academia.edu/36864712/Special_Issue_of_Mythlore_Mythopoeic_Childrens_Literature

Special Issue of Mythlore, Fall 2019
Guest Edited by Donna R. White
** Deadline Extended: April 15, 2019 ** Final paper deadline: June 30, 2019 **


Mythlore, a journal dedicated to the genres of myth and fantasy (particularly the works of J.R.R. Tolkien and C.S. Lewis), invites article submissions for a special issue focused on children’s literature. Children’s fantasy has always been a part of mythopoeic literature, and Mythlore
has occasionally published articles about myth-building children’s writers such as J.K. Rowling and Nancy Farmer; however, this special issue will focus specifically on mythopoeic literature for children.


As always, we welcome essays on The Chronicles of Narnia and The Hobbit, but we also encourage articles that discuss the works of other mythopoeic writers for young readers.Classic works like
Peter Pan and The Wind in the Willows have clear mythopoeic elements,as do modern fantasies by Philip Pullman, Diana Wynne Jones, Lloyd Alexander, and many others. Studies of lesser-known writers like Carol Kendall are also welcome. 

To get an idea of the range of topics covered in Mythlore, visit the online archive at https://dc.swosu.edu/mythlore/ and consult the electronic index, which can be downloaded free at http://www.mythsoc.org/press/mythlore-index-plus.htm. Submission guidelines can be found at http://www.mythsoc.org/mythlore/mythlore-submissions.htm. 

Send queries and questions to Donna R. White, dwhite@atu.edu. Drafts and final papers should be submitted via https://dc.swosu.edu/mythlore/. 


Tuesday, November 20, 2018

Mythlore Fall/Winter 2018

Details on the latest number of Mythlore. Full ordering information at http://www.mythsoc.org/mythlore/mythlore-133.htm.


Mythlore 133 Volume 37, Issue 1
Fall/Winter 2018


Table of Contents Editorial
— Janet Brennan Croft

The Process of Salvation in Pearl and The Great Divorce
— Amber Dunai

Paradise Retold: Lewis’s Reimagining of Milton, Eden, and Eve
— Benita Huffman Muth

“No Pagan Ever Loved His God”: Tolkien, Thompson, and the Beautification of the Gods
— Megan Fontenot

Turning Back the Tides: The Anglo-Saxon Vice of Ofermod in Tolkien’s Fall of Arthur
— Colin J. Cutler

Nazis in the Shire: Tolkien and Satire
— Jerome Donnelly

Tolkien’s Gimpy Heroes
— Victoria Holtz Wodzak

A Cloud of Witnesses: External Mediation in Frodo’s Journey to Rivendell and Beyond
— Carl P. Olson

A Modern Fairy-story: Jonathan Strange & Mr Norrell Seen through the Prism of Tolkien’s Classic Essay
— Douglas Charles Kane

The Romance and the Real: A.S. Byatt’s Possession: A Romance
— Jordana Long

Neil Gaiman’s American Gods: A Postmodern Epic for America
— Susan Gorman

Paul Edwin Zimmer’s Alliterative Style: A Metrical Legacy of J.R.R. Tolkien and Poul Anderson
— Dennis Wilson Wise


Notes and Letters

  • Back to the Beginning: Rudyard Kipling’s Story of the Invention of Writing, Marie Nelson
  • On Julian Eilmann’s J.R.R. Tolkien: Romanticist and Poet, Reviewed by Kris Swank in Mythlore #132, Nancy Martsch
  • Bilingual Puns in The Lord of the Rings, Pierre H. Berube
  • Reviews
  • Phantastes: Annotated Edition by George MacDonald, edited by John Pennington and Roderick McGillis, Tiffany Brooke Martin
  • The Faun’s Bookshelf: C.S. Lewis on Why Myth Matters by Charlie H. Starr, Louis Markos
  • Christian Mythmakers: C.S. Lewis. Madeleine L’Engle, J.R.R. Tolkien, C.S Lewis, et al. (2nd ed.) by Rolland Hein, Sharon L. Bolding
  • Death and Immortality in Middle-earth, edited by Daniel Helen, Mike Foster
  • The Gothic Fairy Tale in Young Adult Literature: Essays on Stories from Grimm to Gaiman, edited by Joseph Abbruscato and Tanya Jones, Maria Alberto
  • Both Sides of the Wardrobe: C.S. Lewis, Theological Imagination, and Everyday Discipleship, edited by Rob Fennell, S. Dorman
  • Discworld and the Disciplines: Critical Approaches to the Terry Pratchett Works, edited by Anne Hiebert Alton and William C. Spruiell, Janet Brennan Croft
  • The Hobbit and Tolkien’s Mythology, edited by Bradford Lee Eden, David L. Emerson
  • Medievalism in A Song of Ice and Fire and Game of Thrones by Shiloh Carroll, Joseph Young
  • Poetry and Song in the Works of J.R.R. Tolkien, edited by Anna Milon, Diane Joy Baker
  • Briefly Noted: Tolkien: Maker of Middle-earth, edited by Catherine McIlwaine; The Complete Fairy Tales by Charles Perrault, edited by Christopher Betts; The Mabinogion, translated by Sioned Davies; Janet Brennan Croft

Sunday, November 4, 2018

Mythcon 50 First Notice

Just came across the following on the Mythopoeic Society website. I'm hoping the formatting comes through okay.

Mythcon 50
August 2-5, 2019



Mythcon 50

Looking Back, Moving Forward
DRAFT logo by Sue Dawe

San Diego, California
August 2-5, 2019





Registration and Room & Board

The Mythopoeic Society's final celebration of our three fiftieth anniversary celebrations: our 50th Annual Mythopoeic Conference!

Theme: Looking Back, Moving Forward

Our theme is a head-nod to Roman mythology's Janus, the god of beginnings and endings, gates and doorways, transitions and passages and duality. So we are moving forward into the future while also, at least for this Mythcon, looking backward toward the place from where we've come.

Call for Papers will be available soon.

Local artist and Mythcon favorite Sue Dawe has agreed to run the art show and is currently working on our logo; she gave permission to share this draft image at the top of the page.


Guests of Honor


John Crowley - Author Guest of Honor

John Crowley was born in December, 1942, in Presque Isle, Maine, where his father, an Army Air Corps doctor, was stationed. He spent the war years (of which he remembers nothing) in Greenwich Village, in a family of women: his mother, older sister, aunt and grandmother, and baby sister. After the war his father resumed his medical practice in Brattleboro, Vermont, and then in 1952 took the family to Martin, Kentucky (pop. 700) to be medical director of a small Catholic hospital. John read Sherlock Holmes and Thomas Costain and Gods, Graves and Scholars, and decided to be an archeologist.

