Sunday, October 1, 2017

Fantastic Area Sessions 2018

I am pleased to announce the schedule for the area's tenth-anniversary sessions. My thanks to the program chair, Marty Norden, for his help in organizing.

The complete conference schedule and registration information can be accessed at https://nepca.blog/2017-conference/.


Session I: Friday, October 27, 1:00-2:30pm

PANEL 1 – CC 803 – The Fantastic: Horrors Past and Present
CHAIR: Amie Doughty, SUNY Oneonta
“Horrifying Mythical Obstacles: Masculine Anxieties and Alternate Gazes in Robert Eggers’s The Witch (2015),” Dustin Fisher, University of Cincinnati
“Images of the Indigenous Monster in The Green Inferno (2013),” Erica Tortolani, University of Massachusetts Amherst
“The Decomposing Youths and the Revival of the Zombies in Contemporary Korea,” Ha Rim Park, Seoul National University
“The Bunhill Apocalypse: Robert Aickman’s ‘Larger than Oneself’ (1966) as a Post-Christian Metaphor,” Steffen Silvis, University of Wisconsin-Madison

Session II: Friday, October 27, 2:45-4:15pm

PANEL 8 – CC 803 – The Fantastic: Meeting Monsters
CHAIR: Michael A. Torregrossa, Independent Scholar
“‘Everything That Ought to Have Remained Hidden’: Sublimation and the Uncanny in Anya's Ghost (2011),” Shane Gomes, North Dakota State University
“Murder, Reproduction, and Bad Women in Junji Ito’s Tomie,” Rahel Worku, University of Maryland
“A Trekkie’s Guide to the Zombie Apocalypse,” Cinzia DiGiulio, Merrimack College
“Scientists Become Monsters: The Strain’s Dr. Goodweather,” Kristine Larsen, Central Connecticut State University

Session III: Friday, October 27, 4:30-6:00pm

PANEL 15 – CC 803 – The Fantastic: New Approaches to the Heroic in Fantastic Fiction
CHAIR: Shane Gomes, North Dakota State University
“Happy Endings: Frankenstein’s Creature as a Romantic Lead,” Maggie Damken, Independent Scholar
“Decentering Monsterhood: Blurred Histories, Genres and Narrative Identities in John M. Ford’s Fantasy The Last Hot Time (2000),” Angela Gustafsson Whyland, Southern New Hampshire University
“Guinevere, the Warrior Queen of Camelot?: The Altered Fate of Guinevere in Recent Comics,” Michael A. Torregrossa, Independent Scholar
 

Session IV: Saturday, October 28, 8:45-10:15am

PANEL 22 – CC 803 – The Fantastic: New Approaches to the Fantastic
CHAIR: Nova Seals, Salve Regina University
“The Princess Bride and Slavoj Žižek's Fantasy of the Real,” Heather Flyte, Kutztown University of Pennsylvania
“Madness and Mixed-Bloods: Racial Metaphors in Seanan McGuire’s October Daye Series,” Amie Doughty, SUNY Oneonta
“Heredity And The Hero: The Role of Heredity in Shaping Popular Heroes and Why It Matters,” Cheryl Hunter, University of Massachusetts Lowell

Session V: Saturday, October 28, 10:30am-noon

PANEL 29 – CC 803 – The Fantastic: Re-Thinking the Monstrous
CHAIR: Heather Flyte, Kutztown University of Pennsylvania
“‘If You're So Hungry, Why Don’t You Get a Job?’: Patrick Bateman as Neoliberal Monster and Hero in American Psycho,” Caitlin Duffy, Stony Brook University
“Tackling the Femme: The Psycho-Biddy Genre,” James Patrick Carraghan, Kutztown University
“The Aesthetics of Abjection in Anna Dressed in Blood (2011),” Nova Seals, Salve Regina University
“The Brides of Dracula Tell All: Dracula as Romantic Protagonist in Recent Neo-Victorian Fiction,” Terry Riley, Bloomsburg University

Session VI: Saturday, October 28, 1:30-3pm

PANEL 36 – CC 803 – The Fantastic: Mary Shelley’s Frankenstein: 199 Years Old and Still Going Strong
CHAIR: Kristine Larsen, Central Connecticut State University
“Frankenstein and the Real: A Psychoanalytic Look at Power and the Unconscious,” Emilie Lewis, Simmons College
“Coexistence of Gender Binaries: Bisexualism in Frankenstein,” Christopher Maye, California State University, Long Beach
“Modern Prometheus Bound,” Dennin Ellis, Independent Scholar

Session VII: Saturday, October 28, 3:15-4:45pm

PANEL 43 – CC 803 – The Fantastic: New England Horrors
CHAIR: Cheryl Hunter, University of Massachusetts Lowell
“Body Horror in Lovecraft Fiction and Film,” Shastri Akella, University of Massachusetts Amherst
“The Dead Past in New England Vernacular Poetry,” N. C. Christopher Couch, University of Massachusetts Amherst
“Tilting at Vampires,” Katie Gagnon, Independent Scholar

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