Two years later Doctor Crowley got a better job — head of the student infirmary at Notre Dame College (now University). John taught himself to write blank verse, composed the beginnings of tragedies, and planned for a career in the theater. He went to Indiana University, where he dropped that idea, majored in English and wrote poetry. Upon grduation, he went to New York City. There he planned to make films, wrote screenplays that were not produced, and began working on documentary films. He also began writing novels, beginning with a science fiction tale (The Deep, 1975)and then another (Beasts, 1977). But he had also begun writing a much larger and odder work, which would not be finished for ten years: Little, Big was published in 1981 and won the Mythopoeic Fantasy Award in 1982. By then he had moved to the Berkshires in western Massachusetts, where he met a woman he hired, on their first date, to do research for him on a documentary. After some years of friendship, courtship, collaboration, they married and had twin daughters. In 1992, through the intervention of Yale professors who had come to admire his work, he got a job teaching Creative Writing as an adjunct and later a half-time Senior Lecturer, from which eminence he retired in June of 2018.

John won his second Mythopoeic Fantasy Award in 2018 for KA: Dar Oakley in the Ruin of Ymr. We include the closing paragraph from his acceptance remarks here: “When he was in his eighties, the English writer Leonard Woolf, husband of Virginia, said at a literary dinner set out for him that the way to gain honor in British literary life is simply to live long enough. I don't think that that's the American standard. Which makes me doubly happy at the age I have reached to receive again this honor that once before came to me, close to the beginning of my career. My thanks to all who brought this about.”

Meanwhile he has all along continued to write books and stories, some magical, most historical in one way or another, none of them very much like any of the others. They are described on the pages of his website, which also includes his blog.




Verlyn Flieger - Scholar Guest of Honor

Verlyn Flieger is a specialist in comparative mythology with a concentration in J.R.R. Tolkien. She teaches undergraduate and graduate courses in Tolkien, Celtic, Arthurian, Native American, and Norse myth. She holds an M.A. (1972) and Ph.D. (1977) from The Catholic University of America, and has been associated with the University of Maryland since 1976. Retired from teaching at the University of Maryland in 2012, she is Professor Emerita in the Department of English at UMD. She teaches courses online at Signum University.

Her best-known books are Splintered Light: Logos and Language in Tolkien's World (1983; revised edition, 2002); A Question of Time: J. R. R. Tolkien's Road to Faerie, which won the 1998 Mythopoeic Award for Inklings Studies; and Interrupted Music: The Making of Tolkien's Mythology (2005). She won a second Mythopoeic Award for Inklings Studies in 2002 for Tolkien's Legendarium: Essays on The History of Middle-earth, which she co-edited with Carl Hostetter, and a third Mythopoeic Award for Inklings Studies in 2013 for Green Suns and Faërie: Essays on J.R.R. Tolkien.

With David Bratman and Michael D. C. Drout, she is co-editor of Tolkien Studies: An Annual Scholarly Review.

Verlyn has also written Pig Tale and The Inn at Corbies’ Caww, a novella, Avilion in The Doom of Camelot, an anthology of Arthurian fiction edited by James Lowder, and a short story, “Green Hill Country” in Doug Anderson's fantasy anthology, Seekers of Dreams.


Location

Please join us in San Diego, California, for Mythcon 50. San Diego is a wonderful "destination city" where Mythcon has been held only once before in 1991 (Mythcon 22) and is well worth the return. Early Mythopoeic conferences were held primarily at colleges and universities, a more-affordable option back in the late 1960s through the 1980s; in the last decade Mythcons have been primarily hotel-based and we find this to be a kind of two-edged sword: hotels are almost always more comfortable in which to stay but much more challenging for shared meals, which many of us really enjoy. They are more expensive housing but sometimes less expensive function space (we must guarantee a high-enough number of room nights and spend a lot of money on food and beverage) but very expensive audio/visual support. These choices are always the challenge in planning every Mythcon.

For Mythcon 50, we are harkening back to our roots and will be on a university campus with very nice meeting space.

Registration and Room & Board

Registration is now open here.

Specific details and room & board packages will be available soon. Our plan will include breakfast and dinner (Friday and Saturday) or banquet (Sunday) in the room & board package; lunch will be on our own with many close options from which to choose. For people who aren't able or willing to stay in a dorm, there are several hotels on the trolley line, to which we'll link in the future.




Wednesday, October 24, 2018

Mythlore 132 Contents

Catching up again. Here are the details of the Spring/Summer 2018 issue of Mythlore. Ordering information at http://www.mythsoc.org/mythlore/mythlore-132.htm.


Mythlore 132 Volume 36, Issue 2
Spring/Summer 2018


Editorial
— Janet Brennan Croft

Tyrion Lannister: A Fulcrum of Balance in George R.R. Martin’s A Song of Ice and Fire
— Patricia Monk

“Love of Knowledge is a Kind of Madness”: Competing Platonisms in the Universes of C.S. Lewis and H.P. Lovecraft
— Guillaume Bogiaris

Allegorical Reference to Oxford University through Classical Myth in the Early Poetry of Dorothy L. Sayers: A Reading of “Alma Mater” from OP. I.
— Barbara L. Prescott

On Superhero Stories: The Marvel Cinematic Universe as Tolkienesque Fantasy
— A.G. Holdier

Bilbo Baggins and the Forty Thieves: The Reworking of Folktale Motifs in The Hobbit (and The Lord of the Rings)
— Giovanni Carmine Costabile


Notes and Letters

Ursula K. Le Guin: An Appreciation, David Bratman
Ursula K. Le Guin in Mythlore, Janet Brennan Croft
“The Valley of the Na,” Pat Wynne, from Mythlore #56 (Winter 1988)
Reviews
J.R.R. Tolkien: Romanticist and Poet by Julian Eilmann, Kris Swank
C.S. Lewis and Christian Postmodernism by Kyoko Yuasa, Peter G. Epps
Owen Barfield: Philosophy, Poetry, and Theology by Michael Vincent Di Fucca, Tiffany Brooke Martin
Scotland’s Forgotten Treasure: The Visionary Romances of George MacDonald by Colin Manlove, Bonnie Gaarden
English People by Owen Barfield, Narnia and the Fields of Arbol by Matthew Dickerson and David O’Hara, and The Mythic Dimension by Joseph Campbell, Phillip Fitzsimmons
C.S. Lewis and the Art of Writing by Corey Latta, Tiffany Brooke Martin
C.S. Lewis and the Arts: Creativity in the Shadowlands, edited by Rod Miller, Michael David Prevett
Game of Thrones Versus History: Written in Blood by Brian Pavlac, Joseph Young
Detecting Wimsey: Papers on Dorothy L. Sayers’s Detective Fiction by Nancy-Lou Patterson, edited by Emily E. Auger and Janet Brennan Croft, Joe R. Christopher
Goddess and Grail: The Battle for Arthur’s Promised Land by Jeffrey John Dixon, Kris Swank





SPECIAL SECTION ON DIVINATION IN FANTASY

Introduction: Divination and Prophecy in Mythopoeic Fantasy
— Emily E. Auger

Letting Sleeping Abnormalities Lie: Lovecraft and the Futility of Divination
— Carol S. Matthews

Tarot and T.S. Eliot in Stephen King’s Dark Tower Novels
— Emily E. Auger

The Unlikely Milliner and the Magician of Threadneedle-street
— K.A. Laity


Notes
An Annotated List of Fantasy Novels Incorporating Tarot (1968-1989), Emily E. Auger
Divination and Prophecy in The Lord of the Rings: Some Observations, Robert Field Tredray

Reviews
Divination and Human Nature by Peter T. Struck, Larry Swain
The Tarot of the Future by Arthur Rosengarten, Emily E. Auger 

Mythlore 131 Contents

Catching up. Here are the contents to the Fall/Winter 2017 number of Mythlore. The issue can be purchased from the Mythopoeic Society at http://www.mythsoc.org/mythlore/mythlore-131.htm.


Mythlore 131 Volume 36, Issue 1
Fall/Winter 2017
Table of Contents

Editorial
— Janet Brennan Croft

Treasure in the Archives: A Celebration of Archival Collections
— Laura Schmidt

“Things That Were, and Things That Are, and Things That Yet May Be”: The J.R.R. Tolkien Manuscript Collection at Marquette University
— William M. Fliss

Into the Wild Woods: On the Significance of Trees and Forests in Fantasy Fiction
— Weronika Łaszkiewicz

“Countries of the Mind”: The Mundane, the Fantastic, and Reality in the Landscapes of Diana Wynne Jones’s Hexwood and Garth Nix’s Old Kingdom Series
— Brittani Ivan

“Morning Stars of a Setting World”: Alain de Lille’s De Planctu Naturæ and Tolkien’s Legendarium as Neo-Platonic Mythopoeia
— Christopher Vaccaro

“A Warp of Horror”: J.R.R. Tolkien’s Sub-creation of Evil
— Richard Angelo Bergen

“Your Mother Died to Save You”: The Influence of Mothers in Constructing Moral Frameworks for Violence in Harry Potter
— Margaret S. Mauk

J.R.R. Tolkien and the 1954 Nomination of E.M. Forster for the Nobel Prize in Literature
— Dennis Wilson Wise

Maleldil and Reader Response in C.S. Lewis’s Out of the Silent Planet
— Thomas Rand

Three Rings for the Elven-kings: Trilogizing Tolkien in Print and Film
— Robert T. Tally


Notes and Letters
Hugo Dyson: An Update, David Bratman
Robert E. Havard: A Closer Look at the “Medical Inkling,” Sarah O’Dell
Memories of Clyde Kilby, Mike Foster
A Note on a Name, Verlyn Flieger
Letter to the Editor, J. Aleksandr Wootton

Reviews
Beren and Lúthien, Katherine Neville
Tolkien’s Theology of Beauty, Phillip Irving Mitchell
The Fantastic of the Fin de Siècle, Douglas A. Anderson
Laughter in Middle-earth, Janet Brennan Croft
Celtic Myth in Contemporary Children’s Fantasy, Glenn R. Gray
From Peterborough to Faery, David Emerson
The Ravenclaw Chronicles and Harry Potter for Nerds II, Jennifer W. Spirko
Deeper Magic, Diane Joy Baker
The Invention of Angela Carter, Dennis Wilson Wise
Forgotten Leaves: Essays from a Smial, Cait Coker
Tolkien Studies v.XIII, North Wind v.35, and VII v.33, Janet Brennan Croft

Briefly Noted, Janet Brennan Croft, Mike Foster

Friday, October 19, 2018

NEPCA Fantastic 2018

Here, belatedly, are the details of our farewell sessions. running this weekend. Full schedule accessible at https://nepca.blog/2018-conference/. (Further apologies for the lack of formatting; Blogger and Word don't get along.)

40th Annual Conference of the Northeast Popular Culture/American Culture Association
Worcester State University (Worcester, Massachusetts)
19-20 October 2018

Friday, 19 October at 2-3:15
Session 2: Frankenstein 1818 to 2018: 200 Years of Mad Scientists and Monsters I (S-205)

Chair: Saraliza Anzaldua (UCLA)

Frankenstein: A Personal History
Daniel Shank Cruz (Utica College)

Daniel Shank Cruz grew up in New York City and Lancaster, Pennsylvania. He is a graduate of Goshen College (B.A.) and Northern Illinois University (M.A., Ph.D.) and is currently an Associate Professor of English at Utica College in upstate New York. Daniel is the author of Queering Mennonite Literature, which is forthcoming from Penn State University Press in spring 2019. He has also published articles on a variety of contemporary North American authors in journals such as Crítica Hispánica, Mennonite Quarterly Review, the Journal of Mennonite Writing, and the Journal of Contemporary Thought, as well as in several book collections. His research interests include the intersections between ethnic minority literatures (especially Mennonite literature and Latinx literature) and queer literatures, archiving, and the role of geographical space in literature.

Looking at Frankenstein: Ten Filmmakers Capture the Monster
James Osborne (College of Saint Rose)

James Osborne teaches writing and film in the Department of English at the College of Saint Rose, Albany, New York. He holds a PhD in English from the University of Arizona, an MA in English from Brooklyn College/CUNY, and a BA in English, with Dramatic Arts as a related field, from the University of Connecticut. His principal area of academic research is in adaptation studies, an interest explored in his dissertation, “Looking at Frankenstein: Ten Film Visions of Mary Shelley’s Novel, 1990-2015.” He lives in Albany, New York, with his wife Denise, a lecturer in Portuguese at the University at Albany.

Frankenstein and Transatlantic Monster Making in Robert J. Myer’s The Cross of Frankenstein (1975)
Matt Grinder (Union Institute and University)

Matt Grinder is a PhD Candidate at Union Institute and University where he studies literature and culture with an emphasis on Native American Literature. He also works as an English and Philosophy adjunct faculty member at Central Maine Community College.


Friday, 19 October at 3:30-4:45
Session 10: Frankenstein 1818 to 2018: 200 Years of Mad Scientists and Monsters II (S-205)

Chair: Marty Norden (University of Massachusetts Amherst)

New Adam, New Eve: The Brides of Frankenstein in Theodore Roszak’s Memoirs of Elizabeth Frankenstein (1986) and John Kessel’s Pride and Prometheus (2018)
Faye Ringel (U. S. Coast Guard Academy, Emerita)

Faye Ringel, the founder of the Fantastic Area, is Professor Emerita of English at the U.S. Coast Guard Academy in New London, CT, having taught in the Department of Humanities for 25 years. She directed the Honors Program and taught the Honors Colloquium, composition and literature. After retiring from CGA, she taught British Literature at UConn Avery Point. Faye holds an A.B. in Comparative Literature from Brandeis University and doctorate in Comparative Literature from Brown University. She is the author of New England's Gothic Literature: History and Folklore of the Supernatural (E. Mellen Press, 1995) and articles in scholarly encyclopedias, collections, and journals, including a chapter in The Cambridge Companion to the American Gothic (2017) edited by Jeffrey Weinstock. Faye is a long-time NEPCA member and presenter, and she has published articles and presented conference papers on (among many other subjects) New England vampires, urban fantasy, demonic cooks, Lovecraft, King, Tolkien, Yiddish folklore, and sea music.

Frankenstein’s Justine Moritz: The Female Monster and Her Body
Saraliza Anzaldua (UCLA)

Saraliza Anzaldua, a frequent presenter in the Fantastic Area, is a teratologist with a B.A. in Sociology from the University of Texas, Dallas and an M.A. in English Literature from National Taiwan University. She is currently a doctoral student with the philosophy department of UCLA. Her work is devoted to promoting teratology as a framework for social theory and moral inquiry. She also studies Chinese social philosophy, and Japanese martial philosophy.


Saturday, 20 October at 8-9:15
Session 18: Fantastic I: Deciphering Disney: Heroes and Villains in Fantastic Films of the Walt Disney Company (S-205)

Chair: Amie Doughty (SUNY Oneonta)

Merlin Knows Best: Patterns of Masculine Identity in Disney’s Animated Fantasies
Michael A Torregrossa (Independent Scholar)

Michael A. Torregrossa is a graduate of the Medieval Studies program at the University of Connecticut (Storrs). He is founder of both the Alliance for the Promotion of Research on the Matter of Britain and the Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture and is the outgoing Fantastic (Fantasy, Science Fiction, and Horror) Area Chair for NEPCA. His research interests include adaptation, Arthuriana, comics and comic art, medievalism, monsters, and wizards, and his presentation builds upon his previous studies on Merlin included in Film & History and The Medieval Hero on Screen: Representations from Beowulf to Buffy.

Girls who are BRAVE: Young Women Warriors of the Spiritual Realm
June-Ann Greeley (Sacred Heart University)

June-Ann Greeley, PhD, is an associate professor of Theology and Religious Studies at Sacred Heart University in Fairfield, Connecticut. She is also a board member of the Women's Studies Program and Director of the Middle Eastern Studies Program at SHU. June-Ann also chairs the “Belief” area of NEPCA.

Horror in Disney: Mob Mentality and Ideology in Beauty and the Beast (1991) and The Hunchback of Notre Dame (1996)
Kellie Deys (Nichols College)

Kellie Deys is an Associate Professor of English at Nichols College. She chairs the English Department and the College’s Writing-Across-the-Curriculum program. She recently launched a Gender and Diversity Studies program. Her teaching and research interests include: Cultural Studies, Composition, Gender and Body Studies, Young Adult Literature, and Victorian Literature. Kellie has published on Margaret Atwood’s The Handmaid’s Tale, celebrity culture, and practical applications of Freire’s problem-posing method.


Saturday, 20 October at 9:30-10:45
Session 21: Fantastic II: Heroes Reborn: New Models of Heroism in Fantastic Fiction (S-205)

Chair: Sharon Yang (Worcester State University)

The Librarians, Flynn Carsen, and the Aesthetics of Heroism
Nova Seals (Salve Regina University)

Nova Seals, a frequent presenter in the Fantastic Area, is a PhD candidate in Humanities at Salve Regina University in Newport, Rhode Island. Nova is the Director of the Library and Archives at St. George’s School, an independent preparatory school in Middletown, Rhode Island where she also teaches philosophy courses. Her academic and research interests are philosophy, technology and aesthetics. Nova is particularly interested in how groups of people use technology, especially social media, to learn and transform artistic knowledge.

A More Feminine Way of Being: Growth and Aging in Ursula K. Le Guin’s Tehanu (1990) and The Other Wind (2001)
Kathleen Healey (Worcester State University)

Kathleen Healey is an Adjunct Professor of English at Worcester State University. She is the editor with Sharon Healy-Yang of Gothic Landscapes: Changing Eras, Changing Cultures, Changing Anxieties. Her interests include Gothic literature, American literature, fantasy, and science fiction, as well as the relationship between literature and the visual arts.

Decentering Monsterhood: John M. Ford’s The Last Hot Time
Angela Gustafsson Wyland (Southern New Hampshire University)

Angela Whyland graduated in 2017, with a MA in English Literature from Southern New Hampshire University, and has past degrees in Fashion Merchandising, Business Administration and Interdisciplinary Studies. In 2017, she was honored to have her MA thesis accepted for presentation by the Minnesota Teaching Conference on Writing and English and a paper on subversive colonial feminine captivity novels accepted for a panel at the annual National Women’s Studies Conference. Also that year, Angela presented a paper on “Spinning Threads: Fantasy and Reality in George MacDonald’s The Princess and Curdie” at the “North American Society for the Study of Romanticism” in Ottawa, CA, and her essay on “Schwab’s Imaginary Ethnographies: A Student’s Wanderings through Familiar Literary Texts and the Development of New Subjectivities” was published in “Dream & Reality”, a special issue of Acta Iassyensia Comparationis, an international journal of comparative literature. Recently, her essay on “The Role of the Fool within Dystopian Spaces,” which looks at the SF/F writer Steven Brust’s novel Vallista, was published in the 2018 volume of St. John’s University Press Humanities Review.

Reluctant Royals: Reading Royalty in YA Fantasy
Amie Doughty (SUNY Oneonta)

Amie Doughty, another veteran of the Fantastic Area, is a professor of English SUNY Oneonta and teaches children’s lit, fantasy, linguistics and composition. She is also Children’s and YA Lit and Culture Area Chair for PCA/ACA. Amie is the author of two monographs and the editor of a collection of essays. She works with both children’s and YA literature and urban fantasy and is currently working on a project about royalty in children’s and YA literature.


Saturday, 20 October at 11-12:15
Session 29: Fantastic III: Horrific Spaces (S-205)

Chair: Faye Ringel (U. S. Coast Guard Academy, Emerita)


A Realm for the Reanimated: The Magnificent Nightmare of Dr. Porter and Prof. Poe and Their Attempts to Raise the Dead in Victorian New England
Michael J. Bielawa (The Barnum Museum)

Award-winning author Michael J. Bielawa’s explorations have taken him to the Northeast's most exotic, and mysterious, places. He is the author of numerous articles and five books, including Wicked Bridgeport (which received the first-ever New England Paranormal Literary Award) and Wicked New Haven. Bielawa has discussed Mary Shelly’s Frankenstein on NPR and brought Connecticut’s unique folklore to light on WABC-TV affiliate programs, Good Morning Connecticut and Connecticut Style. Mike has written for Major League Baseball (about abandoned 19th century ballparks), Connecticut Magazine (“The Lost Treasure of Seaside Park”) and London’s Fortean Times (“Barnum and the World’s Greatest Ghoul”); forthcoming works include an essay in the Autumn 2018 issue of The Edgar Allan Poe Review. Mike has shared his research with radio audiences on WCBS, WABC-AM, and WPLR-FM, and he celebrated New Haven’s 17th century “Phantom Ship” when he created the 4-story-tall illuminated art installation, “The Persistence of Legend.” Mike is an ongoing lecturer and consultant for The Barnum Museum ,and he has lectured about Jackie Robinson for the NEA. His dedication to preserving New England history has been covered by the New York Times, Wall Street Journal, and the Washington Post.

American Mythology and Mythopoeia: Blackwood and Lovecraft
Russell Brickey (Youngstown State University)

Russell Brickey holds an MFA and PhD from Purdue University, and he is currently an instructor at Youngstown State University. Russell’s publications include a number of scholarly, journalistic, and creative works, including a reader’s guide to Sharon Olds and two books of poetry.

Childhood as Landscape in The Village of the Damned (1960)
Heather Flyte (Lehigh University)

A second-year presenter in the Fantastic Area, Heather Flyte joined Lehigh University in 2018 as a doctoral student in English literature. She will be focusing on Victorian literature, print culture, and science fiction. She earned her Master’s Degree in English Literature from Kutztown University, and her thesis investigated the transference of Victorian values in the translation of Japanese fairy tales. She presented at the 2017 Northeastern Popular Culture Association conference at the University of Massachusetts, Amherst, on The Princess Bride and psychoanalytic theory. She is a non-traditional student who has previously worked in journalism and web development

Mash-Ups and Moral Philosophy: An Approach towards Combining Ethics and Zombie Studies
Bryan Hall (St. John’s University)

Dr. Bryan Hall is Professor of Philosophy and Associate Dean of Undergraduate Studies in the College of Liberal Arts and Sciences at St. John’s University. Bryan received his Ph.D. from the University of Colorado, Boulder, in 2005, and he is a two-time Fulbright scholar and author of two books on the German philosopher Immanuel Kant. In a slight departure from his previous research, Bryan is now working at the intersection of Ethics and Zombie Studies and shares some of this work today.


Saturday, 20 October at 1:45-3
Session 37: Fantastic IV: Making Monsters (S-205)

Chair: Don Vescio (Worcester State University)

Gender, Trauma, & the Domestic in Exorcism Novels
Bridgit Keown (Northeastern University)

Bridget Keown is a Ph.D. candidate at Northeastern University (Boston, MA), who received her BA from Smith College and her MA in imperial and commonwealth history from King’s College London. Her work focuses on British and Irish women and their experience of war trauma during the First World War and Irish War of Independence, and Bridgit has been awarded the Larkin Research Fellowship in Irish Studies from the American Conference for Irish Studies to continue this research. During the summer of 2017 she contributed guest blogs for the American Historical Association as one of two AHA Today Blog Contest winners, and you can read her postings at http://blog.historians.org/2017/06/gendered-treatments-trauma-first-world-war/. Bridget is also currently a contributing writer to Nursing Clio; her posts can be accessed at https://nursingclio.org/author/bkeown/.

More Than Human: A Crip Theoretic
Christopher Ketcham (University of Houston Downtown)

Chris Ketcham earned his Ph.D. from the University of Texas at Austin. He teaches risk management and ethics for The University of Houston Downtown. His interests, however, go beyond business and into the philosophy of the uncertain and mysterious through film and popular culture. Chris has explored Ridley Scott’s Insomnia through Emmanuel Levinas’s philosophy of responsibility, and he has analyzed Herman Melville’s Bartleby the Scrivener through the eyes of the American work ethic through the question: do we work to live, or live to work? Chris’s other forays into popular culture include analyses of the television series Downton Abbey, Orange is the New Black, Orphan Black, It’s Always Sunny in Philadelphia, Adventure Time, Mr. Robot, and The Man in the High Castle. He has also written about philosophy and Deadpool, Jurassic Park, Superman and Batman, Dracula, and Frankenstein.

Project Alice: Ultimate Woman Warrior or Frankenstein’s Monster in the Resident Evil Film Series
Kristine Larsen (Central Connecticut State University)

Dr. Kristine Larsen, a veteran of the Fantastic Area, is Professor of Astronomy at Central Connecticut State University. Her teaching and research focus on issues at the boundary between science and society, including science ethics, science and gender, the history of women in science, and scientific motifs in popular media. She is the author of Stephen Hawking: A Biography, Cosmology 101, and the 2017 volume The Women Who Popularized Geology in the 19th Century, as well as the co-editor as The Mythological Dimensions of Doctor Who and The Mythological Dimensions of Neil Gaiman. Her complete CV can be found at http://www.ccsu.edu/astronomy/larsencv.html.


Saturday, 20 October at 3:15-4:30
Session 45: Fantastic V: New Insights into Science Fiction (S-205)

Chair: Kristine Larsen (Central Connecticut State University)

Daddy Issues: David in Prometheus (2012) and Alien: Covenant (2017)
Leslie Stratyner (Mississippi University for Women)

Leslie Stratyner is a full professor of English at Mississippi University for Women. She teaches various ancient and medieval literatures, as well as composition and survey courses.

Indigenous Aliens: Science Fiction and Native America
Meredith James (Eastern Connecticut State University)

Meredith James is an Associate Professor at Eastern Connecticut State University. Her specialties include Indigenous/Native American Studies and American Studies.

Bridging Realities: Time Travel in A Wrinkle in Time
Don Vescio (Worcester State University)

Don Vescio, a frequent presenter in the Fantastic Area, is a faculty member of Worcester State University’s Department of English. After serving ten years as Worcester State’s Chief Information Office/Vice President of Information Technologies and two years as Vice President of Enrollment Management and Marketing, Don now focuses his energies on teaching undergraduate and graduate students in a variety of disciplines. His research interests are in critical theory, narratological analysis, and information design.

Sunday, September 23, 2018

CFP Brutal Themes in Brutal Times: Teaching Edgar Allan Poe in a Culture of Violence (9/30/2018; NeMLA 2019)

CFP: Brutal Themes in Brutal Times: Teaching Edgar Allan Poe in a Culture of Violence, Northeast Modern Language Association
https://www.fantastic-arts.org/2018/cfp-brutal-themes-in-brutal-times-teaching-edgar-allan-poe-in-a-culture-of-violence-northeast-modern-language-association/
July 24, 2018

Brutal Themes in Brutal Times: Teaching Edgar Allan Poe in a Culture of Violence

deadline for submissions:
September 30, 2018

full name / name of organization:
Northeast Modern Language Association

contact email:
chendricks@goodwin.edu

This panel seeks papers that explore pedagogical strategies for teaching the horror stories of Edgar Allan Poe and his contemporaries. With the looming, true-to-life violence bombarding us every day in the news and in other media outlets, the macabre tales of our favorite authors resonate too well. Teaching the violent and psychologically disturbing short stories of Poe, and others writing in this genre, can be challenging in the current climate of violence in America. Exploring the depths and darkness of humanity through literature can be traumatic for contemporary students who are bombarded with violent words and images every day through social media and news outlets. This panel seeks papers that explore pedagogical strategies devoted to travelling through dark literary themes while maintaining a safe atmosphere in the classroom. How can instructors align class discussions, specifically the ones that take a sociopolitical turn, to heal the contemporary student in an America riddled with nihilism, senseless violence, and psychological desperation? The significance of this panel is to uncover innovative teaching strategies when bringing students classic horror tales for discussion in the milieu of a terrorizing era in American history.

CFP: Articles and Reviews on Robert Holdstock’s Writing, Spec. Issue of Gramarye (9/21/2018)

(Apologies if this is a repeated post.)

CFP: Articles and Reviews on Robert Holdstock’s Writing
https://www.fantastic-arts.org/2018/cfp-articles-and-reviews-on-robert-holdstocks-writing/
June 15, 2018

Call for Submissions: Articles and reviews on Robert Holdstock’s writing

Robert Holdstock – a celebration of ‘Mythago Wood’

‘No other author has so successfully captured the magic of the wildwood’, Michael Moorcock

Call for Submissions: Articles and reviews on Robert Holdstock’s writing

With the tenth anniversary of Robert Holdstock’s death approaching, the Sussex Centre for Folklore, Fairy Tales and Fantasy seeks articles and reviews with a focus on the author’s Mythago Wood series for publication in Gramarye, its peer-reviewed journal published by the University of Chichester.

Neil Gaiman considers Mythago Wood to be a ‘classic of the literature of fantasy.’ In this spirit we are looking for scholarly and imaginative submissions that will once more take readers in to the heart of the British mythic landscape.

The deadline for this issue is 21 September 2018, and the Guest Editor will be Dr Steven O’Brien.

General Gramarye submissions information

Gramarye is an international, multidisciplinary, peer-reviewed academic journal examining folk narratives, fairy tales and fantasy works, both as independent genres and also in terms of the resonances and dissonances between them and other cultural forms.

There is no charge or fee for submitting an article or abstract.

Articles should be 5,000 – 7,000 words, book reviews c.1,000 words, and submitted as a Word .doc or .rtf attachment to the editor (Email: info@sussexfolktalecentre.org).

All submissions should be accompanied by a 100-word abstract and 100-word biographical note.

Relevant colour image files, along with copyright permission, must also be supplied by the deadline.

For contributions that include any copyrighted materials, the author must secure written permission (specifying “non-exclusive world rights and electronic rights”) to reproduce them. The author must submit these written permissions with their final manuscript. Permission fees are the responsibility of the author.

The deadlines are always 21 March for the summer issue and 21 September for the winter issue. If you would like to receive a complimentary e-book of the most recent issue to check content and style, please request one from assistant Heather Robbins (h.robbins@chi.ac.uk).

Only original articles that are not simultaneously under consideration by another journal will be considered. Unrevised student essays or theses cannot be considered.

Submissions must include all quotations, endnotes, and the list of works cited. References should follow the Chicago Manual of Style.

The copyright for a submission remains with the author at all times.

The peer-review process for Gramarye is as follows:

The paper, edited to fit Gramarye’s house style, will first be sent to the editorial board to approve it for peer review if they find it to be original, interesting, and of value to Gramarye’s readers.
One or two experts in the field of the paper will then be chosen as peer reviewers, in a double-blind process in which neither reviewer nor author identity will be made available to the other.
The reviewers will ascertain the relative strengths and weaknesses of the paper, including but not limited to:

a. whether it is properly referenced,

b.whether any opinion or evidence is presented clearly and is relevant to the overall argument,

c. and whether the language and purpose of the paper and its conclusion are clear and comprehensible.

This takes one to two weeks.

The reviewers’ comments will be returned to the editor, who will ensure the reviewers’ anonymity and return them to the author if any revisions are necessary.
If the author resubmits their revised article to the editor after peer-review and some queries haven’t been addressed, the editorial board will make the final decision on whether the article should be returned to the author to address the remaining issues, or whether it should be published or discarded. The author will be informed about this decision as soon as possible.

CFP “Hobgoblins of Fantasy: American Fantasy Fiction in Theory,” Special Feature in The New Americanist (expired)

(Sorry to have missed this earlier.)

CFP: “Hobgoblins of Fantasy: American Fantasy Fiction in Theory,” Special Feature in The New Americanist
https://www.fantastic-arts.org/2018/cfp-hobgoblins-of-fantasy-american-fantasy-fiction-in-theory-special-feature-in-the-new-americanist/
June 8, 2018

The New Americanist would like to announce a general call for papers for its third issue (Fall 2019). The New Americanist is an interdisciplinary journal publishing scholarly work on the United States and the Americas broadly considered. We are especially interested in work which includes a global perspective, introduces new critical approaches, and proposes theoretical frameworks to the study of the US. We welcome contributions from scholars from around the world and across the humanities and social sciences.

“Hobgoblins of Fantasy: American Fantasy Fiction in Theory”

Special feature in The New Americanist

In association with the American Studies Center, University of Warsaw

“A frightful hobgoblin stalks through Europe. We are haunted by a ghost, the ghost of Communism.” The Communist Manifesto (1850)

A frightful hobgoblin stalks through genre fiction, too. Fantasy is haunted by that same ghost, the ghost of critical theory. The fantastic, the hobgoblin, and fantasy literature as we know it were “always already” present in the early articulations of critical theory. Fantasy, though, does not merely echo within, or from, Marx and Engels. It presents unique challenges to critical theory, both to readers and to literary critics, not least because of its seeming opposition to realism, materialism, and history itself. That is to say, critical theory’s ostensible rationalism confronts fantasy’s vision of itself as myth. Even the word “myth” carries such different meanings in the theories of Horkheimer and Adorno, Barthes, or Lacan, rather than in fantasy, that the two can barely understand each other. That instability roots fantasy in a “negative capability,” possibly even an antifoundationalist tendency, when it comes to theorizing it. Suvin or Jameson, for example, set it in opposition to science fiction, its twin genre. So while fantasy finds more traction than SF in political allegory or feminist critique, that very capability clashes with the class theory of history, the critique of neoliberalism, that SF ostensibly contains. The result is that fantasy vacillates between Marxist critique, with its determinism and false consciousness, and social commentary, with its direct representation and even accusation.

What are readers to do? Must the hobgoblin be exorcised, or do we find a medium through which to communicate? Is the hobgoblin itself a product of the struggle between fantasy and rationality? As a special feature in the newly-relaunched The New Americanist, and in association with the American Studies Center at the University of Warsaw, “Hobgoblins of Fantasy: American Fantasy Fiction in Theory” seeks articles on critical approaches to American fantasy fiction. The special feature section is open to articles from any critical paradigm and of any period in American fantasy but is particularly interested in readings of fantasy that draw on the conflicts among competing critical methods. This collection reflects debates around definitions, sub-genres (urban fantasy vs. heroic fantasy, or high & low fantasy, etc.), periodization, historicization, gender & sexuality in reading communities, reception theory, and so forth. Portals into the critical fantastic include (but are not limited to) some suggestive tensions:

  • China Miéville observes in Red Planets that the SF project had begun subtitled “Marxism, Science Fiction, Fantasy.” Whence fantasy and why this trend?
  • Jameson and Suvin welcome fantasy into history with the departure of magic, or precisely when it ceases to be fantastical. Are other historicizations of fantasy possible?
  • Urban fantasy has flourished through identity politics (gender, LGBTQ+, “minority” communities), but what of concepts of consolation, inoculation, or cultural appropriation that question foundational works in the sub-genre?
  • The rise of Afrofuturism in SF suggests a parallel Afrofantastic. What of other communities find voice through (or represented in) fantasy? What voices do Indigenous, Latinx, Asian American, and other fantasy communities find in the genre?
  • Reader response and reception theory in pulp fiction has largely related to romance reading communities—in what ways is fantasy divergent from (or contiguous with) this established critical project?
  • Other questions might include (but are not limited to):
  • Is there a “Hard Fantasy,” and is it complicit in the potential toxic masculinity of demands for a Hard SF?
  • Fanfic studies have concentrated on SF, often in relation to identity and communities of resistance in underground publications, yet S/K echoes very differently in the commercial success of Fifty Shades responding to Twilight. What are the sexual politics of fantasy fanfic? What are its genders and communities?
  • What are fantasy’s nationalisms? Is there a manifest destiny stalking American fantasy?
  • Is “Cli-Fi” necessarily a subset of SF’s cognitive estrangements, or is a fantastic confrontation with nature “always already” allegorizing anthropogenic climate change?
  • Do Animal Studies or human/non-human networks find unique representations or opportunities in fantasy and/or in fantasy audiences?
  • Do we confront, through Klein, Lacan, Žižek, et al., the “phantasy” in fantasy, linking it to desire, the Other, and radical transformation, or must we also remain discontent with metonymic substitutes as a function of fantasy?

Please submit 1-page abstracts and a short biographical note for proposed articles to James Gifford (gifford@fdu.edu) and Orion Kidder (okidder@sfu.ca) by 31 July 2018. Selected articles (6,000–8,000 words) will then be due by 31 December 2018 for peer-review. The third issue of The New Americanist will be published in Fall 2019 with “Hobgoblins of Fantasy: American Fantasy Fiction in Theory” as its special feature.

CFP “Being Dragonborn: Critical Essays on The Elder Scrolls V: Skyrim” (edited collection 10/31/2018))


CFP: Call for Chapters: “Being Dragonborn: Critical Essays on The Elder Scrolls V: Skyrim” (edited collection)
https://www.fantastic-arts.org/2018/cfp-call-for-chapters-being-dragonborn-critical-essays-on-the-elder-scrolls-v-skyrim-edited-collection/
August 14, 2018

Type:
Call for Papers

Date:
October 31, 2018

Location:
Ohio, United States

Subject Fields:
Cultural History / Studies, Popular Culture Studies, Women’s & Gender History / Studies, Humanities, Digital Humanities

Call for Chapters: “Being Dragonborn: Critical Essays on The Elder Scrolls V: Skyrim” (edited collection)

In advance of The Elder Scrolls V: Skyrim’s tenth anniversary in 2021, this collection of essays seeks to investigate how the game hails its player as “dragonborn,” a calling that merges political, social, and religious narratives in the game toward the player’s assumption of the dragonborn identity position: savior of Skyrim. Our collection aims to identify and explore these hailed positions within the cultural ecology of the game, which is always connected to the player’s out-of-game realities. Situated on the threshold of intricately detailed “cultural” cities and the expansive “natural” wilderness, the dragonborn negotiates the complex political workings of life under the civil war between the rebel Stormcloaks and the Imperial Legion.

Being Dragonborn will be the first collection of critical inquiries into the Elder Scrolls franchise. Skyrim depicts the complexities of the video game medium as seen in the player’s precarious position between the in-game fantasy world and out-of-game subjectivities, realities, and positions. The game’s narrative, gameplay, iconography, music, and in-game mechanics and items are invested in a romanticized invention of medieval life and architecture, colonialist and militaristic structures of play amid civil war, and particular constructions of gender, class, race, and language. How these critical issues coalesce in the game, and through the experience of playing the game, make Skyrim a fertile space to consider what this winner of over 200 Game of the Year awards teaches its loyal players, modders, and enthusiasts.

The collection would be geared toward the interest of game studies scholars, game designers, Skyrim players, and instructors who may already incorporate Skyrim into the classroom—many of us wearing several of these proverbial hats simultaneously. The collection’s title—Being Dragonborn—speaks to the primacy of player ontology and identity within the game by means of the game’s colonial narratives, medieval resonances, in-game labor and economic conditions, aesthetically sublime environment, and its consumptive and productive practices. In an attempt to go beyond fraught dichotomies and territorial disputes within Game Studies that restrict discourse on the video game medium, the editors seek diverse and interdisciplinary approaches, readings, and methodologies.

The editors are looking for fresh, interpretive analyses of Skyrim that call attention to issues of culture, politics, theory, practices, game design, and the gaming industry. The collection welcomes contributions from emerging and established scholars on topics including the following:

  • Visual aesthetics of Skyrim – the sublime and the immanent 

  • Post-colonial approaches to the social and militaristic game narrative and play 

  • Neomedievalist approaches to Skyrim—tradition, lore, nostalgia, architecture 

  • Critical race theory—the ex-nomination of whiteness in Skyrim; racial hierarchies; 
confronting the racialized other in the game 

  • Religious studies approaches to Skyrim narratives, mysticism, or mythologies 

  • Politics and simulation of (civil) war in the game 

  • Music studies—in game songs, music, and covers that operate harmonically and/or 
contrapuntally with other in-game elements 

  • Marxist approaches to in-game labor, leisure, property ownership, 
production/consumption practices, and idyllic domestic spaces 

  • Linguistic and cultural studies of Dovahzul, the dragon language embedded in Skyrim 
shouts, word walls, names, and conversation. 

  • Modding Skyrim—analysis of modding community, modding interfaces, IP and 
economic concerns related to modders/industry
  • Gender, sex, and sexuality in Skyrim—queer readings of Skyrim
  • Psychoanalytic approaches to player experience, ludic forms, and game narrative 

  • Studies of spatiotemporality in the game and its historico-cultural affordances 

  • Skyrim VR—technical and/or metaphysical considerations of Skyrim in light of Skyrim’s 
recent VR release. 

  • Feminist and eco-feminist approaches to Skyrim ecologies 

  • Teaching with Skyrim—affordances and dangers of gaming pedagogies 

  • Philosophical and theoretical arguments emerging out of gameplay or fan experience 

  • Studies that account for the material engagements of the game’s design, marketing, 
promotion

400-word abstracts are due by October 31, 2018. Please send abstracts in .doc(x) format and queries to Mike Piero (mikepiero@gmail.com) and Marc A. Ouellette (mouellet@odu.edu) with the subject heading “Being Dragonborn.” This collection is under contract with McFarland & Company for their Studies in Gaming series, edited by Matthew Wilhelm Kapell. If your abstract is accepted, full essays between 5,000-7,500 words will be due by May 31, 2019. 
When submitting an abstract, please provide: 


Name, rank/position and affiliation, email address 

Proposed chapter title 

400-word abstract 

Up to 5 keywords for the essay 

Do you plan to include figures or images in the essay?


Contact Info:
Mike Piero, Associate Professor of English, Cuyahoga Community College, and Ph.D. Candidate, English, Old Dominion University, mikepiero@gmail.com


Marc A. Ouellette, Ph.D., Assistant Professor of English, Old Dominion University and Learning 
Games Initiative Research Fellow, mouellet@odu.edu 


Contact Email:
mikepiero@gmail.com

CFP Food and Drink in Science Fiction, Edited Volume (proposals by 11/15/2018)

CFP: Food and Drink in Science Fiction, Edited Volume
https://www.fantastic-arts.org/2018/cfp-food-and-drink-in-science-fiction-edited-volume/
August 7, 2018

CFP, edited volume: Food and Drink in Science Fiction

“But now, we must eat!”
Food and Drink in Science Fiction

Deadline for abstracts: November 15, 2018

Edited by Cindy Miller, Steve Rabitsch, and Michael Fuchs this volume will discuss food and drink in science fiction across media—movies, television shows, literature, video games, comics, etc. Of course, as forms of sustenance, food and drink are among the essential elements of life. But this is also precisely why representations of food and drink are always ripe with meaning. As this book will show, science fiction uses food and drink to explore pertinent issues ranging from the homogenization of food in a globalized economy to the exploitation of our natural resources and the attendant phenomena of water, air, and soil pollution, deforestation, and the scarcification of food.

If you are interested in contributing to this volume, please submit a 500-word proposal to science.fiction.food@gmail.com. All submissions will be acknowledged. If you do not receive a confirmation of receipt within 48 hours, you may assume that your email hasn’t reached us for some reason. In that case, please re-submit. Please also direct any questions you might have to the email address indicated above.
We will most likely first approach European university presses with this project, as they generally move ahead faster than their American counterparts.

Please check out this attached CFP for more details, and do not hesitate to drop us a line if you have any questions.

CFP The Evolution of Evil in Fantasy and Science Fiction, Academia Lunare (11/30/2018)

(Apologies for cross-posting with the Arthurian villains' site)

The Evolution of Evil in Fantasy and Science Fiction, Academia Lunare
https://www.fantastic-arts.org/2018/the-evolution-of-evil-in-fantasy-and-science-fiction-academia-lunare/
July 9, 2018

Academia Lunare

Academia Lunare is the Luna Press Publishing academic branch for Fantasy and Science Fiction.

One of the most exciting aspects of fandom is the critical assessment of literature, as a way to show one’s love for a particular author or body of work. Speculative non-fiction is also a mirror for society, with an eye cast into the future.

The Evolution of Evil in Fantasy and Science Fiction
​
We are very proud to announce our third Call For Papers. The theme of the 2018 CfPs is: “The Evolution of Evil in Fantasy and Science Fiction”.

Our first call for papers, “Gender and Sexuality in Fantasy and Science Fiction” received 2 BSFA Awards nomination and one BSFA Awards shortlist. The second call for papers, “The Evolution of African Fantasy and Science Fiction”, will be out this summer.

It is time for a new challenge!

Writers are invited to explore the concept of evil in all its shapes and developments, in literature, games, movies and TV.

Here is some food for thought, though it should not restrict your own ideas:

  • ​Focus on a specific character which has embodied the concept of evil
  • The development of a specific archetypal character which, over the course of the centuries, has undergone a transformation from neutral/positive figure into an evil one, or vice versa – historical and socio-political influences that brought about this transformation
  • Development of a representative type of evil over time (trolls, fairies, mad gods, dark lords, vampires, demons, etc.)
  • The impact of religion on folklore
  • Latest incarnations of evil mirroring socio-political changes
  • Latest incarnations of evil in general
  • Evil as an embodiment of modern society
  • Evolution of evil through the ages
  • Possible representations of minorities as evil
  • Creating evil – what makes a successful villain?
  • Heroes as villains
  • Other representations of evil, e.g. hostile environments. Music as a tool for implying threat and hostility

​
Before you start, get in touch! Send us an email either with your abstract or simply to let us know what topic you intend to explore: it is perfectly fine to have more than one author discussing the same topic, as long as the angle is different.

Word Limit: up to 6,000 words.

Full references for citations must be included using Harvard referencing style. Download the full guide and the quick guide on the Academia Lunare page.

Closing Date: 30th of November 2018.

Publishing contract for all participants, with shared royalties from each sale and a free copy of the book.

Do not fear if this is your first non-fiction work: if you love research, you need a chance to start somewhere. Take a look at the past two Call For Papers blog posts and explore the articles submitted – it may help you decide your course of action.

For more information, please see https://www.lunapresspublishing.com/academialunare. FacebookTwitterGoogle+

CFP “Politics and Conflicts,” the 40th International Conference on the Fantastic in the Arts (10/31/2018; 3/13-17/2019)

(Apologies if this is a repeat post.)

CFP: “Politics and Conflicts,” the 40th International Conference on the Fantastic in the Arts
https://www.fantastic-arts.org/2018/cfp-politics-and-conflicts-the-40th-international-conference-on-the-fantastic-in-the-arts/
July 2, 2018

CFP: “Politics and Conflicts,” the 40th International Conference on the Fantastic in the Arts

Please join us for ICFA 40, March 13-17, 2019, when our theme will be “Politics and Conflicts.”

We welcome papers on the work of: Guest Scholar Mark Bould (Reader, University of the West of England; winner of the SFRA Pilgrim Award; author of several books on sf including Science Fiction: The Routledge Film Guidebook) and Guest Author G. Willow Wilson (winner of a PEN Center award; writer of the Hugo-Award-winning series Ms. Marvel, author of Alif the Unseen).

Speculative texts have a tremendous power to help us envision how the world might be otherwise and to see the historical contingencies that have given us the world as we find it. Fantastic genres allow us to imagine other paths that history might have taken and to explore the power dynamics of conflicts among competing factions, from the local scale of family and gender arrangements to the global scale of transnational trade and migration. Such texts can often articulate critiques that would have been silenced by censorship of realist genres in times and places of government, religious, or other oppression. We invite papers that understand the concept of politics very broadly, from international relations and structures of governance, through to the politics of everyday life. If at times the genres of the fantastic can be complicit in naturalizing and perpetuating dominant power structures and the politics they endorse, more often they provide a rich set of tools for telling such stories from marginalized perspectives, visions that cannot be captured by a realism that is structured by default ideological assumptions. We also welcome proposals for individual papers, academic sessions, creative presentations, and panels on any aspect of the fantastic in any media. We will gather in 2019 to question, celebrate, argue over, and deduce speculative fiction’s contributions to thinking through the politics and conflicts of our past and its capacity to guide us toward more inclusive futures.

The deadline for proposals is October 31, 2018. We encourage work from institutionally affiliated scholars, independent scholars, international scholars who work in languages other than English, graduate students. Artists are encouraged to submit proposals for our Creative Track, which features sessions on writing, art, music, and poetry, as well as panel discussions on topics of interest for creative professionals.

For more information on the IAFA and its conference, the ICFA, see https://www.fantastic-arts.org/. The Submissions Portal opens on September 1st. To submit a proposal, go to https://www.fantastic-arts.org/icfa-submissions/.

To contact the Division Heads for help with submissions, go to https://www.fantastic-arts.org/about/governance/division-heads/.

For information on the Creative Track, go to https://www.fantastic-arts.org/annual-conference/creative-track/.